Çã¸Õ ¸áºôÀÇ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849) : 1849³â ¿µ±¹ ·±´ø¿¡¼ ÃÖÃÊ·Î Ãâ°£µÈ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)´Â Çã¸Õ ¸áºôÀÇ 3¹ø° ¼Ò¼³(the third book)·Î ÀüÀÛ - Ç×ÇØ¿Í ¸ðÇèÀ» ¼ÒÀç·Î ÇÑ ÀÚÀüÀû ¼Ò¼³°ú ´Þ¸® ¼ø¼ö ¼Ò¼³(first pure fiction work)ÀÌÀÚ ·Î¸Ç½º(a romance story)¸¦ Ç¥¹æÇÏ¿´½À´Ï´Ù.
PREFACE. Not long ago, having published two narratives of voyages in the Pacific, which, in many quarters, were received with incredulity, the thought occurred to me, of indeed writing a romance of Polynesian adventure, and publishing it as such; to see whether, the fiction might not, possibly, be received for a verity: in some degree the reverse of my previous experience. ¼¹®. ¾ó¸¶ Àü, ÅÂÆò¾ç¿¡¼ÀÇ Ç×ÇØ¿¡ ´ëÇÑ µÎ °¡Áö À̾߱⸦ ¹ßÇ¥Çߴµ¥, ¸¹Àº ºÎºÐ¿¡¼ ¹ÏÀ» ¼ö ¾ø´Â ¹ÝÀÀÀ» º¸¿´°í, Æú¸®³×½Ã¾Æ ¸ðÇèÀÇ ·Î¸Ç½º¸¦ ½ÇÁ¦·Î ¾²°í ÃâÆÇÇÏ´Â °Í¿¡ ´ëÇÑ »ý°¢ÀÌ ¶°¿Ã¶ú½À´Ï´Ù; ¼Ò¼³ÀÌ, ¾î¼¸é, Á¦ ÀÌÀü À̾߱â¿Í´Â Á¤¹Ý´ë·Î ¹Þ¾Æµé¿©ÁöÁö ¾ÊÀ»Áö º¸±â À§Çؼ¿ä. °æÇèÀÔ´Ï´Ù. This thought was the germ of others, which have resulted in Mardi. New York, January, 1849. ÀÌ »ý°¢Àº ŸÀÎÀÇ ¼¼±ÕÀ̾ú°í, ÀÌ°ÍÀÌ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)·Î ±Í°áµÇ¾ú½À´Ï´Ù. 1849³â 1¿ù ´º¿å.
ÀüÀÛ°ú ºñ½ÁÇÏ°Ô ³²ÅÂÆò¾çÀ» ¹æ¶ûÇÏ´Â ¹Ì±¹ ¼±¿øÀÌ µîÀåÇÑ´Ù´Â Á¡Àº µ¿ÀÏÇÏÁö¸¸ ¸ðÇè ±× ÀÚüº¸´Ù´Â ÁÖÀΰø°ú ÇöÁöÀÎÀÇ ±³·ùÇϸç, ¹Ì±¹ ¹®È¿Í ÇöÁöÀÇ ÅäÂø ¹®È °£ÀÇ °¥µî µîÀÌ À̾߱âÀÇ È帧À» Áö¹èÇÏ°í ÀÖ½À´Ï´Ù. ¿øÁÖ¹ÎÀÇ ½Ã¼±À» ºô·Á ¹Ì±¹ÀÎÀÇ ÆíÇùÇÔ, µ¶´ÜÁÖÀÇ µîÀ» dzÀÚÇÏ´Â °ÍÀº ÀÌ ÀÛÇ°ÀÌ Ã¶ÇÐÀûÀ̸鼵µ ÇöÇÐÀûÀ̶ó´Â Æò°¡¸¦ ¹Þ´Â ¿äÀÎÀÔ´Ï´Ù. ±×·¯³ª ´ëÁßµéÀÌ Çã¸Õ ¸áºô¿¡°Ô ±â´ëÇÑ °ÍÀº ·Î¸Ç½º¿Í´Â °Å¸®°¡ ¸Ö¾ú°í, Æò·Ð°¡µé ¶ÇÇÑ ±×¸® ÁÁÀº Æò°¡¸¦ ³»¸®Áö ¾Ê¾Ò½À´Ï´Ù.
