À̼± ÇÁ·Ò(Ethan Frome)(1911) : À̼± ÇÁ·Ò(Ethan Frome)(1911)Àº ÀÛ°¡°¡ ½ÇÁ¦·Î °ÅÁÖÇÑ ¹Ì±¹ ¸Å»çÃß¼¼Ã÷ÀÇ °¡»óÀÇ ¸¶À» ½ºÅ¸Å©Çʵå(Starkfield)¸¦ ¹è°æÀ¸·Î ÆîÃÄÁö´Â À̾߱âÀÔ´Ï´Ù. »ç¾÷Â÷ ½ºÅ¸Å©Çʵ带 ¹æ¹®ÇÑ ÈÀÚ(ü¥íº)´Â ´Ù¸®°¡ ºÒÆíÇÑ ÇöÁö Åä¹ÚÀÌ À̼± ÇÁ·Ò(Ethan Frome)À» ÀÏÁÖÀÏ°£ ¿îÀü¼ö·Î °í¿ëÇϴµ¥, À̸¦ ÅëÇØ ±×ÀÇ »î¿¡ ´ëÇØ Â÷Ãû ¾Ë¾Æ°©´Ï´Ù... À̼± ÇÁ·Ò(Ethan Frome)(1911)Àº ½ÇÁ¦ ÁÖÀΰø À̼± ÇÁ·Ò(Ethan Frome)ÀÇ »îÀÇ À̾߱âÀÎ µ¿½Ã¿¡, ¾Æ³» Áö³ª ÇǾ(Zeena Pierce)¿Í ¸ÅƼ ½Ç¹ö(Mattie Silver) »çÀÌ¿¡¼ ¹æȲÇÏ´Â »ï°¢°ü°è ·Î¸Ç½ºÀÔ´Ï´Ù. 1993³â Á¸ ¸Åµç(John Madden) °¨µ¶ÀÇ ¿µÈ·Î Á¦À۵Ǿú½À´Ï´Ù. Å×ÀÌÅ«(Taken) ½Ã¸®Áî·Î Ä£¼÷ÇÑ ¸®¾Ï ´Ï½¼(Liam Neeson)ÀÌ ³²ÀÚ ÁÖÀΰøÀ» ¸Ã¾Ò½À´Ï´Ù. 2021³â ±âÁØ, Ãâ°£ 110ÁÖ³âÀ» ¸ÂÀÌÇÏ¿´½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¡°There are lots of ways of being miserable, but there¡¯s only one way of being comfortable, and that is to stop running round after happiness. iF you make up your mind not to be happy there¡¯s no reason why you should¡¯t have a fairly good time.¡± "ºÒÇàÇØÁö´Â ¹æ¹ýÀº ¸¹Áö¸¸, Æí¾ÈÇØÁö´Â ¹æ¹ýÀº ´Ü Çϳª»ÓÀÔ´Ï´Ù. ±×°ÍÀº ÇູÇÑ ÈÄ¿¡ ÁÖº¯À» ¶Ù¾î´Ù´Ï´Â °ÍÀ» ¸ØÃß´Â °ÅÁö¿ä. ÇູÇÏÁö ¾Ê±â·Î ¸¶À½¸Ô¾ú´Ù¸é ÁÁÀº ½Ã°£À» º¸³»Áö ¸»¾Æ¾ß ÇÒ ÀÌÀ¯°¡ ¾ø´ä´Ï´Ù.¡±
ȯ¶ôÀÇ Áý(The House of Mirth)(1905) : The House of Mirth(1905)´Â 1905³âºÎÅÍ ÀâÁö ½ºÅ©¸®ÇÁ³Ê(Scribner's Magazine)¿¡ ¿¬ÀçµÇ¾î È£Æò ¹ÞÀº ¼Ò¼³·Î, ´ÜÇົÀ¸·Î 14¸¸ºÎ°¡ ÆǸŵǴ µî »ó¾÷ÀûÀ¸·Îµµ ¼º°øÇÑ À̵𽺠¿öÆ°ÀÇ ÃʱâÀÛÀÔ´Ï´Ù. ±¹³»¿¡´Â ¡®È¯¶ôÀÇ Áý¡¯ ȤÀº ¡®±â»ÝÀÇ Áý¡¯À̶õ Á¦¸ñÀ¸·Î ¹ø¿ª Ãâ°£µÇ¾ú½À´Ï´Ù. Á¦¸ñ¿¡¼ ¿¬»óµÇ´Â ºÐÀ§±â°¡ ¹«»öÇÏ°Ô ºÎÀ¯ÇÑ ³²ÀÚ¿Í °áÈ¥ÇØ, ´º¿åÀÇ »ó·ùÃþ¿¡ ÀÔ¼ºÇÏ°íÀÚ ÇÏ´Â ¹Ì¸ðÀÇ ¿©¼º ¸±¸® ¹ÙÆ®(Lily Bart)°¡ ¿ÀÈ÷·Á ÀǵµÇÏÁö ¾ÊÀº - Ãß¹®À¸·Î ÀÎÇØ ¸ô¶ôÇÏ´Â °ï°æ¿¡ óÇÏ´Â °úÁ¤À» Àû³ª¶óÇÏ°Ô ±×·Á³»´Â ÀÛÇ°ÀÔ´Ï´Ù.
