Âû½º µðŲ½ºÀÇ ÀÏ°ö ¹ø° ¼Ò¼³ : µ¼º£ÀÌ¿Í ¾Æµé ȸ»ç¿ÍÀÇ °Å·¡: µµ¸Å, ¼Ò¸Å ¹× ¼öÃâ(Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation), ÀÏ¸í µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son by Charles Dickens)(1848)Àº ¸¶Æ¾ óÁñÀ§Æ®(Martin Chuzzlewit by Charles Dickens)(1844)¿Í µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850) »çÀÌ¿¡ Ãâ°£ÇÑ Âû½º µðŲ½ºÀÇ ÀÏ°ö ¹ø° ¼Ò¼³ÀÔ´Ï´Ù. 1846³âºÎÅÍ 1848³â ¿¬ÀçÇÑ ÈÄ °°Àº ÇØ Bradbury & Evans ÃâÆǻ縦 ÅëÇØ ´ÜÇົÀ¸·Î Ãâ°£µÇ¾ú½À´Ï´Ù. µðŲ½ºÀÇ ¼Ò¼³´ä°Ô µðŲÁö¾È Å׸¶(Dickensian themes)¶ó ºÒ¸®´Â Á߸ŰáÈ¥(arranged marriages), ¾Æµ¿Çдë(child cruelty), ¹è½Å(betrayal), ±â¸¸(deceit) µîÀÇ ¼ÒÀç°¡ ½¯»õ¾øÀÌ µîÀåÇϸç, µ¶ÀÚÀÇ ´«À» »ç·ÎÀâ½À´Ï´Ù. ƯÀÌÇÏ°Ôµµ ÀÛ°¡ Âû½º µðŲ½º´Â ÀÚ½ÅÀÇ È¨±×¶ó¿îµå°¡ ¾Æ´Ñ ¿µ±¹ ·±´øÀÌ ¾Æ´Ñ ½ºÀ§½º ·ÎÀÜ(Lausanne, Switzerland)¿¡¼ ÀÛÇ°ÀÇ ±¸»óÀ» ½ÃÀÛÇß½À´Ï´Ù. ÀÌÈÄ ÇÁ¶û½º Æĸ®¸¦ °ÅÃÄ ¿µ±¹ ·±´øÀ¸·Î µ¹¾Æ¿Í ¿µ±¹¿¡¼ ¿Ï¼ºÇÏ¿´½À´Ï´Ù. ¹ø¿ÜÀûÀ¸·Î ½ºÀ§½º ·ÎÀÜ¿¡´Â ±×ÀÇ À̸§À» µý Âû½º µðŲ½º ¾Ö¹ö´º(Av. Charles Dickens)°¡ ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
µþ¹Ùº¸´Â »çÄ¡! ³»°Õ ȸ»ç¸¦ ¹°·ÁÁÙ ¾Æµé¸¸ÀÌ ÇÊ¿äÇÒ »Ó! : ÁÖÀΰø Æú µ¼º£ÀÌ(Paul Dombey)´Â ¹øµíÇÑ ¿î¼Û ȸ»çÀÇ ´ëÇ¥(a shipping firm owner)ÀÌÁö¸¸, ȸ»ç¸¦ ¹°·ÁÁÙ ¾ÆµéÀÌ ¾ø´Ù´Â »ç½Ç¿¡ Àý¸ÁÇϴµ¥, ÀÌ °úÁ¤¿¡¼ µþ°úÀÇ ºÒȸ¦ ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù. ±×·¯³ª ±×ÀÇ µþÀº ÀÚ½ÅÀÇ ¾Æ¹öÁö¸¦ Áø½ÉÀ¸·Î »ç¶ûÇÏ¿´°í, µ¼º£ÀÌ°¡ Á×±â Àü¿¡ À̸¦ ±ú´Ý°Ô µÇ´Â °ÍÀÌ ÀÛÇ°ÀÇ ÁÖ¿ä ÁٰŸ®ÀÔ´Ï´Ù. ±×·¡¼ ¼Ò¼³ÀÇ Á¦¸ñ°ú ¼Ò¼³¿¡ µîÀåÇϴ ȸ»çÀÇ À̸§(the firm)ÀÌ µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son)ÀÌÁö¿ä! Æú