Çã¸Õ ¸áºôÀÇ ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866) : ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866)Àº Çã¸Õ ¸áºôÀÇ Ã¹ ¹ø° ½ÃÁý(poetry collection)À¸·Î ´ç´ëÀÇ ¹Ì±¹ ³²ºÏ ÀüÀï(American Civil War)(1861~1865)°ú À̸¦ À§ÇØ Çå½ÅÇÑ 30¸¸ ¸íÀÇ Àü»çÀÚ¸¦ ±â¸®±â À§ÇØ ÁýÇÊÇÑ ÇåÁ¤ ½ÃÁýÀÔ´Ï´Ù. ÀÛÇ°ÀÇ ¼µÎ¿¡ ÀÌ¿¡ ´ëÇÑ ¾ð±ÞÀÌ ÀÖ½À´Ï´Ù.
The Battle-Pieces
in this volume are dedicated
to the memory of the
THREE HUNDRED THOUSAND
who in the war
for the maintenance of the Union
fell devotedly
under the flag of their fathers.
ÀüÅõ Á¶°¢
ÀÌ º¼·ý¿¡¼ Àü¿ë
ÀÇ ±â¾ïÀ¸·Î
»ï½Ê ¸¸
´©°¡ ÀüÀï¿¡¼
¿¬ÇÕÀÇ À¯Áö¸¦ À§ÇØ
Çå½ÅÀûÀ¸·Î ¶³¾îÁ³´Ù
±×µéÀÇ ¾Æ¹öÁöÀÇ ±ê¹ß ¾Æ·¡.
Çã¸Õ ¸áºôÀº ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866) ÀÌÀü¿¡µµ ½ÃÁýÀ» ÁýÇÊÇÑ ¹Ù ÀÖÀ¸³ª, ±×ÀÇ Ã¥À» ÁÖ·Î Ãâ°£ÇÑ ¹Ì±¹ ÃâÆÇ»ç Harper & Brothers°¡ °ÅÀýÇÔ¿¡ µû¶ó 1866³â¿¡¾ß, ±×°Íµµ ¹Ì±¹ÀÎÀÌ °ü½É¾øÀ» ¼ö ¾ø´Â ÀüÀïÀ» ¼ÒÀç·Î »ïÀº ÈÄ¿¡¾ß ÀÚ½ÅÀÇ Ã¹ ¹ø° ½ÃÁýÀ» Ãâ°£ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. 1866³âÀº ³²ºÏÀüÀïÀÌ Á¾·áµÈ À̵ëÇØÀÔ´Ï´Ù. Çã¸Õ ¸áºôÀº 1863³â ¸Å»çÃß¼¼Ã÷¿¡¼ ´º¿åÀ¸·Î ÀÌÁÖÇÏ¿´À¸¸ç, ´º¿å »ýÈ°À» ½ÃÀÛÇÏ¸é¼ ±âÁ¸ÀÇ Ç×ÇØ¿Í ¸ðÇèÀ» ´ãÀº ¼Ò¼³¿¡¼ Å»ÇÇÇØ ¹Ì±¹ ³²ºÏ ÀüÀï(American Civil War)(1861~1865)À» ¼ÒÀç·Î ÇÑ »õ·Î¿î ÀÛÇ°¿¡ µµÀüÇÏ¿´½À´Ï´Ù. ½ÃÀÇ Çü½ÄÀ» ºô·Á ÀÚ½ÅÀÇ ÀüÈÄ Àç°Ç¿¡ ´ëÇÑ °ßÇظ¦ ¹àÇûÀ¸¸ç, À̸¦ º¸ÃæÇϱâ À§ÇÑ ´Ù¾çÇÑ ÁÖ¼®°ú º¸Ãæ ÀÚ·á(Notes and a Supplement)¸¦ ÷ºÎÇÏ¿´´Ù´Â Á¡ÀÌ Æ¯Â¡ÀÔ´Ï´Ù.