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Besides, was he not accounted a great god in the land? supreme? having power of life and death? essaying the deposition of kings? and dwelling in moody state, all by himself, in the goodliest island of Mardi? Though here, be it said, that his assumptions of temporal supremacy were but seldom made good by express interference with the secular concerns of the neighboring monarchs; who, by force of arms, were too apt to argue against his claims to authority; however, in theory, they bowed to it. And now, for the genealogy of Hivohitee; for eighteen hundred and forty-seven Hivohitees were alleged to have gone before him. He came in a right line from the divine Hivohitee I.: the original grantee of the empire of men's souls and the first swayer of a crosier. The present Pontiff's descent was unquestionable; his dignity having been transmitted through none but heirs male; the whole procession of High Priests being the fruit of successive marriages between uterine brother and sister. A conjunction deemed incestuous in some lands; but, here, held the only fit channel for the pure transmission of elevated rank. CHAPTER IV. — Hivohitee MDCCCXLVIII. °Ô´Ù°¡ ±×´Â ±× ¶¥¿¡¼ À§´ëÇÑ ½ÅÀ¸·Î ¿©°ÜÁöÁö ¾Ê¾Ò½À´Ï±î? ÃÖ°í? »î°ú Á×À½ÀÇ ±Ç¼¼¸¦ °¡Á³½À´Ï±î? ¿ÕÀÇ Áõ¼¸¦ ¿¡¼¼ÀÌ? ±×¸®°í °¡Àå ÁÁÀº ¸¶µðÀÇ ¼¶¿¡¼ È¥ÀÚ º¯´ö½º·¯¿î »óÅ¿¡ »ì°í ÀÖ½À´Ï±î? ºñ·Ï ¿©±â¿¡¼ ºñ·Ï ±×ÀÇ ¼¼¼ÓÀû ¿ìÀ§¿¡ ´ëÇÑ ±×ÀÇ °¡Á¤ÀÌ ÀÌ¿ô ±ºÁÖÀÇ ¼¼¼ÓÀû °ü½É»ç¿¡ ´ëÇÑ ¸í½ÃÀûÀÎ °£¼·À¸·Î ÀÎÇØ °ÅÀÇ ½ÇÇöµÇÁö ¾Ê¾Ò´Ù°í ¸»ÇÏÁö¸¸; ¹«·Â¿¡ ÀÇÇØ ±ÇÀ§¿¡ ´ëÇÑ ÀÚ½ÅÀÇ ÁÖÀå¿¡ ´ëÇØ ³Ê¹« ½±°Ô ³íÀïÀ» ¹úÀÌ´Â »ç¶÷; ±×·¯³ª ÀÌ·ÐÀûÀ¸·Î ±×µéÀº ±×°Í¿¡ ±¼º¹Çß½À´Ï´Ù. ±×¸®°í ÀÌÁ¦, È÷º¸È÷ »ç¶÷ÀÇ Á·º¸¸¦ À§ÇÏ¿©; È÷º¸ »ç¶÷ÀÌ ½ÊÆȹé»ç½ÊÄ¥ ¸íÀÌ ±×º¸´Ù ¾Õ¼ °¬´Ù°í ÁÖÀåÇϴ϶ó ±×´Â ½Å¼ºÇÑ Hivohitee I.·ÎºÎÅÍ ¿Ã¹Ù¸¥ ¶óÀÎÀ¸·Î ¿Ô½À´Ï´Ù. Àΰ£ ¿µÈ¥ÀÇ Á¦±¹ÀÇ ¿ø·¡ ¼öÇýÀÚÀÌÀÚ crosierÀÇ Ã¹ ¹ø° µ¿¿äÀÚÀÔ´Ï´Ù. Çö ±³È²ÀÇ °¡°è´Â ÀǽÉÇÒ ¿©Áö°¡ ¾ø´Ù. ±×ÀÇ Á¸¾ö¼ºÀº »ó¼ÓÀÎ ³²¼º ¿Ü¿¡´Â ´©±¸¿¡°Ôµµ ÀüÇØÁöÁö ¾Ê¾Ò½À´Ï´Ù. ´ëÁ¦»çÀåÀÇ Àüü Çà·ÄÀº Àڱà ÇüÁ¦ÀڸŠ°£ÀÇ ¿¬¼ÓÀûÀÎ °áÈ¥ÀÇ ¿¸ÅÀÔ´Ï´Ù. ÀϺΠÁö¿ª¿¡¼´Â ±ÙÄ£»ó°£À¸·Î °£ÁֵǴ °áÇÕ; ±×·¯³ª ¿©±â¿¡¼´Â ³ôÀº ¼øÀ§ÀÇ ¼ø¼öÇÑ Àü¼ÛÀ» À§ÇÑ À¯ÀÏÇÑ ÀûÇÕ Ã¤³ÎÀ» º¸À¯Çß½À´Ï´Ù.
Fire flames on my tongue; and though of old the Bactrian prophets were stoned, yet the stoners in oblivion sleep. But whoso stones me, shall be as Erostratus, who put torch to the temple; though Genghis Khan with Cambyses combine to obliterate him, his name shall be extant in the mouth of the last man that lives. And if so be, down unto death, whence I came, will I go, like Xenophon retreating on Greece, all Persia brandishing her spears in his rear. CHAPTER XV. — Dreams ³» Çô¿¡ ºÒÀ» ºÙÀ̽ʽÿÀ. °í´ë¿¡´Â ¹ÚÆ®¸®¾Æ ¿¹¾ðÀÚµéÀÌ µ¹·Î ¸Â¾ÒÁö¸¸, µ¹·Î Ä¡´Â »ç¶÷µéÀº ¸Á°¢ ¼Ó¿¡¼ ÀáÀ» ÀÚ°í ÀÖ¾ú½À´Ï´Ù. ±×·¯³ª ´©±¸µçÁö ³ª¸¦ µ¹·Î Ä¡¸é ¼ºÀü¿¡ ȶºÒÀ» ³õÀº ¿¡·Î½ºÆ®¶óÅõ½º¿Í °°À» °ÍÀÔ´Ï´Ù. Ī±âÁîÄ°ú Cambyses°¡ °áÇÕÇÏ¿© ±×¸¦ ¸»»ìÇßÁö¸¸ ±×ÀÇ À̸§Àº ¸¶Áö¸·À¸·Î »ì¾Æ³²Àº »ç¶÷ÀÇ ÀÔ¿¡ ³²¾ÆÀÖÀ» °ÍÀÔ´Ï´Ù. ¸¸ÀÏ ±×·¸´Ù¸é, ³»°¡ ¿Â °÷ÀÎ Á×À½¿¡ À̸£±â±îÁö ³ª´Â Å©¼¼³ëÆùÀÌ ±×¸®½º·Î ÈÄÅðÇÏ°í Æ丣½Ã¾Æ Àü¿ªÀÌ ±×ÀÇ µî µÚ¿¡ âÀ» Èֵθ£´Â °Íó·³ °¡°Ú³ë¶ó.
