(Les Misérables)(1862) : ĸ Ʈ(Notre-Dame de Paris)(1831) 31 Ⱓ (Les Misérables)(1862) 丣 ǥ, ǥϴ ǰԴϴ. ĸ Ʈ(Notre-Dame de Paris) , ñ 19 ̰ ֽϴ. ȮϰԴ 1832 6 5ϰ 6 ⸦ ϰ ֽϴ. (Les Misérables)(1862) 3 Ÿ(1951)κ 丣 ս Ͽٴ ̻Դϴ. ǥϴ ǰ . װ ӹ ö ֽϴ.
655,478! (Les Misérables)(1862) ܾ Դϴ. η ܾ ̷ Venmurasu 2,125,000 ġ ϰڽϴٸ, ǰ ߿ Les Hommes de bonne volonté, Artamène ou le Grand Cyrus(1649~1653), À la recherche du temps perdu(1988~1990) ̾ ϰ 4! 5 ̷ , 1862 3 30(1) 5 15(2, 3), 6 30(4ο 5) ⰣǾϴ. ü з п ົ̳ ȭ ټ ⰣǾ ֽϴ. ̹ å ˻ 1,143ǿ մϴ. ǰ α⸸ŭ̳ ȭ, , ִϸ̼ ۵Ǿϴ. ֱٿ ȭ (Hugh Michael Jackman), ؼ(Anne Jacqueline Hathaway), ũ(Russell Ira Crowe), Ƹ (Amanda Seyfried) Ÿ찡 2012Դϴ. 600 Ǵ 591 ϸ, Ͽϴ. Ź TTN Korea (English Classics) Բ , õ, ϵ п! B
(La Bataille d'Hernani)(1830) : 丣 (Hernani)(1830) ϴ Ŀ ϴ 븳 ؿ ߴ ñ Ⱓ Դϴ. ÿ Ҷ ǿ ߸ ݴ Ͽϴ. 忡 ϴ , аٿ (?!) ѹ . , (Hernani)(1830) ʿ ġν ⸦ ϴ ġ ־ϴ. ̴ Ŀ л ǥϴ ¡ , 1830 2 25 ʿ (La Bataille d'Hernani)(1830)̶ θϴ. Ƽ(Gautier Theophile)(1811~1872) ̸ ˸ ̱ մϴ. Ƽ 丣 ڽ ֿ, ÿ Ҽ, ߷ (Giselle) ϸ ռϰ ȰϿϴ.
ĸ Ʈ(Notre-Dame de Paris)(1831) : ĸ Ʈ(Notre-Dame de Paris) Ʈ (The Hunchback of Notre-Dame) ͼϴٸ? ̴ ǥ⸦ 츮 ű Դϴ. ĸ Ʈ(Notre-Dame de Paris)(1831) 15 ĸ Ʈ 뼺(Cathédrale Notre-Dame de Paris) ֱ Ŭε ѷ(Claude Frollo) (Esméralda), (Quasimodo) Ų 踦 ٷ ǰԴϴ. Ʈ (The Hunchback of Notre-Dame) ڿ (Quasimodo) ø ϴ. ٿ Ž õϰ, ׳డ ڽ ߽(Phoebus de Châteaupers) ϰ, ڽ ׳ฦ ó ֱ Ŭε ѷ(Claude Frollo)߸ Ҽ ΰԴϴ. 1905 ȭ , , , ߷ ۵Ǿϴ. 2004 뿡 ֽϴ. ִϸ̼ǵ ! ķ۽ , ȭ Ʈ 뼺(Cathédrale Notre-Dame de Paris) Ƽ ǼϿٰ ϸ, ͳݻ ϴ ϴٸ, δ ī Ѷ 뼺(Cathédrale des Sts Michel et Gudule, Bruxelles) ҽϴ. Ƹ , Ʈ ̰.
