Çã¸Õ ¸áºôÀÇ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849) : 1849³â ¿µ±¹ ·±´ø¿¡¼ ÃÖÃÊ·Î Ãâ°£µÈ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)´Â Çã¸Õ ¸áºôÀÇ 3¹ø° ¼Ò¼³(the third book)·Î ÀüÀÛ - Ç×ÇØ¿Í ¸ðÇèÀ» ¼ÒÀç·Î ÇÑ ÀÚÀüÀû ¼Ò¼³°ú ´Þ¸® ¼ø¼ö ¼Ò¼³(first pure fiction work)ÀÌÀÚ ·Î¸Ç½º(a romance story)¸¦ Ç¥¹æÇÏ¿´½À´Ï´Ù.
PREFACE. Not long ago, having published two narratives of voyages in the Pacific, which, in many quarters, were received with incredulity, the thought occurred to me, of indeed writing a romance of Polynesian adventure, and publishing it as such; to see whether, the fiction might not, possibly, be received for a verity: in some degree the reverse of my previous experience. ¼¹®. ¾ó¸¶ Àü, ÅÂÆò¾ç¿¡¼ÀÇ Ç×ÇØ¿¡ ´ëÇÑ µÎ °¡Áö À̾߱⸦ ¹ßÇ¥Çߴµ¥, ¸¹Àº ºÎºÐ¿¡¼ ¹ÏÀ» ¼ö ¾ø´Â ¹ÝÀÀÀ» º¸¿´°í, Æú¸®³×½Ã¾Æ ¸ðÇèÀÇ ·Î¸Ç½º¸¦ ½ÇÁ¦·Î ¾²°í ÃâÆÇÇÏ´Â °Í¿¡ ´ëÇÑ »ý°¢ÀÌ ¶°¿Ã¶ú½À´Ï´Ù; ¼Ò¼³ÀÌ, ¾î¼¸é, Á¦ ÀÌÀü À̾߱â¿Í´Â Á¤¹Ý´ë·Î ¹Þ¾Æµé¿©ÁöÁö ¾ÊÀ»Áö º¸±â À§Çؼ¿ä. °æÇèÀÔ´Ï´Ù. This thought was the germ of others, which have resulted in Mardi. New York, January, 1849. ÀÌ »ý°¢Àº ŸÀÎÀÇ ¼¼±ÕÀ̾ú°í, ÀÌ°ÍÀÌ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)·Î ±Í°áµÇ¾ú½À´Ï´Ù. 1849³â 1¿ù ´º¿å.
ÀüÀÛ°ú ºñ½ÁÇÏ°Ô ³²ÅÂÆò¾çÀ» ¹æ¶ûÇÏ´Â ¹Ì±¹ ¼±¿øÀÌ µîÀåÇÑ´Ù´Â Á¡Àº µ¿ÀÏÇÏÁö¸¸ ¸ðÇè ±× ÀÚüº¸´Ù´Â ÁÖÀΰø°ú ÇöÁöÀÎÀÇ ±³·ùÇϸç, ¹Ì±¹ ¹®È¿Í ÇöÁöÀÇ ÅäÂø ¹®È °£ÀÇ °¥µî µîÀÌ À̾߱âÀÇ È帧À» Áö¹èÇÏ°í ÀÖ½À´Ï´Ù. ¿øÁÖ¹ÎÀÇ ½Ã¼±À» ºô·Á ¹Ì±¹ÀÎÀÇ ÆíÇùÇÔ, µ¶´ÜÁÖÀÇ µîÀ» dzÀÚÇÏ´Â °ÍÀº ÀÌ ÀÛÇ°ÀÌ Ã¶ÇÐÀûÀ̸鼵µ ÇöÇÐÀûÀ̶ó´Â Æò°¡¸¦ ¹Þ´Â ¿äÀÎÀÔ´Ï´Ù. ±×·¯³ª ´ëÁßµéÀÌ Çã¸Õ ¸áºô¿¡°Ô ±â´ëÇÑ °ÍÀº ·Î¸Ç½º¿Í´Â °Å¸®°¡ ¸Ö¾ú°í, Æò·Ð°¡µé ¶ÇÇÑ ±×¸® ÁÁÀº Æò°¡¸¦ ³»¸®Áö ¾Ê¾Ò½À´Ï´Ù.
