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¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)Àº ½Çȸ¦ ¹ÙÅÁÀ¸·Î ÇÑ ´ëÁß¼Ò¼³ÀÔ´Ï´Ù. ÇÁ¶û¼ö¾Æ-ÇÇ¿¡¸£ ÇÇÄÚ(Pierre Picaud)(1780~1815)´Â ¾Æ¸§´Ù¿î ¿©ÀÚÄ£±¸¿ÍÀÇ °áÈ¥½Ä¿¡¼ ¹Ï¾ú´ø Ä£±¸µéÀÇ ¾ÇÀÇÀûÀÎ °í¹ß°ú ħ¹¬À¸·Î ¿µ±¹ ½ºÆÄÀ̷ΠüÆ÷µÇ¾ú°í, 7³â°£ ¼ö°¨µÇ¾ú½À´Ï´Ù. ÇÔ²² ¼ö°¨µÈ Å丮 ½ÅºÎ´Â ±×¿¡°Ô ¹Ð¶ó³ëÀÇ º¸¹°¿¡ °üÇÑ Á¤º¸¸¦ ¹°·Á ÁÖ¾ú°í, Ãâ¿Á ÈÄ¿¡ ±×¸¦ ¹è½ÅÇÑ Ä£±¸µé¿¡°Ô º¹¼ö¸¦ ½ÃÀÛÇÕ´Ï´Ù. ±×·¯³ª, º¸¹°À» Ž³½ ½ÉºÎ¸§²ÛÀÌ ÇÇÄÚ¸¦ »ìÇØÇÔÀ¸·Î½á º¹¼ö¸¦ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÏ°í ¸¿´Ï´Ù. ¼Ò¼³ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)Àº ±×ÀÇ ÀÏ´ë±â¸¦ »ó´ç ºÎºÐ È°¿ëÇϵÇ, ½ÃüÁÖ¸Ó´Ï¿¡ µé¾î°£ ±ØÀûÀÎ Å»Ãâ, ¸·´ëÇÑ º¸¹°À» ÀÌ¿ëÇÑ ½ÅºÐ ¼¼Å¹, º¹¼öÀÇ ¿Ï¼º µî ´ëÁß¼Ò¼³´Ù¿î ¿ä¼Ò¸¦ º¸¿ÏÇÏ¿´½À´Ï´Ù. ¡®Àηù ¿ª»ç»ó ÃÖ°íÀÇ º¹¼ö±Ø¡¯´ä°Ô ¼öÂ÷·Ê, ¾Æ´Ï ¼ö½Ê Â÷·Ê ¿µÈ, µå¶ó¸¶, ¸¸È, ¹ÂÁöÄà µîÀ¸·Î Á¦ÀÛµÈ ¹Ù ÀÖÀ¸¸ç ±×ÀÇ ÀÛÇ°¿¡ ¸ðƼºê¸¦ ¾òÀº 2Â÷ âÀÛ ¶ÇÇÑ ¹«¼öÈ÷ ¸¹½À´Ï´Ù. ±¹³»¿¡¼µµ ¹ÂÁöÄÃÀÌ ¼öÂ÷·Ê ¹«´ë¿¡ ¿Ã¶úÀ¸¸ç, ÁÖÀΰøÀ» ¿©¼ºÀ¸·Î ¹Ù²Û KBS ¹Ì½º ¸óÅ× Å©¸®½ºÅä(Miss Monte-Cristo)(2021)°¡ ¹æ¿µµÇ¾ú½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¡°Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you¡±
"ÀλýÀº ÆødzÀÌ¿¡¿ä, ³» ÀþÀº Ä£±¸. ¿©·¯ºÐÀº ÇÑ ¼ø°£ ÇÞºûÀ» ÂØ°í, ±× ´ÙÀ½ ¼ø°£¿¡´Â ¹ÙÀ§¿¡ »ê»êÁ¶°¢ÀÌ ³¯ °ÍÀÔ´Ï´Ù. ´ç½ÅÀ» ³²ÀÚ·Î ¸¸µå´Â °ÍÀº ÆødzÀÌ ¿ÔÀ» ¶§ ÇÏ´Â ÀÏÀÔ´Ï´Ù. ·Î¸¶¿¡¼ ±×·¨´ø °Íó·³ Æødz¿ì ¼ÓÀ» µé¿©´Ùº¸°í ¼Ò¸®¸¦ Áú·¯¾ß ÇÕ´Ï´Ù. ÃÖ¼±À» ´ÙÇϼ¼¿ä, ³» ÀÏÀº ³»°¡ ÇÒ Å״ϱî! ±×·¯¸é ¿î¸íÀº ¿ì¸®°¡ ¾Æ´Â ´ç½ÅÀ» ¾Ë°Ô µÉ °ÍÀÔ´Ï´Ù.¡°
