³ª»çÀÇ È¸Àü(The Turn of the Screw)(1898)Àº ¿µ±¹ÀÇ ÇÑ ÀúÅÃÀ» ¹è°æÀ¸·Î, °¡Á¤±³»ç¿Í ¾î¸° ³²¸Å°¡ Á¤Ã¼ ¸ð¸¦ ¹«¾ð°¡¿¡ ½Ã´Þ¸®´Â °íµñ ¼Ò¼³(Gothic fiction)ÀÌÀÚ °øÆ÷ ¼Ò¼³(horror novella)ÀÔ´Ï´Ù. Ç Á¦ÀÓ½º(Henry James)°¡ À¢ È£·¯ ¼Ò¼³À» ½è³ª ½ÍÁö¸¸, À¯·É ÀÚüº¸´Ùµµ ¡®À¯·É¿¡ ½Ã´Þ¸®´Â Àΰ£ÀÇ °øÆ÷¡¯¸¦ ÁýÁßÀûÀ¸·Î Ç¥ÇöÇϱâ À§ÇÑ À帣 ¼±ÅÃÀ̶ó°í º¼ ¼ö ÀÖ½À´Ï´Ù.
À¯·ÉÀÌ ½ÇÁ¦·Î Á¸ÀçÇÏ´Â °ÍÀΰ¡? °¡Á¤±³»ç´Â ȯ°¢À» º» °ÍÀΰ¡? µ¶ÀÚ¿Í Æò·Ð°¡¸¦ ´çȲÇÏ°Ô ¸¸µå´Â ¼Ò¼³ÀÇ ¾Ö¸Å¸ðÈ£ÇÑ ¼¼úÀº Ç Á¦ÀÓ½º°¡ Ãß±¸ÇÑ ±ÛÀÇ ¸ðÈ£¼º(the text's ambiguity)À» Á¤±³ÇÏ°Ô µå·¯³À´Ï´Ù. °øÆ÷¼Ò¼³´ä°Ô Çѹ濡 ÅÍÁö´Â ¹«½Ã¹«½ÃÇÔÀº ¾øÀ¸³ª, Àд ³»³» µ¶ÀÚÀÇ °¡½¿À» Â̱êÇÏ°Ô ¸¸µå´Â ±äÀå°¨¸¸Àº ÀÏÇ°ÀÌÁö¿ä. °øÆ÷¼Ò¼³ÀÇ ´ë°¡ ½ºÆ¼ºì Å·(Stephen Edwin King)(1947~) ¶ÇÇÑ ¼È¸® Àè½¼(Shirley Hardie Jackson)(1916~1965)ÀÇ Èú ÇϿ콺ÀÇ À¯·É(The Haunting of Hill House)°ú ÇÔ²² ¡®´Ü µÎ ÆíÀÇ À§´ëÇÑ ÃÊÀÚ¿¬ÀûÀÎ °øÆ÷ ¼Ò¼³(the only two great supernatural works of horror in a century)¡¯À̶ó¸ç ±ØÂùÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¿¬±ØÀ» ¿µ»óÀ¸·Î ¿Å±ä µð À̳뼾Ʈ(The Innocent)(1961)¸¦ ½ÃÀÛÀ¸·Î ºí¶óÀÌ ÀúÅÃÀÇ À¯·É(The haunting of Bly Manor)(2018), ´õ ÅÍ´×(The Turning)(2020) µî ¼öÂ÷·Ê ¿µÈ¿Í µå¶ó¸¶·Î Á¦À۵ǾúÀ¸¸ç, ÀÌ ´öºÐ¿¡ Ç Á¦ÀÓ½º(Henry James)ÀÇ ÀÛÇ° Áß¿¡ °¡Àå ´ëÁßÀûÀÎ ÀÛÇ°À¸·Î ²ÅÀ» ¼ö ÀÖ½À´Ï´Ù. ¿µÈ ¿Ü¿¡µµ ¿¬±Ø(1950)°ú ¿ÀÆä¶ó(1954), ½ÉÁö¾î ¹ß·¹ ÀÛÇ°À¸·Îµµ Á¦ÀÛµÈ ¹Ù ÀÖ½À´Ï´Ù.
