(Les Misérables)(1862) : ĸ Ʈ(Notre-Dame de Paris)(1831) 31 Ⱓ (Les Misérables)(1862) 丣 ǥ, ǥϴ ǰԴϴ. ĸ Ʈ(Notre-Dame de Paris) , ñ 19 ̰ ֽϴ. ȮϰԴ 1832 6 5ϰ 6 ⸦ ϰ ֽϴ. (Les Misérables)(1862) 3 Ÿ(1951)κ 丣 ս Ͽٴ ̻Դϴ. ǥϴ ǰ . װ ӹ ö ֽϴ.
655,478! (Les Misérables)(1862) ܾ Դϴ. η ܾ ̷ Venmurasu 2,125,000 ġ ϰڽϴٸ, ǰ ߿ Les Hommes de bonne volonté, Artamène ou le Grand Cyrus(1649~1653), À la recherche du temps perdu(1988~1990) ̾ ϰ 4! 5 ̷ , 1862 3 30(1) 5 15(2, 3), 6 30(4ο 5) ⰣǾϴ. ü з п ົ̳ ȭ ټ ⰣǾ ֽϴ. ̹ å ˻ 1,143ǿ մϴ. ǰ α⸸ŭ̳ ȭ, , ִϸ̼ ۵Ǿϴ. ֱٿ ȭ (Hugh Michael Jackman), ؼ(Anne Jacqueline Hathaway), ũ(Russell Ira Crowe), Ƹ (Amanda Seyfried) Ÿ찡 2012Դϴ. 600 Ǵ 591 ϸ, Ͽϴ. Ź TTN Korea (English Classics) Բ , õ, ϵ п! B
(La Bataille d'Hernani)(1830) : 丣 (Hernani)(1830) ϴ Ŀ ϴ 븳 ؿ ߴ ñ Ⱓ Դϴ. ÿ Ҷ ǿ ߸ ݴ Ͽϴ. 忡 ϴ , аٿ (?!) ѹ . , (Hernani)(1830) ʿ ġν ⸦ ϴ ġ ־ϴ. ̴ Ŀ л ǥϴ ¡ , 1830 2 25 ʿ (La Bataille d'Hernani)(1830)̶ θϴ. Ƽ(Gautier Theophile)(1811~1872) ̸ ˸ ̱ մϴ. Ƽ 丣 ڽ ֿ, ÿ Ҽ, ߷ (Giselle) ϸ ռϰ ȰϿϴ.
ĸ Ʈ(Notre-Dame de Paris)(1831) : ĸ Ʈ(Notre-Dame de Paris) Ʈ (The Hunchback of Notre-Dame) ͼϴٸ? ̴ ǥ⸦ 츮 ű Դϴ. ĸ Ʈ(Notre-Dame de Paris)(1831) 15 ĸ Ʈ 뼺(Cathédrale Notre-Dame de Paris) ֱ Ŭε ѷ(Claude Frollo) (Esméralda), (Quasimodo) Ų 踦 ٷ ǰԴϴ. Ʈ (The Hunchback of Notre-Dame) ڿ (Quasimodo) ø ϴ. ٿ Ž õϰ, ׳డ ڽ ߽(Phoebus de Châteaupers) ϰ, ڽ ׳ฦ ó ֱ Ŭε ѷ(Claude Frollo)߸ Ҽ ΰԴϴ. 1905 ȭ , , , ߷ ۵Ǿϴ. 2004 뿡 ֽϴ. ִϸ̼ǵ ! ķ۽ , ȭ Ʈ 뼺(Cathédrale Notre-Dame de Paris) Ƽ ǼϿٰ ϸ, ͳݻ ϴ ϴٸ, δ ī Ѷ 뼺(Cathédrale des Sts Michel et Gudule, Bruxelles) ҽϴ. Ƹ , Ʈ ̰.
