¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844~1846)Àº µÚ¸¶°¡ ´ÞŸ³É ·Î¸Á½º(d'Artagnan Romances) 3ºÎÀÛÀ» ÁýÇÊÇÏ´Â ¡®°¡¿îµ¥¡¯ Ãâ°£ÇÑ ÀÛÇ°À¸·Î, »ïÃÑ»ç 3ºÎÀÛ°ú ÇÔ²² ±×ÀÇ ´ëÇ¥ÀÛÀ¸·Î ²ÅÈ÷´Â º£½ºÆ®¼¿·¯ÀÔ´Ï´Ù. 1844³â ¿¬À縦 ½ÃÀÛÇÏ¿©, 3³â ÈÄ 1846³â ¿Ï°áµÈ ´ëÇϼҼ³·Î, ¾Æ¸¶µµ Àü ¼¼°è¿¡¼ ¡®º¹¼ö¡¯¿Í ¡®Å»Ã⡯À» ¼ÒÀç·Î ÇÑ ÀÛÇ° Áß¿¡ °¡Àå À¯¸íÇÑ ÀÛÇ°ÀÏ °ÍÀÔ´Ï´Ù. ¾Ï±¼¿Õ(äÞÏÜèÝ)Àº ÀϺ»½Ä Ç¥Á¦ÀÇ ¹ø¾ÈÀÔ´Ï´Ù. ¸ùÅ× Å©¸®½ºÅä(Monte Cristo)´Â ¼Ò¼³ ¼Ó ÁÖÀΰø ¿¡µå¸ù ´çÅ×½º(Edmond Dantès)ÀÇ °¡¸íÀÌÁö¸¸ ÀÌÅ»¸®¾Æ¿¡ ½ÇÁ¦·Î ¸óÅ×Å©¸®½ºÅä ¼¶(Isola di Montecristo)ÀÌ ÀÖ½À´Ï´Ù! µÚ¸¶°¡ ³ªÆú·¹¿Ë ȲÁ¦ÀÇ Èļհú 1842³â Å佺ī³ª Á¦µµ¸¦ ÇÔ²² ¿©ÇàÇÑ °ÍÀ» ±â³äÇØ ÀÚ½ÅÀÇ ÀÛÇ°¿¡ ¼¶ÀÇ À̸§À» ºÙ¿´½À´Ï´Ù. ±×·¯³ª, µÚ¸¶¿Í ³ªÆú·¹¿Ë ¿ÕÀÚ´Â ¼¶¿¡´Â Á¤ÀÛ ¿À¸£Áö ¸øÇß´Ù´Â... ¸óÅ×Å©¸®½ºÅä ¼¶(Isola di Montecristo)¿¡´Â ¸ùÅ× Å©¸®½ºÅä°¡ ¼ö°¨µÈ °¨¿ÁÀ» ¿¬»óÄÉ ÇÏ´Â °ß°íÇÑ ¿Üº®ÀÇ È¸»öºû ¼öµµ¿ø(Monastery of Saint Mamilian)ÀÌ ÀÖ½À´Ï´Ù. ¼Ò¼³¿¡ µîÀåÇÏ´Â ½ÇÁ¦ °¨¿ÁÀº ÇÁ¶û½º ³²ºÎ ¸¶¸£¼¼À¯ ±Ù±³ÀÇ »þÅä µðÇÁ(Château d'If) ¼¶ÀÔ´Ï´Ù. ±¹³»¿¡´Â ÀÌÇÁ ¼ºÃ¤(d'If àòóó)·Î ¹ø¿ªµË´Ï´Ù.
¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)Àº ½Çȸ¦ ¹ÙÅÁÀ¸·Î ÇÑ ´ëÁß¼Ò¼³ÀÔ´Ï´Ù. ÇÁ¶û¼ö¾Æ-ÇÇ¿¡¸£ ÇÇÄÚ(Pierre Picaud)(1780~1815)´Â ¾Æ¸§´Ù¿î ¿©ÀÚÄ£±¸¿ÍÀÇ °áÈ¥½Ä¿¡¼ ¹Ï¾ú´ø Ä£±¸µéÀÇ ¾ÇÀÇÀûÀÎ °í¹ß°ú ħ¹¬À¸·Î ¿µ±¹ ½ºÆÄÀ̷ΠüÆ÷µÇ¾ú°í, 7³â°£ ¼ö°¨µÇ¾ú½À´Ï´Ù. ÇÔ²² ¼ö°¨µÈ Å丮 ½ÅºÎ´Â ±×¿¡°Ô ¹Ð¶ó³ëÀÇ º¸¹°¿¡ °üÇÑ Á¤º¸¸¦ ¹°·Á ÁÖ¾ú°í, Ãâ¿Á ÈÄ¿¡ ±×¸¦ ¹è½ÅÇÑ Ä£±¸µé¿¡°Ô º¹¼ö¸¦ ½ÃÀÛÇÕ´Ï´Ù. ±×·¯³ª, º¸¹°À» Ž³½ ½ÉºÎ¸§²ÛÀÌ ÇÇÄÚ¸¦ »ìÇØÇÔÀ¸·Î½á º¹¼ö¸¦ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÏ°í ¸¿´Ï´Ù. ¼Ò¼³ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)Àº ±×ÀÇ ÀÏ´ë±â¸¦ »ó´ç ºÎºÐ È°¿ëÇϵÇ, ½ÃüÁÖ¸Ó´Ï¿¡ µé¾î°£ ±ØÀûÀÎ Å»Ãâ, ¸·´ëÇÑ º¸¹°À» ÀÌ¿ëÇÑ ½ÅºÐ ¼¼Å¹, º¹¼öÀÇ ¿Ï¼º µî ´ëÁß¼Ò¼³´Ù¿î ¿ä¼Ò¸¦ º¸¿ÏÇÏ¿´½À´Ï´Ù. ¡®Àηù ¿ª»ç»ó ÃÖ°íÀÇ º¹¼ö±Ø¡¯´ä°Ô ¼öÂ÷·Ê, ¾Æ´Ï ¼ö½Ê Â÷·Ê ¿µÈ, µå¶ó¸¶, ¸¸È, ¹ÂÁöÄà µîÀ¸·Î Á¦ÀÛµÈ ¹Ù ÀÖÀ¸¸ç ±×ÀÇ ÀÛÇ°¿¡ ¸ðƼºê¸¦ ¾òÀº 2Â÷ âÀÛ ¶ÇÇÑ ¹«¼öÈ÷ ¸¹½À´Ï´Ù. ±¹³»¿¡¼µµ ¹ÂÁöÄÃÀÌ ¼öÂ÷·Ê ¹«´ë¿¡ ¿Ã¶úÀ¸¸ç, ÁÖÀΰøÀ» ¿©¼ºÀ¸·Î ¹Ù²Û KBS ¹Ì½º ¸óÅ× Å©¸®½ºÅä(Miss Monte-Cristo)(2021)°¡ ¹æ¿µµÇ¾ú½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¡°Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you¡±
"ÀλýÀº ÆødzÀÌ¿¡¿ä, ³» ÀþÀº Ä£±¸. ¿©·¯ºÐÀº ÇÑ ¼ø°£ ÇÞºûÀ» ÂØ°í, ±× ´ÙÀ½ ¼ø°£¿¡´Â ¹ÙÀ§¿¡ »ê»êÁ¶°¢ÀÌ ³¯ °ÍÀÔ´Ï´Ù. ´ç½ÅÀ» ³²ÀÚ·Î ¸¸µå´Â °ÍÀº ÆødzÀÌ ¿ÔÀ» ¶§ ÇÏ´Â ÀÏÀÔ´Ï´Ù. ·Î¸¶¿¡¼ ±×·¨´ø °Íó·³ Æødz¿ì ¼ÓÀ» µé¿©´Ùº¸°í ¼Ò¸®¸¦ Áú·¯¾ß ÇÕ´Ï´Ù. ÃÖ¼±À» ´ÙÇϼ¼¿ä, ³» ÀÏÀº ³»°¡ ÇÒ Å״ϱî! ±×·¯¸é ¿î¸íÀº ¿ì¸®°¡ ¾Æ´Â ´ç½ÅÀ» ¾Ë°Ô µÉ °ÍÀÔ´Ï´Ù.¡°