ºí¶óÀÌ ÀúÅÃÀÇ À¯·É(The haunting of Bly Manor)Àº Èú ÇϿ콺ÀÇ À¯·É(The Haunting of Hill House) ½Ã¸®Áî ÈļÓÆíÀ¸·Î Á¦À۵ǾúÀ¸¸ç, ¹«·Á 9ºÎÀÛÀÔ´Ï´Ù. 9ºÎÀÛÀ¸·Î Á¦ÀÛµÈ ºí¶óÀÌ ÀúÅÃÀÇ À¯·É(The haunting of Bly Manor)Àº ³ª»çÀÇ È¸Àü(The Turn of the Screw)(1898) ¿Ü¿¡µµ Ç Á¦ÀÓ½º(Henry James)ÀÇ ´Ù¸¥ ÀÛÇ°À» È°¿ëÇÏ°í ÀÖ½À´Ï´Ù. °¢°¢ÀÇ È¿¡ ºÙÀº ¼ÒÁ¦¸ñÀº ¸ðµÎ ±×ÀÇ ÀÛÇ°¸íÀÔ´Ï´Ù.
1È. Á¤¸» ¸ÚÁø °÷(The Great Good Place)
2È. Á¦ÀÚ(The Pupil)
3È. ¾ó±¼µé 1ºÎ(The Two Faces, Part One)
4È. ±×·¸°Ô ±×°¡ ¿Ô´Ù(The Way It Came)
5È. »çÀÚµéÀ» À§ÇÑ Á¦´Ü(The Altar of the Dead)
6È. ¹àÀº ¸ðÅüÀÌ Áý(The Jolly Corner)
7È. ¾ó±¼µé 2ºÎ(The Two Faces, Part Two)
8È. ¾î´À ³°Àº ¿Ê¿¡ ´ëÇÑ À̾߱â(The Romance of Certain Old Clothes)
9È. ¹Ð¸²ÀÇ ¾ß¼ö(The Beast in the Jungle)
¹ø¿ÜÀûÀ¸·Î Èú ÇϿ콺ÀÇ À¯·É(The Haunting of Hill House) ¶ÇÇÑ ¹Ì±¹ ¼Ò¼³°¡ ¼È¸® Àè½¼(Shirley Hardie Jackson)(1916~1965)ÀÇ µ¿¸í ¼Ò¼³(1959)À» ¿øÀÛÀ¸·Î ÇÑ °ÍÀ¸·Î, µÎ È£·¯ ÀÛ°¡ÀÇ ÀÛÇ°ÀÌ ¡®ÇϳªÀÇ È£·¯ µå¶ó¸¶¡¯·Î Á¦ÀÛµÈ ¼ÀÀÔ´Ï´Ù. Á¦ÀÛÁøÀÌ ÀǵµÇÑ °ÍÀÌ°ÚÀ¸³ª, µÎ ÀÛ°¡´Â °¢±â ´Ù¸¥ ÀÛÇ°À» ÅëÇØ ¡®±Í½Å µé¸° Áý(Haunting house)¡¯À̶õ Æ÷¸ËÀ» ´ëÁßÈÇß´Ù´Â Æò°¡¸¦ ¹Þ°í ÀÖÁö¿ä. ÃÑ 10ºÎÀÛÀ¸·Î, ³ÝÇø¯½º¿¡¼ ½Ãû °¡´É.
Ç Á¦ÀÓ½º(Henry James)ÀÇ ³ª»çÀÇ È¸Àü(The Turn of the Screw)(1898)Àº Á¦¸ñºÎÅÍ ´ëü ¹«½¼ ¶æÀÎÁö ¾Ë½ö´Þ½öÇÕ´Ï´Ù. ÀÛÇ°¿¡´Â ³ª»çÀÇ È¸Àü(Turn of the Screw)À̶õ Ç¥ÇöÀÌ ¼¹®°ú 22Àå(XXII), °¢°¢ ÇÑ ¹ø¾¿ ´Ü µÎ ¹ø µîÀåÇÕ´Ï´Ù.
