Âû½º µðŲ½ºÀÇ Áõº¸ÆÇ(Reprinted Pieces by Charles Dickens) : Áõº¸ÆÇ(Reprinted Pieces by Charles Dickens)Àº Âû½º µðŲ½º°¡ ÆíÁýÀåÀ» ¸ÃÀº ÇϿ콺Ȧµå ¿öÁî(Household Words)(1850~1859)¿¡ ¿¬ÀçÇÑ ´ÜÆí°ú ½ºÄÉÄ¡¸¦ ¹Àº ÆíÁýº»ÀÔ´Ï´Ù. ´ëÁßÀûÀ¸·Î Àß ¾Ë·ÁÁöÁö ¾ÊÀº ÀÛÇ°ÀÌ ¸¹¾Æ, µðŲ½ºÀÇ Ã¥À» ¸ðµÎ ÀаíÀÚ ÇÏ´Â ¸¶´Ï¾Æ¿¡°Ô ÀûÇÕÇÑ Ã¥ÀÔ´Ï´Ù.
There was once a child, and he strolled about a good deal, and thought of a number of things. He had a sister, who was a child too, and his constant companion. These two used to wonder all day long. They wondered at the beauty of the flowers; they wondered at the height and blueness of the sky; they wondered at the depth of the bright water; they wondered at the goodness and the power of God who made the lovely world. A CHILD¡¯S DREAM OF A STAR ¿¾³¯¿¡ ÇÑ ¾ÆÀÌ°¡ ÀÖ¾ú´Âµ¥ ±×´Â ¿©±âÀú±â µ¹¾Æ´Ù´Ï¸ç ¿©·¯ °¡Áö »ý°¢À» Çß½À´Ï´Ù. ±×¿¡°Ôµµ ¾î¸° ½ÃÀýÀÇ ¿©µ¿»ý°ú ±×ÀÇ º¯ÇÔ¾ø´Â µ¿¹ÝÀÚ°¡ ÀÖ¾ú½À´Ï´Ù. ÀÌ µÎ »ç¶÷Àº ÇÏ·ç Á¾ÀÏ ±Ã±ÝÇß½À´Ï´Ù. ±×µéÀº ²ÉÀÇ ¾Æ¸§´Ù¿ò¿¡ ´ëÇØ ±Ã±ÝÇØÇß½À´Ï´Ù. ±×µéÀº ÇÏ´ÃÀÇ ³ôÀÌ¿Í Çª¸£¸§¿¡ ´ëÇØ ±Ã±ÝÇØÇß½À´Ï´Ù. ±×µéÀº ¹àÀº ¹°ÀÇ ±íÀÌ¿¡ ´ëÇØ ±Ã±ÝÇØÇß½À´Ï´Ù. ±×µéÀº ¾Æ¸§´Ù¿î ¼¼»óÀ» ¸¸µå½Å Çϳª´ÔÀÇ ¼±ÇϽɰú ´É·ÂÀ» ³î¶ó¿öÇß½À´Ï´Ù.
Thus, that delightful writer, Washington Irving, in his Tales of a Traveller. But, it happened to me the other night to be lying: not with my eyes half closed, but with my eyes wide open; not with my nightcap drawn almost down to my nose, for on sanitary principles I never wear a nightcap: but with my hair pitchforked and touzled all over the pillow; not just falling asleep by any means, but glaringly, persistently, and obstinately, broad awake. Perhaps, with no scientific intention or invention, I was illustrating the theory of the Duality of the Brain; perhaps one part of my brain, being wakeful, sat up to watch the other part which was sleepy. Be that as it may, something in me was as desirous