¡°As the pain that can be told is but half a pain, so the pity that questions has little healing in its touch. What Lily craved was the darkness made by enfolding arms, the silence which is not solitude, but compassion holding its breath.¡± "¸»ÇÒ ¼ö ÀÖ´Â °íÅëÀº °íÅëÀÇ Àý¹Ý¿¡ ºÒ°úÇϱ⠶§¹®¿¡, Áú¹®¿¡ ´ëÇÑ ¿¬¹ÎÀÇ °¨Á¤Àº °ÅÀÇ Ä¡À¯µÇÁö ¾Ê½À´Ï´Ù. ¸±¸®(Lily)°¡ °¥¸ÁÇß´ø °ÍÀº ÆÈÀ» Æ÷°³¾î ¸¸µç ¾îµÒ°ú ¿Üµý °íµ¶ÀÌ ¾Æ´Ï¶ó ¼ûÁ×ÀÎ µ¿Á¤½ÉÀ̾ú½À´Ï´Ù.¡±
¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1920) : ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1920)´Â ±×³à¿¡°Ô º¸¼öÀûÀÎ ¹Ì±¹ ¹®´Ü¿¡¼ ¿©¼º ÃÖÃÊÀÇ Ç½¸®Ã³»ó(Pulitzer Prize)À» ¾È°ÜÁØ ´ëÇ¥ÀÛÀÌÀÚ, ´ç´ëÀÇ º£½ºÆ®¼¿·¯ÀÔ´Ï´Ù. ÁÖÀΰø ´º·£µå ¾Æó(Newland Archer)´Â °°Àº ´º¿å »ó·ùÃþ Ãâ½ÅÀÇ ¸ÞÀÌ À£¶õµå(May Welland)¿ÍÀÇ °áÈ¥À» ¾ÕµÎ°í ÀÖ½À´Ï´Ù. ±×¶§ ¸ÞÀÌÀÇ »çÃ̾ð´Ï ¿¤·» ¿Ã¶õ½ºÄ«(Ellen Olanska)°¡ À¯·´¿¡¼ µ¹¾Æ¿ÈÀ¸·Î½á À̾߱Ⱑ ½ÃÀ۵˴ϴÙ. ¾Æó´Â ³²Æí¿¡°Ô ÀÇÁ¸ÇÏÁö ¾Ê´Â ´ç´çÇÑ ¿¤·»¿¡°Ô ºüÁ®µéÁö¸¸, º¸¼öÀûÀÎ ´º¿å »ó·ùÃþ¿¡¼ ÀÌÈ¥À̶õ °áÄÚ ÇÒ ¼ö ¾ø´Â ¼±ÅÃÀÌ¿´°í ¹«¼öÇÑ °í¹Î ³¡¿¡ °á±¹ ¸ÞÀÌ¿Í °áÈ¥»ýÈ°À» ½ÃÀÛÇÕ´Ï´Ù. ÀÌÈÄ ¹«·Á 26³âÀÇ ½Ã°£ÀÌ È帥 ÈÄ¿¡¾ß ¾Æó´Â »ç¾÷Â÷ ¹æ¹®ÇÑ ÇÁ¶û½º Æĸ®¿¡¼ ¿¤·»ÀÌ »ì°í ÀÖ´Â ¾ÆÆÄÆ®·Î ÇâÇϴµ¥... °á±¹ ±×³àÀÇ ¾ó±¼À» ¸¶ÁÖÇÏÁö ¸øÇÏ°í µ¹¾Æ¿É´Ï´Ù. ÇÑ ¿©ÀÚ¸¦ »ç¶ûÇÏÁö¸¸, °á±¹ ±×³à¸¦ ¼±ÅÃÇÏÁö ¸øÇÑ ³²ÁÖÀΰø°ú ÀÌÈ¥³à¶õ ±¼·¹¿¡µµ ºÒ±¸ÇÏ°í ²à²àÇÏ°Ô ÀÚ½ÅÀÇ ±æÀ» °£ ¿©ÁÖÀΰøÀÇ Çຸ°¡ ¾ù°¥¸®´Â °á¸»Àº ¸¹Àº µ¶ÀÚµéÀÇ °¡½¿À» ¾ÆÇÁ°Ô ÇÏ¿´½À´Ï´Ù. ±×³àÀÇ ¼Ò¼³ÀÌ ¼öÂ÷·Ê ¿µÈÈµÈ °ÍÀº ¾îÂî º¸¸é ´ç¿¬ÇÒ °ÍÀÔ´Ï´Ù. 1924³âºÎÅÍ 1934³â°ú 1993³â ¿µÈ·Î Á¦À۵ǾúÀ¸¸ç, ´Ù´Ï¿¤ µ¥ÀÌ ·çÀ̽º(Sir Daniel Day-Lewis), ¹Ì¼Ð ÆÄÀÌÆÛ(Michelle Marie Pfeiffer) ±×¸®°í À§³ë³ª ¶óÀÌ´õ(Winona Ryder)°¡ ÁÖ¿¬ÇÑ ¸¶Æ¾ ½ºÄÚ¼¼ÀÌÁö(Martin Charles Scorsese) °¨µ¶ÀÇ 1993³âÆÇÀ» ±â¾ïÇϽô ºÐµéµµ ÀûÁö ¾ÊÀ¸½Ç °ÍÀÔ´Ï´Ù. 1993³âÆÇÀº ³ÝÇø¯½º¿¡¼ ½Ãû °¡´É.
Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.¡± ¾Æó(Archer)´Â ÀáÀÚÄÚ ±â¹¦ÇÑ ¸Þ½ÃÁö¸¦ µé¾ú½À´Ï´Ù. ±×ÀÇ ½Ã¼±Àº â¹® ¾Æ·¡ ºÕºñ´Â ÇÞºûÀ¸·Î ¹Ý¦°Å¸®´Â ±¤Àå¿¡ ´«¿¡ ¶çÁö ¾Ê°Ô °íÁ¤µÇ¾î ÀÖ¾ú½À´Ï´Ù. ¸¶Ä§³» ±×´Â ³·Àº ¸ñ¼Ò¸®·Î ¸»Çß½À´Ï´Ù. "±×³à´Â ³ª¿¡°Ô ºÎŹÇÑ ÀûÀÌ ¾ø´Ü´Ù.¡±
ÀÛÇ°ÀÇ ³»¿ë°ú º°°³·Î ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)¶õ Á¦¸ñÀº ±× ÀÚü·Î ¸Å·ÂÀûÀä, ÀÌ ¶§¹®¿¡ ¼Ò¼³°ú ¹«°üÇÏ°Ô ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)¶õ Á¦¸ñÀÇ ¿µÈ³ª µå¶ó¸¶°¡ Á¦À۵DZ⵵ Çß½À´Ï´Ù. SBS µå¶ó¸¶ ¼ø¼öÀÇ ½Ã´ë(2002)ÀÇ ¿øÁ¦´Â ·¯ºùÀ¯(Loving You)¿´À¸³ª, ºñ½ÁÇÑ ½Ã±â ¹æ¿µµÈ MBC µå¶ó¸¶ ·Î¸Á½º(2002)ÀÇ ÁÖÁ¦°¡ ÇÁ·Î¹Ì½º(Promise)¿¡ ·¯ºùÀ¯(Loving You)°¡ ¹Ýº¹ÀûÀ¸·Î µîÀåÇÏ´Â ¹Ù¶÷¿¡ ºÎµæÀÌÇÏ°Ô º¯°æÇÑ °ÍÀÔ´Ï´Ù. Çѱ¹¿µÈ ¼ø¼öÀÇ ½Ã´ë(2015)´Â Á¶¼±ÀÌ °Ç±¹ÇÑ Á÷Èĸ¦ ¹è°æÀ¸·Î ÇÑ »ç±Ø ·Î¸Ç½ºÀÔ´Ï´Ù. ³ÝÇø¯½º¿¡¼ ½Ãû °¡´É. ¿µ¹®¸íÀº Empire of Lust(¿å¸ÁÀÇ Á¦±¹)·Î ´Ù¼Ò Â÷ÀÌ°¡ Àֳ׿ä.
¡°The real loneliness is living among all these kind people who only ask one to pretend!¡± "Á¤¸»·Î ¿Ü·Î¿î °ÍÀº ´Ù¸¥ ÀÌ¿¡°Ô ±×Àú ½Ã´¿¸¸ ÇØ´Þ¶ó°í ºÎŹÇÏ´Â ÀÌ ¸ðµç Ä£ÀýÇÑ »ç¶÷µé »çÀÌ¿¡¼ »ç´Â °ÍÀÔ´Ï´Ù!¡°
·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur) ½´¹ß¸®¿¡(Chevalier) µî±Þ(1916) : ·¹Áö¿Ë µµ³ú¸£(ordre national de la Légion d¡¯honneur) ÈÆÀåÀº ÇÁ¶û½ºÀÇ Á¤Ä¡∙°æÁ¦∙¹®È µîÀÇ ¹ßÀü¿¡ °øÀûÀÌ ÀÖ´Â »ç¶÷¿¡°Ô ¼ö¿©ÇÏ´Â ÃÖ°í ±ÇÀ§ÀÇ ÈÆÀåÀ¸·Î, ³ªÆú·¹¿Ë 1¼¼°¡ 1802³â »õ·Ó°Ô Á¦Á¤ÇÑ °ÍÀÔ´Ï´Ù. À̵𽺠¿öÆ°(Edith Wharton)Àº Á¦1Â÷ ¼¼°è ´ëÀü(World War I)(1914~1918)ÀÌ ¹ß¹ßÇÏÀÚ, ÇÁ¶û½º Æĸ®¿¡¼ Á÷ÀåÀ» ÀÒÀº ¿©¼ºµéÀ» À§ÇÑ »ç¾÷ÀåÀ» ¿¾ú½À´Ï´Ù. ¼öÀͺ¸´Ù´Â ¿©¼ºµé¿¡°Ô ¾à°£ÀÇ ¼öÀÔÀ» Á¦°øÇϱâ À§ÇÑ º¹Áö »ç¾÷ÀÌ¿´À¸³ª, °í¿ë ÀοøÀ» ´Ã·Á¾ß ÇÒ Á¤µµ·Î ¹øâÇÏ¿´½À´Ï´Ù. ÀüÀïÀ» ÇÇÇØ Æĸ®·Î Çdz ¿Â º§±â¿¡ ³¹ÎÀ» ¼ö¿ëÇϱâ À§ÇØ ¹Ì±¹ È£½ºÅÚÀ» ¼³¸³ÇÏ¿´À¸¸ç, ±×µéÀ» À§ÇÑ ÀǽÄÁÖ´Â ¹°·Ð ±¸Á÷±îÁö ¾Ë¼±ÇÏ¿´½À´Ï´Ù. ÀÌ ¿Ü¿¡µµ ´ë±Ô¸ð ¸ð±Ý, À½¾Çȸ °³ÃÖ¸¦ ÅëÇÑ À½¾Ç°¡ °í¿ë Áö¿ø, °áÇÙ º´¿øÀÇ °³¿ø µî ´Ù¾çÇÑ ºÐ¾ß¿¡¼ ¿Õ¼ºÇÏ°Ô È°µ¿ÇÏ¿´°í, ¿Ü±¹ÀÎÀ¸·Î½á ÇÁ¶û½ºÀÇ ·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur) ½´¹ß¸®¿¡(Chevalier) µî±Þ(1916)À» ¼ö¿©¹Þ¾Ò½À´Ï´Ù. ¹ø¿ÜÀûÀ¸·Î »ïÃÑ»ç(The Three Musketers)(1844)¿Í ¸ùÅ× Å©¸®½ºÅä ¹éÀÛ(The Count of Monte Cristo)(1844)ÀÇ ÀúÀÚ ¾Ë·º»óµå¸£ µÚ¸¶(Alexandre Dumas)´Â ¿ì¸®¿¡°Ô ¼Ò¼³°¡·Î Ä£¼÷ÇÏÁö¸¸, ±×º¸´Ù ºü¸¥ ½Ã±â¿¡ ÀÌ¹Ì ±ØÀÛ°¡·Î½áÀÇ °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ 1837³â ·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur) ½´¹ß¸®¿¡(Chevalier) µî±ÞÀ» ¼ö¿©¹ÞÀº ¹Ù ÀÖ½À´Ï´Ù.
¡°There are two ways of spreading light: to be the candle or the mirror that receives it.¡± "ºûÀ» Æ۶߸®´Â µ¥´Â µÎ °¡Áö ¹æ¹ýÀÌ ÀÖ½À´Ï´Ù: ºûÀ» ¹Þ´Â ÃÊ(candle)°¡ µÇ´Â °Í°ú °Å¿ï(mirror)ÀÌ µÇ´Â °ÍÀÌÁÒ.¡±
¹Ì±¹ ±¹¸³ ¿©¼º ¸í¿¹ÀÇ Àü´ç(National Women's Hall of Fame)(1996) : À̵𽺠¿öÆ°(Edith Wharton)Àº 1996³â ¹Ì±¹ ±¹¸³ ¿©¼º ¸í¿¹ÀÇ Àü´ç(National Women's Hall of Fame)(1996)¿¡ Çå¾×µÇ¾ú½À´Ï´Ù. ¹Ì±¹ ±¹¸³ ¿©¼º ¸í¿¹ÀÇ Àü´ç(National Women's Hall of Fame)(1996)¿¡ Çå¾×µÈ ¶Ç ´Ù¸¥ ÀÛ°¡·Î´Â 1986³â À̸§À» ¿Ã¸° ¹Ì±¹ ÃÖÃÊÀÇ ¹Ð¸®¾ð¼¿·¯ ÀÛ°¡(America's first million seller), Çظ®¾ù ºñó ½ºÅä(Harriet Beecher Stowe)(1811~1896)¸¦ ²ÅÀ» ¼ö ÀÖ½À´Ï´Ù. ´ëÇ¥ÀÛÀº Åè ¾ÆÀú¾¾ÀÇ ¿ÀµÎ¸·Áý(Uncle Tom's Cabin)(1852).