There seems no reason why patriotism and narrowness should go together, or why intellectual impartiality should be confounded with political trimming, or why serviceable truth should keep cloistered by a cause not partisan. Yet the work of Reconstruction, if admitted to be feasible at all, demands little but common sense and Christian charity. Little but these? These are much. Supplement. ¾Ö±¹½É°ú ÆíÇùÇÔÀÌ ÇÔ²² °¡¾ß ÇÒ ÀÌÀ¯°¡ ¾ø´Â °Í °°À¸¸ç, ÁöÀû °øÆò¼ºÀÌ Á¤Ä¡ÀûÀÎ ¼ÕÁú°ú È¥µ¿µÇ¾î¾ß ÇÏ´Â ÀÌÀ¯, ¶Ç´Â Á¤´çÇÏÁö ¾ÊÀº ¸íºÐÀ¸·Î ¾µ¸ð ÀÖ´Â Áø½ÇÀ» °è¼Ó ¼û°Ü¾ß ÇÒ ÀÌÀ¯°¡ ¾ø´Â °Í °°½À´Ï´Ù. ±×·¯³ª Àç°Ç ÀÛ¾÷ÀÌ ½ÇÇö °¡´ÉÇÏ´Ù°í ÀÎÁ¤µÈ´Ù¸é »ó½Ä°ú ±âµ¶±³Àû »ç¶û ¿Ü¿¡´Â °ÅÀÇ ¿ä±¸µÇÁö ¾Ê½À´Ï´Ù. ÀÛÁö¸¸ À̰͵é? À̰͵éÀº ¸¹½À´Ï´Ù.
Å©°Ô 2ºÎÀÇ ¼½¼ÇÀ¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç 1ºÎ´Â ´Ù¼Ò ±ä ºÐ·®ÀÇ ¼Á¤½Ã(short lyric)¿Í ¼»ç½Ã(narrative poems), 2ºÎ´Â »ó´ëÀûÀ¸·Î ªÀº ¾Ö°¡(elegies), ºñ¹®(epitaphs), ·¹Äû¿¥(requiems) µîÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ½À´Ï´Ù. ÀÛÇ°¿¡ ¼Ò°³µÈ ½Ã´Â ÃÑ 72ÆíÀÔ´Ï´Ù. ÀüÀïÀÇ ¿µ±¤º¸´Ù ÀüÀïÀÇ ºñÂüÇÔ°ú ÂüȤÇÔ¿¡ ´õ Å« ºñÁßÀ» µÎ¾ú´Ù´Â Á¡¿¡¼ ¹Ì±¹ÀÎÀÇ ¹Ì±¹ ³»Àü¿¡ °üÇÑ ÀÛÇ°ÀÌÁö¸¸ È£ÀüÀûÀÎ ¾Ö±¹ÁÖÀÇ Â¡°íÀÌÁò(jingoism)À̳ª ½Â¸®ÁÖÀÇ(triumphalism)¸¦ °íÃë½ÃÅ°´Â °Í°ú °Å¸®°¡ ¸Ö´Ù´Â °ÍÀÌ ¡®½ÃÀÎ Çã¸Õ ¸á¹ø¡¯ÀÇ Æ¯Â¡ÀÌÀÚ °³¼ºÀ̶ó°í º¼ ¼ö ÀÖ½À´Ï´Ù. ±×·¸±â ¶§¹®¿¡ µ¶Àڵ鿡°Ô ±×¸® Å« ±¸¸Å¿åÀ» ºÒ·¯ÀÏÀ¸Å°Áö ¸øÇß´Ù´Â ÇÑ°è´Â ÀÖ°Ú½À´Ï´Ù¸¸...
Ãâ°£µÈ ÀÌÈÄ 3³â µ¿¾È ¼ÕÀͺбâÁ¡¿¡ ¹ÌÄ¡Áö ¸øÇÑ - °íÀÛ 500¿©ºÎµµ Æȸ®Áö ¾ÊÀ» Á¤µµ·Î ÈïÇà¿¡´Â ½ÇÆÐÇÏ¿´½À´Ï´Ù¸¸, Çö´ë¿¡ À̸£·¯ ³²ºÏ ÀüÀïÀ» ÁÖ¿ä ¼ÒÀç·Î ÇÏ´Â Áß¿äÇÑ ÀÛÇ°Áý(one of the most important group of poems on the Civil War)À¸·Î½á °¡Ä¡¸¦ ÀÎÁ¤¹Þ°í ÀÖ½À´Ï´Ù. ¹Ì±¹ÀÇ ¹®ÇкñÆò°¡ ·Î·»½º ºÎ¿¤(Lawrence Buell)(1939~)Àº ¸áºôÀÌ ¿ùÆ® ÈÖÆ®¸Õ ÀÌÈÄ ÃÖ°íÀÇ ³²ºÏÀüÀï ½ÃÁýÀ» ÁýÇÊÇÏ¿´´Ù(next to Walt Whitman, Melville wrote the best series of Civil War lyrics)°í È£ÆòÇϱ⵵ Çß½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¼ø±³ÀÚ(The Martyr)´Â 1865³â ¹Ì±¹ ´ëÅë·É ¸µÄÁÀÇ ¾Ï»ìÀ» ¼ÒÀç·Î ÇÑ ½ÃÀÔ´Ï´Ù. ´º¿å°ú ¿ö½ÌÅÏÀÇ °Å¸®¿¡µµ ºÒ±¸ÇÏ°í Çã¸Õ ¸áºô·Î½á´Â ´ç´ë ¹Ì±¹¿¡¼ »ì°í ÀÖ´Â ¹Ì±¹ ÀÛ°¡·Î½á ±â¾ïÇÒ ¼ö¹Û¿¡ ¾ø´Â ´ë»ç°ÇÀÌ¿´°ÚÁö¿ä.
