À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925) : ÇÇÃ÷Á¦·²µå´Â ÀçÁ¤ÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡À̱â´Â ÇÏÁö¸¸, ƯÀ¯ÀÇ ÁÖ»ç¿Í ¾Æ³»¿ÍÀÇ »ç°Ç»ç°í·Î ÀÎÇØ ºÎÁ¤ÀûÀÎ Æò°¡µµ ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù. ¸¶Ä¡ À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)ÀÇ ÁÖÀΰøó·³ ÀçÁî ½Ã´ëÀÇ ÅðÆóÀû ȽÅ(the embodiment of Jazz Age decadence)ÀÌÀÚ ¼ú¿¡ Âîµç ¾ËÄÚ¿Ã Áßµ¶ÀÚ(alcoholic)À̶õ ÀνÄÀ¸·Î ÀÎÇØ ÀÛÇ°¼º¸¶Àú Æò°¡ ÀýÇ쵃 ¼ö¹Û¿¡ ¾ø¾úÀ¸³ª¡¦¡¦. ±×ÀÇ Ä£±¸ÀÌÀÚ ¹®ÇÐÆò·Ð°¡ ¿¡µå¸Õµå Àª½¼(Edmund Wilson)ÀÌ ±×ÀÇ À¯ÀÛ ¸¶Áö¸· °Å¹°(The Last Tycoon)(1941)À» ¿Ï¼ºÇÑ ÈÄ À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)¿¡ Ãß°¡ÇÏ¿´°í, ÀÌ Ã¥ÀÌ ±¹¹æºÎ µµ¼¸ñ·Ï(the Armed Services Editions)¿¡ Æ÷ÇÔµÇ¸é¼ Á¦2Â÷ ¼¼°è´ëÀü¿¡ ÂüÀüÇÑ ¹Ì±º¿¡°Ô 12¸¸ºÎ ÀÌ»ó ¹èÆ÷µÇ¾ú½À´Ï´Ù. ±Ø½ÉÇÑ ½ºÆ®·¹½º¿¡ ½Ã´Þ¸®´Â ¹Ì±ºÀ» ºñ·ÔÇØ µ¶ÀÏ°ú ÀϺ» µî ¼¼°è °¢Áö¿¡¼ ÀÐÈ÷¸é¼ ±×ÀÇ ÀÛÇ°Àº ÀçÆò°¡µÇ±â ½ÃÀÛÇÏ¿´°í, ÇöÀç´Â 20¼¼±â ¹Ì±¹ ¼Ò¼³ÀÇ °íÀü(a classic of twentieth-century American fiction)À¸·Î Æò°¡µÇ¸ç ¹Ì±¹ÀÇ Áß°íµîÇб³¿¡¼ äÅÃµÈ ±³Àç·Î »ç¶û¹Þ°í ÀÖ½À´Ï´Ù. À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)´Â 1926³âÀ» ½ÃÀÛÀ¸·Î 1949³â, 1974³â, 2000³â, ±×¸®°í 2013³â±îÁö ¼öÂ÷·Ê¿¡ °ÉÃÄ ¿µÈȵǾú½À´Ï´Ù. ·¹¿À³ª¸£µµ µðÄ«ÇÁ¸®¿À°¡ °³Ã÷ºñ ¿ªÀ» ¸ÃÀº 2013³âÆÇÀº ±¹³»¿¡¼µµ 144¸¸ ¸íÀ» µ¿¿øÇÏ¸ç ¼ÒÁ¤ÀÇ ¼º°ú¸¦ °ÅµÎ¾ú½À´Ï´Ù. ÇÇÃ÷Á¦·²µåÀÇ ´ëÇ¥ÀÛÀ̴ϸ¸Å ±¹³»¿¡ ¼ö¸¹Àº ¹ø¿ªº»ÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¡°So we beat on, boats against the current, borne back ceaselessly into the past.¡± "±×·¡¼ ¿ì¸®´Â ¹°»ìÀ» °Å½½·¯ ¹è¸¦ Ÿ°í ²÷ÀÓ¾øÀÌ °ú°Å·Î µÇµ¹¾Æ¿Ô½À´Ï´Ù.¡±