¡°I quite agree—in regard to Griffin¡¯s ghost, or whatever it was—that its appearing first to the little boy, at so tender an age, adds a particular touch. But it¡¯s not the first occurrence of its charming kind that I know to have involved a child. If the child gives the effect another turn of the screw, what do you say to two children—?¡± "Àú´Â ±×¸®ÇÉ(Mrs. Griffin)ÀÇ À¯·ÉÀÌµç ¹¹µç °£¿¡ ¸Å¿ì ¾î¸° ³ªÀÌ¿¡ ÀÌ ¼Ò³â¿¡°Ô ¸ÕÀú ³ªÅ¸³ª´Â °ÍÀÌ Æ¯º°ÇÑ °¨µ¿À» ´õÇÑ´Ù´Â °Í¿¡ ÀüÀûÀ¸·Î µ¿ÀÇÇÕ´Ï´Ù. ÇÏÁö¸¸ Á¦°¡ ¾Ë±â·Î´Â ÀÌ ¸Å·ÂÀûÀÎ ¾ÆÀÌ°¡ óÀ½ ³ªÅ¸³ °ÍÀº ¾Æ´Õ´Ï´Ù. ¾ÆÀÌ°¡ ³ª»ç¸¦ ÇÑ ¹ø ´õ µ¹¸®¸é µÎ ¾ÆÀÌ¿¡°Ô ¾î¶»°Ô ¸»¾¸ÇϽðڽÀ´Ï±î? THE TURN OF THE SCREW(¼¹®)
I could only get on at all by taking ¡°nature¡± into my confidence and my account, by treating my monstrous ordeal as a push in a direction unusual, of course, and unpleasant, but demanding, after all, for a fair front, only another turn of the screw of ordinary human virtue. Àú´Â ÀúÀÇ "º»¼º"À» Á¦ Àڽۨ°ú ³ªÀÇ °ÍÀ¸·Î ¹Þ¾ÆµéÀÓÀ¸·Î½á, ÀúÀÇ ±â±«ÇÑ ½Ã·ÃÀ» Æò¹üÇÏÁö ¾ÊÀº ¹æÇâÀ¸·Î ¸ô¾Æ ºÎÄ£ ³¡¿¡, ¹°·Ð ºÒÄèÇÏÁö¸¸, °á±¹, °øÁ¤ÇÑ Àü¼±À» À§ÇØ, Æò¹üÇÑ Àΰ£ ¹Ì´öÀÇ ¶Ç ´Ù¸¥ ÀüȯÁ¡À¸·Î¸¸ ¿©±æ ¼ö ÀÖ°Ô µÇ¾ú½À´Ï´Ù. XXII(22Àå)
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ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
5°¡Áö Å°¿öµå·Î Àд Ç Á¦ÀÓ½º(Henry James) by Á¶¸íÈ ÆíÁýÀå
01. ¹Ì±¹ÀÎÀ¸·Î ž, ¿µ±¹ÀÎÀ¸·Î ¼ûÁø ¸®¾ó¸®Áò ¼Ò¼³°¡, Ç Á¦ÀÓ½º(Henry James)(1843~1916)
02. ³ª»çÀÇ È¸Àü(The Turn of the Screw)(1898)
03. Ç Á¦ÀÓ½º(Henry James)¸¦ ¸¸³ª´Â Àå¼Ò TOP5
04. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Ç Á¦ÀÓ½º(Henry James)
05. Ç Á¦ÀÓ½º(Henry James) ¾î·Ï(Quotes)(12)
Ç Á¦ÀÓ½ºÀÇ ³ª»çÀÇ È¸Àü(The Turn of the Screw by Henry James)(1898)
The Turn of the Screw
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ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
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Ç Á¦ÀÓ½º(Henry James)
¡°She feels in italics and thinks in CAPITALS.¡± "±×³à´Â ÀÌÅŸ¯Ã¼·Î ´À³¢°í ´ë¹®ÀÚ(Capitals)·Î »ý°¢ÇÕ´Ï´Ù.¡±
¹Ì±¹ÀÎÀ¸·Î ž, ¿µ±¹ÀÎÀ¸·Î »ç¸ÁÇÑ ¸®¾ó¸®Áò ¼Ò¼³°¡, Ç Á¦ÀÓ½º(Henry James)(1843~1916) : ºÎÀ¯ÇÑ Áý¾È Ãâ½ÅÀÇ ºÎ¸ð¸¦ µÐ Ç Á¦ÀÓ½º OM(Henry James OM)´Â ÀåÆí°ú ´ÜÆí ¼Ò¼³À» ºñ·ÔÇØ ºñÆò(criticism), ¿©Çà±â(travel), Àü±â(biography), ÀÚ¼Àü(autobiography), ±Øº»(plays) µî ´Ù¾çÇÑ À帣¸¦ ³Ñ³ªµé¸ç ¿Õ¼ºÇÏ°Ô È°µ¿ÇÑ ¹Ì±¹ ´º¿å Ãâ½ÅÀÇ ¿µ±¹ÀÛ°¡ÀÔ´Ï´Ù. ¾Æ¹öÁöÀÇ »ç¾÷°ú ±³À°°ü ´öºÐ¿¡ Ç Á¦ÀÓ½º´Â À¯³â ½ÃÀýºÎÅÍ °¡Á·µé°ú ÇÔ²² ¿µ±¹ ·±´ø, ÇÁ¶û½º Æĸ®¿Í ºÒ·Î´º½¬¸£¸Þ¸£(Boulogne-sur-Mer), ÀÌÅ»¸®¾Æ, ½ºÀ§½º Á¦³×¹Ù µî À¯·´À» µÎ·ç ¿©ÇàÇÏ¿´À¸¸ç, ´öºÐ¿¡ ÇÁ¶û½º¾îµµ À¯Ã¢ÇÏ°Ô ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù.