´ÞŸ³É ·Î¸Á½º(The d'Artagnan Romances) 3ºÎÀÛ(1844~1850) : »þ¸¦ ¿ÀÁµ µå ¹ÙÃ÷ µå Ä«½ºÅÚ¸ð ´Ù¸£Å¸³É ¹éÀÛ(Charles Ogier de Batz de Castelmore, Comte d'Artagnan, 1611?~1673), ÀÏ¸í ´ÞŸ³É(d'Artagnan)Àº µÚ¸¶ÀÇ ¼Ò¼³ »ïÃÑ»ç(The Three Musketers)(1844)ÀÇ ÁÖÀΰøÀ̱â ÀÌÀü¿¡, ÇÁ¶û½º ºÎ¸£ºÀ ¿ÕÁ¶ ½Ã´ë Ȳ½Ç ÃÑ»ç´ë ´ëÀåÀ¸·Î È°¾àÇÑ ½ÇÁ¸ Àι°ÀÔ´Ï´Ù. µÚ¸¶´Â ±×ÀÇ ÀÏ´ë±â¸¦ ¹ÙÅÁÀ¸·Î ´ÞŸ³É ·Î¸Á½º(d'Artagnan Romances) 3ºÎÀÛÀ̶ó ºÒ¸®´Â »ïÃÑ»ç(The Three Musketers)(1844), 20³â ÈÄ(The Twenty Years After)(1945), ºê·ÎÁñ¸° ÀÚÀÛ : 10³â ÈÄ(The Vicomte of Bragelonne : Ten Years Later)(1847~1850)¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. ÃÑ 3 ÆÄÆ®·Î ÀÌ·ç¾îÁø ºê·ÎÁñ¸° ÀÚÀÛ : 10³â ÈÄ(The Vicomte of Bragelonne : Ten Years Later)Àº Á¦ 3ºÎ ö°¡¸é(The Man in the Iron Mask) ÆíÀ¸·Î Àß ¾Ë·ÁÁ® ÀÖ½À´Ï´Ù¸¸, ±¹³» ¿Ï¿ªº» ¹ÌÃâ°£. ¼Ò¼³ »ïÃÑ»ç(The Three Musketers)(1844)´Â ´ç´ë¿¡ ÀÌ¹Ì Å« Àα⸦ ²ø¾úÀ¸¸ç, Çö´ëÀο¡°Ôµµ ¿µÈ¿Í µå¶ó¸¶, ¹ÂÁöÄà µîÀ¸·Î Ä£¼÷ÇÕ´Ï´Ù.
Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)(1844~1849) : µÚ¸¶´Â ±×ÀÇ ´ëÇ¥ÀÛ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)¿¡¼ ÇϽýÃ(hashish)¸¦ ¿ ¹ø ÀÌ»ó ¾ð±ÞÇÏ¿´À» »Ó¸¸ ¾Æ´Ï¶ó, ±× ¹¦»ç ¶ÇÇÑ Çغ¸Áö ¾Ê°í¼´Â Çϱ⠾î·Á¿ï Á¤µµ·Î µðÅ×ÀÏÇÕ´Ï´Ù. µÚ¸¶´Â ½ÇÁ¦·Î Æĸ®ÀÇ È£ÅÚ Hôtel de Lauzun Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)¿¡¼ ´ç´ëÀÇ ¹®È£, Á¤Ä¡ÀÎ µî°ú ÇÔ²² ÇϽýÃ(hashish)¸¦ Áñ°å½À´Ï´Ù.
