Çã¸Õ ¸áºôÀÇ ·¹µå¹ø(Redburn. His First Voyage by Herman Melville)(1849) : 1849³â ¿µ±¹ ·±´ø¿¡¼ ÃÖÃÊ·Î Ãâ°£µÈ ·¹µå¹ø(Redburn. His First Voyage by Herman Melville)(1849)Àº Çã¸Õ ¸áºôÀÇ ³× ¹ø° ÀÛÇ°(the fourth book)À¸·Î ÀÛ°¡ÀÇ ÀÚÀüÀûÀÎ ¸®¹öÇ® Ç×Çر⸦ ¹ÙÅÁÀ¸·Î ÇÕ´Ï´Ù. ´ç½Ã ¸áºôÀº ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)¿¡ ´ëÇÑ È¤µ¶ÇÑ ºñÆò°ú ´º¿å¿¡¼ ºÎ¾çÇؾßÇÒ ¼ö¸¹Àº °¡Á·¿¡ ´ëÇÑ Ã¥ÀÓ°¨À¸·Î ÀüÀÛº¸´Ù ´õ Æȸ± ¼ö ÀÖ´Â ÀÛÇ°À» ¾²°íÀÚ Çß½À´Ï´Ù. 1839³â ÀÛ°¡°¡ Á÷Á¢ ¸®¹öÇ®À» ¿Õº¹ÇÑ °æÇèÀ» ¹ÙÅÁÀ¸·Î, ¼±¿øÀ» ÁÖÀΰø »ï¾Æ Ç×ÇØ(Travel literature)¿Í ¿µ±¹ µÞ°ñ¸ñ¿¡ ´ëÇÑ »ý»ýÇÑ ¹¦»ç¸¦ ¹ö¹«·Á ºÒ°ú 10ÁÖ ¸¸¿¡ ÀÛÇ°À» Å»°íÇÏ¿´½À´Ï´Ù.
I have now in preparation a thing of a widely different cast from "Mardi":—a plain, straightforward, amusing narrative of personal experience—the son of a gentleman on his first voyage to sea as a sailor—no metaphysics, no conic-sections, nothing but cakes & ale. I have shifted my ground from the South Seas to a different quarter of the globe—nearer home—and what I write I have almost wholly picked up by my own observations under comical circumstances. Àú´Â ÀÌÁ¦ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)¿Í´Â ¿ÏÀüÈ÷ ´Ù¸¥ ¹è¿ª, Áï ¼±¿øÀ¸·Î¼ óÀ½À¸·Î ¹Ù´Ù·Î Ç×ÇØÇÏ´Â ½Å»çÀÇ ¾Æµé, Áï °£´ÜÇÏ°í Á÷¼³ÀûÀ̸ç Àç¹ÌÀÖ´Â À̾߱⸦ ÁغñÇÏ°í ÀÖ½À´Ï´Ù. ÇüÀÌ»óÇеµ ¾ø°í, ¿ø»ÔÇüµµ ¾ø°í, ÄÉÀÌÅ© & ¿¡ÀÏ ¿Ü¿¡´Â ¾Æ¹«°Íµµ ¾ø½À´Ï´Ù. Àú´Â ³²ÇØ¿¡¼ Áö±¸ ¹Ý´ëÆí, Áï °íÇâ ±Ùó·Î Á¦ ÀÔÀåÀ» ¿Å°å°í, Á¦°¡ ¾´ ±ÛÀº ¿ì½º²Î½º·¯¿î »óȲ¿¡¼ Á¦ °üÂû·Î °ÅÀÇ ¿ÏÀüÈ÷ ÆľǵǾú½À´Ï´Ù.