ÆÊ¹Ç ÆÄÅ»(femme fatale)°ú ¹ÂÁî(Muse) »çÀÌ, Á©´Ù ÇÇÃ÷Á¦·²µå(Zelda Fitzgerald)(1900~1948) : »çÄ¡¿Í À½ÁÖ, ÁúÅõ¡¦¡¦. Á©´Ù´Â ¾Æ¸§´äÁö¸¸ »ç³»¸¦ Æĸê½ÃÅ°´Â ÆÊ¹Ç ÆÄÅ»(femme fatale)ÀÇ ÀüÇüÀûÀÎ Àι°ÀÌÁö¸¸, ÇÇÃ÷Á¦·²µå´Â Á©´ÙÀÇ ¸»°ú ±Û(Àϱâ)¿¡¼ ¹«ÇÑÇÑ ¿µ°¨À» ¾ò¾ú°í, ÀÌ´Â À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)¸¦ ºñ·ÔÇÑ ±×ÀÇ ÀÛÇ° °÷°÷¿¡ ±× ÈçÀûÀ» ¶Ñ·ÇÇÏ°Ô ³²°å½À´Ï´Ù. Áï ÇÇÃ÷Á¦·²µå¿¡°Ô Á©´Ù´Â ¾àÈ¥°ú ÆÄÈ¥¿¡µµ ºÒ±¸ÇÏ°í, ´Ù½Ã °áÈ¥Çϱâ±îÁö ÁýÂøÇÒ ¼ö¹Û¿¡ ¾ø¾ú´ø ¡®Ã¢ÀÛÀÇ ¹ÂÁ¿´´ø °ÍÀÌÁÒ! Á©´Ù ¶ÇÇÑ Á¤½ÅºÐ¿Áõ¿¡ ½Ã´Þ¸®¸ç ½º½º·Î¿¡°Ô, ±×¸®°í ³²Æí¿¡°Ô Å©³ªÅ« °íÅëÀ» ¼±»çÇÑ ºñ¿îÀÇ ¿©ÀÎÀÌÁö¸¸ ±×¿Í µ¿½Ã¿¡ ÀÚ½ÅÀÇ ¸ñ¼Ò¸®·Î Ã¥À» ¾µ Á¤µµ·Î ÇÊ·Â ¶ÇÇÑ ÃâÁßÇÑ ÀÛ°¡¿´´Ù´Â Á¡¿¡¼ ÀÏÂ÷¿øÀûÀ¸·Î ÆÊ¹Ç ÆÄÅ»·Î¸¸ Æò°¡Çϱ⿡´Â ¾Æ½¬¿î Á¡ÀÌ ¸¹Àº Àι°ÀÔ´Ï´Ù. ±×³àÀÇ ÀÚ¼ÀüÀº ±¹³»¿¡µµ ¹ø¿ªº»ÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù. ÇÇÃ÷Á¦·²µå¿Í Á©´Ù¶õ ´ç´ëÀÇ ½ºÅ¸ ºÎºÎÀÇ ¶ß°Å¿î ¿¬¾Ö¿Í »ç¶û, ¾àÈ¥°ú ÆÄÈ¥, °áÈ¥°ú ºÒ·û À̾߱â´Â ´ëÁßµéÀÇ °ü½ÉÀ» ²ø ¼ö¹Û¿¡ ¾ø¾ú°í, ÀÌ¿¡ ´Ù¾çÇÑ ¼Ò¼³°ú ¿µÈ µîÀÇ ¼ÒÀç·Î »ç¿ëµÇ¾ú½À´Ï´Ù.
¡°I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.¡± "Àú´Â ±×³à°¡ ¹Ùº¸°¡ µÇ±â¸¦ ¹Ù¶ø´Ï´Ù. ±×°ÍÀº ÀÌ ¼¼»ó¿¡¼ ¼Ò³à°¡ µÉ ¼ö ÀÖ´Â ÃÖ°íÀÇ °ÍÀÔ´Ï´Ù. ¾Æ¸§´Ù¿î ÀÛÀº ¹Ùº¸ÀÔ´Ï´Ù.¡±
³«¿øÀÇ ÀÌÂÊ(This Side of Paradise)(1920) : ÇÇÃ÷Á¦·²µå´Â ±ºº¹¹«¿¡ ÀÌ¾î ¹è·± Äݸ®¾î ±¤°í ´ëÇà»ç(the Barron Collier advertising agency), ÀÚµ¿Â÷ ¼ö¸®°ø(repairing car roofs) µîÀ» ÀüÀüÇÏ´Â ¿ÍÁß¿¡ ·Î¸Çƽ ¿¡°íÀ̽ºÆ®(The Romantic Egotist)(1920)¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. ÃâÆǻ翡¼´Â ³«¿øÀÇ ÀÌÂÊ(This Side of Paradise)(1920)À¸·Î Á¦¸ñÀ» ¼öÁ¤ÇÏ´Â Á¶°ÇÀ¸·Î °è¾àÇÏ¿´À¸¸ç, ÀÌ Ã¥ÀÌ ÈïÇàÇÏ¸é¼ ÇÇÃ÷Á¦·²µå´Â ºñ·Î¼Ò Á©´Ù¿Í °áÈ¥¿¡ ¼º°øÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù! °á°úÀûÀ¸·Ð °¡³¹ðÀÌ¿Í °áÈ¥ÇÒ ¼ö ¾ø´Ù´Â Á©´ÙÀÇ Â÷µðÂù ÆÄÈ¥ÀÌ ¿ª¼³ÀûÀ¸·Î ÇÇÃ÷Á¦·²µåÀÇ Ã¢ÀÛ¿åÀ» ºÒÅÂ¿î ¼ÀÀÌÁÒ. »ç½Ç ÇÇÃ÷Á¦·²µå´Â Á©´Ù ÀÌÀü¿¡µµ °¡³ÇÏ´Ù´Â ÀÌÀ¯·Î ¿©ÀÚ¿¡°Ô Â÷ÀÎ ±â¾ïÀÌ ÀÖ¾ú´ä´Ï´Ù. ³«¿øÀÇ ÀÌÂÊ(This Side of Paradise)(1920)Àº ±¹³» ¹ø¿ªº»ÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù.