¡°I don't want everyone to like me; I should think less of myself if some people did.¡± "Àú´Â ¸ðµç »ç¶÷µéÀÌ Àú¸¦ ÁÁ¾ÆÇϱ⸦ ¹Ù¶óÁö ¾Ê½À´Ï´Ù. ¸¸¾à ¾î¶² »ç¶÷µéÀÌ Àú¸¦ ÁÁ¾ÆÇÑ´Ù¸é Àú´Â Á¦ ÀÚ½ÅÀ» ´ú »ý°¢ÇØ¾ß ÇÕ´Ï´Ù.¡±
1860³â ¹Ì±¹ ´ºÆ÷Æ®(Newport, Rhode Island)·Î µ¹¾Æ¿Í 1862³â ÇϹöµå ¹ý´ë(Harvard Law School)¿¡ ÁøÇÐÇÏ¿´À¸³ª Çо÷¿¡ º° °ü½ÉÀÌ ¾ø¾î ÁßÅðÇÏ¿´½À´Ï´Ù. ÀÌÈÄ º»°ÝÀûÀ¸·Î ¿¬±Ø ºñÆò°ú ´ÜÆíÀ» ¹ßÇ¥Çϱ⠽ÃÀÛÇÏ¿´À¸¸ç, ÇÁ¸®·£¼ ±âÀÚÀÌÀÚ ÀÛ°¡·Î ±ÛÀ» ½è½À´Ï´Ù. ½¢ÇÑ ½ÃÇàÂø¿À ³¡¿¡ ÀÛ°¡·Î½á ¼¼È÷ ¸í¼ºÀ» ½×°Ô µÈ °ÍÀº ¾Æ¿¹ ¿µ±¹À¸·Î ±Ù°ÅÁö¸¦ ¿Å±ä ÀÌÈÄÀÔ´Ï´Ù. ¿µ±¹ ·±´ø¿¡ ¸Ó¹«¸£¸ç, ´ç´ë À¯·´ÀÇ ¹®Çа¡, ÃâÆÇ»ç¿Í Àû±ØÀûÀ¸·Î ±³·ùÇÏ¿´°í ÀÌ ½Ã±â¿¡ ±×ÀÇ ´ëÇ¥ÀÛÀÌ ÀÕµû¶ó ¹ß°£µÇ¾ú½À´Ï´Ù. ´ç½Ã ±³·ùÇÑ À¯·´ÀÇ ¹®ÀÎÀº ±â µå ¸ðÆÄ»ó(Guy de Maupassant)(1850~1893)ºÎÅÍ ±Í½ºÅ¸ºê Ç÷κ£¸£(Gustave Flaubert)(1821~1880), ¿¡¹Ð Á¹¶ó(Émile Zola)(1840~1902), ¾ËÆþ½º µµµ¥(Alphonse Daudet)(1840~1897), ÀÌ¹Ý Åõ¸£°Ô³×ÇÁ(Ivan Sergeevich Turgenev)(1818~1883), ¾ÙÇÁ¸®µå Å״Ͻ¼(Alfred Tennyson)(1809~1892), Á¶Áö ¿¤¸®¾ù(George Eliot)( 1819~1880)...