(Les Misérables)(1862) in (Guinness Book) : å Ⱓ ڽ å ( ȸ ִ!) ô ñ߽ϴ. ǻ翡 ǥ(?) ϳ . ִ ǻ ǥ(!) ϳ ȸߴµ, ̰ 迡 ª ̾߱. ̴ϴ. Ͽ Ǿ ִٴµ (Les Misérables)(1862) ̷ο ȭ ϳ. Ʈ Les Misérables, Victor Hugo, letter ˻ õ ã ϴ. (Les Misérables)(1862) õ ڵ Ȯ ־ϴ. ù°, (Les Misérables) 1985 12 4Ϻ 2015 1 19ϱ 29 47ϰ Ʈ忡 Ⱓ (Longest theatrical run of a musical in the West End)Դϴ. Ӹ (Palace Theatre) Ͽ, 2004 3 27 4 3 ( Sondheim Theatre) 簳Ͽϴ. °, (Audio Described Theatre)̶ ð ο , ƴ϶ ൿ ġ ؼ ִ ǹմϴ. ִ (The largest audience for Audio Described Theatre) 168, 忡 (Les Misérables) 2008 10 11 ߽ϴ.
(L'homme qui rit)(1869) & ȭ Ŀ(Joker)(2019) : (L'homme qui rit)(1869) 丣 Ҽ, ȭ մϴ. ȭ ִ? ƸϽð, Ʈ ø Ŀ ٷ ǰ ιԴϴ. Ŀ ܼ Ʈ ̻ α⸦ Դϴ. ũ Ʈ(The Dark Knight)(2008) Ŀ ȣ (Heath Andrew Ledger)( 1979~2008) Ͽ, Ŀ ī̿ (2009) ȭ Ǿ. ̸ , ٷ ȭ 2019 Ͽϴ. 2018 (L'homme qui rit)(1869) 翡 ø ֽϴ.
-(Index)-
ѷα(Prologue). Ź TTN Korea (English Classics) 101 о ϴ 7
17 Ű д 丣 (Victor Hugo) by ȭ
01. 긮(Chateaubriand) ƴϸ ƹ͵ ʰڴ, 丣 (Victor Hugo)(1802~1885)
02. (La Bataille d'Hernani)(1830)
03. ĸ Ʈ(Notre-Dame de Paris)(1831)
04. (Les Misérables)(1862)
05. (Les Misérables)(1862) in (Guinness Book)
06. (L'homme qui rit)(1869) & ȭ Ŀ(Joker)(2019)
07. (Last Will)(1885)
08. (Opera)
09. Ʈ ̱(Գ, Đạo Cao Đài) ()(1926)
10. (Nouveau Franc) 5NF(1960~1968)
11. Ƶ H ̾߱(L'Histoire d'Adèle H.)(1970)
12. 2 (The Greatest Frenchman) 6(2005)
13. ε(Google Doodle)(2017)
14. Ʈ (Google Arts and Culture)
15. 丣 (Victor Hugo) TOP17
16. (Audio Books) 丣 (Victor Hugo)
17. 丣 (Victor Hugo) (Quotes)(30)
(Les Misérables)(1862) Volume IV—Saint-Denis
Book First-A Few Pages of History
I. Well Cut
II. Badly Sewed
III. Louis Philippe
IV. Cracks beneath the Foundation
V. Facts whence History springs and which History ignores
VI. Enjolras and his Lieutenants
Book Second-Éponine
I. The Lark's Meadow
II. Embryonic Formation of Crimes in the Incubation of Prisons
III. Apparition to Father Mabeuf
IV. An Apparition to Marius
Book Third-The House in the Rue Plumet
I. The House with a Secret
II. Jean Valjean as a National Guard
III. Foliis ac Frondibus
IV. Change of Gate
V. The Rose perceives that it is an Engine of War
VI. The Battle Begun
VII. To One Sadness oppose a Sadness and a Half
VIII. The Chain-Gang
Book Fourth-Succor From Below May Turn Out To Be Succor From On High
I. A Wound without, Healing within
II. Mother Plutarque finds no Difficulty in explaining a Phenomenon
Book Fifth-The End of Which Does Not Resemble the Beginning
I. Solitude and Barracks Combined
II. Cosette's Apprehensions
III. Enriched with Commentaries by Toussaint
IV. A Heart beneath a Stone
V. Cosette after the Letter
VI. Old People are made to go out opportunely
Book Sixth-Little Gavroche
I. The Malicious Playfulness of the Wind
II. In which Little Gavroche extracts Profit from Napoleon the Great
III. The Vicissitudes of Flight
Book Seventh-Slang
I. Origin
II. Roots
III. Slang which weeps and Slang which laughs
IV. The Two Duties: To Watch and to Hope
Book Eight-Enchantments and Desolations
I. Full Light
II. The Bewilderment of Perfect Happiness
III. The Beginning of Shadow
IV. A Cab runs in English and barks in Slang
V. Things of the Night
VI. Marius becomes Practical once more to the Extent of Giving Cosette his address
VII. The Old Heart and the Young Heart in the Presence of Each Other
Book Ninth-Whither are they Going?