¡°There is a moment—Oh, just before the first kiss, a whispered word—something that makes it worth while.¡± "¾Æ, ù Å°½º Á÷Àü¿¡ ¼Ó»èÀÌ´Â ¸», Áï °¡Ä¡°¡ ÀÖ´Â °ÍÀÌ ÀÖ½À´Ï´Ù.¡±
ÇÇÃ÷ Á¦·²µå Àü¹® ¹ø¿ª°¡?! ¹«¶óÄ«¹Ì ÇÏ·çÅ°(õ½ß¾õðâ§)(1949~) : ±¹³»¿¡µµ Àß ¾Ë·ÁÁø ÀϺ» ÀÛ°¡ ¹«¶óÄ«¹Ì ÇÏ·çÅ°(õ½ß¾õðâ§)´Â ÀÚ½ÅÀÌ Á÷Á¢ À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)¸¦ ÀϺ»¾î·Î ¹ø¿ªÇϱ⵵ Çß½À´Ï´Ù. ¼Ò¼³°¡°¡ ¹ø¿ªÀ» Çß´Ù´Ï, Á» ÀǾÆÇÏÁö¸¸ ÇÏ·çÅ°´Â 1979³âºÎÅÍ ²ÙÁØÈ÷ ½ºÄ± ÇÇÃ÷Á¦·²µå¸¦ ºñ·ÔÇÑ ¹Ì±¹ Çö´ë ¹®ÇÐ ÀÛ°¡ÀÇ ÀÛÇ°À» ¹ø¿ªÇØ ¹ßÇ¥ÇÏ°í ÀÖ´Â ¡®¹ø¿ª°¡¡¯À̱⵵ ÇÕ´Ï´Ù.
¡°I suppose books mean more than people to me anyway¡± "¾î·µç Ã¥Àº ³»°Ô »ç¶÷º¸´Ù ´õ Áß¿äÇÑ °Í °°¾Æ¿ä.¡±
¸¶Áö¸· °Å¹°(The Last Tycoon)(1941) : ÇÇÃ÷Á¦·²µå´Â ´Ù¼¸ ±ÇÀÇ ÀåÆí¼Ò¼³(ÇѱÇÀÇ ¹Ì¿Ï¼º À¯°íÀÛÀ» Æ÷ÇÔÇÏ¿©)À» ºñ·ÔÇØ ¹é Æí ÀÌ»óÀÇ ´ÜÆí¼Ò¼³À» ¹ßÇ¥ÇÏ¿´À¸¸ç, ´ç´ë¿¡ ÀÌ¹Ì ºÎ¿Í ¸í¼ºÀ» ¾òÀº ¡®¼º°øÇÑ ÀÛ°¡¡¯¿´À¸³ª, Á¤½ÅºÐ¿Áõ(schizophrenia)À» ¾ÎÀº ¾Æ³» º´¿øºñ¿Í »çÄ¡·Î ÀÎÇØ ²÷ÀÓ¾øÀÌ ±ÛÀ» ½á¾ßÇÏ´Â ±×ÀÇ »îÀº °áÄÚ ÇູÇÏÁö¸¸Àº ¾Ê¾Ò½À´Ï´Ù. 1940³â ºÒ°ú 44¼¼ÀÇ ³ªÀÌ·Î ´Ù¼¸ ¹ø° ¼Ò¼³ ¸¶Áö¸· °Å¹°(The Last Tycoon)(1941)À» ¿Ï¼ºÇϱ⵵ Àü¿¡ ¾ËÄÚ¿Ã Áßµ¶(alcoholism)À¸·Î »ç¸ÁÇÏ¿´½À´Ï´Ù. ¹Ì±¹¿¡¼ ¼Õ²ÅÈ÷´Â ¸í¹®´ëÇÐ ÇÁ¸°½ºÅÏ ´ëÇÐ(Princeton University)(1913~1916) ¿µ¾î¿µ¹®Çаú¿¡ ÀÔÇÐÇÏ¿© Æò»ýÀ» ÇÔ²²ÇÑ ¹®ÇÐÀûÀÎ µ¿·á ¿¡µå¸Õµå Àª½¼(Edmund Wilson)À» ¸¸³µ°í, ¸î¸î ÀâÁö¿¡ ´ÜÆí°ú Èñ°î, ½Ã µîÀ» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ¿¡µå¸Õµå Àª½¼Àº Èʳ¯ ±×°¡ ³²±ä À¯ÀÛÀ» ¿Ï¼ºÇØ, ¡®ÀÛ°¡ ÇÇÃ÷Á¦·²µå¡¯ÀÇ ¾÷ÀûÀ» ¼¼»ó¿¡ ¾Ë¸° ¹®ÇÐÆò·Ð°¡ÀÔ´Ï´Ù. ¸¶Áö¸· °Å¹°(The Last Tycoon)(1941)Àº ±¹³» ¹ø¿ªº» ¹ÌÃâ°£À̳ª, ¹Ì±¹¿¡¼´Â Ã¥Àº ¹°·Ð 2017³â µ¿¸íÀÇ ½ÃÁðÁ¦ µå¶ó¸¶·Îµµ Á¦ÀÛµÈ ¹Ù ÀÖ½À´Ï´Ù.