µ¼º£ÀÌÀÇ ¾Æ³» ÆÐ´Ï µ¼º£ÀÌ(Mrs Fanny Dombey)´Â ¾ÆµéÀ» ³ºÀÚ¸¶ÀÚ ¼ûÀ» °ÅµÎ¾ú½À´Ï´Ù. ÆúÀº ¿©µ¿»ý ·çÀÌÀÚ Ä¢ ºÎÀÎ(Mrs. Louisa Chick)ÀÇ Á¶¾ð¿¡ µû¶ó ¾ÆµéÀ» µ¹º¸±â À§ÇÑ µµ¿ì¹Ì ¸®Â÷µå ¿©»ç(Mrs. Richards)¸¦ ä¿ëÇÕ´Ï´Ù. ±×·¯³ª µ¼º£ÀÌ´Â ¾î¸Ó´Ï¸¦ ÀÒÀº ¿©¼¸ »ì ³ µþ Ç÷η»½º(Florence)ÀÇ ¸¶À½±îÁö Çì¾Æ¸®Áö´Â ¸øÇß°í, ÀÌ´Â ±×³à°¡ ¼ºÀåÇÑ ÀÌÈÄ ¹ú¾îÁú ºÎ³à°£ÀÇ °¥µîÀ» ¿¹°íÇÕ´Ï´Ù. Æú µ¼º£ÀÌ¿¡°Ô Áß¿äÇÑ °ÍÀº ÀÚ½ÅÀÇ »ç¾÷À» ¹°·ÁÁÙ ¾ÆµéÀÏ »Ó ½ÃÁý°¡¸é ³²ÀÎ µþÀÌ ¾Æ´Ï¶ó´Â °ÍÀ» ´ÜÀûÀ¸·Î º¸¿©ÁÖ´Â ´ë¸ñÀÔ´Ï´Ù. »ç½Ç ±×´Â µþ »Ó¿¡°Ô¸¸ÀÌ ¾Æ´Ï¶ó, ŸÀο¡°Ô ±×¸® Ä£ÀýÇÏ°í Á¤°¨ÀÖ´Â Àι°Àº ¾Æ´Ï¿´½À´Ï´Ù.
In the course of these remarks, delivered with great majesty and grandeur, Mr Dombey had truly revealed the secret feelings of his breast. An indescribable distrust of anybody stepping in between himself and his son; a haughty dread of having any rival or partner in the boy¡¯s respect and deference; a sharp misgiving, recently acquired, that he was not infallible in his power of bending and binding human wills; as sharp a jealousy of any second check or cross; these were, at that time the master keys of his soul. In all his life, he had never made a friend. His cold and distant nature had neither sought one, nor found one. And now, when that nature concentrated its whole force so strongly on a partial scheme of parental interest and ambition, it seemed as if its icy current, instead of being released by this influence, and running clear and free, had thawed for but an instant to admit its burden, and then frozen with it into one unyielding block.