¡°Don't you ever mind," she asked suddenly, "not being rich enough to buy all the books you want?¡± "±¦Âú¾Æ¿ä?" ±×³à°¡ °©ÀÛ½º·¹ ¹°¾ú½À´Ï´Ù. "¿øÇÏ´Â ¸ðµç Ã¥À» »ì ¸¸Å ºÎÀÚ°¡ µÇÁö ¾Ê¾Ò³ª¿ä?¡°
¹Ì±¹ °¡¼ö ¼öÀÜ º£°¡(Suzanne Vega)ÀÇ À̵𽺠¿öÆ°ÀÇ ÇÇ°Ü(Edith Wharton's Figurines) : ¹Ì±¹ÀÇ Æ÷Å©°¡¼ö ¼öÀÜ º£°¡(Suzanne Vega)´Â ¿Ã¸®ºñ¾Æ °ñµå½º¹Ì½º(Olivia Goldsmith)¿Í À̵𽺠¿öÆ°(Edith Wharton)À̶õ µÎ ¸íÀÇ ¿©¼º ÀÛ°¡·ÎºÎÅÍ ¿µ°¨À» ¹Þ¾Æ, 2007³â ºäƼ ¾Ø Å©¶óÀÓ(Beauty & Crime)À» ÅëÇØ À̵𽺠¿öÆ°ÀÇ ÇÇ°Ü(Edith Wharton's Figurines)¶õ ³ë·¡¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ¿Ã¸®ºñ¾Æ °ñµå½º¹Ì½º(Olivia Goldsmith)´Â ¿µÈ Á¶°Áöó Ŭ·´(The First Wives Club)(1996)ÀÇ ¿øÀÛ ¼Ò¼³(1992)À» ÁýÇÊÇÑ ¹Ì±¹ÀÇ ¿©¼º ÀÛ°¡·Î 2004³â ¼ºÇü ¼ö¼ú µµÁß¿¡ »ç¸ÁÇÏ¿´½À´Ï´Ù. Á߳⠿©¼ºµéÀÇ »îÀ» ´Ù·é ¿µÈ Á¶°Áöó Ŭ·´(The First Wives Club)(1996)Àº º£Æ® ¹Ìµé·¯(Bette Midler), °ñµð È¥(Goldie Hawn), ´ÙÀÌ¾Ø Å°Æ°(Diane Keaton)À̶õ ÇѶ§ ´ç´ëÀÇ ½ºÅ¸¿´´ø ¼¼ ¸íÀÇ ¿©¹è¿ì°¡ ÀÌÈ¥³à·Î ºÐÇÑ Äڹ̵𠿵ȷΠÀü ¼¼°è¿¡¼ 1¾ï 8õ¸¸ ºÒ ÀÌ»óÀÇ ÈïÇàÀ» ±â·ÏÇÏ¿´½À´Ï´Ù. ºñ·Ï ½Ã´ë´Â ´Ù¸£Áö¸¸, À̵𽺠¿öÆ°(Edith Wharton)°ú ¿Ã¸®ºñ¾Æ °ñµå½º¹Ì½º(Olivia Goldsmith)¿Í ¸ðµÎ ¿©¼ºÀÇ »îÀ» ÀÛÇ°¿¡ ±×·Á³½ ¿©¼ºÀÛ°¡¶õ °øÅëÁ¡ÀÌ ÀÖ½À´Ï´Ù. ¿©¼º¿¡°Ô ¿©¼ºÀÇ »îÀ» °¿äÇÑ »çȸ¸¦ ¹®ÇÐÀ¸·Î ½ÂÈÇÑ µÎ ÀÛ°¡ÀÇ ÀÛÇ°Àº ÇöÀç±îÁöµµ ÀÐÈ÷°í ÀÖ½À´Ï´Ù. ¹ø¿ÜÀûÀ¸·Î SBS¿¡¼ Á¶°Áöó Ŭ·´À̶õ Á¦¸ñÀÇ µå¶ó¸¶¸¦ 2007³âºÎÅÍ 2008³â±îÁö ¹æ¿µÇÑ ¹Ù ÀÖ½À´Ï´Ù. ¹«·Á 104ºÎÀÛ!
¡°Nothing is more perplexing to a man than the mental process of a woman who reasons her emotions.¡± "³²ÀÚ¿¡°Ô ÀÚ½ÅÀÇ °¨Á¤À» »çÀ¯ÇÏ´Â ¿©¼ºÀÇ Á¤½ÅÀû °úÁ¤º¸´Ù ´õ ´çȤ½º·¯¿î °ÍÀº ¾ø½À´Ï´Ù.¡±
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
12°¡Áö Å°¿öµå·Î Àд À̵𽺠¿öÆ°(Edith Wharton) by Á¶¸íÈ ÆíÁýÀå
01. ¿©¼º ÃÖÃÊÀÇ Ç½¸®ÃÄ»ó(Pulitzer Prize) ¼ö»óÀÚ(1921) À̵𽺠¿öÆ°(Edith Wharton)(1962~1937)
02. ȯ¶ôÀÇ Áý(The House of Mirth)(1905)
03. À̼± ÇÁ·Ò(Ethan Frome)(1911)
04. ·¹Áö¿Ë µµ³ú¸£ ÈÆÀå(ordre national de la Légion d¡¯honneur)(1916)
05. ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1920)
06. ¿µÈ ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1924, 1934, 1993)
07. ¹Ì±¹ ¿ìÁ¤Ã»(USPS) ±â³ä¿ìÇ¥ ¹ßÇà(1980)