(Les Misérables)(1862) in (Guinness Book) : å Ⱓ ڽ å ( ȸ ִ!) ô ñ߽ϴ. ǻ翡 ǥ(?) ϳ . ִ ǻ ǥ(!) ϳ ȸߴµ, ̰ 迡 ª ̾߱. ̴ϴ. Ͽ Ǿ ִٴµ (Les Misérables)(1862) ̷ο ȭ ϳ. Ʈ Les Misérables, Victor Hugo, letter ˻ õ ã ϴ. (Les Misérables)(1862) õ ڵ Ȯ ־ϴ. ù°, (Les Misérables) 1985 12 4Ϻ 2015 1 19ϱ 29 47ϰ Ʈ忡 Ⱓ (Longest theatrical run of a musical in the West End)Դϴ. Ӹ (Palace Theatre) Ͽ, 2004 3 27 4 3 ( Sondheim Theatre) 簳Ͽϴ. °, (Audio Described Theatre)̶ ð ο , ƴ϶ ൿ ġ ؼ ִ ǹմϴ. ִ (The largest audience for Audio Described Theatre) 168, 忡 (Les Misérables) 2008 10 11 ߽ϴ.
(L'homme qui rit)(1869) & ȭ Ŀ(Joker)(2019) : (L'homme qui rit)(1869) 丣 Ҽ, ȭ մϴ. ȭ ִ? ƸϽð, Ʈ ø Ŀ ٷ ǰ ιԴϴ. Ŀ ܼ Ʈ ̻ α⸦ Դϴ. ũ Ʈ(The Dark Knight)(2008) Ŀ ȣ (Heath Andrew Ledger)( 1979~2008) Ͽ, Ŀ ī̿ (2009) ȭ Ǿ. ̸ , ٷ ȭ 2019 Ͽϴ. 2018 (L'homme qui rit)(1869) 翡 ø ֽϴ.
-(Index)-
ѷα(Prologue). Ź TTN Korea (English Classics) 101 о ϴ 7
17 Ű д 丣 (Victor Hugo) by ȭ
01. 긮(Chateaubriand) ƴϸ ƹ͵ ʰڴ, 丣 (Victor Hugo)(1802~1885)
02. (La Bataille d'Hernani)(1830)
03. ĸ Ʈ(Notre-Dame de Paris)(1831)
04. (Les Misérables)(1862)
05. (Les Misérables)(1862) in (Guinness Book)
06. (L'homme qui rit)(1869) & ȭ Ŀ(Joker)(2019)
07. (Last Will)(1885)
08. (Opera)
09. Ʈ ̱(Գ, Đạo Cao Đài) ()(1926)
10. (Nouveau Franc) 5NF(1960~1968)
11. Ƶ H ̾߱(L'Histoire d'Adèle H.)(1970)
12. 2 (The Greatest Frenchman) 6(2005)
13. ε(Google Doodle)(2017)
14. Ʈ (Google Arts and Culture)
15. 丣 (Victor Hugo) TOP17
16. (Audio Books) 丣 (Victor Hugo)
17. 丣 (Victor Hugo) (Quotes)(30)
(Les Misérables)(1862) Volume V—Jean Valjean
Book First-The War Between Four Walls
I. The Charybdis of the Faubourg Saint-Antoine and the Scylla
II. What Is to Be Done in the Abyss if One Does Not Converse
III. Light and Shadow
IV. Minus Five, Plus One
V. The Horizon Which One Beholds from the Summit of a Barricade
VI. Marius Haggard, Javert Laconic
VII. The Situation Becomes Aggravated
VIII. The Artillery-men Compel People to Take Them Seriously
IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
X. Dawn
XI. The Shot Which Misses Nothing and Kills No One
XII. Disorder a Partisan of Order
XIII. Passing Gleams
XIV. Wherein Will Appear the Name of Enjolras' Mistress
XV. Gavroche Outside
XVI. How from a Brother One Becomes a Father
XVII. Mortuus Pater Filium Moriturum Expectat
XVIII. The Vulture Becomes Prey
XIX. Jean Valjean Takes His Revenge
XX. The Dead Are in the Right and the Living Are Not in the Wrong
XXI. The Heroes
XXII. Foot to Foot
XXIII. Orestes Fasting and Pylades Drunk
XXIV. Prisoner
Book Second-The Intestine of the Leviathan
I. The Land Impoverished by the Sea
II. Ancient History of the Sewer
III. Bruneseau
IV
V. Present Progress
VI. Future Progress
Book Third-Mud but the Soul
I. The Sewer and Its Surprises
II. Explanation
