Âû½º µðŲ½ºÀÇ Àϰö ¹øÂ° ¼Ò¼³ : µ¼º£ÀÌ¿Í ¾Æµé ȸ»ç¿ÍÀÇ °Å·¡: µµ¸Å, ¼Ò¸Å ¹× ¼öÃâ(Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation), ÀÏ¸í µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son by Charles Dickens)(1848)Àº ¸¶Æ¾ óÁñÀ§Æ®(Martin Chuzzlewit by Charles Dickens)(1844)¿Í µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850) »çÀÌ¿¡ Ãâ°£ÇÑ Âû½º µðŲ½ºÀÇ Àϰö ¹øÂ° ¼Ò¼³ÀÔ´Ï´Ù. 1846³âºÎÅÍ 1848³â ¿¬ÀçÇÑ ÈÄ °°Àº ÇØ Bradbury & Evans ÃâÆÇ»ç¸¦ ÅëÇØ ´ÜÇົÀ¸·Î Ãâ°£µÇ¾ú½À´Ï´Ù. µðŲ½ºÀÇ ¼Ò¼³´ä°Ô µðŲÁö¾È Å׸¶(Dickensian themes)¶ó ºÒ¸®´Â Á߸ŰáÈ¥(arranged marriages), ¾Æµ¿Çдë(child cruelty), ¹è½Å(betrayal), ±â¸¸(deceit) µîÀÇ ¼ÒÀç°¡ ½¯»õ¾øÀÌ µîÀåÇϸç, µ¶ÀÚÀÇ ´«À» »ç·ÎÀâ½À´Ï´Ù. ƯÀÌÇϰԵµ ÀÛ°¡ Âû½º µðŲ½º´Â ÀÚ½ÅÀÇ È¨±×¶ó¿îµå°¡ ¾Æ´Ñ ¿µ±¹ ·±´øÀÌ ¾Æ´Ñ ½ºÀ§½º ·ÎÀÜ(Lausanne, Switzerland)¿¡¼ ÀÛǰÀÇ ±¸»óÀ» ½ÃÀÛÇß½À´Ï´Ù. ÀÌÈÄ ÇÁ¶û½º ÆÄ¸®¸¦ °ÅÃÄ ¿µ±¹ ·±´øÀ¸·Î µ¹¾Æ¿Í ¿µ±¹¿¡¼ ¿Ï¼ºÇÏ¿´½À´Ï´Ù. ¹ø¿ÜÀûÀ¸·Î ½ºÀ§½º ·ÎÀÜ¿¡´Â ±×ÀÇ À̸§À» µý Âû½º µðŲ½º ¾Ö¹ö´º(Av. Charles Dickens)°¡ ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
µþ¹Ùº¸´Â »çÄ¡! ³»°Õ ȸ»ç¸¦ ¹°·ÁÁÙ ¾Æµé¸¸ÀÌ ÇÊ¿äÇÒ »Ó! : ÁÖÀΰø Æú µ¼º£ÀÌ(Paul Dombey)´Â ¹øµíÇÑ ¿î¼Û ȸ»çÀÇ ´ëÇ¥(a shipping firm owner)ÀÌÁö¸¸, ȸ»ç¸¦ ¹°·ÁÁÙ ¾ÆµéÀÌ ¾ø´Ù´Â »ç½Ç¿¡ Àý¸ÁÇϴµ¥, ÀÌ °úÁ¤¿¡¼ µþ°úÀÇ ºÒȸ¦ ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù. ±×·¯³ª ±×ÀÇ µþÀº ÀÚ½ÅÀÇ ¾Æ¹öÁö¸¦ Áø½ÉÀ¸·Î »ç¶ûÇÏ¿´°í, µ¼º£À̰¡ Á×±â Àü¿¡ À̸¦ ±ú´Ý°Ô µÇ´Â °ÍÀÌ ÀÛǰÀÇ ÁÖ¿ä ÁٰŸ®ÀÔ´Ï´Ù. ±×·¡¼ ¼Ò¼³ÀÇ Á¦¸ñ°ú ¼Ò¼³¿¡ µîÀåÇϴ ȸ»çÀÇ À̸§(the firm)ÀÌ µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son)ÀÌÁö¿ä! Æú