´ÞŸ³É ·Î¸Á½º(The d'Artagnan Romances) 3ºÎÀÛ(1844~1850) : »þ¸¦ ¿ÀÁµ µå ¹ÙÃ÷ µå Ä«½ºÅÚ¸ð ´Ù¸£Å¸³É ¹éÀÛ(Charles Ogier de Batz de Castelmore, Comte d'Artagnan, 1611?~1673), ÀÏ¸í ´ÞŸ³É(d'Artagnan)Àº µÚ¸¶ÀÇ ¼Ò¼³ »ïÃÑ»ç(The Three Musketers)(1844)ÀÇ ÁÖÀΰøÀ̱â ÀÌÀü¿¡, ÇÁ¶û½º ºÎ¸£ºÀ ¿ÕÁ¶ ½Ã´ë Ȳ½Ç ÃÑ»ç´ë ´ëÀåÀ¸·Î È°¾àÇÑ ½ÇÁ¸ Àι°ÀÔ´Ï´Ù. µÚ¸¶´Â ±×ÀÇ ÀÏ´ë±â¸¦ ¹ÙÅÁÀ¸·Î ´ÞŸ³É ·Î¸Á½º(d'Artagnan Romances) 3ºÎÀÛÀ̶ó ºÒ¸®´Â »ïÃÑ»ç(The Three Musketers)(1844), 20³â ÈÄ(The Twenty Years After)(1945), ºê·ÎÁñ¸° ÀÚÀÛ : 10³â ÈÄ(The Vicomte of Bragelonne : Ten Years Later)(1847~1850)¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. ÃÑ 3 ÆÄÆ®·Î ÀÌ·ç¾îÁø ºê·ÎÁñ¸° ÀÚÀÛ : 10³â ÈÄ(The Vicomte of Bragelonne : Ten Years Later)Àº Á¦ 3ºÎ ö°¡¸é(The Man in the Iron Mask) ÆíÀ¸·Î Àß ¾Ë·ÁÁ® ÀÖ½À´Ï´Ù¸¸, ±¹³» ¿Ï¿ªº» ¹ÌÃâ°£. ¼Ò¼³ »ïÃÑ»ç(The Three Musketers)(1844)´Â ´ç´ë¿¡ ÀÌ¹Ì Å« Àα⸦ ²ø¾úÀ¸¸ç, Çö´ëÀο¡°Ôµµ ¿µÈ¿Í µå¶ó¸¶, ¹ÂÁöÄà µîÀ¸·Î Ä£¼÷ÇÕ´Ï´Ù.
Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)(1844~1849) : µÚ¸¶´Â ±×ÀÇ ´ëÇ¥ÀÛ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)¿¡¼ ÇϽýÃ(hashish)¸¦ ¿ ¹ø ÀÌ»ó ¾ð±ÞÇÏ¿´À» »Ó¸¸ ¾Æ´Ï¶ó, ±× ¹¦»ç ¶ÇÇÑ Çغ¸Áö ¾Ê°í¼´Â Çϱ⠾î·Á¿ï Á¤µµ·Î µðÅ×ÀÏÇÕ´Ï´Ù. µÚ¸¶´Â ½ÇÁ¦·Î Æĸ®ÀÇ È£ÅÚ Hôtel de Lauzun Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)¿¡¼ ´ç´ëÀÇ ¹®È£, Á¤Ä¡ÀÎ µî°ú ÇÔ²² ÇϽýÃ(hashish)¸¦ Áñ°å½À´Ï´Ù.