¡°Summer afternoon—summer afternoon; to me those have always been the two most beautiful words in the English language.¡± "¿©¸§ ¿ÀÈÄ—¿©¸§ ¿ÀÈÄ; Á¦°Ô ±×°ÍµéÀº ¿µ¾î¿¡¼ °¡Àå ¾Æ¸§´Ù¿î µÎ ´Ü¾î¿´½À´Ï´Ù.¡±
°í±¹ÀÎ ¹Ì±¹µµ Æ´Æ´ÀÌ ¿À°¬°í, À¯·´°ú ¹Ì±¹ÀÇ »ó¹ÝµÈ ½Ã°¢À» ´ãÀº ¾Æ¸Þ¸®Ä(The American)(1877)°ú À¯·¯ÇǾð(The Europeans)(1878)À» ÁýÇÊÇÑ °ÍÀº ¡®À¯·´¿¡ Ä£¼÷ÇÑ ¹Ì±¹ ÀÛ°¡¡¯ Ç Á¦ÀÓ½º(Henry James)´Ù¿î ÀÛÇ°À̶ó ÇÒ ¼ö ÀÖ°Ú½À´Ï´Ù. ±¹³»¿¡µµ ¹ø¿ª Ãâ°£µÇ¾ú½À´Ï´Ù. ÀÌó·³ À¯·´°ú ¹Ì±¹À» ÀÚÀ¯·Ó°Ô ¿À°¡¸ç, ÀÛÇ°À» ÁýÇÊÇÏ¿´±â ¶§¹®¿¡ ±×ÀÇ ÀÛÇ°À» ´ë¼¾ç Ⱦ´Ü ¹®ÇÐ(trans-Atlantic literature)À̶ó°í ºÐ·ùÇϱ⵵ ÇÕ´Ï´Ù.
¡°Never say you know the last word about any human heart.¡± "Àΰ£ÀÇ ¸¶À½¿¡ ´ëÇÑ ¸¶Áö¸· ´Ü¾î¸¦ ¾È´Ù°í ¸»ÇÏÁö ¸¶¼¼¿ä.¡±
Ç Á¦ÀÓ½º(Henry James)´Â ·±´ø µ¿³²ÂÊÀÇ ÀÛÀº ¸¶À» ¶óÀÌ(Rye, East Sussex)¿¡¼ 1897³âºÎÅÍ 1914³â±îÁö 17³â°£ ¸Ó¹°·¶½À´Ï´Ù. ±×ÀÇ ÁýÀº ¿µ±¹ ³»¼Å³Î Æ®·¯½ºÆ®°¡ °ü¸®ÇÏ°í ÀÖÀ¸¸ç, ±×ÀÇ ÁýÀÌ¿´À½À» ¾Ë¸®´Â µ¹ Çöó±×(stone plaque)°¡ ºÎÂøµÇ¾î ÀÖ½À´Ï´Ù.
¡°It's time to start living the life you've imagined.¡± "ÀÌÁ¦ ¿©·¯ºÐÀÌ »ó»óÇß´ø »îÀ» »ì±â ½ÃÀÛÇÒ ¶§ÀÔ´Ï´Ù.¡±
¹Ì±¹ÀÌ Á¦1Â÷ ¼¼°è´ëÀü(World War I)(1914~1918)¿¡ Àû±ØÀûÀ¸·Î ÂüÀüÇÏÁö ¾ÊÀÚ ÀÌ¿¡ Ç×ÀÇÇÏ´Â Àǹ̷Π¿µ±¹À¸·Î ±ÍÈÇÏ¿´À¸¸ç, À̵ëÇØ ¿µ±¹Á¤ºÎ·ÎºÎÅÍ ÈÆÀå(Order of Merit)À» ¼ö¿©¹Þ¾Ò½À´Ï´Ù. ÀÌÈÄ °Ç°ÀÌ ±Þ¼Óµµ·Î ¾ÇȵǾî 1915³â ·±´ø¿¡¼ »ç¸ÁÇÏ¿´°í, °ñ´õ½º ±×¸° ÈÀåÀå(Golders Green Crematorium)¿¡¼ ÈÀåµÈ ÈÄ ±×ÀÇ À¯¾ð¿¡ µû¶ó ¹Ì±¹ ´º¿å¿¡ ¹¯Çû½À´Ï´Ù. 1911³â, 1912³â, 1916³â ¼¼ Â÷·Ê ³ëº§¹®Çлó(Nobel Prize in Literature) Èĺ¸¿¡ À̸§À» ¿Ã·È½À´Ï´Ù.
¡°Be not afraid of life believe that life is worth living and your belief will create the fact.¡± "»îÀ» µÎ·Á¿öÇÏÁö ¸¶¼¼¿ä. »îÀº »ì °¡Ä¡°¡ ÀÖ´Ù°í ¹ÏÀ¸¸é, ¿©·¯ºÐÀÇ ¹ÏÀ½Àº À̸¦ »ç½Ç·Î ¸¸µé¾î ³¾ °ÍÀÔ´Ï´Ù.¡±