ÇÁ¶û½º ¿ª»ç»ó ÆÇÅ׿Â(Panthéon)¿¡ ¾ÈÀåµÈ 6¹ø° ¹®ÀÎ : ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)´Â 1870³â ¼ûÀ» °ÅµÎ¾ú½À´Ï´Ù. ±×ÀÇ ½Ã½ÅÀº ³úºô¸£-·¹-µð¿¡»Ú(Neuville-lès-Dieppe)¿¡ ÃÖÃÊ·Î ¸ÅÀåµÈ ÈÄ ÀÚ½ÅÀÌ ÅÂ¾î³ °íÇâ ºô·¯½º-ÄÚÅ׸£Å×Ã÷(Villers-Cotterêts)À¸·Î ÀÌÀåµÇ¾ú½À´Ï´Ù. ±×¸®°í, 2002³â ź»ý 200ÁÖ³âÀ» ¸Â¾Æ ÇÁ¶û½º¸¦ ´ëÇ¥ÇÏ´Â ¹®È£·Î ÀÎÁ¤¹Þ¾Æ Æĸ®ÀÇ ÆÇÅ׿Â(Panthéon)À¸·Î ÀÌÀåµÇ¾ú½À´Ï´Ù. ÀÌ´Â ÇÁ¶û½º ¿ª»ç»ó ÆÇÅ׿Â(Panthéon)¿¡ ¾ÈÀåµÈ 6¹ø° ¹®ÀÎÀ̶õ ´ë±â·ÏÀ¸·Î, ÀÌÀå½ÄÀº ¹æ¼ÛÀ» ÅëÇØ ÇÁ¶û½º Àü¿ª¿¡ ¹æ¿µµÇ¾ú½À´Ï´Ù. µÚ¸¶ÀÇ À¯¾ðÀ» µû¸¥ ºô·¯½º-ÄÚÅ׸£Å×Ã÷(Villers-Cotterêts) ¸¶À» ÁֹεéÀÌ ¹Ý´ëÇÏ¿´À¸³ª, ¹¹... ÀÚÅ© ¸£³× ½Ã¶óÅ©(Jacques René Chirac)(1932³â 11¿ù 29ÀÏ ~ 2019³â 9¿ù 26ÀÏ) ÇÁ¶û½º ´ëÅë·ÉÀº °ÅºÎÇϱ⿣ ³Ê¹«³ª °Å¹°ÀÌÁö¿ä.
¡°Those born to wealth, and who have the means of gratifying every wish, know not what is the real happiness of life, just as those who have been tossed on the stormy waters of the ocean on a few frail planks can alone realize the blessings of fair weather.¡±
"ºÎÀڷΠž ¸ðµç ¼Ò¸ÁÀ» ÃæÁ·½Ãų ¼ö ÀÖ´Â ¼ö´ÜÀ» °¡Áø »ç¶÷µéÀº ÀλýÀÇ ÁøÁ¤ÇÑ ÇູÀÌ ¹«¾ùÀÎÁö ¸ð¸¨´Ï´Ù. ¸¶Ä¡ ¸î °³ÀÇ ¾àÇÑ Æò¿ø¿¡¼ Æødz¿ì Ä¡´Â ¹Ù´å¹°¿¡ ´øÁ®Áø »ç¶÷µé¸¸ÀÌ °øÁ¤ÇÑ ³¯¾¾ÀÇ ÃູÀ» ±ú´ÞÀ» ¼ö ÀÖ´Â °Íó·³ ¸»ÀÔ´Ï´Ù.¡°
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
10°¡Áö Å°¿öµå·Î Àд ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas) by Á¶¸íÈ ÆíÁýÀå
01. º¹¼ö±ØÀÇ ¿Ï¼ºÀÚ, ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)(1802~1870)
02. ·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur)(1837)
03. ´ÞŸ³É ·Î¸Á½º(The d'Artagnan Romances) 3ºÎÀÛ(1844~1850)
04. ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844~1846)
05. Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)(1844~1849)
06. À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman) 68À§(2005)
07. ±¸±Û µÎµé(Google Doodle)(2020)
08. ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)¸¦ ¸¸³ª´Â Àå¼Ò TOP12
09. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)
10. ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas) ¾î·Ï(Quotes)(30)
¾Ë·º»óµå¸£ µÚ¸¶ÀÇ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ¥°(The Count of Monte Cristo¥° by Alexandre Dumas)(1844~1846)
Chapter 1. Marseilles—The Arrival
Chapter 2. Father and Son
Chapter 3. The Catalans
Chapter 4. Conspiracy
Chapter 5. The Marriage Feast
Chapter 6. The Deputy Procureur du Roi
Chapter 7. The Examination
Chapter 8. The Château d¡¯If
Chapter 9. The Evening of the Betrothal
Chapter 10. The King¡¯s Closet at the Tuileries
Chapter 11. The Corsican Ogre
Chapter 12. Father and Son