Çϳª »ÓÀÎ ¾Æµé Æú(Paul)ÀÇ Á×À½ : ¾Æ¹öÁöÀÇ À̸§À» ¹°·Á¹ÞÀº ¾Æµé Æú(Paul)Àº ¸öµµ ¾àÇÏ°í, Ä£±¸µé°úµµ Àß ¾î¿ï¸®Áö ¸øÇÏ´Â ¾ÆÀÌ·Î ÀÚ¶úÀ¸³ª À¯ÀÏÇÏ°Ô ´©³ªÀÎ Ç÷η»½º¸¸À» ÂѾƴٴմϴÙ. ´©³ª¿Í ÇÔ²² ºê¶óÀÌÆ° Çغ¯¿¡¼ °Ç°À» ȸº¹ÇÑ °ÍÀ» È®ÀÎÇÑ ¾Æ¹öÁö´Â ±×µéÀ» ºê¶óÀÌÆ°¿¡ ¸Ó¹°¸ç Çб³¸¦ ´Ù´Ò ¼ö ÀÖµµ·Ï Á¶Ä¡ÇÕ´Ï´Ù. Æú ¶ÇÇÑ ºê¶óÀÌÆ°ÀÇ Çб³¸¦ ´Ù´Ï¸ç, ¸î¸î Ä£±¸µé°ú ¾î¿ï¸®°Ô µË´Ï´Ù. ±×·¯³ª Çб³ÀÇ ±³À°Àº ÆúÀÌ °ßµð±â¿¡´Â ¹«Ã´À̳ª Ȥµ¶Çß°í, °á±¹ ±×ÀÇ °Ç°ÀÌ ¾ÇÈµÇ¾î ºÒ°ú ¿©¼¸ »ìÀÇ ¾î¸° ³ªÀÌ¿¡ »ç¸ÁÇÏ°í ¸¿´Ï´Ù. µÚ´Ê°Ô³ª¸¶ ¾Æ¹öÁö´Â ¾ÆµéÀ» ¼¼½ÉÇÏ°Ô »ìÇÇÁö ¸øÇÑ °ÍÀ» ÈÄȸÇÏÁö¸¸...
Á߸ŰáÈ¥(arranged marriages)ÀÇ ³¡ : ÇÑÆí µ¼º£ÀÌÀÇ Àç»êÀ» ³ë¸®°í ±×ÀÇ È¯½ÉÀ» »ç·Á´Â ÀÌ¿ôµéÀº À̵𽺠±×¶û°Å ¿©»ç(Mrs. Edith Skewton Granger)¿ÍÀÇ ¸¸³²À» ÁÖ¼±ÇÏ°í, °á±¹ µ¼º£ÀÌ ¶ÇÇÑ »ç¶ûº¸´Ù´Â ´Ù¸¥ °üÁ¡À¸·Î ±×³à¿Í °áÈ¥ÇÕ´Ï´Ù. ¹°·Ð µÑÀÇ °áÈ¥ »ýÈ°Àº ÇູÇÒ ¼ö ¾øÀ¸¸®¶õ °ÍÀº ºÒÀ» º¸µí »·ÇÑ °ÍÀÌ¿´½À´Ï´Ù. ÀÌ ´ë¸ñÀº Âû½º µðŲ½º°¡ ´ç½Ã 19¼¼±â ¿µ±¹ »ó·ùÃþ¿¡ ¸¸¿¬ÇÏ´Â Á߸ŰáÈ¥(arranged marriages)ÀÇ ÆóÇظ¦ dzÀÚÇÑ °ÍÀÔ´Ï´Ù. ¾Æ¹öÁöÀÇ »ç¶ûÀ» °£ÀýÈ÷ ¹Ù¶ó´ø Ç÷η»½º´Â Àΰ£ÀûÀÎ ¸é¸ð¸¦ º¸¿©ÁØ »õ ¾ö¸¶ÀÇ ÆíÀ» µé´Ù°¡ °á±¹ ÀÌÈ¥À» ¼±ÅÃÇÑ ¾Æ¹öÁö¿Í ´ÙÅõ°í Áý¿¡¼ ÂѰܳª´Âµ¥... °ú¿¬ µ¼º£ÀÌ °¡¹®ÀÇ ºÎ³à´Â ¾î¶² ¿î¸íÀ» ¸ÂÀÌÇÏ°Ô µÉ±î¿ä?