III. The "Spun" Man
IV. He Also Bears His Cross
V. In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
VI. The Fontis
VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking
VIII. The Torn Coat-Tail
IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
X. Return of the Son Who Was Prodigal of His Life
XI. Concussion in the Absolute
XII. The Grandfather
Book Fourth-Javert Derailed
I
Book Fifth-Grandson and Grandfather
I. In Which the Tree with the Zinc Plaster Appears Again
II. Marius, Emerging from Civil War, Makes Ready for Domestic War
III. Marius Attacked
IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
V. Deposit Your Money in a Forest Rather than with a Notary
VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
VII. The Effects of Dreams Mingled with Happiness
VIII. Two Men Impossible to Find
Book Sixth-The Sleepless Night
I. The 16th of February, 1833
II. Jean Valjean Still Wears His Arm in a Sling
III. The Inseparable
IV. The Immortal Liver
Book Seventh-The Last Draught from the Cup
I. The Seventh Circle and the Eighth Heaven
II. The Obscurities Which a Revelation Can Contain
Book Eight-Fading Away of the Twilight
I. The Lower Chamber
II. Another Step Backwards
III. They Recall the Garden of the Rue Plumet
IV. Attraction and Extinction
Book Ninth-Supreme Shadow, Supreme Dawn
I. Pity for the Unhappy, but Indulgence for the Happy
II. Last Flickerings of a Lamp Without Oil
III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent's Cart
IV. A Bottle of Ink Which Only Succeeded in Whitening
V. A Night Behind Which There Is Day
VI. The Grass Covers and the Rain Effaces
Letter to M. Daelli
Footnotes:
η(Appendix). ϴ ġĿ ȳ(The Hitchhiker's Guide to Worldss Classics)
A01. Ϲ (Harvard Book Store) õ 100(Staff's Favorite 100 Books) & Ǹŵ 100(Top 100 Books)
A02. 嵵 100
A03. ʵ 200
A04. б ķ۽ 嵵 100
A05. , , 嵵 60
A06. հб ż() 100
A07. ĸŸ Į(Humanitas College) ʵ 100
A08. (װ) 嵵 100
A09. ī̽Ʈ(KAIST) ϸ õ 100
A10. л õ(44)
A11. (English Classics) 5 (How to listen to FREE audio Books legally?)
A12. ȭ (Movies And TV Shows Based on English Classic Books)
ȭ (Korea Round Travel) & (World Round Travel)(049)
Ź TTN Korea (English Classics) 101
Ź TTN Korea (954)
丣 (Victor Hugo)
Je veux être Chateaubriand ou rien. 긮(Chateaubriand) ƴϸ ƹ͵ ʰڴ.
(Last Will)(1885) : 丣 ټ Դϴ. Je donne cinquante mille francs aux pauvres. Je veux être enterré dans leur corbillard. Je refuse l'oraison de toutes les Églises. Je demande une prière à toutes les âmes. Je crois en Dieu. 5 鿡 ñϴ. ;. ȸ ʽ źմϴ. ȥ ٶϴ. Ͻϴ. ȸ ʽ źѴٴ ǥ ȸ ǰ ݼ ǿ(?!) Դϴ. ĸ Ʈ(Notre-Dame de Paris)(1831) ϴ Ŭε ѷ(Claude Frollo) ֱ (Esméralda) ŷǾ, ׳ ׳ ϴ. ڶ ʹ Ÿ ι. ̿ г ĸ Ʈ(Notre-Dame de Paris)(1831) ǰ ݼ Ͽϴ. ߵ ǰ .
It is nothing to die. It is frightful not to live. " ƹ ͵ ƴմϴ. ʴ ̾߸ η Դϴ."