I. Jean Valjean
II. Marius
III. M. Mabeuf
Book Tenth-The 5th of June, 1832
I. The Surface of the Question
II. The Root of the Matter
III. A Burial; an Occasion to be born again
IV. The Ebullitions of Former Days
V. Originality of Paris
Book Eleventh-The Atom Fraternizes with the Hurricane
I. Some Explanations with Regard to the Origin of Gavroche's Poetry
II. Gavroche on the March
III. Just Indignation of a Hair-dresser
IV. The Child is amazed at the Old Man
V. The Old Man
VI. Recruits
Book Twelfth-Corinthe
I. History of Corinthe from its Foundation
II. Preliminary Gayeties
III. Night begins to descend upon Grantaire
IV. An Attempt to console the Widow Hucheloup
V. Preparations
VI. Waiting
VII. The Man recruited in the Rue des Billettes
VIII. Many Interrogation Points with Regard to a Certain Le Cabuc
Book Thirteenth-Marius Enters the Shadow
I. From the Rue Plumet to the Quartier Saint-Denis
II. An Owl's View of Paris
III. The Extreme Edge
Book Fourteenth-The Grandeurs of Despair
I. The Flag : Act First
II. The Flag : Act Second
III. Gavroche would have done better to accept Enjolras' Carbine
IV. The Barrel of Powder
V. End of the Verses of Jean Prouvaire
VI. The Agony of Death after the Agony of Life
VII. Gavroche as a Profound Calculator of Distances
Book Fifteenth-The Rue de l'Homme Armé
I. A Drinker is a Babbler
II. The Street Urchin an Enemy of Light
III. While Cosette and Toussaint are Asleep
IV. Gavroche's Excess of Zeal
η(Appendix). ϴ ġĿ ȳ(The Hitchhiker's Guide to Worldss Classics)
A01. Ϲ (Harvard Book Store) õ 100(Staff's Favorite 100 Books) & Ǹŵ 100(Top 100 Books)
A02. 嵵 100
A03. ʵ 200
A04. б ķ۽ 嵵 100
A05. , , 嵵 60
A06. հб ż() 100
A07. ĸŸ Į(Humanitas College) ʵ 100
A08. (װ) 嵵 100
A09. ī̽Ʈ(KAIST) ϸ õ 100
A10. л õ(44)
A11. (English Classics) 5 (How to listen to FREE audio Books legally?)
A12. ȭ (Movies And TV Shows Based on English Classic Books)
ȭ (Korea Round Travel) & (World Round Travel)(049)
Ź TTN Korea (English Classics) 101
Ź TTN Korea (954)
丣 (Victor Hugo)
Je veux être Chateaubriand ou rien. 긮(Chateaubriand) ƴϸ ƹ͵ ʰڴ.
(Last Will)(1885) : 丣 ټ Դϴ. Je donne cinquante mille francs aux pauvres. Je veux être enterré dans leur corbillard. Je refuse l'oraison de toutes les Églises. Je demande une prière à toutes les âmes. Je crois en Dieu. 5 鿡 ñϴ. ;. ȸ ʽ źմϴ. ȥ ٶϴ. Ͻϴ. ȸ ʽ źѴٴ ǥ ȸ ǰ ݼ ǿ(?!) Դϴ. ĸ Ʈ(Notre-Dame de Paris)(1831) ϴ Ŭε ѷ(Claude Frollo) ֱ (Esméralda) ŷǾ, ׳ ׳ ϴ. ڶ ʹ Ÿ ι. ̿ г ĸ Ʈ(Notre-Dame de Paris)(1831) ǰ ݼ Ͽϴ. ߵ ǰ .