¾Æµé Æú(Paul)À» ÀÒ¾úÀ¸³ª, ¼ÕÀÚ Æú(Paul)À» ¾òÀº µ¼º£ÀÌ : µ¼º£ÀÌÀÇ »ç¾÷Àº ÀÌ·± Àú·± »ç°Ç»ç°í¿¡ ÈÖ¸»¸° ³¡¿¡ °á±¹ ÆÄ»êÇÏ°í, µ¼º£ÀÌ´Â ÀÚ½ÅÀÇ ¸ðµç Àç»êÀ» óºÐÇÑ Ã¤ ´ÜÃÍÇÑ Áý Çϳª¸¸À» °ÇÁý´Ï´Ù. ¹æ±¸¼®¿¡ ¾ÉÀº µ¼º£ÀÌ´Â Çϳª »ÓÀÎ µþÀ» ÇѾøÀÌ ±×¸®¿öÇÏÁö¸¸, ÀÌ¹Ì ¶§´Â ³Ê¹« ´Ê¾ú´ÂÁöµµ ¸ð¸£°Ú½À´Ï´Ù. ¾Æ¹öÁöÀÇ °ü½ÉÀ» ¹ÞÁö ¸øÇÏ¿´Áö¸¸ Ç÷η»½º´Â ³ª¸§´ë·Î ²à²àÇÏ°Ô ÀÚ¶ú°í ÀÌ °úÁ¤¿¡¼ ¾Æ¹öÁö ȸ»çÀÇ Á÷¿ø ¼Ö·Î¸ó ±×¸±(Solomon Gills)°ú ±×ÀÇ Á¶Ä« ¿ùÅÍ °ÔÀÌ(Walter (Wally, Wal'r) Gay)¿Í Àο¬À» ¸Î°Ô µË´Ï´Ù. ¿ùÅÍ ¶ÇÇÑ ºê¶ó¿î ¿©»ç(Good Mrs Brown)·ÎºÎÅÍ ±×³à¸¦ ±¸ÃâÇÑ ÈÄ ±×³à¿¡ ´ëÇÑ È£°¨À» Ç°°í ÀÖ¾ú°í, ÀÌÈÄ ¿¬ÀÎ °ü°è·Î ¹ßÀüÇÏÁö¿ä. Ç÷μ¾½º´Â ¿ùÅÍ¿ÍÀÇ »çÀÌ¿¡ µÐ ¾Æµé¿¡°Ô ´Ù½Ã Çѹø ÆúÀ̶õ À̸§À» Áö¾îÁÖ¾ú°í, ¾Æ¹öÁö¿Í °¨°ÝÀûÀ¸·Î ÀçȸÇÕ´Ï´Ù. µ¼º£ÀÌ´Â µÚ´Ê°Ô³ª¸¶ µþ°ú »çÀ§ÀÇ º¸»ìÇËÀ» ¹ÞÀ¸¸ç, ¼ÕÀÚ ¼Ò³à¿Í ÇÔ²² ÇູÇÏ°Ô ´Ä¾î°©´Ï´Ù. µ¼º£ÀÌ´Â °á±¹ ¾ÆµéÀº ¾òÁö ¸øÇßÀ¸³ª, µþ ´öºÐ¿¡ ¼ÕÀÚ¶õ »ó¼ÓÀÎÀ» ¾ò°Ô µÇ¾ú°í ¼¼ ¸íÀÇ µ¼º£ÀÌ°¡ ¸ðµÎ Æú(Paul)À̶õ °°Àº À̸§ÀÎ °ÍÀº À̸¦ »ó¡ÇÕ´Ï´Ù.
µ¼º£ÀÌÀÇ È¸È¯À» ´ãÀº ¸¶Áö¸· ´ë»ç°¡ ƯÈ÷ À¯¸íÇÕ´Ï´Ù. ¡°Dear grandpapa, why do you cry when you kiss me?¡± "ÇҾƹöÁö, ¿Ö ³ªÇÑÅ× Å°½ºÇÒ ¶§ ¿ï¾î¿ä?¡± He only answers, ¡°Little Florence! little Florence!¡± and smooths away the curls that shade her earnest eyes. CHAPTER LXII. Final ±×´Â "ÀÛÀº Ç÷η»½º¾ß! ÀÛÀº Ç÷η»½º¾ß!"¶ó°í¸¸ ´ë´äÇÏ°í ±×³àÀÇ ÁøÁöÇÑ ´«À» °¡¸®´Â °ö½½¸Ó¸®¸¦ ºÎµå·´°Ô ¾²´Ùµë½À´Ï´Ù.