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Now, all this, to be plain, was but one of the many visions one has up aloft. But coming upon me at this time, it wrought upon me so, that thenceforth my desire to quit the Arcturion became little short of a frenzy. I Foot In Stirrup ÀÌÁ¦, ÀÌ ¸ðµç °ÍÀº ¸í¹éÇÏ°Ô, ¿ì¸®°¡ ³ôÀÌ µé°í ÀÖ´Â ¸¹Àº ȯ»ó Áß Çϳª¿¡ ºÒ°úÇß½À´Ï´Ù. ±×·¯³ª ÀÌ ½Ã±â¿¡ ³ª¿¡°Ô ´ÚÄ¡ÀÚ ±×°ÍÀº ³ª¿¡°Ô ³Ê¹«³ª Å« ¿µÇâÀ» ¹ÌÃÆ°í, ±× ÀÌÈÄ·Î ¾ÆÅ©Åõ¸®¿Â(Arcturion)À» ±×¸¸µÎ°íÀÚ ÇÏ´Â ³ªÀÇ ¿¸ÁÀº ±¤¶õ¿¡ Á¶±Ý À̸£°Ô µÇ¾ú½À´Ï´Ù.
At first he is taken by surprise, never having dreamt of a state of existence where existence itself seems suspended. He shakes himself in his coat, to see whether it be empty or no. He closes his eyes, to test the reality of the glassy expanse. He fetches a deep breath, by way of experiment, and for the sake of witnessing the effect. If a reader of books, Priestley on Necessity occurs to him; and he believes in that old Sir Anthony Absolute to the very last chapter. His faith in Malte Brun, however, begins to fail; for the geography, which from boyhood he had implicitly confided in, always assured him, that though expatiating all over the globe, the sea was at least margined by land. That over against America, for example, was Asia. But it is a calm, and he grows madly skeptical. II A Calm óÀ½¿¡´Â Á¸Àç ÀÚü°¡ Á¤ÁöµÈ °Íó·³ º¸ÀÌ´Â Á¸ÀçÀÇ »óŸ¦ ²Þµµ ²ÙÁö ¸øÇÑ Ã¤ ³î¶ó¿òÀ» ±ÝÄ¡ ¸øÇÑ´Ù. ±×´Â ÄÚÆ®°¡ ºñ¾î ÀÖ´ÂÁö ¾ø´ÂÁö ¾Ë¾Æº¸±â À§ÇØ ÄÚÆ® ¾È¿¡¼ ¸öÀ» Èçµì´Ï´Ù. ±×´Â ´«À» °¨°í À¯¸®Ã¢ÀÇ ½Çü¸¦ ½ÃÇèÇÕ´Ï´Ù. ±×´Â ½ÇÇèÀ» ÅëÇØ È¿°ú¸¦ ¸ñ°ÝÇϱâ À§ÇØ ½ÉÈ£ÈíÀ» ÇÕ´Ï´Ù. Ã¥À» Àд »ç¶÷À̶ó¸é ÇÊ¿ä¿¡ ´ëÇÑ Priestley°¡ ±×¿¡°Ô ¶°¿À¸¨´Ï´Ù. ±×¸®°í ±×´Â ¸¶Áö¸· Àå±îÁö ±× ´ÄÀº ¾Ø¼´Ï ¾Û¼Ö·çÆ® °æÀ» ¹Ï½À´Ï´Ù. ±×·¯³ª Malte Brun¿¡ ´ëÇÑ ±×ÀÇ ¹ÏÀ½Àº ½ÇÆÐÇϱ⠽ÃÀÛÇÕ´Ï´Ù. ¼Ò³â ½ÃÀýºÎÅÍ ±×°¡ ¾Ï¹¬ÀûÀ¸·Î Åоî³õ¾Ò´ø Áö¸®ÇÐÀº Àü ¼¼°è¿¡ °ÅÁÖÇÏ°í ÀÖÁö¸¸ ¹Ù´Ù´Â ÃÖ¼ÒÇÑ À°Áö·Î µÑ·¯½Î¿© ÀÖ´Ù´Â »ç½ÇÀ» Ç×»ó ±×¿¡°Ô È®½Å½ÃÄױ⠶§¹®ÀÔ´Ï´Ù. ¿¹¸¦ µé¾î, ¹Ì±¹À» »ó´ë·Î ÇÑ °ÍÀº ¾Æ½Ã¾Æ¿´½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº °í¿äÇÏ°í ±×´Â ¹ÌÄ£ µíÀÌ È¸ÀÇÀûÀÔ´Ï´Ù.