¡°I want to give a really BAD party. I mean it. I want to give a party where there¡¯s a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see.¡± "Àú´Â Á¤¸» ³ª»Û ÆÄƼ¸¦ ¿°í ½Í¾î¿ä. Áø½ÉÀÌ¿¡¿ä. Àú´Â ½Î¿ò°ú À¯È¤ÀÌ ÀÖ°í, °¨Á¤À» »óÇÏ°Ô ÇÏ°í Áý¿¡ °¡´Â »ç¶÷µéÀÌ ÀÖ°í, ¿©¼ºµéÀÌ Ä³ºñ´Ö ÈÀå½Ç¿¡¼ ±âÀýÇÏ´Â ÆÄƼ¸¦ ¿°í ½Í½À´Ï´Ù. µÎ°í º¸¼¼¿ä.¡±
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
14°¡Áö Å°¿öµå·Î Àд ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald) by Á¶¸íÈ ÆíÁýÀå
01. ¹Ì±¹ ÀÒ¾î¹ö¸° ¼¼´ë(Lost Generation)ÀÇ ¼Ò¼³°¡ ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)(1896~1940)
02. ÆÊ¹Ç ÆÄÅ»(femme fatale)°ú ¹ÂÁî(Muse) »çÀÌ, Á©´Ù ÇÇÃ÷Á¦·²µå(Zelda Fitzgerald)(1900~1948)
03. ³«¿øÀÇ ÀÌÂÊ(This Side of Paradise)(1920)
04. ¾Æ°¡¾¾¿Í öÇÐÀÚ(Flappers and Philosophers)(1920)
05. º¥ÀڹΠ¹öÆ°ÀÇ ±âÀÌÇÑ »ç°Ç(The Curious Case of Benjamin Button)(1922)
06. ¾Æ¸§´ä°í ÀúÁÖ¹ÞÀº »ç¶÷µé(The Beautiful and Damned)(1922)
07. À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)
07-1. ÇÇÃ÷ Á¦·²µå Àü¹® ¹ø¿ª°¡?! ¹«¶óÄ«¹Ì ÇÏ·çÅ°(õ½ß¾õðâ§)(1949~)
08. ¹ãÀº ºÎµå·¯¿ö(Tender is the Night)(1934)
09. ¸¶Áö¸· °Å¹°(The Last Tycoon)(1941)
10. ÇÇÃ÷Á¦·²µå ´ÜÆí¼±
11. ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)¸¦ ¸¸³ª´Â Àå¼Ò TOP12
12. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)
13. ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald) ¾î·Ï(Quotes)(70)
ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µåÀÇ À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby by F. Scott Fitzgerald)(1925)
I
II
III
IV
V
VI
VII
VIII
IX
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë ±ÇÀåµµ¼ 100
A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼±
A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼±
A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)
Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±
Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(954)
ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)