Chapter 13. The Hundred Days
Chapter 14. The Two Prisoners
Chapter 15. Number 34 and Number 27
Chapter 16. A Learned Italian
Chapter 17. The Abb顯s Chamber
Chapter 18. The Treasure
Chapter 19. The Third Attack
Chapter 20. The Cemetery of the Château d¡¯If
Chapter 21. The Island of Tiboulen
Chapter 22. The Smugglers
Chapter 23. The Island of Monte Cristo
Chapter 24. The Secret Cave
Chapter 25. The Unknown
Chapter 26. The Pont du Gard Inn
Chapter 27. The Story
Chapter 28. The Prison Register
Chapter 29. The House of Morrel & Son
Chapter 30. The Fifth of September
Chapter 31. Italy: Sinbad the Sailor
Chapter 32. The Waking
Chapter 33. Roman Bandits
Chapter 34. The Colosseum
Chapter 35. La Mazzolata
Chapter 36. The Carnival at Rome
Chapter 37. The Catacombs of Saint Sebastian
Chapter 38. The Rendezvous
Chapter 39. The Guests
Chapter 40. The Breakfast
Chapter 41. The Presentation
Chapter 42. Monsieur Bertuccio
Chapter 43. The House at Auteuil
Chapter 44. The Vendetta
Chapter 45. The Rain of Blood
Chapter 46. Unlimited Credit
Chapter 47. The Dappled Grays
Chapter 48. Ideology
Chapter 49. Haydée
Chapter 50. The Morrel Family
Chapter 51. Pyramus and Thisbe
Chapter 52. Toxicology
Chapter 53. Robert le Diable
Chapter 54. A Flurry in Stocks
Chapter 55. Major Cavalcanti
Chapter 56. Andrea Cavalcanti
Chapter 57. In the Lucern Patch
Chapter 58. M. Noirtier de Villefort
Chapter 59. The Will
Chapter 60. The Telegraph
Chapter 61. How a Gardener May Get Rid of the Dormice
Chapter 62. Ghosts
Chapter 63. The Dinner
Chapter 64. The Beggar
Chapter 65. A Conjugal Scene
Chapter 66. Matrimonial Projects
Chapter 67. The Office of the King¡¯s Attorney
Chapter 68. A Summer Ball
Chapter 69. The Inquiry
Chapter 70. The Ball
Chapter 71. Bread and Salt
Chapter 72. Madame de Saint-Méran
Chapter 73. The Promise
Footnotes
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º¹¼ö±ØÀÇ ¿Ï¼ºÀÚ, ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)(1802~1870) : µÎ¸¶½º ´Ùºñ µ¥ ¶ó ÆÄÀÏÅ׸®(Dumas Davy de la Pailyterie), ÀÏ¸í ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)´Â ÇÁ¶û½º±ºÀÇ À屺À¸·Î È°¾àÇÏ´Â Å丶½º ¾Ë·º»êµå¸£ µÚ¸¶½º(Thomas-Alexandre Dumas Davy de la Pailleterie)¿Í ¿©°üÁý µþ ¸¶¸® ·çÀÌÁ¦ ¿¤¸®ÀÚº£½º ¶óºÎ·¿(Marie-Louise Elisabeth Labouret Dumas) »çÀÌ¿¡¼ ž½À´Ï´Ù. ±×ÀÇ ÇÒ¸Ó´Ï´Â Ãâ½ÅÀÌ ¾Ë·ÁÁöÁö ¾ÊÀº ¾ÆÇÁ¸®Ä«°è ÄÉ·¯ºñ¾ð È¥Ç÷(Afro-Caribbean people)·Î, µÚ¸¶ ¶ÇÇÑ ÈæÀÎ ÄõÅÍ(1/4)ÀÔ´Ï´Ù. ÇÁ¶û½º¸¦ Áß½ÉÀ¸·Î º§±â¿¡, ·¯½Ã¾Æ, ÀÌÅ»¸®¾Æ µî À¯·´¿¡¼ È°µ¿ÇÏ´Â µ¿¾È °ö½½ ¸Ó¸®¿Í ¾îµÎ¿î ÇǺΠ´öºÐ¿¡ Æò»ýÀ» ÀÎÁ¾ Â÷º°¿¡ ½Ã´Þ·È½À´Ï´Ù.