"Go, go,—and slay thyself: I may not make thee mine;—go,—dead to dead!—There is another cavern in the hill." Swift I fled along the valley-side; passed Hautia's cave of pearls; and gained a twilight arch; within, a lake transparent shone. Conflicting currents met, and wrestled; and one dark arch led to channels, seaward tending. CHAPTER XCI. — Mardi Behind: An Ocean Before "°¡¼, °¡¼—³Ê ÀÚ½ÅÀ» Á׿©¶ó. ³ª´Â ³» °ÍÀ¸·Î ¸¸µéÁö ¾ÊÀ» °ÍÀÌ´Ù.—°¡¼, Á×¾î¶ó!—¾ð´ö¿¡ ¶Ç ´Ù¸¥ µ¿±¼ÀÌ ÀÖ´Ù." ³ª´Â À绡¸® °è°îÀ» µû¶ó µµ¸ÁÃÆ´Ù. HautiaÀÇ ÁøÁÖ µ¿±¼À» Åë°úÇß½À´Ï´Ù. ȲȥÀÇ ¾ÆÄ¡¸¦ ¾ò¾ú½À´Ï´Ù. ±× ¾È¿¡¼ Åõ¸íÇÑ È£¼ö°¡ ºû³µ´Ù. »ó¹ÝµÈ È帧ÀÌ ¸¸³ª°í ¾¾¸§Çß½À´Ï´Ù. ±×¸®°í ÇϳªÀÇ ¾îµÎ¿î ¾ÆÄ¡´Â ¼ö·Î·Î À̾îÁ® ¹Ù´Ù ÂÊÀ¸·Î ÇâÇß½À´Ï´Ù.
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 15°¡Áö Å°¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)
01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)
02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!
03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)
04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)
05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎÈ°(Melville Revival)
06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)
07. ¸áºô Çùȸ(The Melville Society)(1945)
08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ ¸ðºñµñ(Moby Dick)(1956)
09. ¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)
10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)
11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)
12. ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)
13. ¿µ¹®ÇÐ 3´ë ºñ±Ø
14. ¹Ì±¹¿¡¼ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý
15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)
Çã¸Õ ¸áºôÀÇ ¸¶µðII(Mardi: and A Voyage Thither, Vol. II by Herman Melville)(1849)
I. Maramma
II. They Land
III. They Pass Through The Woods
IV. Hivohitee MDCCCXLVIII.
V. They Visit The Great Morai
VI. They Discourse Of The Gods Of Mardi, And Braid-Beard Tells Of One Foni
VII. They Visit The Lake Of Yammo
VIII. They Meet The Pilgrims At The Temple Of Oro
IX. They Discourse Of Alma
X. Mohi Tells Of One Ravoo, And They Land To Visit Revaneva, A Flourishing Artisan
XI. A Nursery-Tale Of Babbalanja's
XII. Landing To Visit Hivohitee The Pontiff, They Encounter An Extraordinary Old Hermit; With Whom Yoomy Has A Confidential Interview, But Learns Little
XIII. Babbalanja Endeavors To Explain The Mystery
XIV. Taji Receives Tidings And Omens
XV. Dreams
XVI. Media And Babbalanja Discourse
XVII. They Regale Themselves With Their Pipes
XVIII. They Visit An Extraordinary Old Antiquary
XIX. They Go Down Into The Catacombs
XX. Babbalanja Quotes From An Antique Pagan; And Earnestly Presses It Upon
XXI. They Visit A Wealthy Old Pauper
XXII. Yoomy Sings Some Odd Verses, And Babbalanja Quotes From The Old
XXIII. What Manner Of Men The Tapparians Were
XXIV. Their Adventures Upon Landing At Pimminee
XXV. A, I, AND O
XXVI. A Reception Day At Pimminee
XXVII. Babbalanja Falleth Upon Pimminee Tooth And Nail
XXVIII. Babbalanja Regales The Company With Some Sandwiches
XXIX. They Still Remain Upon The Rock
XXX. Behind And Before
XXXI. Babbalanja Discourses In The Dark
XXXII. My Lord Media Summons Mohi To The Stand
XXXIII. Wherein Babbalanja And Yoomy Embrace
XXXIV. Of The Isle Of Diranda
XXXV. They Visit The Lords Piko And Hello
XXXVI. They Attend The Games
XXXVII. Taji Still Hunted, And Beckoned
XXXVIII. They Embark From Diranda
XXXIX. Wherein Babbalanja Discourses Of Himself
XL. Of The Sorcerers In The Isle Of Minda
XLI. Chiefly Of Sing Bello
XLII. Dominora And Vivenza
XLIII. They Land At Dominora
XLIV. Through Dominora, They Wander After Yillah
XLV. They Behold King Bello's State Canoe
XLVI. Wherein Babbalanja Bows Thrice