µ¼º£ÀÌÀÇ ¾Æ³» ÆÐ´Ï µ¼º£ÀÌ(Mrs Fanny Dombey)´Â ¾ÆµéÀ» ³ºÀÚ¸¶ÀÚ ¼ûÀ» °ÅµÎ¾ú½À´Ï´Ù. ÆúÀº ¿©µ¿»ý ·çÀÌÀÚ Ä¢ ºÎÀÎ(Mrs. Louisa Chick)ÀÇ Á¶¾ð¿¡ µû¶ó ¾ÆµéÀ» µ¹º¸±â À§ÇÑ µµ¿ì¹Ì ¸®Â÷µå ¿©»ç(Mrs. Richards)¸¦ ä¿ëÇÕ´Ï´Ù. ±×·¯³ª µ¼º£ÀÌ´Â ¾î¸Ó´Ï¸¦ ÀÒÀº ¿©¼¸ »ì ³ µþ Ç÷η»½º(Florence)ÀÇ ¸¶À½±îÁö Çì¾Æ¸®Áö´Â ¸øÇß°í, ÀÌ´Â ±×³à°¡ ¼ºÀåÇÑ ÀÌÈÄ ¹ú¾îÁú ºÎ³à°£ÀÇ °¥µîÀ» ¿¹°íÇÕ´Ï´Ù. Æú µ¼º£ÀÌ¿¡°Ô Áß¿äÇÑ °ÍÀº ÀÚ½ÅÀÇ »ç¾÷À» ¹°·ÁÁÙ ¾ÆµéÀÏ »Ó ½ÃÁý°¡¸é ³²ÀÎ µþÀÌ ¾Æ´Ï¶ó´Â °ÍÀ» ´ÜÀûÀ¸·Î º¸¿©ÁÖ´Â ´ë¸ñÀÔ´Ï´Ù. »ç½Ç ±×´Â µþ »Ó¿¡°Ô¸¸ÀÌ ¾Æ´Ï¶ó, ŸÀο¡°Ô ±×¸® Ä£ÀýÇϰí Á¤°¨ÀÖ´Â Àι°Àº ¾Æ´Ï¿´½À´Ï´Ù.
In the course of these remarks, delivered with great majesty and grandeur, Mr Dombey had truly revealed the secret feelings of his breast. An indescribable distrust of anybody stepping in between himself and his son; a haughty dread of having any rival or partner in the boy¡¯s respect and deference; a sharp misgiving, recently acquired, that he was not infallible in his power of bending and binding human wills; as sharp a jealousy of any second check or cross; these were, at that time the master keys of his soul. In all his life, he had never made a friend. His cold and distant nature had neither sought one, nor found one. And now, when that nature concentrated its whole force so strongly on a partial scheme of parental interest and ambition, it seemed as if its icy current, instead of being released by this influence, and running clear and free, had thawed for but an instant to admit its burden, and then frozen with it into one unyielding block.
Çϳª »ÓÀÎ ¾Æµé Æú(Paul)ÀÇ Á×À½ : ¾Æ¹öÁöÀÇ À̸§À» ¹°·Á¹ÞÀº ¾Æµé Æú(Paul)Àº ¸öµµ ¾àÇϰí, Ä£±¸µé°úµµ Àß ¾î¿ï¸®Áö ¸øÇÏ´Â ¾ÆÀÌ·Î ÀÚ¶úÀ¸³ª À¯ÀÏÇÏ°Ô ´©³ªÀÎ Ç÷η»½º¸¸À» ÂѾƴٴմϴÙ. ´©³ª¿Í ÇÔ²² ºê¶óÀÌÆ° ÇØº¯¿¡¼ °Ç°À» ȸº¹ÇÑ °ÍÀ» È®ÀÎÇÑ ¾Æ¹öÁö´Â ±×µéÀ» ºê¶óÀÌÆ°¿¡ ¸Ó¹°¸ç Çб³¸¦ ´Ù´Ò ¼ö ÀÖµµ·Ï Á¶Ä¡ÇÕ´Ï´Ù. Æú ¶ÇÇÑ ºê¶óÀÌÆ°ÀÇ Çб³¸¦ ´Ù´Ï¸ç, ¸î¸î Ä£±¸µé°ú ¾î¿ï¸®°Ô µË´Ï´Ù. ±×·¯³ª Çб³ÀÇ ±³À°Àº ÆúÀÌ °ßµð±â¿¡´Â ¹«Ã´À̳ª Ȥµ¶Çß°í, °á±¹ ±×ÀÇ °Ç°ÀÌ ¾ÇÈµÇ¾î ºÒ°ú ¿©¼¸ »ìÀÇ ¾î¸° ³ªÀÌ¿¡ »ç¸ÁÇÏ°í ¸¿´Ï´Ù. µÚ´Ê°Ô³ª¸¶ ¾Æ¹öÁö´Â ¾ÆµéÀ» ¼¼½ÉÇÏ°Ô »ìÇÇÁö ¸øÇÑ °ÍÀ» ÈÄȸÇÏÁö¸¸...
Á߸ŰáÈ¥(arranged marriages)ÀÇ ³¡ : ÇÑÆí µ¼º£ÀÌÀÇ Àç»êÀ» ³ë¸®°í ±×ÀÇ È¯½ÉÀ» »ç·Á´Â ÀÌ¿ôµéÀº À̵𽺠±×¶û°Å ¿©»ç(Mrs. Edith Skewton Granger)¿ÍÀÇ ¸¸³²À» ÁÖ¼±Çϰí, °á±¹ µ¼º£ÀÌ ¶ÇÇÑ »ç¶ûº¸´Ù´Â ´Ù¸¥ °üÁ¡À¸·Î ±×³à¿Í °áÈ¥ÇÕ´Ï´Ù. ¹°·Ð µÑÀÇ °áÈ¥ »ýȰÀº ÇູÇÒ ¼ö ¾øÀ¸¸®¶õ °ÍÀº ºÒÀ» º¸µí »·ÇÑ °ÍÀÌ¿´½À´Ï´Ù. ÀÌ ´ë¸ñÀº Âû½º µðŲ½º°¡ ´ç½Ã 19¼¼±â ¿µ±¹ »ó·ùÃþ¿¡ ¸¸¿¬ÇÏ´Â Á߸ŰáÈ¥(arranged marriages)ÀÇ ÆóÇØ¸¦ dzÀÚÇÑ °ÍÀÔ´Ï´Ù. ¾Æ¹öÁöÀÇ »ç¶ûÀ» °£ÀýÈ÷ ¹Ù¶ó´ø Ç÷η»½º´Â Àΰ£ÀûÀÎ ¸é¸ð¸¦ º¸¿©ÁØ »õ ¾ö¸¶ÀÇ ÆíÀ» µé´Ù°¡ °á±¹ ÀÌÈ¥À» ¼±ÅÃÇÑ ¾Æ¹öÁö¿Í ´ÙÅõ°í Áý¿¡¼ ÂѰܳª´Âµ¥... °ú¿¬ µ¼º£ÀÌ °¡¹®ÀÇ ºÎ³à´Â ¾î¶² ¿î¸íÀ» ¸ÂÀÌÇÏ°Ô µÉ±î¿ä?