And there is but little difference in the manner of dying. To die, is all. And death has been gallantly encountered by those who never beheld blood that was red, only its light azure seen through the veins. And to yield the ghost proudly, and march out of your fortress with all the honors of war, is not a thing of sinew and bone. Though in prison, Geoffry Hudson, the dwarf, died more bravely than Goliah, the giant; and the last end of a butterfly shames us all. Some women have lived nobler lives, and died nobler deaths, than men. Threatened with the stake, mitred Cranmer recanted; but through her fortitude, the lorn widow of Edessa stayed the tide of Valens' persecutions. 'Tis no great valor to perish sword in hand, and bravado on lip; cased all in panoply complete. For even the alligator dies in his mail, and the swordfish never surrenders. To expire, mild-eyed, in one's bed, transcends the death of Epaminondas. IX The Watery World Is All Before Them ±×¸®°í Á×´Â ¹æ½Ä¿¡´Â °ÅÀÇ Â÷ÀÌ°¡ ¾ø½À´Ï´Ù. Á×´Â °ÍÀÌ ÀüºÎÀÔ´Ï´Ù. ±×¸®°í ºÓÀº ÇǸ¦ º» ÀûÀÌ ¾ø°í Ç÷°üÀ» ÅëÇØ º¸ÀÌ´Â ¹àÀº Ǫ¸¥»öÀÇ ÇǸ¦ º» ÀûÀÌ ¾ø´Â »ç¶÷µéÀº ¿ë°¨ÇÏ°Ô Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ±×¸®°í ÀÚ¶û½º·´°Ô À¯·ÉÀ» ³»¼¼¿ì°í ¸ðµç ÀüÀïÀÇ ¿µ¿¹¸¦ ¾È°í ¿ä»õ ¹ÛÀ¸·Î Ç౺ÇÏ´Â °ÍÀº ÈûÁÙ°ú »ÀÀÇ ¹®Á¦°¡ ¾Æ´Õ´Ï´Ù. °¨¿Á¿¡¼ ³ÀïÀÌÀÎ Á¦ÇÁ¸® Çãµå½¼Àº °ÅÀÎÀÎ °ñ¸®¾Ñº¸´Ù ´õ ¿ë°¨ÇÏ°Ô Á×¾ú½À´Ï´Ù. ³ªºñÀÇ ¸¶Áö¸· ³¡Àº ¿ì¸® ¸ðµÎ¸¦ ºÎ²ô·´°Ô ÇÕ´Ï´Ù. ¾î¶² ¿©¼ºµéÀº ³²¼ºº¸´Ù ´õ °í±ÍÇÑ »îÀ» »ì¾Ò°í ´õ °í±ÍÇÑ Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ¸»¶Ò¿¡ À§ÇùÀ» ´À³¤ Cranmer´Â öȸÇß½À´Ï´Ù. ±×·¯³ª ±×³àÀÇ ºÒ±¼ÀÇ ÀÇÁö·Î ¿¡µ¥»çÀÇ °íµ¶ÇÑ ¹Ì¸ÁÀÎÀº ¹ß·»½ºÀÇ ¹ÚÇظ¦ ¸·¾Ò½À´Ï´Ù. '¼Õ¿¡ Ä®À» µé°í ÀÔÀ¸·Î Çã¼¼¸¦ ºÎ¸®´Â °ÍÀº Å« ¿ë±â°¡ ¾Æ´Ï´Ù. Àüü ÄÉÀ̽º¿¡ ¸ðµÎ ´ã¾Ò½À´Ï´Ù. ¾Ç¾îÁ¶Â÷µµ ¿ìÆí¹° ¼Ó¿¡¼ Á×°í Ȳ»õÄ¡´Â °áÄÚ Ç׺¹ÇÏÁö ¾Ê±â ¶§¹®ÀÔ´Ï´Ù. ¸¸·á, ¿ÂÈÇÑ ´«Àº ħ´ë¿¡¼ EpaminondasÀÇ Á×À½À» ÃÊ¿ùÇÕ´Ï´Ù.