ÀÛ°¡ º»ÀÎÀÌ Å»°íÁ¶Â÷ ÇÏÁö ¾ÊÀ» Á¤µµ·Î ¿ÀÁ÷ µ·À» ¹ú±â À§ÇØ ¾´ ÀÛÇ°ÀÌÁö¸¸, ÀÇ¿Ü·Î(?!) Æò·Ð°ú µ¶ÀÚµéÀº Çã¸Õ ¸áºô ƯÀ¯ÀÇ Èï¹ÌÁøÁøÇÑ ¸ðÇè´ã°ú ¿µ±¹Àο¡°Ôµµ ³¸¼± ¿µ±¹ µÞ°ñ¸ñ¿¡ ´ëÇÑ ¹¦»ç¿¡ È£ÆòÇß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, ¸áºôÀÇ ÀÚ½ÅÀÇ ÀϱâÀå¿¡³ª¸¶ ·¹µå¹ø(Redburn. His First Voyage by Herman Melville)(1849)À» ºñÆÇÇϸç ÀÚ½ÅÀÇ Ã³Áö¸¦ ÇÑźÇß½À´Ï´Ù¡¦¡¦.
What I feel most moved to write, that is banned—it will not pay. Yet, altogether, write the other way I cannot. So the product is a final hash, and all my books are botches. Á¦°¡ °¡Àå °¨µ¿ÀûÀ¸·Î ¾²´Â °ÍÀº ±ÝÁöµÇ¾î ÀÖ½À´Ï´Ù. ±×°ÍÀº Æȸ®Áö ¾ÊÀ»Å״ϱî¿ä. ÇÏÁö¸¸, ÀüüÀûÀ¸·Î, Á¦°¡ ¾µ ¼ö ¾ø´Â ´Ù¸¥ ¹æ¹ýÀ¸·Î ½á¾ß ÇÕ´Ï´Ù. ±×·¡¼ ±× Ã¥Àº ÃÖÁ¾ ¿Ï¼ºÇ°ÀÌ°í, Á¦ Ã¥µéÀº ¸ðµÎ ¾²·¹±âÀÔ´Ï´Ù.
ÀÛÇ°ÀÇ ÁÖÀΰø À£¸µ¹ö·¯ ·¹µå¹ø(Wellingborough Redburn)Àº ±¸Á÷³¿¡ ½Ã´Þ¸®´Ù ¸øÇØ ´º¿åÀ» Ãâ¹ßÇØ ¿µ±¹ ¸®¹öÇ®·Î ÇâÇÏ´Â ¼±¹Ú¿¡ ¿Ã¶óž´Ï´Ù. ¼±¹Ú¿¡¼ °¡Àå ÁöÀ§°¡ ³·Àº ÃÊÂ¥ ¼±¿ø ·¹µå¹øÀº ½º½º·Î¸¦ ½Å»çÀÇ ¾Æµé(son of a gentleman)À̶ó°í ¹Ï¾î ¿ÔÀ¸³ª, ÀÌ°÷¿¡¼´Â ±×Àú ÀçŶ¿¡ ºÙ¾îÀÖ´Â ¹Ý¦ÀÌ ´öºÐ¿¡ ´ÜÃß(Buttons)¶ó°í ºÒ¸®´Â ½Å¼¼¸¦ ¸éÄ¡ ¸øÇÕ´Ï´Ù. ¹Ì±¹¿¡¼ ¿µ±¹À¸·Î ÇâÇÏ´Â ±â³ª±ä Ç×ÇØ µ¿¾È ÃÊÂ¥ ¼±¿øÀ¸·Î½á ¹î¸Ö¹Ì(seasickness)¿Í ºñÁ¼Àº ¼÷¼Ò(cramped quarters), ÇüÆí¾ø´Â À½½Ä(bad food)¿¡ ½Ã´Þ¸®¸é¼ °©ÆÇ Ã»¼Ò(scrubbing decks), ¿À¹ãÁß¿¡ µÀ´ë ¿À¸£±â(climbing masts), µÅÁö Ææ(pig-pen)À̶ó ºÒ¸®´Â ·Õº¸Æ®(longboat) û¼Ò µîÀÇ ¾÷¹«¿¡ ½Ã´Þ¸®´Â ·¹µå¹øÀÇ °í»ý±â°¡ ÆîÃÄÁý´Ï´Ù! ¹°·Ð °íÂü ¼±¿ø Àè½¼(Jackson)ÀÇ ¹«½Ã¹«½ÃÇÑ Çù¹Úµµ »©³õÀ» ¼ö ¾ø°ÚÁÒ? ¸®¹öÇ®¿¡ µµÂøÇÑ ·¹µå¹øÀº ÀÌÁ¦¾ß ÇѼûÀ» ½¯ ¼ö ÀÖ°Ô µË´Ï´Ù. ÀÛÁö¸¸ ¹æµµ Çϳª ºô¸®°í, »ýÀü óÀ½ ¿Íº¸´Â ¿µ±¹ ¶¥ÀÇ °ñ¸ñÀ» °Å´Ò¾î º¾´Ï´Ù. ±×·¯´ø Áß ·Ð½½·ÔÀÇ ÇìÀÌ(Launcelott's Hey) °Å¸® ¾î´À ÁöÇϽǿ¡¼ ±¾¾îÁ×±â Á÷ÀüÀÇ ¾î¸Ó´Ï¿Í µÎ ¾ÆÀ̸¦ ¹ß°ßÇÏ°í¾ß ¸¶´Âµ¥...?! ÁÖº¯ÀÇ ¸ðµç À̵é, ½ÉÁö¾î °æÂû¸¶Àúµµ ¸ð³à¿¡ ´ëÇØ °ü½ÉÀ» °®Áö ¾Ê´Â °ÍÀº ·¹µå¹ø¿¡°Ô Å« Ãæ°ÝÀÌ¿´½À´Ï´Ù. ¾à°£ÀÇ À½½Ä°ú ¹°À» ¸ð³à¿¡°Ô Àü´ÞÇÏÁö¸¸, °ú¿¬ ±×³×µéÀÇ ¿î¸íÀº ¾î¶»°Ô µÉ±î¿ä?!
ºÎµÔ°¡¿¡¼ ¿ì¿¬ÇÏ°Ô ¸¶ÁÖÄ£ ³Ë»ìÁÁÀº Çظ® º¼Æ°(Harry Bolton)°ú Ä£±¸¸¦ ¸Ô°í, ·±´øÀÇ ÀÌ°÷Àú°÷À» ÇÔ²² µ¹¾Æ´Ù´Õ´Ï´Ù. ±×·¯´ø Áß ¾Ë¶óµòÀÇ ±Ã(Aladdin's Palace)À̶ó ºÒ¸®´Â ÃÊÈ£È ·°¼Å¸® ÇÁ¶óÀ̺ø Ŭ·´µµ µé¸£°Ô µÇÁö¿ä! ´º¿å ÃÌ³ð¿¡°Ô È·ÁÇÑ Ä«Áö³ëÀÇ À¯È¤Àº °ÅºÎÇϱ⠽±Áö ¾ÊÀº °ÍÀ̾úÀ¸³ª, °¡±î½º·Î ±×µéÀº ´Ù½Ã ´º¿åÀ» ÇâÇØ Ãâ¹ßÇÏ´Â ¼±¹Ú¿¡ ¸öÀ» ½Æ½À´Ï´Ù. ±×³ªÀú³ª °æ·Â ÀÖ´Â ¼±¿øÀ̶ó´Â Çظ®´Â ÀÚ½ÅÀÇ Çãdz¸¸ÅÀÇ ½Ç·ÂÀ» º¸¿©ÁÖÁö ¸øÇÕ´Ï´Ù. °ú¿¬ ±×ÀÇ Á¤Ã¼´Â ¹«¾ùÀϱî¿ä? Àڱ⠾հ¡¸²ÇϱâÁ¶Â÷ ¹Ù»Û ·¹µå¹øÀÇ ÀÔÀå¿¡¼ Çظ®¸¦ ¸¶³É ½Å°æ½áÁÙ ¼öµµ ¾ø´Â ³ë¸©! Çظ®´Â °ú¿¬ ¹«»çÈ÷ Ç×Çظ¦ ¸¶Ä¥ ¼ö ÀÖÀ»±î¿ä?! Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