ÇÁ¶û½º ¿ª»ç»ó ÆÇÅ׿Â(Panthéon)¿¡ ¾ÈÀåµÈ 6¹ø° ¹®ÀÎ : ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)´Â 1870³â ¼ûÀ» °ÅµÎ¾ú½À´Ï´Ù. ±×ÀÇ ½Ã½ÅÀº ³úºô¸£-·¹-µð¿¡»Ú(Neuville-lès-Dieppe)¿¡ ÃÖÃÊ·Î ¸ÅÀåµÈ ÈÄ ÀÚ½ÅÀÌ ÅÂ¾î³ °íÇâ ºô·¯½º-ÄÚÅ׸£Å×Ã÷(Villers-Cotterêts)À¸·Î ÀÌÀåµÇ¾ú½À´Ï´Ù. ±×¸®°í, 2002³â ź»ý 200ÁÖ³âÀ» ¸Â¾Æ ÇÁ¶û½º¸¦ ´ëÇ¥ÇÏ´Â ¹®È£·Î ÀÎÁ¤¹Þ¾Æ Æĸ®ÀÇ ÆÇÅ׿Â(Panthéon)À¸·Î ÀÌÀåµÇ¾ú½À´Ï´Ù. ÀÌ´Â ÇÁ¶û½º ¿ª»ç»ó ÆÇÅ׿Â(Panthéon)¿¡ ¾ÈÀåµÈ 6¹ø° ¹®ÀÎÀ̶õ ´ë±â·ÏÀ¸·Î, ÀÌÀå½ÄÀº ¹æ¼ÛÀ» ÅëÇØ ÇÁ¶û½º Àü¿ª¿¡ ¹æ¿µµÇ¾ú½À´Ï´Ù. µÚ¸¶ÀÇ À¯¾ðÀ» µû¸¥ ºô·¯½º-ÄÚÅ׸£Å×Ã÷(Villers-Cotterêts) ¸¶À» ÁֹεéÀÌ ¹Ý´ëÇÏ¿´À¸³ª, ¹¹... ÀÚÅ© ¸£³× ½Ã¶óÅ©(Jacques René Chirac)(1932³â 11¿ù 29ÀÏ ~ 2019³â 9¿ù 26ÀÏ) ÇÁ¶û½º ´ëÅë·ÉÀº °ÅºÎÇϱ⿣ ³Ê¹«³ª °Å¹°ÀÌÁö¿ä.
¡°Those born to wealth, and who have the means of gratifying every wish, know not what is the real happiness of life, just as those who have been tossed on the stormy waters of the ocean on a few frail planks can alone realize the blessings of fair weather.¡±
"ºÎÀڷΠž ¸ðµç ¼Ò¸ÁÀ» ÃæÁ·½Ãų ¼ö ÀÖ´Â ¼ö´ÜÀ» °¡Áø »ç¶÷µéÀº ÀλýÀÇ ÁøÁ¤ÇÑ ÇູÀÌ ¹«¾ùÀÎÁö ¸ð¸¨´Ï´Ù. ¸¶Ä¡ ¸î °³ÀÇ ¾àÇÑ Æò¿ø¿¡¼ Æødz¿ì Ä¡´Â ¹Ù´å¹°¿¡ ´øÁ®Áø »ç¶÷µé¸¸ÀÌ °øÁ¤ÇÑ ³¯¾¾ÀÇ ÃູÀ» ±ú´ÞÀ» ¼ö ÀÖ´Â °Íó·³ ¸»ÀÔ´Ï´Ù.¡°
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
10°¡Áö Å°¿öµå·Î Àд ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas) by Á¶¸íÈ ÆíÁýÀå
01. º¹¼ö±ØÀÇ ¿Ï¼ºÀÚ, ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)(1802~1870)
02. ·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur)(1837)
03. ´ÞŸ³É ·Î¸Á½º(The d'Artagnan Romances) 3ºÎÀÛ(1844~1850)
04. ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844~1846)
05. Ŭ·´ µ¥½º ÇϽýŽº(Club des Hashischins)(1844~1849)
06. À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman) 68À§(2005)
07. ±¸±Û µÎµé(Google Doodle)(2020)
08. ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)¸¦ ¸¸³ª´Â Àå¼Ò TOP12
09. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)
10. ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas) ¾î·Ï(Quotes)(30)