¾Æµé Æú(Paul)À» ÀÒ¾úÀ¸³ª, ¼ÕÀÚ Æú(Paul)À» ¾òÀº µ¼º£ÀÌ : µ¼º£ÀÌÀÇ »ç¾÷Àº ÀÌ·± Àú·± »ç°Ç»ç°í¿¡ ÈÖ¸»¸° ³¡¿¡ °á±¹ ÆÄ»êÇϰí, µ¼º£ÀÌ´Â ÀÚ½ÅÀÇ ¸ðµç Àç»êÀ» óºÐÇÑ Ã¤ ´ÜÃÍÇÑ Áý Çϳª¸¸À» °ÇÁý´Ï´Ù. ¹æ±¸¼®¿¡ ¾ÉÀº µ¼º£ÀÌ´Â Çϳª »ÓÀÎ µþÀ» ÇѾøÀÌ ±×¸®¿öÇÏÁö¸¸, ÀÌ¹Ì ¶§´Â ³Ê¹« ´Ê¾ú´ÂÁöµµ ¸ð¸£°Ú½À´Ï´Ù. ¾Æ¹öÁöÀÇ °ü½ÉÀ» ¹ÞÁö ¸øÇÏ¿´Áö¸¸ Ç÷η»½º´Â ³ª¸§´ë·Î ²à²àÇÏ°Ô ÀÚ¶ú°í ÀÌ °úÁ¤¿¡¼ ¾Æ¹öÁö ȸ»çÀÇ Á÷¿ø ¼Ö·Î¸ó ±×¸±(Solomon Gills)°ú ±×ÀÇ Á¶Ä« ¿ùÅÍ °ÔÀÌ(Walter (Wally, Wal'r) Gay)¿Í Àο¬À» ¸Î°Ô µË´Ï´Ù. ¿ùÅÍ ¶ÇÇÑ ºê¶ó¿î ¿©»ç(Good Mrs Brown)·ÎºÎÅÍ ±×³à¸¦ ±¸ÃâÇÑ ÈÄ ±×³à¿¡ ´ëÇÑ È£°¨À» ǰ°í ÀÖ¾ú°í, ÀÌÈÄ ¿¬ÀÎ °ü°è·Î ¹ßÀüÇÏÁö¿ä. Ç÷μ¾½º´Â ¿ùÅÍ¿ÍÀÇ »çÀÌ¿¡ µÐ ¾Æµé¿¡°Ô ´Ù½Ã Çѹø ÆúÀ̶õ À̸§À» Áö¾îÁÖ¾ú°í, ¾Æ¹öÁö¿Í °¨°ÝÀûÀ¸·Î ÀçȸÇÕ´Ï´Ù. µ¼º£ÀÌ´Â µÚ´Ê°Ô³ª¸¶ µþ°ú »çÀ§ÀÇ º¸»ìÇËÀ» ¹ÞÀ¸¸ç, ¼ÕÀÚ ¼Ò³à¿Í ÇÔ²² ÇູÇÏ°Ô ´Ä¾î°©´Ï´Ù. µ¼º£ÀÌ´Â °á±¹ ¾ÆµéÀº ¾òÁö ¸øÇßÀ¸³ª, µþ ´öºÐ¿¡ ¼ÕÀÚ¶õ »ó¼ÓÀÎÀ» ¾ò°Ô µÇ¾ú°í ¼¼ ¸íÀÇ µ¼º£À̰¡ ¸ðµÎ Æú(Paul)À̶õ °°Àº À̸§ÀÎ °ÍÀº À̸¦ »ó¡ÇÕ´Ï´Ù.
µ¼º£ÀÌÀÇ È¸È¯À» ´ãÀº ¸¶Áö¸· ´ë»ç°¡ ƯÈ÷ À¯¸íÇÕ´Ï´Ù. ¡°Dear grandpapa, why do you cry when you kiss me?¡± "ÇҾƹöÁö, ¿Ö ³ªÇÑÅ× Å°½ºÇÒ ¶§ ¿ï¾î¿ä?¡± He only answers, ¡°Little Florence! little Florence!¡± and smooths away the curls that shade her earnest eyes. CHAPTER LXII. Final ±×´Â "ÀÛÀº Ç÷η»½º¾ß! ÀÛÀº Ç÷η»½º¾ß!"¶ó°í¸¸ ´ë´äÇÏ°í ±×³àÀÇ ÁøÁöÇÑ ´«À» °¡¸®´Â °ö½½¸Ó¸®¸¦ ºÎµå·´°Ô ¾²´Ùµë½À´Ï´Ù.