¹Ì±¹ ÀÒ¾î¹ö¸° ¼¼´ë(Lost Generation)ÀÇ ¼Ò¼³°¡ ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)(1896~1940) : º»¸í ÇÁ·£½Ã½º ½ºÄà Å° ÇÇÃ÷Á¦·²µå(Francis Scott Key Fitzgerald), ÇÁ·£½Ã½º ½ºÄà ÇÇÃ÷Á¦·²µå(F. Scott Fitzgerald)(1896~1940)´Â Çѱ¹ÀÇ µ¶ÀÚ¿¡°Ôµµ ¿µÈ·Î Á¦ÀÛµÈ º¥ÀڹΠ¹öÆ°ÀÇ ±âÀÌÇÑ »ç°Ç(The Curious Case of Benjamin Button)(1922)°ú À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)ÀÇ ¿øÀÛÀڷΠģ¼÷ÇÑ ¹Ì±¹ÀÇ ¼Ò¼³°¡ °â ¼öÇÊ°¡ÀÌÀÚ °¢º»°¡ÀÔ´Ï´Ù. ±×ÀÇ ºÎ¸ð°¡ À̸§À» µû¿Â ÇÁ·£½Ã½º ½ºÄ± Å°(Francis Scott Key)(1779~1843)´Â ¹Ì±¹ ±¹°¡ ¼ºÁ¶±â(The Star-Spangled Banner)¸¦ ÀÛ»çÇÑ ½ÃÀÎ °â ÀÛ°¡·Î ÇÇÃ÷Á¦·²µå °¡¹®°ú ¸Õ ģôÀ̱⵵ ÇÕ´Ï´Ù. ´Ù¼¸ ±ÇÀÇ ÀåÆí¼Ò¼³(ÇѱÇÀÇ ¹Ì¿Ï¼º À¯°íÀÛÀ» Æ÷ÇÔÇÏ¿©)À» ºñ·ÔÇØ ¹é Æí ÀÌ»óÀÇ ´ÜÆí¼Ò¼³À» ¹ßÇ¥ÇÏ¿´À¸¸ç, ´ç´ë¿¡ ÀÌ¹Ì ºÎ¿Í ¸í¼ºÀ» ¾òÀº ¡®¼º°øÇÑ ÀÛ°¡¡¯¿´À¸³ª, Á¤½ÅºÐ¿Áõ(schizophrenia)À» ¾ÎÀº ¾Æ³» º´¿øºñ¿Í »çÄ¡·Î ÀÎÇØ ²÷ÀÓ¾øÀÌ ±ÛÀ» ½á¾ßÇÏ´Â ±×ÀÇ »îÀº °áÄÚ ÇູÇÏÁö¸¸Àº ¾Ê¾Ò½À´Ï´Ù. 1940³â ºÒ°ú 44¼¼ÀÇ ³ªÀÌ·Î ´Ù¼¸ ¹ø° ¼Ò¼³ ¸¶Áö¸· °Å¹°(The Last Tycoon)(1941)À» ¿Ï¼ºÇϱ⵵ Àü¿¡ ¾ËÄÚ¿Ã Áßµ¶(alcoholism)À¸·Î »ç¸ÁÇÏ¿´½À´Ï´Ù. 20¼¼±â ¹Ì±¹À» ´ëÇ¥ÇÏ´Â À§´ëÇÑ ÀÛ°¡(the greatest American writers of the 20th century)ÀÌÀÚ, ÀÒ¾î¹ö¸° ¼¼´ë(Lost Generation)ÀÇ ´ëÇ¥ÀûÀÎ ÀÛ°¡·Î Ãß¾Ó¹Þ°í ÀÖ½À´Ï´Ù. ƯÈ÷ À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)´Â ¡®¹Ì±¹ ¹®ÇÐÀÇ ÃÖ°í °ÉÀÛ¡¯ Áß Çϳª·Î ÀÎÁ¤¹Þ°í ÀÖ½À´Ï´Ù.
¡°Our lives are defined by opportunities, even the ones we miss.¡± "¿ì¸®ÀÇ »îÀº ±âȸ, ½ÉÁö¾î ¿ì¸®°¡ ³õÄ£ ±âȸµé¿¡ ÀÇÇØ Á¤Àǵ˴ϴÙ.¡±
¹Ì±¹¿¡¼ ¼Õ²ÅÈ÷´Â ¸í¹®´ëÇÐ ÇÁ¸°½ºÅÏ ´ëÇÐ(Princeton University)(1913~1916) ¿µ¾î¿µ¹®Çаú¿¡ ÀÔÇÐÇÏ¿© Æò»ýÀ» ÇÔ²²ÇÑ ¹®ÇÐÀûÀÎ µ¿·á ¿¡µå¸Õµå Àª½¼(Edmund Wilson)À» ¸¸³µ°í, ¸î¸î ÀâÁö¿¡ ´ÜÆí°ú Èñ°î, ½Ã µîÀ» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ¿¡µå¸Õµå Àª½¼Àº Èʳ¯ ±×°¡ ³²±ä À¯ÀÛÀ» ¿Ï¼ºÇØ, ¡®ÀÛ°¡ ÇÇÃ÷Á¦·²µå¡¯ÀÇ ¾÷ÀûÀ» ¼¼»ó¿¡ ¾Ë¸° ¹®ÇÐÆò·Ð°¡ÀÔ´Ï´Ù. °¡¼¼°¡ ±â¿ï¾î Á¹¾÷ÇÏÁö ¸øÇÏ°í ÁßÅðÇÏ¿´°í, ÀÌÈÄ ¹Ì±¹ À°±º¿¡ ÀÔ´ëÇÏ¿© Á¦1Â÷ ¼¼°è´ëÀü ÂüÀü, À°±ºÆ÷º´Çб³¿Í À°±ºº¸º´Çб³ µî ÀÛ°¡¿Í µ¿¶³¾îÁø ±º »ýÈ°À» ÇÏ°Ô µË´Ï´Ù. ¾Ù¶ó¹è¸¶ ¸ù°í¸Þ¸®(Montgomery, Alabama) ±ÙóÀÇ Ä·ÇÁ ¼Î¸®´ø(Camp Sheridan)¿¡ º¹¹«ÇÏ´ø Áß ÄÁÆ®¸® Ŭ·´(a local country club)¿¡¼ ¸¸³ ¾Æ¸§´Ù¿î ¿©ÀÎ Á©´Ù ¼¼À̾î(Zelda Sayre)¿¡°Ô ºüÁ®µé¾ú½À´Ï´Ù. ±×·¯³ª û³â ÇÇÃ÷Á¦·²µå´Â ¾Ù¶ó¹è¸¶ ´ë¹ý°ü ÀåÀξ ¾Ø¼Ò´Ï(Alabama Supreme Court Justice Anthony D. Sayre)¸¦ ¼³µæ½ÃÅ°±â¿¡´Â (±º¿¡ ÀÔ´ëÇؾ߸¸ ÇßÀ» Á¤µµ·Î °¡¼¼°¡ ±â¿î) °¡³ÇÑ Ã»³âÀε¥´Ù°¡, µ¶½ÇÇÑ °¡Å縯(Catholic) ½ÅÀÚÀ̶ó´Â Á¡µµ ¼º°øȸ °¡¹®(Episcopalian family)¿¡°Ô ÁÁÀº Æò°¡¸¦ ¹Þ±â ¾î·Á¿î Á¶°ÇÀÌ¿´½À´Ï´Ù.