±×ÀÇ ¾Æ¹öÁö´Â ´ç½Ã ÇÁ¶û½ºÀÇ ½Ä¹ÎÁö¿´´ø ÇöÀçÀÇ ¾ÆÀÌƼ(Haiti)¿¡¼ žÀ¸³ª, ÇÁ¶û½º ±º»çÇб³¿¡¼ ±³À°¹ÞÀº ÈÄ 31¼¼ÀÇ ³ªÀÌ·Î À屺À¸·Î Áø±ÞÇÒ Á¤µµ·Î Ź¿ùÇÑ Àç´ÉÀ» ¹ßÈÖÇÏ¿´½À´Ï´Ù. ÀÌ´Â ÇÁ¶û½º ±º ÃÖÃÊÀÇ ¾ÆÇÁ¸®Ä«-¾ÈÆ¿·¹½º Ãâ½Å ±ºÀÎ(the first soldier of Afro-Antilles)À̶õ ´ë±â·ÏÀÔ´Ï´Ù. ±×ÀÇ ¾Æ¹öÁö´Â ±×ÀÇ ³ªÀÌ ºÒ°ú 4¼¼ ¶§ »ç¸ÁÇÏ¿´°í, ±×ÀÇ °¡Á·Àº ºó°ïÇÔÀ» ¸éÄ¡ ¸øÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ÇÁ¶û½º ´ëÇõ¸í(1789~1799) ´ç½Ã ³ªÆú·¹¿Ë º¸³ªÆĸ£Æ® ÈÖÇÏÀÇ À屺À¸·Î È°¾àÇÑ ¾Æ¹öÁö Å丶½º ¾Ë·º»êµå¸£ µÚ¸¶½º À屺(General Thomas-Alexandre Dumas)À̶õ Èı¤ ´öºÐ¿¡, »ó·ùÃþ°ú ¾î·ÆÁö ¾Ê°Ô ±³·ùÇÒ ¼ö ÀÖ¾ú°í, ¼ºÀÎÀÌ µÈ ÈÄ Æĸ®¿¡¼ ±ØÀÛ°¡·Î µî´ÜÇÒ ¼ö ÀÖ°Ô µË´Ï´Ù.
µÚ¸¶´Â óÀ½À¸·Î Ãâ°£ÇÑ Èñ°î Ç 3¼¼¿Í ±×ÀÇ ±ÃÁ¤(Henry III and His Courts)(1829)ºÎÅÍ Àαâ¸ôÀÌ¿¡ ¼º°øÇÕ´Ï´Ù! À̸¦ ±â¹ÝÀ¸·Î »ý°è¸¦ À§ÇÑ ÇÊ°æ»ç(ù¶ÌéÞÍ)¸¦ ¶§·ÁÄ¡¿ì°í, Àü¾÷ ÀÛ°¡·Î È°µ¿ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. µÚ¸¶´Â ¼ö¸¹Àº ¿©Àεé(40¿©¸í)°ú »ç¶ûÀ» ³ª´©°í(±×ÀÇ »ç»ý¾Æ´Â ¡®ÃÖ¼Ò¡¯ 4¸íÀ¸·Î ÃßÁ¤µË´Ï´Ù.), (Èʳ¯ À½½Ä°ú °ü·ÃÇÑ Ã¥À» ÁýÇÊÇÒ Á¤µµ·Î) Áø±ÍÇÑ À½½Ä¿¡ ¿±¤ÇÏ¿´À¸¸ç, Æĸ® ±Ù±³¿¡ ÀÚ½ÅÀÇ ÀÛÇ°¸íÀ» µý ¼º(¸ùÅ× Å©¸®½ºÅä ¼º)À» ¼¼¿ì´Â µî Æò»ý ½ºÄµµé°ú »çÄ¡·ÎºÎÅÍ ÀÚÀ¯·ÓÁö ¾Ê¾Ò½À´Ï´Ù. ±×·¸±â¿¡ ¸¹Àº µ·À» ¹ú¼ö·Ï ´õ´õ¿í µ·ÀÌ ÇÊ¿äÇß°í, ÀÌ ¶§¹®¿¡ Æò»ý ±Ù¸é¼º½Ç(?!)ÇÑ ÁýÇÊÀ» ¸ØÃßÁö ¾Ê¾Ò½À´Ï´Ù. ±×°¡ Æò»ý Ãâ°£ÇÑ Ã¥, ¿¬Àç, Èñ°î µîÀÇ ÃÑ ºÐ·®Àº ¹«·Á 10¸¸ ÆäÀÌÁö¿¡ ´ÞÇÕ´Ï´Ù¸¸, ±¹³» ¹ø¿ªº»ÀÌ Ãâ°£µÈ °ÍÀº ±ØÈ÷ ÀϺο¡ ºÒ°úÇÕ´Ï´Ù.