Oh, Ocean, when thou choosest to smile, more beautiful thou art than flowery mead or plain! XVI They Are Becalmed ¿À, ´ë¾çÀÌ¿©, ´ç½ÅÀÌ ¹Ì¼Ò¸¦ ÁöÀ» ¶§ ´ç½ÅÀº ²É¹çÀ̳ª Æò¿øº¸´Ù ´õ ¾Æ¸§´ä½À´Ï´Ù!
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 15°¡Áö Å°¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)
01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)
02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!
03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)
04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)
05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎÈ°(Melville Revival)
06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)
07. ¸áºô Çùȸ(The Melville Society)(1945)
08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ ¸ðºñµñ(Moby Dick)(1956)
09. ¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)
10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)
11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)
12. ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)
13. ¿µ¹®ÇÐ 3´ë ºñ±Ø
14. ¹Ì±¹¿¡¼ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý
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Çã¸Õ ¸áºôÀÇ ¸¶µðI(Mardi: and A Voyage Thither, Vol. I by Herman Melville)(1849)
Preface
I. Foot In Stirrup
II. A Calm
III. A King For A Comrade
IV. A Chat In The Clouds
V. Seats Secured And Portmanteaus Packed
VI. Eight Bells
VII. A Pause
VIII. They Push Off, Velis Et Remis
IX. The Watery World Is All Before Them
X. They Arrange Their Canopies And Lounges, And Try To Make Things
XI. Jarl Afflicted With The Lockjaw
XII. More About Being In An Open Boat
XIII. Of The Chondropterygii, And Other Uncouth Hordes Infesting The South Seas
XIV. Jarl's Misgivings
XV. A Stitch In Time Saves Nine
XVI. They Are Becalmed
XVII. In High Spirits, They Push On For The Terra Incognita
XVIII. My Lord Shark And His Pages
XIX. Who Goes There?
XX. Noises And Portents
XXI. Man Ho!
XXII. What Befel The Brigantine At The Pearl Shell Islands
XXIII. Sailing From The Island They Pillage The Cabin
XXIV. Dedicated To The College Of Physicians And Surgeons
XXV. Peril A Peace-Maker
XXVI. Containing A Pennyweight Of Philosophy
XXVII. In Which The Past History Op The Parki Is Concluded
XXVIII. Suspicions Laid, And Something About The Calmuc
XXIX. What They Lighted Upon In Further Searching The Craft, And The Resolution
XXX. Hints For A Full Length Of Samoa
XXXI. Rovings Alow And Aloft
XXXII. Xiphius Platypterus
XXXIII. Otard
XXXIV. How They Steered On Their Way
XXXV. Ah, Annatoo!
XXXVI. The Parki Gives Up The Ghost
XXXVII. Once More They Take To The Chamois
XXXVIII. The Sea On Fire
XXXIX. They Fall In With Strangers
XL. Sire And Sons
XLI. A Fray
XLII. Remorse
XLIII. The Tent Entered
XLIV. Away
XLV. Reminiscences
XLVI. The Chamois With A Roving Commission
XLVII. Yillah, Jarl, And Samoa
XLVIII. Something Under The Surface
XLIX. Yillah
L. Yillah In Ardair
LI. The Dream Begins To Fade
LII. World Ho!
LIII. The Chamois Ashore
LIV. A Gentleman From The Sun
LV. Tiffin In A Temple
LVI. King Media A Host
LVII. Taji Takes Counsel With Himself
LVIII. Mardi By Night And Yillah By Day
LIX. Their Morning Meal
LX. Belshazzar On The Bench
LXI. An Incognito
LXII. Taji Retires From The World
LXIII. Odo And Its Lord
LXIV. Yillah A Phantom