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 18°¡Áö Å°¿öµå·Î Àд Âû½º µðŲ½º(Charles Dickens)
01. °øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes)
02. Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas)? Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)!
03. ºóÀÚµéÀÇ Ä£±¸, ¾ÆÀ̵éÀÇ ÈÄ¿øÀÚ, ¸ÅÃáºÎÀÇ µ¿Á¤ÀÚ(Sympathiser)
04. µ¿ÈÀÛ°¡ ¾Èµ¥¸£¼¾(Andersen)Àº ¿Ö µðŲ½º Áý¿¡¼ 5ÁÖ³ª ¸Ó¹°·¶À»±î?
05. À¯³×½ºÄÚ ¼¼°èÀ¯»ê(1987) ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey)¿¡¼ °íÀÌ ¿µ¸éÇϼҼ
06. µðŲ½º´ä´Ù! µðŲÁö¾È(Dickensian)!
07. Å©¸®½º¸¶½º ij·²(A Christmas Carol in Prose ; Being a Ghost Story of Christmas)(1843)
08. µÎ µµ½Ã À̾߱â(A Tale of Two Cities)(1859)
08-1. Å©¸®½ºÅäÆÛ ³î¶õ(Christopher Nolan)ÀÇ ´ÙÅ© ³ªÀÌÆ® ¶óÀÌÁî(The Dark Knight Rises)(2012)
08-2. Åä¸Ó½º Ä®¶óÀÏ(Thomas Carlyle)ÀÇ ÇÁ¶û½º Çõ¸í(The French Revolution)(1837)
09. À§´ëÇÑ À¯»ê(Great Expectations)(1860~1861)
10. ¿Ã¸®¹ö Æ®À§½ºÆ®(Oliver Twist)(1837~1839)
11. µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield)(1849~1850)
11-1. ¿Ã¸®¹ö °ñµå½º¹Ì½º(Oliver Goldsmith)ÀÇ The Vicar of Wakefield(1766)
12. ¾î·Á¿î ½ÃÀý(Hard Times)(1854)
13. ¿µ±¹ ·±´ø¿¡¼ Âû½º µðŲ½º¸¦ ¸¸³ª´Â 7°¡Áö ¹æ¹ý
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15. Âû½º µðŲ½º(Charles Dickens) ¾î·Ï(Quotes)(60)
Âû½º µðŲ½ºÀÇ µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son by Charles Dickens)(1848)
I. Dombey and Son
II. In which Timely Provision is made for an Emergency that will sometimes arise in the best-regulated Families
III. In which Mr Dombey, as a Man and a Father, is seen at the Head of the Home-Department
IV. In which some more First Appearances are made on the Stage of these Adventures
V. Paul¡¯s Progress and Christening
VI. Paul¡¯s Second Deprivation
VII. A Bird¡¯s-eye Glimpse of Miss Tox¡¯s Dwelling-place: also of the State of Miss Tox¡¯s Affections
VIII. Paul¡¯s Further Progress, Growth and Character
IX. In which the Wooden Midshipman gets into Trouble
X. Containing the Sequel of the Midshipman¡¯s Disaster
XI. Paul¡¯s Introduction to a New Scene
XII. Paul¡¯s Education
XIII. Shipping Intelligence and Office Business
XIV. Paul grows more and more Old-fashioned, and goes Home for the Holidays
XV. Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter Gay
XVI. What the Waves were always saying
XVII. Captain Cuttle does a little Business for the Young People
XVIII. Father and Daughter
XIX. Walter goes away
XX. Mr Dombey goes upon a Journey
XXI. New Faces
XXII. A Trifle of Management by Mr Carker the Manager
XXIII. Florence solitary, and the Midshipman mysterious