¾Ë·º»óµå¸£ µÚ¸¶ÀÇ ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo¥± by Alexandre Dumas)(1844~1846)
Chapter 74. The Villefort Family Vault
Chapter 75. A Signed Statement
Chapter 76. Progress of Cavalcanti the Younger
Chapter 77. Haydée
Chapter 78. We hear From Yanina
Chapter 79. The Lemonade
Chapter 80. The Accusation
Chapter 81. The Room of the Retired Baker
Chapter 82. The Burglary
Chapter 83. The Hand of God
Chapter 84. Beauchamp
Chapter 85. The Journey
Chapter 86. The Trial
Chapter 87. The Challenge
Chapter 88. The Insult
Chapter 89. The Night
Chapter 90. The Meeting
Chapter 91. Mother and Son
Chapter 92. The Suicide
Chapter 93. Valentine
Chapter 94. Maximilian¡¯s Avowal
Chapter 95. Father and Daughter
Chapter 96. The Contract
Chapter 97. The Departure for Belgium
Chapter 98. The Bell and Bottle Tavern
Chapter 99. The Law
Chapter 100. The Apparition
Chapter 101. Locusta
Chapter 102. Valentine
Chapter 103. Maximilian
Chapter 104. Danglars¡¯ Signature
Chapter 105. The Cemetery of Père-Lachaise
Chapter 106. Dividing the Proceeds
Chapter 107. The Lions¡¯ Den
Chapter 108. The Judge
Chapter 109. The Assizes
Chapter 110. The Indictment
Chapter 111. Expiation
Chapter 112. The Departure
Chapter 113. The Past
Chapter 114. Peppino
Chapter 115. Luigi Vampa¡¯s Bill of Fare
Chapter 116. The Pardon
Chapter 117. The Fifth of October
Footnotes
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±×ÀÇ ¾Æ¹öÁö´Â ´ç½Ã ÇÁ¶û½ºÀÇ ½Ä¹ÎÁö¿´´ø ÇöÀçÀÇ ¾ÆÀÌƼ(Haiti)¿¡¼ žÀ¸³ª, ÇÁ¶û½º ±º»çÇб³¿¡¼ ±³À°¹ÞÀº ÈÄ 31¼¼ÀÇ ³ªÀÌ·Î À屺À¸·Î Áø±ÞÇÒ Á¤µµ·Î Ź¿ùÇÑ Àç´ÉÀ» ¹ßÈÖÇÏ¿´½À´Ï´Ù. ÀÌ´Â ÇÁ¶û½º ±º ÃÖÃÊÀÇ ¾ÆÇÁ¸®Ä«-¾ÈÆ¿·¹½º Ãâ½Å ±ºÀÎ(the first soldier of Afro-Antilles)À̶õ ´ë±â·ÏÀÔ´Ï´Ù. ±×ÀÇ ¾Æ¹öÁö´Â ±×ÀÇ ³ªÀÌ ºÒ°ú 4¼¼ ¶§ »ç¸ÁÇÏ¿´°í, ±×ÀÇ °¡Á·Àº ºó°ïÇÔÀ» ¸éÄ¡ ¸øÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ÇÁ¶û½º ´ëÇõ¸í(1789~1799) ´ç½Ã ³ªÆú·¹¿Ë º¸³ªÆĸ£Æ® ÈÖÇÏÀÇ À屺À¸·Î È°¾àÇÑ ¾Æ¹öÁö Å丶½º ¾Ë·º»êµå¸£ µÚ¸¶½º À屺(General Thomas-Alexandre Dumas)À̶õ Èı¤ ´öºÐ¿¡, »ó·ùÃþ°ú ¾î·ÆÁö ¾Ê°Ô ±³·ùÇÒ ¼ö ÀÖ¾ú°í, ¼ºÀÎÀÌ µÈ ÈÄ Æĸ®¿¡¼ ±ØÀÛ°¡·Î µî´ÜÇÒ ¼ö ÀÖ°Ô µË´Ï´Ù.