¾Ë·º»óµå¸£ µÚ¸¶ Æ丣(Alexandre Dumas père)ÀÇ Æ丣(père)´Â ¾Æ¹öÁö(dad)¶õ ¶æÀ¸·Î ±×ÀÇ »ç»ý¾Æ ¾Æµé ¾Ë·º»óµå¸£ µÚ¸¶ Çǽº(Alexandre Dumas fils)¿Í ±¸ºÐÇϱâ À§ÇØ ºÙÀÎ °ÍÀÔ´Ï´Ù. Çǽº(fils) ¶ÇÇÑ ÇÁ¶û½º¾î·Î ¾Æµé(son)À̶õ ¶æ. ¾Æ¹öÁö¿Í ¸¶Âù°¡Áö·Î ÃáÈñ(La dame aux camélias(1848)¸¦ ºñ·ÔÇÑ Èñ°îÀ» ´Ù¼ö ÁýÇÊÇÑ ±ØÀÛ°¡·Î È°µ¿ÇÏ¿´À¸¸ç, ±×ÀÇ ¿øÀÛ Èñ°îÀ» ¹ÙÅÁÀ¸·Î ÁÖ¼¼Æä º£¸£µð(Giuseppe Fortunino Francesco Verdi)´Â 3¸·ÀÇ ¿ÀÆä¶ó ¶ó Æ®¶óºñ¾ÆŸ(La traviata)(1853)¸¦ ÀÛ°îÇÏ¿´½À´Ï´Ù.
¡°I don¡¯t think man was meant to attain happiness so easily. Happiness is like those palaces in fairy tales whose gates are guarded by dragons: we must fight in order to conquer it.¡±
"Àú´Â Àΰ£ÀÌ ±×·¸°Ô ½±°Ô ÇູÀ» ¾òÀ» ¼ö ÀÖµµ·Ï ÀǵµµÇ¾ú´Ù°í »ý°¢ÇÏÁö ¾Ê½À´Ï´Ù. ÇູÀº ¿ëÀ¸·Î ¹®À» ÁöÅ°´Â µ¿È ¼ÓÀÇ ±ÃÀü°ú °°½À´Ï´Ù. ¿ì¸®´Â ±×°ÍÀ» Á¤º¹Çϱâ À§ÇØ ½Î¿ö¾ß ÇÕ´Ï´Ù."
·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur)(1837) : µÚ¸¶´Â 1837³â ÇÁ¶û½ºÀÇ Á¤Ä¡∙°æÁ¦∙¹®È µîÀÇ ¹ßÀü¿¡ °øÀûÀÌ ÀÖ´Â »ç¶÷¿¡°Ô ¼ö¿©ÇÏ´Â ÃÖ°í ±ÇÀ§ÀÇ ÈÆÀå - ·¹Áö¿Ë µµ³ú¸£(ordre national de la Légion d¡¯honneur) ÈÆÀåÀ» ¼ö¿©¹Þ¾Ò½À´Ï´Ù. ·¹Áö¿Ë µµ³ú¸£(ordre national de la Légion d¡¯honneur)´Â ³ªÆú·¹¿Ë 1¼¼°¡ 1802³â »õ·Ó°Ô Á¦Á¤ÇÑ °ÍÀ¸·Î, µÚ¸¶°¡ ¼ö»óÇÑ °ÍÀº °¡Àå ³·Àº ´Ü°èÀÇ ½´¹ß¸®¿¡(Chevalier) µî±ÞÀÔ´Ï´Ù. µÚ¸¶°¡ ÀÚ½ÅÀÇ ¾Æ¹öÁöÀÇ È°¾àÀ» ½â ÁÁ¾ÆÇÒ ¼ö ¸¸Àº ¾ø¾ú´ø ³ªÆú·¹¿Ë 1¼¼¸¦ °æ¸êÇÏ¿´´Âµ¥, ±×ÀÇ »çÈÄÀ̱â´Â ÇÏÁö¸¸ ±×°¡ Á¦Á¤ÇÑ ÈÆÀåÀ» ¹ÞÀ» ¶§ ¾î¶² ±âºÐÀÌ¿´À»Áö ±Ã±ÝÇØÁö³×¿ä. µÚ¸¶´Â ÀÚ½ÅÀÇ ÀÛÇ°¿¡¼ Áٰ𠳪Æú·¹¿Ë 1¼¼¸¦ ºÎÁ¤ÀûÀ¸·Î ¹¦»çÇÏ¿´½À´Ï´Ù. µÚ¸¶ÀÇ ÈÆÀå ¼ö»óÀº ´ç¿¬È÷ ±×ÀÇ ´ëÇ¥ÀÛ »ïÃÑ»ç(The Three Musketers)(1844)³ª ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844) ´öºÐÀ̶ó°í »ý°¢ÇÒ ¼ö ÀÖ°Ú½À´Ï´Ù¸¸, ±×º¸´Ù ÈξÀ ºü¸¥ 1837³âÀÔ´Ï´Ù. Áï ´ç´ë ÇÁ¶û½º ¹®Çа迡¼ µÚ¸¶´Â ¼Ò¼³ÀÌ ¾Æ´Ñ ±ØÀÛ°¡·Î½á ÀÌ¹Ì ÈÆÀåÀ» ¹ÞÀ» Á¤µµ·Î ´ç´ë ÃÖ°íÀÇ Àαâ¿Í ±ÇÀ§¸¦ ÀÎÁ¤¹Þ¾ÒÀ½À» ¹Ì·ç¾î ÁüÀÛÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÇÁ¶û½º2(France 2) À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman) 68À§(2005) : 2005³â ÇÁ¶û½º2(France 2)´Â ¸£ Ç÷¯½º ±×¶û ÇÁ¶û¼ö¾Æ µ¥Åõ¾Æ·¹ÅÛ½º(Le Plus Grand Francais de toussemps, The Great French man of the Time)¸¦ ÅëÇØ, ÇÁ¶û½º ±¹¹Îµé¿¡°Ô À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman)(2005)À» Á¶»çÇÏ¿´½À´Ï´Ù. 1À§´Â »þ¸¦ µå°ñ(Charles de Gaulle) ´ëÅë·ÉÀ¸·Î, µÚ¸¶´Â 68À§¿¡ À̸§À» ¿Ã·È½À´Ï´Ù.
¡°There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life.
"¼¼»ó¿¡´Â Çູµµ ºÒÇ൵ ¾ø½À´Ï´Ù. ÇÑ ±¹°¡¿Í ´Ù¸¥ ±¹°¡¸¦ ºñ±³ÇÒ »ÓÀÌÁö ±× ÀÌ»óÀº ¾ø½À´Ï´Ù. °¡Àå ±íÀº ½½ÇÄÀ» ´À³¤ »ç¶÷Àº ÃÖ°íÀÇ ÇູÀ» °æÇèÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿ì¸®´Â Á×´Â °ÍÀÌ ¹«¾ùÀÎÁö ´À²¼À» °ÍÀÔ´Ï´Ù, ¸ð·¼, ¿ì¸®´Â »îÀÇ Áñ°Å¿òÀ» ´À³¥Áöµµ ¸ð¸¨´Ï´Ù.
" Live, then, and be happy, beloved children of my heart, and never forget, that until the day God will deign to reveal the future to man, all human wisdom is contained in these two words, 'Wait and Hope.¡±
"±×·¯¸é, »ì¾Æ¶ó, ±×¸®°í ³» ¸¶À½¿¡¼ »ç¶û¹Þ´Â ¾ÆÀ̵éÀÌ µÇ¾î¶ó, ±×¸®°í °áÄÚ ÀØÁö ¸»¶ó, ½ÅÀÌ Àΰ£¿¡°Ô ¹Ì·¡¸¦ ¹àÈ÷µµ·Ï ¼³°èÇÒ ±×³¯±îÁö, ¸ðµç Àΰ£ÀÇ ÁöÇý´Â ÀÌ µÎ ´Ü¾î, '±â´Ù·Á¶ó'¿¡ ´ã°Ü ÀÖ½À´Ï´Ù.¡°