LXV. Taji Makes Three Acquaintances
LXVI. With A Fair Wind, At Sunrise They Sail
LXVII. Little King Peepi
LXVIII. How Teeth Were Regarded In Valapee
LXIX. The Company Discourse, And Braid-Beard Rehearses A Legend
LXX. The Minstrel Leads Off With A Paddle-Song; And A Message Is Received
LXXI. They Land Upon The Island Of Juam
LXXII. A Book From The Chronicles Of Mohi
LXXIII. Something More Of The Prince
LXXIV. Advancing Deeper Into The Vale, They Encounter Donjalolo
LXXV. Time And Temples
LXXVI. A Pleasant Place For A Lounge
LXXVII. The House Of The Afternoon
LXXVIII. Babbalanja Solus
LXXIX. The Center Of Many Circumferences
LXXX. Donjalolo In The Bosom Of His Family
LXXXI. Wherein Babbalanja Relates The Adventure Of One Karkeke In The Land
LXXXII. How Donjalolo, Sent Agents To The Surrounding Isles; With The Result
LXXXIII. They Visit The Tributary Islets
LXXXIV. Taji Sits Down To Dinner With Five-And-Twenty Kings, And A Royal Time
LXXXV. After Dinner
LXXXVI. Of Those Scamps The Plujii
LXXXVII. Nora-Bamma
LXXXVIII. In A Calm, Hautia's Heralds Approach
LXXXIX. Braid-Beard Rehearses The Origin Of The Isle Of Rogues
XC. Rare Sport At Ohonoo
XCI. Of King Uhia And His Subjects
XCII. The God Keevi And The Precipice Op Mondo
XCIII. Babbalanja Steps In Between Mohi And Yoomy; And Yoomy Relates A Legend
XCIV. Of That Jolly Old Lord, Borabolla; And That Jolly Island Of His, Mondoldo
XCV. That Jolly Old Lord Borabolla Laughs On Both Sides Of His Face
XCVI. Samoa A Surgeon
XCVII. Faith And Knowledge
XCVIII. The Tale Of A Traveler
XCIX. "Marnee Ora, Ora Marnee"
C. The Pursuer Himself Is Pursued
CI. The Iris
CII. They Depart From Mondoldo
CIII. As They Sail
CIV. Wherein Babbalanja Broaches A Diabolical Theory, And, In His Own
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
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Çã¸Õ ¸áºô(Herman Melville)
¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà ȹ°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì Çرº ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), ŸÈ÷Ƽ(Tahiti), ŸÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î È°µ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛÇ°À¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛÇ°ÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹ø° ÀÛÇ° ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛÇ° È°µ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆǵµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.
´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛÇ°À» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆǵǾúÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼ ±×ÀÇ ÀÛÇ°À» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.
D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : äÅи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛÇ°À» ¼Ò°³ÇÏ¿´½À´Ï´Ù.
¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛÇ°À» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛÇ°¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³ÇÏ°í ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)
¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛÇ°À» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆødzÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ Çغ¯À» °È´Ù°¡, ȼ®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.