The Martyr.
¼ø±³ÀÚ.
Indicative of the passion of the people on the 15th of April, 1865.
1865³â 4¿ù 15ÀÏ »ç¶÷µéÀÇ ¿Á¤À» ³ªÅ¸³À´Ï´Ù.
Good Friday was the day
Of the prodigy and crime,
When they killed him in his pity,
When they killed him in his prime
Of clemency and calm—
When with yearning he was filled
To redeem the evil-willed,
And, though conqueror, be kind;
But they killed him in his kindness,
In their madness and their blindness,
And they killed him from behind.
ÁÁÀº ±Ý¿äÀÏÀº ±×³¯À̾ú¾î¿ä.
õÀç¿Í ¹üÁË¿¡ ´ëÇؼ¿ä.
±×µéÀÌ ±×¸¦ ºÒ½ÖÈ÷ ¿©°Ü Á׿´À» ¶§¿ä
Àü¼º±â¿¡ Á׿´À» ¶§¿ä
°ü´ëÇÏ°í ħÂøÇÕ´Ï´Ù.
±×¸®¿òÀ¸·Î °¡µæ áÀ» ¶§¿ä
¾ÇÀǸ¦ °¡Áø ÀÚµéÀ» ±¸¿øÇϱâ À§Çؼ¿ä.
±×¸®°í Á¤º¹ÀÚÀ̱ä ÇÏÁö¸¸ Ä£ÀýÇÏ°Ô ´ëÇØÁÖ¼¼¿ä
ÇÏÁö¸¸ ±×µéÀº ±×ÀÇ Ä£ÀýÇÔÀ¸·Î ±×¸¦ Á׿´¾î¿ä.
±×µéÀÇ ±¤±â¿Í ¸Í¸ñÀûÀÎ ¸ð½À¿¡¼¿ä
µÚ¿¡¼ Á׿´¾î¿ä.
There is sobbing of the strong,
And a pall upon the land;
But the People in their weeping
Bare the iron hand:
Beware the People weeping
When they bare the iron hand.
°ÇÑ ÀÚÀÇ Èå´À³¦ÀÌ ÀÖ½À´Ï´Ù.
¶¥ À§¿¡ â¹®ÀÌ ÀÖ¾î¿ä.
ÇÏÁö¸¸ »ç¶÷µéÀº ¿ïºÎ¢°í ÀÖÁÒ.
°Ã¶ ¼ÕÀ» ¹þ±é´Ï´Ù.
´«¹°À» È긮´Â »ç¶÷µéÀ» Á¶½ÉÇϼ¼¿ä.
°Ã¶ÀÇ ¼ÕÀ» ¹þ°åÀ» ¶§¿ä
He lieth in his blood—
The father in his face;
They have killed him, the Forgiver—
The Avenger takes his place,
The Avenger wisely stern,
Who in righteousness shall do
What the heavens call him to,
And the parricides remand;
For they killed him in his kindness,
And his blood is on their hand.
±×´Â ÇÇ ¼Ó¿¡ ´©¿ö ÀÖ¾î¿ä.
¾Æ¹öÁö ¾ó±¼À» ÇÏ°í ÀÖ¾î¿ä.
±×µéÀÌ ±×¸¦ Á׿´¾î¿ä, ¿ë¼ÀÚ...