µÚ¸¶´Â óÀ½À¸·Î Ãâ°£ÇÑ Èñ°î Ç 3¼¼¿Í ±×ÀÇ ±ÃÁ¤(Henry III and His Courts)(1829)ºÎÅÍ Àαâ¸ôÀÌ¿¡ ¼º°øÇÕ´Ï´Ù! À̸¦ ±â¹ÝÀ¸·Î »ý°è¸¦ À§ÇÑ ÇÊ°æ»ç(ù¶ÌéÞÍ)¸¦ ¶§·ÁÄ¡¿ì°í, Àü¾÷ ÀÛ°¡·Î È°µ¿ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. µÚ¸¶´Â ¼ö¸¹Àº ¿©Àεé(40¿©¸í)°ú »ç¶ûÀ» ³ª´©°í(±×ÀÇ »ç»ý¾Æ´Â ¡®ÃÖ¼Ò¡¯ 4¸íÀ¸·Î ÃßÁ¤µË´Ï´Ù.), (Èʳ¯ À½½Ä°ú °ü·ÃÇÑ Ã¥À» ÁýÇÊÇÒ Á¤µµ·Î) Áø±ÍÇÑ À½½Ä¿¡ ¿±¤ÇÏ¿´À¸¸ç, Æĸ® ±Ù±³¿¡ ÀÚ½ÅÀÇ ÀÛÇ°¸íÀ» µý ¼º(¸ùÅ× Å©¸®½ºÅä ¼º)À» ¼¼¿ì´Â µî Æò»ý ½ºÄµµé°ú »çÄ¡·ÎºÎÅÍ ÀÚÀ¯·ÓÁö ¾Ê¾Ò½À´Ï´Ù. ±×·¸±â¿¡ ¸¹Àº µ·À» ¹ú¼ö·Ï ´õ´õ¿í µ·ÀÌ ÇÊ¿äÇß°í, ÀÌ ¶§¹®¿¡ Æò»ý ±Ù¸é¼º½Ç(?!)ÇÑ ÁýÇÊÀ» ¸ØÃßÁö ¾Ê¾Ò½À´Ï´Ù. ±×°¡ Æò»ý Ãâ°£ÇÑ Ã¥, ¿¬Àç, Èñ°î µîÀÇ ÃÑ ºÐ·®Àº ¹«·Á 10¸¸ ÆäÀÌÁö¿¡ ´ÞÇÕ´Ï´Ù¸¸, ±¹³» ¹ø¿ªº»ÀÌ Ãâ°£µÈ °ÍÀº ±ØÈ÷ ÀϺο¡ ºÒ°úÇÕ´Ï´Ù.