-¸ñÂ÷(Index)- ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯ Á¶¸íÈ ÆíÁýÀåÀÇ 18°¡Áö Ű¿öµå·Î Àд Âû½º µðŲ½º(Charles Dickens) 01. °øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes) 02. Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas)? Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)! 03. ºóÀÚµéÀÇ Ä£±¸, ¾ÆÀ̵éÀÇ ÈÄ¿øÀÚ, ¸ÅÃáºÎÀÇ µ¿Á¤ÀÚ(Sympathiser) 04. µ¿ÈÀÛ°¡ ¾Èµ¥¸£¼¾(Andersen)Àº ¿Ö µðŲ½º Áý¿¡¼ 5ÁÖ³ª ¸Ó¹°·¶À»±î? 05. À¯³×½ºÄÚ ¼¼°èÀ¯»ê(1987) ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey)¿¡¼ °íÀÌ ¿µ¸éÇϼҼ 06. µðŲ½º´ä´Ù! µðŲÁö¾È(Dickensian)! 07. Å©¸®½º¸¶½º ij·²(A Christmas Carol in Prose ; Being a Ghost Story of Christmas)(1843) 08. µÎ µµ½Ã À̾߱â(A Tale of Two Cities)(1859) 08-1. Å©¸®½ºÅäÆÛ ³î¶õ(Christopher Nolan)ÀÇ ´ÙÅ© ³ªÀÌÆ® ¶óÀÌÁî(The Dark Knight Rises)(2012) 08-2. Åä¸Ó½º Ä®¶óÀÏ(Thomas Carlyle)ÀÇ ÇÁ¶û½º Çõ¸í(The French Revolution)(1837) 09. À§´ëÇÑ À¯»ê(Great Expectations)(1860~1861) 10. ¿Ã¸®¹ö Æ®À§½ºÆ®(Oliver Twist)(1837~1839) 11. µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield)(1849~1850) 11-1. ¿Ã¸®¹ö °ñµå½º¹Ì½º(Oliver Goldsmith)ÀÇ The Vicar of Wakefield(1766) 12. ¾î·Á¿î ½ÃÀý(Hard Times)(1854) 13. ¿µ±¹ ·±´ø¿¡¼ Âû½º µðŲ½º¸¦ ¸¸³ª´Â 7°¡Áö ¹æ¹ý 14. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Âû½º µðŲ½º(Charles Dickens) 15. Âû½º µðŲ½º(Charles Dickens) ¾î·Ï(Quotes)(60) Âû½º µðŲ½ºÀÇ µ¼º£ÀÌ¿Í ¾Æµé(Dombey and Son by Charles Dickens)(1848) I. Dombey and Son II. In which Timely Provision is made for an Emergency that will sometimes arise in the best-regulated Families III. In which Mr Dombey, as a Man and a Father, is seen at the Head of the Home-Department IV. In which some more First Appearances are made on the Stage of these Adventures V. Paul¡¯s Progress and Christening VI. Paul¡¯s Second Deprivation VII. A Bird¡¯s-eye Glimpse of Miss Tox¡¯s Dwelling-place: also of the State of Miss Tox¡¯s Affections VIII. Paul¡¯s Further Progress, Growth and Character IX. In which the Wooden Midshipman gets into Trouble X. Containing the Sequel of the Midshipman¡¯s Disaster XI. Paul¡¯s Introduction to a New Scene XII. Paul¡¯s Education XIII. Shipping Intelligence and Office Business XIV. Paul grows more and more Old-fashioned, and goes Home for the Holidays XV. Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter Gay XVI. What the Waves were always saying XVII. Captain Cuttle does a little Business for the Young People XVIII. Father and Daughter XIX. Walter goes away XX. Mr Dombey goes upon a Journey XXI. New Faces XXII. A Trifle of Management by Mr Carker the Manager XXIII. Florence solitary, and the Midshipman mysterious XXIV. The Study of a Loving Heart XXV. Strange News of Uncle Sol XXVI. Shadows of the Past and Future XXVII. Deeper Shadows