±×·¯³ª ±ºº¹¹«¿¡ ÀÌ¾î ¹è·± Äݸ®¾î ±¤°í ´ëÇà»ç(the Barron Collier advertising agency), ÀÚµ¿Â÷ ¼ö¸®°ø(repairing car roofs) µîÀ» ÀüÀüÇÏ´Â ¿ÍÁß¿¡ ÁýÇÊÇÑ ·Î¸Çƽ ¿¡°íÀ̽ºÆ®(The Romantic Egotist)(1920)°¡ ³«¿øÀÇ ÀÌÂÊ(This Side of Paradise)(1920)À¸·Î Á¦¸ñÀ» ¼öÁ¤ÇÏ´Â Á¶°ÇÀ¸·Î Ãâ°£ÇÏ¿´½À´Ï´Ù. ÀÌ Ã¥ÀÌ ÈïÇàÇÏ¸é¼ ÇÇÃ÷Á¦·²µå´Â ºñ·Î¼Ò Á©´Ù¿Í °áÈ¥¿¡ ¼º°øÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù! °á°úÀûÀ¸·Ð °¡³¹ðÀÌ¿Í °áÈ¥ÇÒ ¼ö ¾ø´Ù´Â Á©´ÙÀÇ Â÷µðÂù ÆÄÈ¥ÀÌ ¿ª¼³ÀûÀ¸·Î ÇÇÃ÷Á¦·²µåÀÇ Ã¢ÀÛ¿åÀ» ºÒÅÂ¿î ¼ÀÀÌÁÒ. »ç½Ç ÇÇÃ÷Á¦·²µå´Â Á©´Ù ÀÌÀü¿¡µµ °¡³ÇÏ´Ù´Â ÀÌÀ¯·Î ¿©ÀÚ¿¡°Ô Â÷ÀÎ ±â¾ïÀÌ ÀÖ¾ú´ä´Ï´Ù. ÀÌÈÄ ÀÛ°¡·Î½á ¼º°ø°¡µµ¸¦ ´Þ¸° ÇÇÃ÷Á¦·²µå´Â ¾Æ³» Á©´Ù¿Í ÇÔ²² ¹Ì±¹ÀÇ ÀçÁî ½Ã´ë(the Jazz Age)¸¦ ´©·È°í, À½ÁÖ·Î ÀÎÇÑ ÁÖ»ç¿Í ÀÌ·Î ÀÎÇÑ °¢Á¾ »ç°Ç¿¡ ÈÖ¸»¸®¸ç ¿©·¯ Ãø¸é¿¡¼ ¡®´º¿åÀÇ À¯¸íÀΡ¯ÀÌ µÇ¾ú½À´Ï´Ù. º¼Æ¼¸ð¾î È£ÅÚ(Biltmore Hotel)°ú Äڸ𵵾î È£ÅÚ(Commodore Hotel)¿¡¼´Â ±×µé ºÎºÎ¸¦ ÂѾƳ»±â±îÁö ÇßÀ» Á¤µµ´Ï, ±×µéÀÇ ¾Ç¸íÀ» ¹Ì·ç¾î ÁüÀÛÇÒ ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù.