XXIV. The Study of a Loving Heart
XXV. Strange News of Uncle Sol
XXVI. Shadows of the Past and Future
XXVII. Deeper Shadows
XXVIII. Alterations
XXIX. The Opening of the Eyes of Mrs Chick
XXX. The interval before the Marriage
XXXI. The Wedding
XXXII. The Wooden Midshipman goes to Pieces
XXXIII. Contrasts
XXXIV. Another Mother and Daughter
XXXV. The Happy Pair
XXXVI. Housewarming
XXXVII. More Warnings than One
XXXVIII. Miss Tox improves an Old Acquaintance
XXXIX. Further Adventures of Captain Edward Cuttle, Mariner
XL. Domestic Relations
XLI. New Voices in the Waves
XLII. Confidential and Accidental
XLIII. The Watches of the Night
XLIV. A Separation
XLV. The Trusty Agent
XLVI. Recognizant and Reflective
XLVII. The Thunderbolt
XLVIII. The Flight of Florence
XLIX. The Midshipman makes a Discovery
L. Mr Toots¡¯s Complaint
LI. Mr Dombey and the World
LII. Secret Intelligence
LIII. More Intelligence
LIV. The Fugitives
LV. Rob the Grinder loses his Place
LVI. Several People delighted, and the Game Chicken disgusted
LVII. Another Wedding
LVIII. After a Lapse
LIX. Retribution
LX. Chiefly Matrimonial
LXI. Relenting
LXII. Final
PREFACE OF 1848
PREFACE OF 1867
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
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A02. ¼¿ï´ë ±ÇÀåµµ¼ 100
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A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
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A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
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Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,108)
Âû½º µðŲ½º(Charles Dickens)
°øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes) : Âû½º µðŲ½º´Â ºÎÄ£ÀÌ ºúÀ» °±Áö ¸øÇØ Ã¤¹«ÀÚ °¨¿Á(Debtor's Prison)¿¡ ¼ö°¨µÉ Á¤µµ·Î ±ÃÇÌÇÑ °¡Á¤¿¡ ž ºÒ°ú 12»ì ¶§ ÇÏ·ç 10½Ã°£¾¿ º´¿¡ ¶óº§À» ºÙÀÌ´Â ±¸µÎ¾à °øÀå(Warren 's Blacking Warehouse)¿¡¼ Ȧ·Î ±Ù¹«Çß½À´Ï´Ù. Çб³µµ Á¦´ë·Î ´Ù´ÏÁö ¸øÇßÀ¸³ª, ¾î·Á¿î »óȲ¿¡µµ ºÒ±¸ÇÏ°í ¼Ó±â¼úÀ» ÀÍÇô ¹ý·ü »ç¹«¼Ò(the law office) ÇÏ±Þ »ç¹«¿ø(a junior clerk), ¹ý¿ø ¼Ó±â»ç µîÀ¸·Î ±Ù¹«ÇÏ¿´°í, ÀÌÈÄ ¸ð´× Å©·Î´ÏŬ(The Morning Chronicle) ±âÀÚ, º¥Æ²¸® ¹Ì½º¼¿¶ó´Ï(Bentley's Miscellany) µîÀ¸·Î È°µ¿ÇÏ¸ç º»°ÝÀûÀ¸·Î ÀÚ½ÅÀÇ Àç´ÉÀ» »Ë³»±â ½ÃÀÛÇÕ´Ï´Ù. ¼ö¸¹Àº Àΰ£±º»ó°ú ¸¸³ª°í, °¢Áö¸¦ ÃëÀçÇؾßÇÏ´Â ±âÀÚ³ª ÆíÁýÀÚ »ýÈ°Àº ±×¿¡°Ô ³ÐÀº ½Ä°ß°ú »ýµ¿°¨ ÀÖ´Â ±Û ¼Ø¾¾¸¦ ¼±»çÇÏ¿´À¸¸ç, 1833³â ¸Õ½½¸® ¸Å°ÅÁø(Monthly Magazine)¿¡ Åõ°íÇÑ ´ÜÆí Æ÷Ç÷¯ °Å¸®ÀÇ ¸¸Âù(A Dinner at Poplar Walk)À» ½ÃÀÛÀ¸·Î, ±×ÀÇ ¿ø°í°¡ Á¶±Ý¾¿ Àα⸦ ²ø±â ½ÃÀÛÇÏ¸é¼ º»°ÝÀûÀ¸·Î ¡®ÀÛ°¡ Âû½º µðŲ½º¡¯·Î È°¾àÇÏ°Ô µË´Ï´Ù.