The next day, and the next, I passed the vault three times, and still met the same sight. The girls leaning up against the woman on each side, and the woman with her arms still folding the babe, and her head bowed. The first evening I did not see the bread that I had dropped down in the morning; but the second evening, the bread I had dropped that morning remained untouched. On the third morning the smell that came from the vault was such, that I accosted the same policeman I had accosted before, who was patrolling the same street, and told him that the persons I had spoken to him about were dead, and he had better have them removed. He looked as if he did not believe me, and added, that it was not his street. CHAPTER XXXVII. WHAT REDBURN SAW IN LAUNCELOTT¡¯S-HEY
±× ´ÙÀ½³¯, ±×¸®°í ±× ´ÙÀ½³¯, Àú´Â ±Ý°í¸¦ ¼¼ ¹øÀ̳ª Áö³ªÃÆÁö¸¸, ¿©ÀüÈ÷ °°Àº ±¤°æÀ» ¸¸³µ½À´Ï´Ù. ¾çÂÊ¿¡ ÀÖ´Â ¿©ÀÚ¿¡°Ô ±â´ë¾î ¼ ÀÖ´Â ¿©ÀÚµé°ú ¿©ÀüÈ÷ ¾Æ±â¸¦ Á¢°í ÀÖ´Â ¿©ÀÚ, ±×¸®°í °í°³¸¦ ¼÷ÀÎ ¿©ÀÚÀÔ´Ï´Ù. ù° ³¯ Àú³á¿¡´Â ¾Æħ¿¡ ¶³¾î¶ß¸° »§À» º¼ ¼ö ¾ø¾úÁö¸¸ µÑ° ³¯ Àú³á¿¡´Â ¶³¾î¶ß¸° »§ÀÌ ±×´ë·Î¿´½À´Ï´Ù. ¼Â° ³¯ ¾Æħ ±Ý°í¿¡¼ ³ª´Â ³¿»õ°¡ ³Ê¹« ³ª¼, Àü¿¡ Á¢±ÙÇß´ø °æÂû¿¡°Ô Á¢±ÙÇß°í, °°Àº °Å¸®¸¦ ¼øÂûÇÏ´ø °æÂû¿¡°Ô ´Ù°¡°¡¼, ±×¿¡°Ô ¸»ÇÑ »ç¶÷µéÀÌ Á×¾ú´Ù°í ¸»Çß°í, ±×´Â ±×°ÍµéÀ» Ä¡¿ì´Â °ÍÀÌ ÁÁÀ» °ÍÀ̶ó°í ¸»Çß½À´Ï´Ù. ±×´Â ¸¶Ä¡ ³ª¸¦ ¹ÏÁö ¾Ê´Â °Íó·³ º¸¿´°í, ±×¸®°í µ¡ºÙ¿´½À´Ï´Ù, ±×°÷Àº ±×ÀÇ °üÇÒÀÌ ¾Æ´Ï¶ó°í.
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 15°¡Áö Å°¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)
01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)
02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!
03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)
04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)
05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎÈ°(Melville Revival)
06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)
07. ¸áºô Çùȸ(The Melville Society)(1945)
08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ ¸ðºñµñ(Moby Dick)(1956)
09. ¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)
10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)
11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)
12. ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)
13. ¿µ¹®ÇÐ 3´ë ºñ±Ø
14. ¹Ì±¹¿¡¼ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý
15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)
Çã¸Õ ¸áºôÀÇ ·¹µå¹ø(Redburn. His First Voyage by Herman Melville)(1849)
I. How Wellingborough Redburn¡¯S Taste For The Sea Was Born And Bred In Him