XLVII. Babbalanja Philosophizes, And My Lord Media Passes Round The Calabashes
XLVIII. They Sail Round An Island Without Landing; And Talk Round A Subject
XLIX. They Draw Nigh To Porpheero; Where They Behold A Terrific Eruption
L. Wherein King Media Celebrates The Glories Of Autumn, The Minstrel, The Promise Of Spring
LI. In Which Azzageddi Seems To Use Babbalanja For A Mouth-Piece
LII. The Charming Yoomy Sings
LIII. They Draw Nigh Unto Land
LIV. They Visit The Great Central Temple Of Vivenza
LV. Wherein Babbalanja Comments Upon The Speech Of Alanno
LVI. A Scene In Tee Land Of Warwicks, Or King-Makers
LVII. They Hearken Unto A Voice From The Gods
LVIII. They Visit The Extreme South Of Vivenza
LIX. They Converse Of The Mollusca, Kings, Toad-Stools And Other Matters
LX. Wherein, That Gallant Gentleman And Demi-God, King Media, Scepter In
LXI. They Round The Stormy Cape Of Capes
LXII. They Encounter Gold-Hunters
LXIII. They Seek Through The Isles Of Palms; And Pass The Isles Of Myrrh
LXIV. Concentric, Inward, With Mardi's Reef, They Leave Their Wake Around
LXV. Sailing On
LXVI. A Flight Of Nightingales From Yoomy's Mouth
LXVII. They Visit One Doxodox
LXVIII. King Media Dreams
LXIX. After A Long Interval, By Night They Are Becalmed
LXX. They Land At Hooloomooloo
LXXI. A Book From The "Ponderings Of Old Bardianna"
LXXII. Babbalanja Starts To His Feet
LXXIII. At Last, The Last Mention Is Made Of Old Bardianna; And His Last Will
LXXIV. A Death-Cloud Sweeps By Them, As They Sail
LXXV. They Visit The Palmy King Abrazza
LXXVI. Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
LXXVII. They Sup
LXXVIII. They Embark
LXXIX. Babbalanja At The Full Of The Moon
LXXX. Morning
LXXXI. L'ultima Sera
LXXXII. They Sail From Night To Day
LXXXIII. They Land
LXXXIV. Babbalanja Relates To Them A Vision
LXXXV. They Depart From Serenia
LXXXVI. They Meet The Phantoms
LXXXVII. They Draw Nigh To Flozella
LXXXVIII. They Land
LXXXIX. They Enter The Bower Of Hautia
XC. Taji With Hautia
XCI. Mardi Behind: An Ocean Before
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
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A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
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Çã¸Õ ¸áºô(Herman Melville)
¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà ȹ°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì Çرº ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), ŸÈ÷Ƽ(Tahiti), ŸÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î È°µ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛÇ°À¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛÇ°ÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹ø° ÀÛÇ° ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛÇ° È°µ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆǵµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.
´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛÇ°À» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆǵǾúÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼ ±×ÀÇ ÀÛÇ°À» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.
D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : äÅи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛÇ°À» ¼Ò°³ÇÏ¿´½À´Ï´Ù.
¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛÇ°À» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛÇ°¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³ÇÏ°í ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)
¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛÇ°À» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆødzÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ Çغ¯À» °È´Ù°¡, ȼ®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.