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±×¿Í ±×ÀÇ ÀÛÇ°¿¡ ´ëÇÑ ¿µ±¹ÀÎÀÇ »ç¶ûÀº ÇÑÀÏ¿ùµåÄÅÀÌ °³ÃÖµÈ 2002³â BBC°¡ ÁÖÃÖÇÑ À§´ëÇÑ ¿µ±¹ÀÎ 100¸í(100 great British heroes)°ú BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡¼ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù. BBC ¼±Á¤ À§´ëÇÑ ¿µ±¹ÀÎ 100¸í(100 great British heroes)¿¡¼´Â 41À§, BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡´Â 4À§¿¡ ·©Å©µÈ À§´ëÇÑ À¯»ê(Great Expectations)À» ºñ·ÔÇØ ¹«·Á 4ÆíÀÇ ÀÛÇ°À» ¿Ã¸®´Â ±â³äÀ» ÅäÇÏ¿´½À´Ï´Ù. ÇÑ ±¹°¡¸¦ ´ëÇ¥ÇÏ´Â ¼Ò¼³ 100¼±¿¡ ÇÑ ¸íÀÇ ÀÛ°¡°¡ 4ÆíÀ» ¿Ã¸° °ÍÀº ¹öÁö´Ï¾Æ ¿ïÇÁ(Virginia Woolf)¿Í ÇÔ²² À¯·¡¾ø´Â Áø±â·ÏÀÌ ¾Æ´Ò ¼ö ¾øÁÒ! 2017³â ij³ª´Ù¿¡¼´Â ±×ÀÇ ÀÛÇ°ÀÌ ¾Æ´Ï¶ó, Àΰ£ Âû½º µðŲ½º¿¡ ÃÊ÷À» ¸ÂÃá ¿À¶ô¿µÈ Âû½º µðŲ½ºÀÇ ºñ¹Ð ¼Àç(The Man Who Invented Christmas)(2017)¸¦ Á¦ÀÛÇϱ⵵ ÇÏ¿´½À´Ï´Ù.