08. ±¹¸³ ¿©¼º ¸í¿¹ÀÇ Àü´ç(National Women's Hall of Fame)(1996)
09. ¹Ì±¹ °¡¼ö ¼öÀÜ º£°¡(Suzanne Vega)ÀÇ À̵𽺠¿öÆ°ÀÇ ÇÇ°Ü(Edith Wharton's Figurines)(2007)
10. À̵𽺠¿öÆ°(Edith Wharton)À» ¸¸³ª´Â Àå¼Ò TOP7
11. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â À̵𽺠¿öÆ°(Edith Wharton)
12. À̵𽺠¿öÆ°(Edith Wharton) ¾î·Ï(Quotes)(35)
À̵𽺠¿öÆ°ÀÇ À̼± ÇÁ·Ò(Ethan Frome by Edith Wharton)(1911)
Ethan Frome
I
II
III
IV
V
VI
VII
VIII
IX
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë ±ÇÀåµµ¼ 100
A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼±
A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼±
A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
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À̵𽺠¿öÆ°(Edith Wharton)
¿©¼º ÃÖÃÊÀÇ Ç½¸®Ã³»ó(Pulitzer Prize) ¼ö»óÀÚ(1921) À̵𽺠¿öÆ°(Edith Wharton)(1962~1937) : º»¸í À̵𽺠´ºº¼µå Á¸½º(Edith Newbold Jones). À̵𽺠¿öÆ°(Edith Wharton)Àº 1862³â ¹Ì±¹ ´º¿å¿¡¼ Ãâ»ýÇÏ¿´À¸³ª, ¾î·Á¼ºÎÅÍ ¿Â°¡Á·ÀÌ ÇÁ¶û½º, ÀÌÅ»¸®¾Æ, µ¶ÀÏ ±×¸®°í ½ºÆäÀÎ(1866~1872)¿¡ ¸Ó¹«¸¦ Á¤µµ·Î ºÎÀ¯ÇÑ °¡¹® Ãâ½ÅÀ¸·Î ¾ö°ÝÇÑ °¡Á¤±³»çÀÇ Áöµµ ¾Æ·¡ ¸ð±¹¾î ¿µ¾î¸¦ ºñ·ÔÇØ ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î¿Í µ¶ÀϾ ¹è¿ü½À´Ï´Ù. ±×·¯³ª ³²ÀÚ¿¡°Ô Àß º¸À̱â À§ÇÑ ¿ÊÂ÷¸²°ú »ç±³°è µ¥ºß¸¦ À§ÇÑ ¿¡Æ¼ÄÏ ±³À°¿¡ ´ëÇؼ´Â °ÇÑ °ÅºÎ°¨À» ´À²¼°í, ÀÌ´Â ±×³àÀÇ ÀÛÇ° ¼¼°è¿¡ Áö´ëÇÑ ¿µÇâÀ» ¹ÌÃƽÀ´Ï´Ù.
¡°Do you remember what you said to me once? That you could help me only by loving me? Well-you did love me for a moment; and it helped me. It has always helped me.¡± "´ç½ÅÀÌ ³ª¿¡°Ô ÇÑ ¸»À» ±â¾ïÇϳª¿ä? ³¯ »ç¶ûÇؾ߸¸ ³¯ µµ¿ï ¼ö ÀÖ´Ù°í? À½. ´ç½ÅÀº Àá½Ã µ¿¾È Àú¸¦ »ç¶ûÇß½À´Ï´Ù. ±×¸®°í ±×°Ç Àú¸¦ µµ¿ÍÁÖ¾ú½À´Ï´Ù. Ç×»ó µµ¿òÀÌ µÆ¾î¿ä.¡±
11¼¼¿¡ ÀÌ¹Ì ´ÜÆí ¼Ò¼³À» ¾µ Á¤µµ·Î ÁýÇÊ¿¡ °ü½ÉÀÌ Áö´ëÇÑ ¹®Çмҳ࿴À¸³ª, ¾î¸Ó´ÏÀÇ ¹Ý´ë·Î ¼Ò¼³ ½ÀÀÛÀºÄ¿³ç Àд °ÍÁ¶Â÷ ¾ö°ÝÇÏ°Ô ±ÔÁ¦ ¹Þ¾Ò½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, ÇÏÀθ®È÷ Ä® ºê·ç±×½´(Heinrich Karl Brugsch)ÀÇ ½Ã Was die Steine ErzählenÀ» ¹ø¿ªÇØ ÁöÀÎÀÇ À̸§À¸·Î ¹ßÇ¥ÇÏ´Â µî ÁýÇÊÀ» ¸ØÃßÁö ¾Ê¾Ò°í, ¼ºÀÎÀÌ µÇ¾î¼¾ß ¸¶Ä§³» ÀÚÀ¯·Ó°Ô ÀÛ°¡·Î È°µ¿ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù.