It is nothing to die. It is frightful not to live. " ƹ ͵ ƴմϴ. ʴ ̾߸ η Դϴ."
Ʈ ̱(Գ, Đạo Cao Đài) ()(1926) : ̱(Գ, Đạo Cao Đài) Ʈ , 1926 ſ(Ngô Văn Chiêu) âϿϴ. ұ Ʈ ΰžӰ , , , ̽ پ ö, ȥ ϽűԴϴ. 츮Դ ȣϿ(Đạo Hòa Hảo, Գ) Բ Ʈ ߽ 2鸸 ̻ ڸ Ŵ Ʈ ӽŰ Բ , Ը, , , ð ִٴ Ư¡Դϴ. 鿡 Ʈ Nguyen Binh Khiem(1491~1585) Բ ۰ 丣 (Victor Hugo)(1802~1885) ߱ (,)(1866~1925) ־ () ð ֽϴ. Ʈ ħ ۰ Ʈ , ˴ٰ ڽϴ.
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. ̾߱ ʹ Ǿ ϱ ʰ Ǿϴ. θ Ĵٺñ ٰ ִ ϴ. ̷ ۵ǰ, ̷ θ ۵˴ϴ.
(Nouveau Franc) 5NF(1960~1968) : ̾ ȭ , 翬 ڱ ȭ ȭ Ͽϴ. 1960 ü ϱ (Nouveau Franc) 丣 ι(personnalités célèbres) ø Ǿ 500F, 5NF ȭ ֽϴ. (Nouveau Franc) 1968 4 1Ϻη Ǿϴ. ȭ 츮 ȭ ٻ ũ (billet polychrome imprimé) ô̳ ȭϸ, ո 鿡 ι ִ Ư¡Դϴ.
Love is like a tree: it grows by itself, roots itself deeply in our being and continues to flourish over a heart in ruin. The inexplicable fact is that the blinder it is, the more tenacious it is. It is never stronger than when it is completely unreasonable. " ϴ. ڶ, 츮 翡 Ѹ , Ȳ մϴ. ϼ ٴ Դϴ. װ ո ʽϴ."
2 (The Greatest Frenchman) 6(2005) : ۱ 2(France 2) 2005 BBC (Great Britons) Le Plus Grand Français de tous les temps, (The Greatest Frenchman) α 濵Ͽϴ. ݾа Բ ߵ ߰ſ , 102 , 18 (Charles de Gaulle) 1 ߽ϴ. 丣 (Victor Hugo) 6 ̸ ÷Ƚϴ. , (The Greatest Frenchman) ȭ Ľ(Louis Pasteur) ȭ (Marie Curie) ܿ ̸ . (Napoleon Bonaparte) 16 Ұϸ, ٸũ(Joan of Arc) ƿ 102 ȿ ̸ ø ߽ϴ.
The greatest happiness of life is the conviction that we are loved -- loved for ourselves, or rather, loved in spite of ourselves. "λ ū ູ 츮 ް ִٴ ȮԴϴ. 츮 ڽ , Ȥ 츮 ڽſԵ ް ִٴ Ȯ Դϴ."
ε(Google Doodle)(2017) : 2017 6 30 ټ ̹ 丣 (Victor Hugo)(1802~1885) ε(Google Doodle)(2017) Ͽϴ. ǥ ĸ Ʈ(Notre-Dame de Paris)(1831), (Les Contemplations)(1856), (Les Misérables)(1862) Ͽϴ. 밳 а ̳ 100ֳ, 150ֳ, 200ֳ ε(Google Doodle) ǥ, 6 30 ̳ ƴ (Les Misérables)(1862) 4ο 5ΰ Ⱓ Դϴ. 5η ̷ (Les Misérables)(1862) 1862 3 30 1θ , 2ο 3ΰ 5 15, 4ο 5ΰ 6 30 ⰣǾϴ. 6 30 ۰ (Les Misérables)(1862) ڿ ̶ ְڳ.
To love or have loved, that is enough. Ask nothing further. There is no other pearl to be found in the dark folds of life. ϵ ߵ װ մϴ. ̻ . λ ο ұ ٸ ִ ãƺ ϴ.