II. Redburn¡¯S Departure From Home
III. He Arrives In Town
IV. How He Disposed Of His Fowling-Piece
V. He Purchases His Sea-Wardrobe, And On A Dismal Rainy Day Picks Up His Board And Lodging Along The Wharves
VI. He Is Initiated In The Business Of Cleaning Out The Pig-Pen, And Slushing Down The Top-Mast
VII. He Gets To Sea And Feels Very Bad
VIII. He Is Put Into The Larboard Watch; Gets Sea-Sick; And Relates Some Other Of His Experiences
IX. The Sailors Becoming A Little Social, Redburn Converses With Them
X. He Is Very Much Frightened; The Sailors Abuse Him; And He Becomes Miserable And Forlorn
XI. He Helps Wash The Decks, And Then Goes To Breakfast
XII. He Gives Some Account Of One Of His Shipmates Called Jackson
XIII. He Has A Fine Day At Sea, Begins To Like It; But Changes His Mind
XIV. He Contemplates Making A Social Call On The Captain In His Cabin
XV. The Melancholy State Of His Wardrobe
XVI. At Dead Of Night He Is Sent Up To Loose The Main-Skysail
XVII. The Cook And Steward
XVIII. He Endeavors To Improve His Mind; And Tells Of One Blunt And His Dream Book
XIX. A Narrow Escape
XX. In A Fog He Is Set To Work As A Bell-Toller, And Beholds A Herd Of Ocean-Elephants
XXI. A Whaleman And A Man-Of-War¡¯S-Man
XXII. The Highlander Passes A Wreck
XXIII. An Unaccountable Cabin-Passenger, And A Mysterious Young Lady
XXIV. He Begins To Hop About In The Rigging Like A Saint Jago¡¯S Monkey
XXV. Quarter-Deck Furniture
XXVI. A Sailor A Jack Of All Trades
XXVII. He Gets A Peep At Ireland, And At Last Arrives At Liverpool
XXVIII. He Goes To Supper At The Sign Of The Baltimore Clipper
XXIX. Redburn Deferentially Discourses Concerning The Prospects Of Sailors
XXX. Redburn Grows Intolerably Flat And Stupid Over Some Outlandish Old Guide-Books
XXXI With His Prosy Old Guide-Book, He Takes A Prosy Stroll Through The Town
XXXII. The Docks
XXXIII. The Salt-Droghers, And German Emigrant Ships
XXXIV. The Irrawaddy
XXXV. Galliots, Coast-Of-Guinea-Man, And Floating Chapel
XXXVI. The Old Church Of St. Nicholas, And The Dead-House
XXXVII. What Redburn Saw In Launcelott¡¯S-Hey
XXXVIII. The Dock-Wall Beggars
XXXIX. The Booble-Alleys Of The Town
XL. Placards, Brass-Jewelers, Truck-Horses, And Steamers
XLI. Redburn Roves About Hther And Thither
XLII. His Adventure With The Cross Old Gentleman
XLIII. He Takes A Delightful Ramble Into The Country; And Makes The Acquaintance Of Three Adorable Charmers
XLIV. Redburn Introduces Master Harry Bolton To The Favorable Consideration Of The Reader