¡°Why do we call all our generous ideas illusions, and the mean ones truths?¡± "¿Ö ¿ì¸®´Â ¿ì¸®ÀÇ °ü´ëÇÑ »ý°¢À» ¸ðµÎ ȯ»óÀ̶ó°í ºÎ¸£°í, ºñ¿ÇÑ »ý°¢À» Áø½ÇÀ̶ó°í ºÎ¸¦±î¿ä?¡±
1885³â °áÈ¥½ÄÀ» ¿Ã·È°í, ÀçÁ¤ÀûÀ¸·Ð dzÁ·ÇÏ¿´À¸³ª ³²ÆíÀÇ ¿ì¿ïÁõÀ¸·Î °áÈ¥ »ýÈ°Àº ¼øźġ ¾Ê¾Ò½À´Ï´Ù. ±×³à ¶ÇÇÑ ³²ÆíÀÌ ¾Æ´Ñ ÀÌ¿Í ¹Ù¶÷À» ÇÇ¿ü°í, °á±¹ 1913³â ÀÌÈ¥ÇÏ¿´½À´Ï´Ù. Çü½ÄÀûÀ̾úÀ» Áö¾ðÁ¤ °áÈ¥ »ýÈ°Àº 28³â¿¡ ´ÞÇÏÁö¸¸, ÀÚ³à´Â ¾ø¾ú°í ÀÌÈÄ¿¡µµ ÀçÈ¥ÇÏÁö ¾Ê¾Ò½À´Ï´Ù. ÀÌÈ¥ÇÑ ÈÄ¿¡´Â ¾Æ¿¹ ¹Ì±¹À» ¶°³ª ±×³à¿¡°Ô Ä£¼÷ÇÑ ÇÁ¶û½º Æĸ®(1910~1937)¿¡¼ ¸Ó¹«¸£¸ç ÀÇ¿åÀûÀ¸·Î ÀÛÇ°À» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. 1934³â ÀÚ¼Àü µÚµ¹¾Æº¸¸ç(A Backward Glance)¸¦ ¹ßÇ¥ÇÏ°í 3³â ÈÄ, 1937³â Æĸ® ±³¿ÜÀÇ ÇÑÀûÇÑ ÀÚÅÿ¡¼ ¼ûÀ» °ÅµÎ¾ú½À´Ï´Ù. ±×³à´Â ÀÚ½ÅÀÇ ÀÚ¼Àü¿¡¼ À¯³â ½ÃÀý Áö³ªÄ¡°Ô ¾ö°ÝÇÑ ¾î¸Ó´Ï¸¦ ºñÆÇÇÏ°í, ³²Æí°úÀÇ ºÒÈ´Â ¹°·Ð ÀÚ½ÅÀÇ ºÒ·û±îÁö ´ã´ãÇÏ°Ô °í¹éÇÏ¿´½À´Ï´Ù.
¡°I don't know if I should care for a man who made life easy; I should want someone who made it interesting.¡± "Àú´Â Á¦ »îÀ» ÆíÇÏ°Ô ÇØÁØ ³²ÀÚ¸¦ µ¹ºÁ¾ß ÇÒÁö ¸ð¸£°Ú¾î¿ä; Àú´Â Á¦ »îÀ» Èï¹Ì·Ó°Ô ¸¸µç »ç¶÷À» ¿øÇؾ߸¸ ÇØ¿ä.¡±
ÁýÇÊ°ú º°µµ·Î ±×³à´Â ÀÛ°¡¿Í ÀüÇô ¹«°üÇÏ°Ô - Á¤¿ø°ú ÀÎÅ׸®¾î µðÀÚÀ̳ʷΠȰµ¿ÇÏ¿´½À´Ï´Ù. °ÇÃà°¡ ¿À±×´ø ÄÚµå¸Õ(Ogden Codman Jr.)(1863~1951)°ú ÀÎÅ׸®¾î µðÀÚÀÎ ¸Å´º¾óÀÎ The Decoration of Houses(1897)¸¦ ¹ßÇ¥ÇÏ¿´À¸´Ï, µÎ Á÷¾÷À» ¸ðµÎ »ç¶ûÇÑ °ÍÀÌ ºÐ¸íÇÕ´Ï´Ù. ¹Ì±¹ ¸Å»çÃß¼¼Ã÷(Massachusetts)¿¡´Â ±×³à°¡ 1902³âºÎÅÍ 1911³â±îÁö ³²Æí°ú °ÅÁÖÇÑ ÀúÅÃÀÌ ÀÖ½À´Ï´Ù. ÀÚ½ÅÀÇ ¼ÒÀ¯Áö¿¡ °Ç¸³ÇÑ ´õ ¸¶¿îÆ®(The Mount)´Â ¿µ±¹Ç³ÀÇ ¿Ü°üºÎÅÍ ÀÎÅ׸®¾î±îÁö, µðÀÚÀ̳ʷνáÀÇ Ã¶ÇÐÀ» ³ì¿©³½ ¾Æ¸§´Ù¿î °ÇÃ๰·Î, 1971³â ¹Ì±¹ÀÇ ±¹¸³ ¿ª»ç ·£µå ¸¶Å©(National Historic Landmark)·Î ÁöÁ¤µÇ¾ú½À´Ï´Ù. 1905³â ¹ßÇ¥ÇÑ È¯¶ôÀÇ Áý(The House of Mirth)(1905)Àº ÀÌ °÷¿¡¼ ÁýÇÊÇÑ ÀÛÇ°ÀÔ´Ï´Ù.