¡°Here's to alcohol, the rose colored glasses of life.¡± "¿©±â ÀλýÀÇ Àå¹Ìºû ¾È°æÀÎ ¼ú¿¡ °üÇÑ °ÍÀÔ´Ï´Ù.¡±
ÇÇÃ÷Á¦·²µå´Â ¼Ò¼³À» ³Ñ¾î¼ °¢º»°¡·Î½á ¼º°øÇÏ±æ °í´ëÇßÀ¸³ª, ±×ÀÇ Ã¹ ¹ø° ÀåÆí °¢º» ¾ßä(The Vegetable)´Â ȤÆòÀ» ¹Þ¾Ò°í °á±¹ ¿ø°í·á¸¦ »¡¸® ¹ÞÀ» ¼ö ÀÖ´Â ´ÜÆí¿¡ ÁýÁßÇؾ߸¸ Çß½À´Ï´Ù. ±×ÀÇ ¸í¼ºÀ» ½×¾ÆÁØ ³× ±ÇÀÇ ÀåÆí ¼Ò¼³ ¿Ü¿¡ À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ²÷ÀÓ¾øÀÌ ´ÜÆí ¼Ò¼³À» ÁýÇÊÇÑ ÀÌÀ¯°¡ ¿©±â¿¡ ÀÖ½À´Ï´Ù. 1924³â ÇÁ¶û½º·Î ÀÌÁÖÇÑ ÇÇÃ÷Á¦·²µå´Â ÇöÀç±îÁöµµ ÀÐÈ÷´Â ºÒ¸êÀÇ ÀÛÇ° - À§´ëÇÑ °³Ã÷ºñ(The Great Gatsby)(1925)¸¦ ÇÁ¶û½º¿¡¼ ¿Ï¼ºÇÏ¿´À¸¸ç, ¹Ì±¹°ú ¿µ±¹¿¡¼ Ãâ°£ÇÏ¿´½À´Ï´Ù. ÇÁ¶û½º¿¡¼ ±×´Â Èʳ¯ ¼¼°èÀûÀÎ ¹®È£·Î À¯¸íÇØÁø ¾î´Ï½ºÆ® Çã¹Ö¿þÀÌ(Ernest Hemingway)°¡ Æĸ®¿¡¼ Àú³Î¸®½ºÆ® È°µ¿ÇÒ ´ç½Ã ±³ºÐÀ» ½×¾Ò½À´Ï´Ù. ±×µéÀÇ ¿ìÁ¤Àº Çã¹Ö¿þÀÌÀÇ »çÈÄ¿¡ Ãâ°£µÈ ÀÚ¼Àü Æĸ®´Â ³¯¸¶´Ù ÃàÁ¦(A Moveable Feast)(1964)¿¡¼ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù. ´Ù¸¸ Çã¹Ö¿þÀÌ´Â ¼úÀ» Áñ±â°í, ÁúÅõ°¡ ½ÉÇÑ Á©´Ù¸¦ ¡®ÀÛ°¡ÀÇ ¾Æ³»¡¯·Î½á ±×¸® ÁÁ°Ô º¸Áö ¾Ê¾Ò½À´Ï´Ù. ƯÈ÷ Á©´Ù°¡ ÇÇÃ÷Á¦·²µåÀÇ ¼º±â°¡ ÀÛ´Ù°í ºÒÆòÇÏÀÚ, À̸¦ Á÷Á¢ È®ÀÎÇÑ Çã¹Ö¿þÀÌ°¡ "³Í ¿Ïº®ÇÏ°Ô ±¦Âú¾Æ"(You're perfectly fine)¶ó°í °Ý·Á(?!)ÇÑ ¿¡ÇǼҵå´Â ¹®Çл翡¼ À¯¸íÇÑ ÀÏÈÀÔ´Ï´Ù. ¼¼°èÀûÀÎ ¸í¼ºÀ» ÀÚ¶ûÇÏ´Â µÎ ÀÛ°¡°¡ ÈÀå½Ç¿¡¼ °Å½Ã±â¸¦ º¸¿©ÁÖ°í, Æò°¡¹Þ´Ù´Ï¡¦¡¦.
¡°Benjamin, we¡¯re meant to lose the people we love. How else would we know how important they are to us?¡± "º¥ÀÚ¹Î, ¿ì¸®´Â ¿ì¸®°¡ »ç¶ûÇÏ´Â »ç¶÷µéÀ» ÀÒ°Ô µÉ ¿î¸íÀÌ¿¡¿ä. ±×µéÀÌ ¿ì¸®¿¡°Ô ¾ó¸¶³ª Áß¿äÇÑÁö ±×·¸Áö ¾Ê´Ù¸é ¾î¶»°Ô ¾Ë ¼ö ÀÖÀ»±î¿ä?¡±