to go to sleep as it possibly could be, but something else in me would not go to sleep, and was as obstinate as George the Third. LYING AWAKE µû¶ó¼ ±× À¯ÄèÇÑ ÀÛ°¡ ¿ö½ÌÅÏ ¾îºù(Washington Irving)Àº ÀÚ½ÅÀÇ ¿©ÇàÀÚ À̾߱â(Tales of the Traveller)¿¡¼. ±×·¯³ª ´Ù¸¥ ³¯ ¹ã °ÅÁþ¸»À» ÇÏ´Â ÀÏÀÌ ÀϾ½À´Ï´Ù. ´«À» ¹ÝÂë °¨°í ÀÖÁö ¾Ê°í ´«À» Å©°Ô ¶ß°í ÀÖ¾ú½À´Ï´Ù. Àá¿ÊÀ» °ÅÀÇ ÄÚ±îÁö ²ø¾î³»¸®´Â °ÍÀÌ ¾Æ´Ï¶ó À§»ý»óÀÇ ¿øÄ¢¿¡ µû¶ó Àá¿ÊÀ» Àý´ë ÀÔÁö ¾Ê½À´Ï´Ù. ¾î¶² ¹æ¹ýÀ¸·Îµç ÀáÀÌ µé »Ó ¾Æ´Ï¶ó, ´«ºÎ½Ã°Ô, ²öÁú±â°Ô, Áý¿äÇÏ°Ô Å©°Ô ±ú¾î ÀÖ½À´Ï´Ù. ¾Æ¸¶µµ °úÇÐÀû Àǵµ³ª ¹ß¸í ¾øÀÌ ³ª´Â ³úÀÇ ÀÌÁß¼º ÀÌ·ÐÀ» ¼³¸íÇÏ°í ÀÖ¾úÀ» °ÍÀÔ´Ï´Ù. ¾Æ¸¶µµ ³» ³úÀÇ ÇÑ ºÎºÐÀº Àá¿¡¼ ±ú¾î³ª ´Ù¸¥ ºÎºÐÀ» º¸±â À§ÇØ ÀϾ ¾É¾Æ ÀÖ¾úÀ» °ÍÀÔ´Ï´Ù. ¾î·µç ³» ¾ÈÀÇ ¾î¶² °ÍÀÌ °¡´ÉÇÑ ÇÑ ÀáÀ» ÀÚ°í ½Í¾îÇßÁö¸¸ ³» ¾ÈÀÇ ¾î¶² °ÍÀÌ ÀáµéÁö ¾ÊÀ¸·Á°í Çß°í Á¶Áö 3¼¼¸¸Å ¿Ï°íÇß½À´Ï´Ù.
We have no greater justification for being cruel to the miserable object, than for being cruel to a William Shakespeare or an Isaac Newton; but he passes away before an immeasurably better and higher power than ever ran wild in any earthly woods, and the world will be all the better when his place knows him no more. THE NOBLE SAVAGE Àª¸®¾ö ¼ÎÀͽºÇǾ ¾ÆÀÌÀÛ ´ºÅÏ¿¡°Ô ÀÜÀÎÇÑ °Íº¸´Ù ºñÂüÇÑ ´ë»ó¿¡°Ô ÀÜÀÎÇÑ °Í¿¡ ´ëÇÑ ´õ Å« Á¤´ç¼ºÀº ¾ø½À´Ï´Ù. ±×·¯³ª ±×´Â ¼¼»óÀÇ ¾î¶² ½£¿¡¼µµ ³¸®¸¦ Ä¡´ø ±× ¾î´À ¶§º¸´Ùµµ ÈξÀ ´õ ÈǸ¢ÇÏ°í ´õ ³ôÀº ±Ç¼¼ ¾Õ¿¡¼ ¼¼»óÀ» ¶°³µ°í, ±×ÀÇ ÀÚ¸®°¡ ±×¸¦ ´õ ÀÌ»ó ¾ËÁö ¸øÇÒ ¶§ ¼¼»óÀº ´õ¿í ÁÁ¾ÆÁú °ÍÀÔ´Ï´Ù.
ƯÈ÷ ¼¼ °¡Áö ŽÁ¤ À̾߱â(Three ¡°Detective¡± Anecdotes)(1850)´Â ±×ÀÇ ¸î ¾È µÇ´Â ŽÁ¤ ¼Ò¼³ ´ÜÆíÁýÀÔ´Ï´Ù. Àªµå °æÀ§(Inspector Wield)´Â Á¦1Àå ÇÑ ½ÖÀÇ Àå°©(I. The Pair of Gloves)¿¡¼ »ìÀλç°ÇÀ», Á¦2Àå ¿¹¼úÀûÀÎ ¼Õ±æ(II. The Artful Touch)°ú Á¦3Àå ¼ÒÆÄ(III. The Sofa)¿¡¼´Â µµ³ »ç°Ç°ú ¸¶ÁÖÇÕ´Ï´Ù. °ú¿¬ ±×´Â ¹üÀÎÀ» ã¾Æ³¾ ¼ö ÀÖÀ»±î¿ä?! Âû½º µðŲ½ºÀÇ Å½Á¤ À̾߱â¶ó´Ï, ÀÌ°Ç ¸ø ÂüÁö! Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¡®It¡¯s concerning the murder of the young woman, Eliza Grimwood, some years ago, over in the Waterloo Road. She was commonly called The Countess, because of her handsome appearance and her proud way of carrying of herself; and when I saw the poor Countess (I had known her well to speak to), lying dead, with her throat cut, on the floor of her bedroom, you¡¯ll believe me that a variety of reflections calculated to make a man rather low in his spirits, came into my head. I.—THE PAIR OF GLOVES ¸î ³â Àü ¿öÅÐ·ç °¡¿¡¼ ¹ß»ýÇÑ ¿¤¸®ÀÚ ±×¸²¿ìµåÀÇ »ìÀλç°Ç¿¡ °üÇÑ °ÍÀÔ´Ï´Ù. ±×³à´Â º¸Åë ±×³àÀÇ Àß»ý±ä ¿Ü¸ð¿Í ±×³àÀÇ ÀÚ¶û½º·¯¿î ŵµ ¶§¹®¿¡ ¹éÀÛ ºÎÀÎÀ̶ó°í ºÒ·È¾î¿ä; ±×¸®°í Á¦°¡ ºÒ½ÖÇÑ ¹éÀÛ ºÎÀÎÀÌ Á×Àº ä·Î, ¸ñÀ» º£°í ´©¿öÀÖ´Â °ÍÀ» º¸¾ÒÀ» ¶§, ´ç½ÅÀº Á¦°¡ ±× ³²ÀÚÀÇ ±âºÐÀ» ´Ù¼Ò ¿ì¿ïÇÏ°Ô ¸¸µé±â À§ÇØ °è»êµÈ ´Ù¾çÇÑ ¼ºÂûµéÀ» ¹ÏÀ» ¼ö ÀÖÀ» °Å¿¹¿ä, Ä«.³» ¸Ó¸´¼ÓÀ¸·Î¿ä.
¡®One of the most beautiful things that ever was done, perhaps,¡¯ said Inspector Wield, emphasising the adjective, as preparing us to expect dexterity or ingenuity rather than strong interest, ¡®was a move of Sergeant Witchem¡¯s. It was a lovely idea! II.—THE ARTFUL TOUCH '¾Æ¸¶µµ Áö±Ý±îÁö ÇàÇØÁø °Í Áß °¡Àå ¾Æ¸§´Ù¿î °Í Áß ÇϳªÀÏ °ÍÀÔ´Ï´Ù'¶ó°í Çü¿ë»ç¸¦ °Á¶Çϸé¼, ¿ì¸®°¡ °ÇÑ °ü½Éº¸´Ù´Â ¼ÕÀçÁÖ³ª µ¶Ã¢¼ºÀ» ±â´ëÇϵµ·Ï ÁغñÇϸé¼, Witchem °æ»çÀÇ ¿òÁ÷ÀÓÀ̾ú½À´Ï´Ù. ¸ÚÁø »ý°¢À̾ú¾î¿ä!
-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
Á¶¸íÈ ÆíÁýÀåÀÇ 18°¡Áö Å°¿öµå·Î Àд Âû½º µðŲ½º(Charles Dickens)
01. °øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes)
02. Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas)? Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)!
03. ºóÀÚµéÀÇ Ä£±¸, ¾ÆÀ̵éÀÇ ÈÄ¿øÀÚ, ¸ÅÃáºÎÀÇ µ¿Á¤ÀÚ(Sympathiser)
04. µ¿ÈÀÛ°¡ ¾Èµ¥¸£¼¾(Andersen)Àº ¿Ö µðŲ½º Áý¿¡¼ 5ÁÖ³ª ¸Ó¹°·¶À»±î?
05. À¯³×½ºÄÚ ¼¼°èÀ¯»ê(1987) ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey)¿¡¼ °íÀÌ ¿µ¸éÇϼҼ
06. µðŲ½º´ä´Ù! µðŲÁö¾È(Dickensian)!