´õ ¸¶¿îÆ®(The Mount)´Â ÇöÀç ¿¬°£ 5¸¸ ¸í ÀÌ»óÀÌ ¹æ¹®ÇÏ´Â Àα⠸í¼ÒÀÔ´Ï´Ù. °ú°Å¿¡ ¿©Çб³ Foxhollow School for Girls(1942)·Î ¾²ÀÏ ´ç½Ã ±Í½ÅÀ» ¸ñ°ÝÇß´Ù´Â Áõ¾ðÀÌ ´Ù¼ö º¸°íµÈ ¹Ù ÀÖÀ¸¸ç, À̸¦ ±â¹ÝÀ¸·Î ¿©¸§°ú °¡À» ½ÃÁð¿¡ À¯·É Åõ¾î ÇÁ·Î±×·¥À» ¿î¿µÇÕ´Ï´Ù. 2009³â¿¡´Â SyfyÀÇ TVµå¶ó¸¶ °í½ºÆ® ÇåÅÍ(Ghost Hunters)°¡ ÃÔ¿µµÈ ¹Ù ÀÖ½À´Ï´Ù. ÀúÅà ºÏÂÊ¿¡ ±×³àÀÇ ¸¶Â÷¿Í ¸»À» º¸°üÇÑ ¸¶±¸°£ÀÌ º°µµ·Î ÀÖ½À´Ï´Ù. ¹Ì±¹ÀÇ ±Ý¼öÀú Ŭ¶ó¾²´Â ÈÄ´ú´úÇϳ׿ä. ÀúÅà Àαٿ¡ ·Î·¼ È£(Laurel Lake)°¡ ÀÖÀ¸¸ç, È£¼ö¿Í ¸Â´êÀº ÀÛÀº °ø¿øÀº À̵𽺠¿öÆ° °ø¿ø(Edith Wharton Park)À¸·Î ¸í¸íµÇ¾ú½À´Ï´Ù.
¡°It was easy enough to despise the world, but decidedly difficult to find any other habitable region.¡± "¼¼°è¸¦ °æ¸êÇÏ´Â °ÍÀº ½±Áö¸¸, ´Ù¸¥ °÷¿¡ °ÅÁÖÇÒ ¼ö ÀÖ´Â Áö¿ªÀ» ã´Â °ÍÀ̶õ È®½ÇÈ÷ ¾î·Á¿ü½À´Ï´Ù."
À̵𽺠¿öÆ°À» ¼³¸íÇÒ ¶§ ºüÁöÁö ¾Ê´Â ŸÀÌƲÀÌ ¹Ù·Î ¿©¼º ÃÖÃÊÀÇ Ç½¸®Ã³»ó(Pulitzer Prize) ¼ö»óÀÚ(1921)¶õ °Í! ÀÌ´Â 1920³â Ãâ°£ÇÑ ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1920)ÀÇ ÀÛÇ°¼ºÀ» ÀÎÁ¤¹ÞÀº °á°úÀÔ´Ï´Ù. ¶ÇÇÑ ¼ö»óÇÏÁö´Â ¸øÇßÀ¸³ª, 1927³âºÎÅÍ À̵ëÇØ, ±×¸®°í 1930³â±îÁö ³ëº§ ¹®Çлó Èĺ¸¿¡ 3Â÷·Ê ¿Ã¶ú½À´Ï´Ù. À§Å°Çǵð¾Æ¿¡ µû¸£¸é ±×³à´Â Æò»ý 15ÆíÀÇ ÀåÆí¼Ò¼³À» ºñ·ÔÇØ 7ÆíÀÇ ´ÜÆí¼Ò¼³(novellas)°ú ¿©Çà±â¸¦ ºñ·ÔÇÑ ÀÚ¼Àü±îÁö ´Ù¾çÇÑ À帣¸¦ ³Ñ³ªµé¸ç ÁýÇÊÇÏ¿´½À´Ï´Ù. ±¹³»¿¡µµ ±×³àÀÇ ´ëÇ¥ÀÛ ¼ø¼öÀÇ ½Ã´ë(The Age of Innocence)(1920)¸¦ ºñ·ÔÇØ, ȯ¶ôÀÇ Áý(The House of Mirth)(1905), ¡±¸(Xingu and Other Stories)(1916), À̼± ÇÁ·Ò(Ethan Fromen)(1911), ¿©¸§(Summer)(1917), À̵𽺠¿öÆ°ÀÇ È¯»ó À̾߱â(The Ghost Stories of Edith Wharton)(1973), ¿Ãµå ´º¿å(Old New York)(1924) µî ´Ù¾çÇÑ ÀÛÇ°ÀÇ ¹ø¿ªº»ÀÌ Ãâ°£µÇ¾î ÀÖÀ¸¸ç, ±×³àÀÇ ´ÜÆíÀ» ¿«Àº Ã¥µµ ¿©·µ ÀÖ½À´Ï´Ù.
¡°In spite of illness, in spite even of the archenemy sorrow, one can remain alive long past the usual date of disintegration if one is unafraid of change, insatiable in intellectual curiosity, interested in big things, and happy in small ways.¡± ¡°Áúº´¿¡µµ ºÒ±¸ÇÏ°í, ¿ø¼öÀÇ ½½ÇÄ¿¡µµ ºÒ±¸ÇÏ°í, º¯È¸¦ µÎ·Á¿öÇÏÁö ¾Ê°í, ÁöÀû È£±â½É¿¡ ¸¸Á·ÇÏÁö ¾Ê°í, Å«ÀÏ¿¡ °ü½ÉÀÌ ÀÖ°í, ÀÛÀº ÀÏ¿¡ ÇູÇÏ´Ù¸é, »ç¶÷Àº ´Ã ÇØüÀÇ ³¯(date of disintegration)·ÎºÎÅÍ ¿À·¡µµ·Ï »ì¾Æ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.¡±