ÇÇÃ÷Á¦·²µå¿Í Á©´Ù °£ÀÇ ºÎºÎ °ü°è´Â ¼·ÎÀÇ ºÒ·û°ú ±Ø·ÄÇÑ ÁúÅõÇÑ ÁúÅõ·Î ÀÎÇØ ÀÏ»ó»ýÈ°À» À¯ÁöÇÒ ¼ö ¾ø°Ô µÇ¾ú½À´Ï´Ù. ±Þ±â¾ß Á©´Ù°¡ 1930³â Á¤½Å ºÐ¿Áõ Áø´ÜÀ» ¹ÞÀ¸¸é¼ ½ºÀ§½º¿Í ¹Ì±¹ÀÇ Á¤½Åº´¿ø¿¡¼ ÀÔ¿ø°ú Åð¿øÀ» °ÅµìÇϸç Àå±â°£ Ä¡·á¸¦ ¹Þ¾Æ¾ß Çß½À´Ï´Ù. ±× ¿ÍÁß¿¡µµ ÇÇÃ÷Á¦·²µå´Â µñ ´ÙÀ̹öÀÇ Èï¸Á¼º¼è(The rise and fall of Dick Diver)¿Í ¹ãÀº ºÎµå·¯¿ö(Tender is the Night)(1934) µîÀ» ¹ßÇ¥ÇÏ¿´À¸³ª, ±×ÀÇ Àü¼º±â´Â ÀÌ¹Ì ³¡³µ½À´Ï´Ù¡¦¡¦. ÀçÁ¤ÀûÀÎ ¾î·Á¿ò¿¡ ´õÇØ, ´ëÇнÃÀýºÎÅÍ Áñ±ä À½ÁÖ·Î ÀÎÇØ ¸ö¸¶Àú ¸Á°¡Áø ÇÇÃ÷Á¦·²µå´Â °á±¹ 1933³âºÎÅÍ ¾ËÄÚ¿Ã Áßµ¶À¸·Î ¼öÂ÷·Ê ÀÔ¿øÀ» °ÅµìÇÏ¿´À¸³ª, ±×·³¿¡µµ ºÒ±¸ÇÏ°í ¼úº´À» ¼Õ¿¡¼ ³õÁö ¸øÇÏ¿´½À´Ï´Ù. ÀÚ½ÅÀÇ ÃâÆÇ»ç¿Í ¹®ÇÐ ´ë¸®ÀÎÁ¶Â÷ ´ëÃâÀ» °ÅºÎÇÑ »óȲ¿¡¼ ´õ ÀÌ»ó ±Û¾²±âÁ¶Â÷ Á¦´ë·Î ÇÒ ¼ö ¾ø¾ú´ø ÇÇÃ÷Á¦·²µå´Â 1939³â Äí¹Ù ¿©ÇàÀ» ³¡À¸·Î Á©´Ù¿Í ¸¸³ªÁö ¾Ê¾Ò½À´Ï´Ù.
¡°I don¡¯t want just words. If that¡¯s all you have for me, you¡¯d better go.¡± "´Ü¾î·Î¸¸ ¸»ÇÏ°í ½ÍÁö´Â ¾Ê¾Æ¿ä. ±×°Ô ´ç½ÅÀÌ ³»°Ô ÁÙ ÀüºÎ¶ó¸é, ´ç½ÅÀº °¡´Â °Ô ÁÁ°Ú¾î¿ä.¡±
ÀÛ°¡·Î½á Á¤Ã¼µÈ ±×´Â ÇÒ¸®¿ìµåÀÇ ¿µÈ»ç MGM(Metro-Goldwyn-Mayer)ÀÇ Á¦¾ÈÀ» ´þ¼® ¹Þ¾Æµé¿´°í, 1937³âºÎÅÍ ¼ö³â°£ ²Ï ÁÁÀº Á¶°ÇÀ¸·Î °¢º» ÀÛ¾÷¿¡ Âü¿©ÇÏ¿´½À´Ï´Ù. ±×·¯³ª ¼Ò¼³°¡·Î½áÀÇ ¹®Ã¼¿¡ Àͼ÷ÇÑ ±×ÀÇ ¿ø°í´Â ¿µÈ ÀÛ¾÷¿¡ ½â ¾î¿ï¸®Áö ¾Ê¾Ò°í °á±¹ MGMÀº 1939³â ±×¸¦ ÇØ°íÇÏ¿´½À´Ï´Ù. ÀÌÈÄ ÇÒ¸®¿ìµåÀÇ ÇÁ¸®·£¼ °¢º»°¡¸¦ ÀüÀüÇϸç, ¸¶Áö¸· °Å¹°(The Last Tycoon)À» ÁýÇÊÇÏ´ø Áß À̸¦ ¿Ï¼ºÇϱ⵵ Àü¿¡ ¿µ±¹ÀÎ Ä®·³¸®½ºÆ®ÀÌÀÚ ¸¶Áö¸· ¿¬ÀÎÀÎ ¼ÎÀÏ·¯ ±×·¹À̾ö(Sheilah Graham)(1904~1988)ÀÇ Áý¿¡¼ ºÒ°ú 44¼¼ÀÇ ³ªÀÌ·Î »ç¸ÁÇÏ¿´½À´Ï´Ù. ±×ÀÇ À¯ÀÛÀº ÀýÄ£ ¿¡µå¸Õ½º Àª½¼ÀÌ ¸¶¹«¸®ÇÏ¿© À̵ëÇØ 1941³â Ãâ°£ÇÏ¿´½À´Ï´Ù.
¡°Life can only be understood looking backward. It must be lived forward.¡±"»îÀº µÚµ¹¾Æº¸´Â °Í¸¸ÀÌ ÀÌÇØµÉ ¼ö ÀÖ½À´Ï´Ù. ¾ÕÀ¸·Î »ì¾Æ¾ß ÇÕ´Ï´Ù.¡±