¾îº¥Á®½º°¡ ÀÚ¸®¸¦ Àâ¾Ò¾î¿ä.
'¾îº¥Àú'´Â Çö¸íÇÏ°Ô ¾öÇÕ´Ï´Ù.
´©°¡ ÀǷοî ÀÏÀ» ÇÏ°Ú½À´Ï±î?
ÇÏ´ÃÀÌ ¹¹¶ó°í ºÎ¸£´ø°¡¿ä?
±×¸®°í »ìÀ°Àº ¿ä±¸ÇÕ´Ï´Ù;
Ä£ÀýÀ» º£Ç®¾î ±×¸¦ Á׿´À¸´Ï±î
±×¸®°í ±×ÀÇ ÇÇ°¡ ±×µéÀÇ ¼Õ¿¡ ÀÖ¾î¿ä.
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 15°¡Áö Å°¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)
01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)
02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!
03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)
04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)
05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎÈ°(Melville Revival)
06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)
07. ¸áºô Çùȸ(The Melville Society)(1945)
08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ ¸ðºñµñ(Moby Dick)(1956)
09. ¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)
10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)
11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)
12. ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)
13. ¿µ¹®ÇÐ 3´ë ºñ±Ø
14. ¹Ì±¹¿¡¼ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý
15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)
Çã¸Õ ¸áºôÀÇ ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866)
The Portent(1859)
Misgivings
The Conflict of Convictions
Apathy and Enthusiasm
The March into Virginia
Lyon
Ball's Bluff
Dupont's Round Fight
The Stone Fleet
Donelson
The Cumberland
In the Turret
The Temeraire
A Utilitarian View of the Monitors Fight
Shiloh
The Battle for the Mississipppi
Malvern Hill
The Victor of Antietam
Battle of Stone River, Tennessee
Running the Batteries
Stonewall Jackson
Stonewall Jackson(ascribed to a Virginian)
Gettysburg
The House-Top
Look-out Mountain
Chattanooga
The Armies of the Wilderness
On the Photograph of a Corps Commander
The Swamp Angel
The Battle for the Bay
Sheridan at Cedar Creek
In the Prison Pen
The College Colonel
The Eagle of the Blue
A Dirge for McPherson
At the Cannon's Mouth
The March to the Sea
The Frenzy in the Wake
The Fall of Richmond
The Surrender at Appomattox
A Canticle
The Martyr
"The Coming Storm"
Rebel Color-bearers at Shiloh
The Muster
Aurora-Borealis
The Released Rebel Prisoner
A Grave near Petersburg, Virginia
"Formerly a Slave."
The Apparition
Magnanimity Baffled
On the Slain Collegians
America
Verses Inscriptive and Memorial
On the Home Guards who perished in the Defense of Lexington, Missouri
Inscription for Graves at Pea Ridge, Arkansas
The Fortitude of the North Under the Disaster of the Second Manassas
On the Men of Maine killed in the Victory of Baton Rouge, Louisiana
An Epitaph
Inscription for Marye's Heights, Fredericksburg
The Mound by the Lake
On the Slain at Chickamauga
An uninscribed Monument on one of the Battle-fields of the Wilderness
On Sherman's Men Who fell in the Assault of Kenesaw Mountain, Georgia
On the Grave of a young Cavalry Officer killed in the Valley of Virginia
A Requiem for Soldiers lost in Ocean Transports
On a Natural Monument in a Field of Georgia
Commemorative of a Naval Victory
Presentation to the Authorities, by Privates, of Colors captured in Battles ending in the Surrender of Lee
The Returned Volunteer to his Rifle
The Scout toward Aldie
Lee in the Capitol
A Meditation
Supplement
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
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A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)
Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,044)
Çã¸Õ ¸áºô(Herman Melville)
¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà ȹ°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì Çرº ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), ŸÈ÷Ƽ(Tahiti), ŸÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î È°µ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛÇ°À¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛÇ°ÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹ø° ÀÛÇ° ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛÇ° È°µ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆǵµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.
´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛÇ°À» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆǵǾúÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼ ±×ÀÇ ÀÛÇ°À» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.
D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : äÅи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛÇ°À» ¼Ò°³ÇÏ¿´½À´Ï´Ù.
¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛÇ°À» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛÇ°¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³ÇÏ°í ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)
¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛÇ°À» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆødzÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾Æź ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ Çغ¯À» °È´Ù°¡, ȼ®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.