¾Ë·º»óµå¸£ µÚ¸¶ Æ丣(Alexandre Dumas père)ÀÇ Æ丣(père)´Â ¾Æ¹öÁö(dad)¶õ ¶æÀ¸·Î ±×ÀÇ »ç»ý¾Æ ¾Æµé ¾Ë·º»óµå¸£ µÚ¸¶ Çǽº(Alexandre Dumas fils)¿Í ±¸ºÐÇϱâ À§ÇØ ºÙÀÎ °ÍÀÔ´Ï´Ù. Çǽº(fils) ¶ÇÇÑ ÇÁ¶û½º¾î·Î ¾Æµé(son)À̶õ ¶æ. ¾Æ¹öÁö¿Í ¸¶Âù°¡Áö·Î ÃáÈñ(La dame aux camélias(1848)¸¦ ºñ·ÔÇÑ Èñ°îÀ» ´Ù¼ö ÁýÇÊÇÑ ±ØÀÛ°¡·Î È°µ¿ÇÏ¿´À¸¸ç, ±×ÀÇ ¿øÀÛ Èñ°îÀ» ¹ÙÅÁÀ¸·Î ÁÖ¼¼Æä º£¸£µð(Giuseppe Fortunino Francesco Verdi)´Â 3¸·ÀÇ ¿ÀÆä¶ó ¶ó Æ®¶óºñ¾ÆŸ(La traviata)(1853)¸¦ ÀÛ°îÇÏ¿´½À´Ï´Ù.
¡°I don¡¯t think man was meant to attain happiness so easily. Happiness is like those palaces in fairy tales whose gates are guarded by dragons: we must fight in order to conquer it.¡±
"Àú´Â Àΰ£ÀÌ ±×·¸°Ô ½±°Ô ÇູÀ» ¾òÀ» ¼ö ÀÖµµ·Ï ÀǵµµÇ¾ú´Ù°í »ý°¢ÇÏÁö ¾Ê½À´Ï´Ù. ÇູÀº ¿ëÀ¸·Î ¹®À» ÁöÅ°´Â µ¿È ¼ÓÀÇ ±ÃÀü°ú °°½À´Ï´Ù. ¿ì¸®´Â ±×°ÍÀ» Á¤º¹Çϱâ À§ÇØ ½Î¿ö¾ß ÇÕ´Ï´Ù."
·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur)(1837) : µÚ¸¶´Â 1837³â ÇÁ¶û½ºÀÇ Á¤Ä¡∙°æÁ¦∙¹®È µîÀÇ ¹ßÀü¿¡ °øÀûÀÌ ÀÖ´Â »ç¶÷¿¡°Ô ¼ö¿©ÇÏ´Â ÃÖ°í ±ÇÀ§ÀÇ ÈÆÀå - ·¹Áö¿Ë µµ³ú¸£(ordre national de la Légion d¡¯honneur) ÈÆÀåÀ» ¼ö¿©¹Þ¾Ò½À´Ï´Ù. ·¹Áö¿Ë µµ³ú¸£(ordre national de la Légion d¡¯honneur)´Â ³ªÆú·¹¿Ë 1¼¼°¡ 1802³â »õ·Ó°Ô Á¦Á¤ÇÑ °ÍÀ¸·Î, µÚ¸¶°¡ ¼ö»óÇÑ °ÍÀº °¡Àå ³·Àº ´Ü°èÀÇ ½´¹ß¸®¿¡(Chevalier) µî±ÞÀÔ´Ï´Ù. µÚ¸¶°¡ ÀÚ½ÅÀÇ ¾Æ¹öÁöÀÇ È°¾àÀ» ½â ÁÁ¾ÆÇÒ ¼ö ¸¸Àº ¾ø¾ú´ø ³ªÆú·¹¿Ë 1¼¼¸¦ °æ¸êÇÏ¿´´Âµ¥, ±×ÀÇ »çÈÄÀ̱â´Â ÇÏÁö¸¸ ±×°¡ Á¦Á¤ÇÑ ÈÆÀåÀ» ¹ÞÀ» ¶§ ¾î¶² ±âºÐÀÌ¿´À»Áö ±Ã±ÝÇØÁö³×¿ä. µÚ¸¶´Â ÀÚ½ÅÀÇ ÀÛÇ°¿¡¼ Áٰ𠳪Æú·¹¿Ë 1¼¼¸¦ ºÎÁ¤ÀûÀ¸·Î ¹¦»çÇÏ¿´½À´Ï´Ù. µÚ¸¶ÀÇ ÈÆÀå ¼ö»óÀº ´ç¿¬È÷ ±×ÀÇ ´ëÇ¥ÀÛ »ïÃÑ»ç(The Three Musketers)(1844)³ª ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844) ´öºÐÀ̶ó°í »ý°¢ÇÒ ¼ö ÀÖ°Ú½À´Ï´Ù¸¸, ±×º¸´Ù ÈξÀ ºü¸¥ 1837³âÀÔ´Ï´Ù. Áï ´ç´ë ÇÁ¶û½º ¹®Çа迡¼ µÚ¸¶´Â ¼Ò¼³ÀÌ ¾Æ´Ñ ±ØÀÛ°¡·Î½á ÀÌ¹Ì ÈÆÀåÀ» ¹ÞÀ» Á¤µµ·Î ´ç´ë ÃÖ°íÀÇ Àαâ¿Í ±ÇÀ§¸¦ ÀÎÁ¤¹Þ¾ÒÀ½À» ¹Ì·ç¾î ÁüÀÛÇÒ ¼ö ÀÖ½À´Ï´Ù.
ÇÁ¶û½º2(France 2) À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman) 68À§(2005) : 2005³â ÇÁ¶û½º2(France 2)´Â ¸£ Ç÷¯½º ±×¶û ÇÁ¶û¼ö¾Æ µ¥Åõ¾Æ·¹ÅÛ½º(Le Plus Grand Francais de toussemps, The Great French man of the Time)¸¦ ÅëÇØ, ÇÁ¶û½º ±¹¹Îµé¿¡°Ô À§´ëÇÑ ÇÁ¶û½ºÀÎ(The Greatest Frenchman)(2005)À» Á¶»çÇÏ¿´½À´Ï´Ù. 1À§´Â »þ¸¦ µå°ñ(Charles de Gaulle) ´ëÅë·ÉÀ¸·Î, µÚ¸¶´Â 68À§¿¡ À̸§À» ¿Ã·È½À´Ï´Ù.
¡°There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life.
"¼¼»ó¿¡´Â Çູµµ ºÒÇ൵ ¾ø½À´Ï´Ù. ÇÑ ±¹°¡¿Í ´Ù¸¥ ±¹°¡¸¦ ºñ±³ÇÒ »ÓÀÌÁö ±× ÀÌ»óÀº ¾ø½À´Ï´Ù. °¡Àå ±íÀº ½½ÇÄÀ» ´À³¤ »ç¶÷Àº ÃÖ°íÀÇ ÇູÀ» °æÇèÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿ì¸®´Â Á×´Â °ÍÀÌ ¹«¾ùÀÎÁö ´À²¼À» °ÍÀÔ´Ï´Ù, ¸ð·¼, ¿ì¸®´Â »îÀÇ Áñ°Å¿òÀ» ´À³¥Áöµµ ¸ð¸¨´Ï´Ù.
" Live, then, and be happy, beloved children of my heart, and never forget, that until the day God will deign to reveal the future to man, all human wisdom is contained in these two words, 'Wait and Hope.¡±
"±×·¯¸é, »ì¾Æ¶ó, ±×¸®°í ³» ¸¶À½¿¡¼ »ç¶û¹Þ´Â ¾ÆÀ̵éÀÌ µÇ¾î¶ó, ±×¸®°í °áÄÚ ÀØÁö ¸»¶ó, ½ÅÀÌ Àΰ£¿¡°Ô ¹Ì·¡¸¦ ¹àÈ÷µµ·Ï ¼³°èÇÒ ±×³¯±îÁö, ¸ðµç Àΰ£ÀÇ ÁöÇý´Â ÀÌ µÎ ´Ü¾î, '±â´Ù·Á¶ó'¿¡ ´ã°Ü ÀÖ½À´Ï´Ù.¡°