Ʈ ̱(Գ, Đạo Cao Đài) ()(1926) : ̱(Գ, Đạo Cao Đài) Ʈ , 1926 ſ(Ngô Văn Chiêu) âϿϴ. ұ Ʈ ΰžӰ , , , ̽ پ ö, ȥ ϽűԴϴ. 츮Դ ȣϿ(Đạo Hòa Hảo, Գ) Բ Ʈ ߽ 2鸸 ̻ ڸ Ŵ Ʈ ӽŰ Բ , Ը, , , ð ִٴ Ư¡Դϴ. 鿡 Ʈ Nguyen Binh Khiem(1491~1585) Բ ۰ 丣 (Victor Hugo)(1802~1885) ߱ (,)(1866~1925) ־ () ð ֽϴ. Ʈ ħ ۰ Ʈ , ˴ٰ ڽϴ.
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. ̾߱ ʹ Ǿ ϱ ʰ Ǿϴ. θ Ĵٺñ ٰ ִ ϴ. ̷ ۵ǰ, ̷ θ ۵˴ϴ.
(Nouveau Franc) 5NF(1960~1968) : ̾ ȭ , 翬 ڱ ȭ ȭ Ͽϴ. 1960 ü ϱ (Nouveau Franc) 丣 ι(personnalités célèbres) ø Ǿ 500F, 5NF ȭ ֽϴ. (Nouveau Franc) 1968 4 1Ϻη Ǿϴ. ȭ 츮 ȭ ٻ ũ (billet polychrome imprimé) ô̳ ȭϸ, ո 鿡 ι ִ Ư¡Դϴ.
Love is like a tree: it grows by itself, roots itself deeply in our being and continues to flourish over a heart in ruin. The inexplicable fact is that the blinder it is, the more tenacious it is. It is never stronger than when it is completely unreasonable. " ϴ. ڶ, 츮 翡 Ѹ , Ȳ մϴ. ϼ ٴ Դϴ. װ ո ʽϴ."
2 (The Greatest Frenchman) 6(2005) : ۱ 2(France 2) 2005 BBC (Great Britons) Le Plus Grand Français de tous les temps, (The Greatest Frenchman) α 濵Ͽϴ. ݾа Բ ߵ ߰ſ , 102 , 18 (Charles de Gaulle) 1 ߽ϴ. 丣 (Victor Hugo) 6 ̸ ÷Ƚϴ. , (The Greatest Frenchman) ȭ Ľ(Louis Pasteur) ȭ (Marie Curie) ܿ ̸ . (Napoleon Bonaparte) 16 Ұϸ, ٸũ(Joan of Arc) ƿ 102 ȿ ̸ ø ߽ϴ.
The greatest happiness of life is the conviction that we are loved -- loved for ourselves, or rather, loved in spite of ourselves. "λ ū ູ 츮 ް ִٴ ȮԴϴ. 츮 ڽ , Ȥ 츮 ڽſԵ ް ִٴ Ȯ Դϴ."
ε(Google Doodle)(2017) : 2017 6 30 ټ ̹ 丣 (Victor Hugo)(1802~1885) ε(Google Doodle)(2017) Ͽϴ. ǥ ĸ Ʈ(Notre-Dame de Paris)(1831), (Les Contemplations)(1856), (Les Misérables)(1862) Ͽϴ. 밳 а ̳ 100ֳ, 150ֳ, 200ֳ ε(Google Doodle) ǥ, 6 30 ̳ ƴ (Les Misérables)(1862) 4ο 5ΰ Ⱓ Դϴ. 5η ̷ (Les Misérables)(1862) 1862 3 30 1θ , 2ο 3ΰ 5 15, 4ο 5ΰ 6 30 ⰣǾϴ. 6 30 ۰ (Les Misérables)(1862) ڿ ̶ ְڳ.
To love or have loved, that is enough. Ask nothing further. There is no other pearl to be found in the dark folds of life. ϵ ߵ װ մϴ. ̻ . λ ο ұ ٸ ִ ãƺ ϴ.