XLV. Harry Bolton Kidnaps Redburn, And Carries Him Off To London
XLVI. A Mysterious Night In London
XLVII. Homeward Bound
XLVIII. A Living Corpse
XLIX. Carlo
L. Harry Bolton At Sea
LI. The Emigrants
LII. The Emigrants¡¯ Kitchen
LIII. The Horatii And Curiatii
LIV. Some Superior Old Nail-Rod And Pig-Tail
LV. Drawing Nigh To The Last Scene In Jackson¡¯S Career
LVI. Under The Lee Of The Long-Boat, Redburn And Harry Hold Confidential Communion
LVII. Almost A Famine
LVIII. Though The Highlander Puts Into No Harbor As Yet; She Here And There Leaves Many Of Her Passengers Behind
LIX. The Last End Of Jackson
LX. Home At Last
LXI. Redburn And Harry, Arm In Arm, In Harbor
LXII. The Last That Was Ever Heard Of Harry Bolton
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë ±ÇÀåµµ¼ 100
A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼±
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A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
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Çã¸Õ ¸áºô(Herman Melville)
¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà ȹ°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì Çرº ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), ŸÈ÷Ƽ(Tahiti), ŸÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î È°µ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛÇ°À¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛÇ°ÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹ø° ÀÛÇ° ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛÇ° È°µ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆǵµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.
´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛÇ°À» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆǵǾúÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼ ±×ÀÇ ÀÛÇ°À» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.
D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : äÅи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛÇ°À» ¼Ò°³ÇÏ¿´½À´Ï´Ù.
¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛÇ°À» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛÇ°¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³ÇÏ°í ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)
¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛÇ°À» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆødzÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ Çغ¯À» °È´Ù°¡, ȼ®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.