ºóÀÚµéÀÇ Ä£±¸, ¾ÆÀ̵éÀÇ ÈÄ¿øÀÚ, ¸ÅÃáºÎÀÇ µ¿Á¤ÀÚ(Sympathiser) : Âû½º µðŲ½ºÀÇ ¿©·¯ ÀÛÇ°¿¡ ¡®ÀÌ¿ô¿¡ ´ëÇÑ ³ª´®¡¯ÀÌ °Á¶µÇ°í ÀÖµí ±× ¶ÇÇÑ ÀýÄ£ÀÎ Âû½º ¿þ½ºÆ®(Charles West)°¡ ¿î¿µÇÏ´Â ±×·¹ÀÕ ¿À¸£¸óµå ½ºÆ®¸´ º´¿ø(Great Ormond Street Hospital)¸¦ À§ÇÑ ¿¡¼¼ÀÌ ³«¿±(Drooping Buds) ¹ßÇ¥, ³¶µ¶È¸(public readings)¸¦ ÅëÇÑ ¸ð±Ý, °¡³ÇÑ ¿©¼ºÀ» À§ÇÑ ¿ì¶ó´Ï¾Æ ÄÚƼÁö(Urania cottage) ¼³¸³ µî ´Ù¾çÇÑ ÀÚ¼±È°µ¿À» ÅëÇØ ¿µ±¹ÀÇ ¼ö¸¹Àº ¾ÆÀ̵é°ú ¸ÅÃáºÎ¸¦ ÈÄ¿øÇÏ¿´½À´Ï´Ù. ƯÈ÷ ±×°¡ Á÷Á¢ ÀÚ½ÅÀÇ ÀÛÇ°À» Àд ³¶µ¶È¸(public readings)´Â ´ëÁßµéÀÇ Æø¹ßÀûÀÎ °ü½ÉÀ» ¹Þ¾Ò´Ù°í Çϳ׿ä! ¿À´Ã³¯·Î Ä¡¸é, ¾ÆÀ̵¹ °ø°³ ¹æ¼ÛÀ̳ª ´ëÇаø¿¬¿¡ ºñ°ßÇÒ ¼ö ÀÖÀ» °Ì´Ï´Ù.
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Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas)? Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)! : BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡´Â Æ÷ÇԵǾî ÀÖÁö ¾ÊÀ¸³ª, ¼¼°èÀûÀ¸·Î °¡Àå Àß ¾Ë·ÁÁø ±×ÀÇ ÀÛÇ°Àº ´Ü¿¬ Å©¸®½º¸¶½º ij·²(A Christmas Carol in Prose)ÀÔ´Ï´Ù. Âû½º µðŲ½º´Â 1843³â 12¿ù 9ÀÏ Å©¸®½º¸¶½º ij·²(A Christmas Carol. In Prose. Being a Ghost Story of Christmas.)Àº Ãâ°£ ´ç½Ã ÃÊÆÇ 6000ºÎ°¡ ´Ü ÇÏ·ç ¸¸¿¡ ¸ÅÁøµÉ Á¤µµ·Î Å« Àα⸦ ´©·È½À´Ï´Ù. ÀÌ¿¡ µðŲ½º´Â ¸Å³â ¸» Å©¸®½º¸¶½º¸¦ ±âÇØ ´ÜÆí ¼Ò¼³À» ¹ßÇ¥ÇÏ¿´°í, À̸¦ ¸ðÀº °ÍÀÌ 5ÆíÀÇ Å©¸®½º¸¶½º ´ÜÆíÁý(Christmas Books)ÀÔ´Ï´Ù. Å©¸®½º¸¶½º ´ÜÆíÁý(Christmas Books) Áß¿¡¼ °¡Àå Àß ¾Ë·ÁÁø Å©¸®½º¸¶½º ij·²(A Christmas Carol. In Prose. Being a Ghost Story of Christmas.)(1843)Àº ºÐ·®ÀÌ ±æÁö ¾ÊÀºµ¥´Ù°¡ ±¸µÎ¼è ¿¡ºñ´ÏÀú ½ºÅ©·çÁö(Ebenezer Scrooge)°¡ Å©¸®½º¸¶½º À̺꿡 À¯·ÉÀ» ¸¸³ª ÀÚ½ÅÀÇ °ú°Å¿Í ÇöÀç, ¹Ì·¡¸¦ µ¹¾Æº» ÈÄ °³½ÉÇØ ÀÌ¿ô°ú ÇÔ²² ³ª´©´Â »îÀ» »ê´Ù´Â ´Ü¼ø¸í·áÇÑ ±Ç¼±Â¡¾ÇÀû ±¸Á¶ ¶§¹®¿¡ ¾î¸°ÀÌ µ¿È´Â ¹°·Ð ¿µÈ·Îµµ ½¢ÇÏ°Ô Á¦À۵Ǿú½À´Ï´Ù.
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