07. Å©¸®½º¸¶½º ij·²(A Christmas Carol in Prose ; Being a Ghost Story of Christmas)(1843)
08. µÎ µµ½Ã À̾߱â(A Tale of Two Cities)(1859)
08-1. Å©¸®½ºÅäÆÛ ³î¶õ(Christopher Nolan)ÀÇ ´ÙÅ© ³ªÀÌÆ® ¶óÀÌÁî(The Dark Knight Rises)(2012)
08-2. Åä¸Ó½º Ä®¶óÀÏ(Thomas Carlyle)ÀÇ ÇÁ¶û½º Çõ¸í(The French Revolution)(1837)
09. À§´ëÇÑ À¯»ê(Great Expectations)(1860~1861)
10. ¿Ã¸®¹ö Æ®À§½ºÆ®(Oliver Twist)(1837~1839)
11. µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield)(1849~1850)
11-1. ¿Ã¸®¹ö °ñµå½º¹Ì½º(Oliver Goldsmith)ÀÇ The Vicar of Wakefield(1766)
12. ¾î·Á¿î ½ÃÀý(Hard Times)(1854)
13. ¿µ±¹ ·±´ø¿¡¼ Âû½º µðŲ½º¸¦ ¸¸³ª´Â 7°¡Áö ¹æ¹ý
14. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Âû½º µðŲ½º(Charles Dickens)
15. Âû½º µðŲ½º(Charles Dickens) ¾î·Ï(Quotes)(60)
Âû½º µðŲ½ºÀÇ Áõº¸ÆÇ(Reprinted Pieces by Charles Dickens)
The Long Voyage
The Begging-letter Writer
A Child¡¯s Dream of a Star
Our English Watering-place
Our French Watering-place
Bill-sticking
¡°Births. Mrs. Meek, of a Son¡±
Lying Awake
The Ghost of Art
Out of Town
Out of the Season
A Poor Man¡¯s Tale of a Patent
The Noble Savage
A Flight
The Detective Police
Three ¡°Detective¡± Anecdotes
I. The Pair of Gloves
II. The Artful Touch
III. The Sofa
On Duty with Inspector Field
Down with the Tide
A Walk in a Workhouse
Prince Bull. A Fairy Tale
A Plated Article
Our Honourable Friend
Our School
Our Vestry
Our Bore
A Monument of French Folly
Footnotes
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë ±ÇÀåµµ¼ 100
A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼±
A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼±
A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)
Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,108)
Âû½º µðŲ½º(Charles Dickens)
°øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes) : Âû½º µðŲ½º´Â ºÎÄ£ÀÌ ºúÀ» °±Áö ¸øÇØ Ã¤¹«ÀÚ °¨¿Á(Debtor's Prison)¿¡ ¼ö°¨µÉ Á¤µµ·Î ±ÃÇÌÇÑ °¡Á¤¿¡ ž ºÒ°ú 12»ì ¶§ ÇÏ·ç 10½Ã°£¾¿ º´¿¡ ¶óº§À» ºÙÀÌ´Â ±¸µÎ¾à °øÀå(Warren 's Blacking Warehouse)¿¡¼ Ȧ·Î ±Ù¹«Çß½À´Ï´Ù. Çб³µµ Á¦´ë·Î ´Ù´ÏÁö ¸øÇßÀ¸³ª, ¾î·Á¿î »óȲ¿¡µµ ºÒ±¸ÇÏ°í ¼Ó±â¼úÀ» ÀÍÇô ¹ý·ü »ç¹«¼Ò(the law office) ÇÏ±Þ »ç¹«¿ø(a junior clerk), ¹ý¿ø ¼Ó±â»ç µîÀ¸·Î ±Ù¹«ÇÏ¿´°í, ÀÌÈÄ ¸ð´× Å©·Î´ÏŬ(The Morning Chronicle) ±âÀÚ, º¥Æ²¸® ¹Ì½º¼¿¶ó´Ï(Bentley's Miscellany) µîÀ¸·Î È°µ¿ÇÏ¸ç º»°ÝÀûÀ¸·Î ÀÚ½ÅÀÇ Àç´ÉÀ» »Ë³»±â ½ÃÀÛÇÕ´Ï´Ù. ¼ö¸¹Àº Àΰ£±º»ó°ú ¸¸³ª°í, °¢Áö¸¦ ÃëÀçÇؾßÇÏ´Â ±âÀÚ³ª ÆíÁýÀÚ »ýÈ°Àº ±×¿¡°Ô ³ÐÀº ½Ä°ß°ú »ýµ¿°¨ ÀÖ´Â ±Û ¼Ø¾¾¸¦ ¼±»çÇÏ¿´À¸¸ç, 1833³â ¸Õ½½¸® ¸Å°ÅÁø(Monthly Magazine)¿¡ Åõ°íÇÑ ´ÜÆí Æ÷Ç÷¯ °Å¸®ÀÇ ¸¸Âù(A Dinner at Poplar Walk)À» ½ÃÀÛÀ¸·Î, ±×ÀÇ ¿ø°í°¡ Á¶±Ý¾¿ Àα⸦ ²ø±â ½ÃÀÛÇÏ¸é¼ º»°ÝÀûÀ¸·Î ¡®ÀÛ°¡ Âû½º µðŲ½º¡¯·Î È°¾àÇÏ°Ô µË´Ï´Ù.
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