XXVIII. Alterations XXIX. The Opening of the Eyes of Mrs Chick XXX. The interval before the Marriage XXXI. The Wedding XXXII. The Wooden Midshipman goes to Pieces XXXIII. Contrasts XXXIV. Another Mother and Daughter XXXV. The Happy Pair XXXVI. Housewarming XXXVII. More Warnings than One XXXVIII. Miss Tox improves an Old Acquaintance XXXIX. Further Adventures of Captain Edward Cuttle, Mariner XL. Domestic Relations XLI. New Voices in the Waves XLII. Confidential and Accidental XLIII. The Watches of the Night XLIV. A Separation XLV. The Trusty Agent XLVI. Recognizant and Reflective XLVII. The Thunderbolt XLVIII. The Flight of Florence XLIX. The Midshipman makes a Discovery L. Mr Toots¡¯s Complaint LI. Mr Dombey and the World LII. Secret Intelligence LIII. More Intelligence LIV. The Fugitives LV. Rob the Grinder loses his Place LVI. Several People delighted, and the Game Chicken disgusted LVII. Another Wedding LVIII. After a Lapse LIX. Retribution LX. Chiefly Matrimonial LXI. Relenting LXII. Final PREFACE OF 1848 PREFACE OF 1867 ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics) A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼ 100À§(Top 100 Books) A02. ¼¿ï´ë ±ÇÀåµµ¼ 100 A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼± A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼± A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼± A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼± A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼± A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44) A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?) A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books) Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049) Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼± Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,108)
Âû½º µðŲ½º(Charles Dickens)
°øÀå³ëµ¿ÀÚ Ãâ½ÅÀÇ À§´ëÇÑ ¿µ±¹ÀÎ(100 Great British Heroes) : Âû½º µðŲ½º´Â ºÎÄ£ÀÌ ºúÀ» °±Áö ¸øÇØ Ã¤¹«ÀÚ °¨¿Á(Debtor's Prison)¿¡ ¼ö°¨µÉ Á¤µµ·Î ±ÃÇÌÇÑ °¡Á¤¿¡ ž ºÒ°ú 12»ì ¶§ ÇÏ·ç 10½Ã°£¾¿ º´¿¡ ¶óº§À» ºÙÀÌ´Â ±¸µÎ¾à °øÀå(Warren 's Blacking Warehouse)¿¡¼ Ȧ·Î ±Ù¹«Çß½À´Ï´Ù. Çб³µµ Á¦´ë·Î ´Ù´ÏÁö ¸øÇßÀ¸³ª, ¾î·Á¿î »óȲ¿¡µµ ºÒ±¸ÇÏ°í ¼Ó±â¼úÀ» ÀÍÇô ¹ý·ü »ç¹«¼Ò(the law office) ÇÏ±Þ »ç¹«¿ø(a junior clerk), ¹ý¿ø ¼Ó±â»ç µîÀ¸·Î ±Ù¹«ÇÏ¿´°í, ÀÌÈÄ ¸ð´× Å©·Î´ÏŬ(The Morning Chronicle) ±âÀÚ, º¥Æ²¸® ¹Ì½º¼¿¶ó´Ï(Bentley's Miscellany) µîÀ¸·Î Ȱµ¿ÇÏ¸ç º»°ÝÀûÀ¸·Î ÀÚ½ÅÀÇ Àç´ÉÀ» »Ë³»±â ½ÃÀÛÇÕ´Ï´Ù. ¼ö¸¹Àº Àΰ£±º»ó°ú ¸¸³ª°í, °¢Áö¸¦ ÃëÀçÇØ¾ßÇÏ´Â ±âÀÚ³ª ÆíÁýÀÚ »ýȰÀº ±×¿¡°Ô ³ÐÀº ½Ä°ß°ú »ýµ¿°¨ ÀÖ´Â ±Û ¼Ø¾¾¸¦ ¼±»çÇÏ¿´À¸¸ç, 1833³â ¸Õ½½¸® ¸Å°ÅÁø(Monthly Magazine)¿¡ Åõ°íÇÑ ´ÜÆí Æ÷Ç÷¯ °Å¸®ÀÇ ¸¸Âù(A Dinner at Poplar Walk)À» ½ÃÀÛÀ¸·Î, ±×ÀÇ ¿ø°í°¡ Á¶±Ý¾¿ Àα⸦ ²ø±â ½ÃÀÛÇÏ¸é¼ º»°ÝÀûÀ¸·Î ¡®ÀÛ°¡ Âû½º µðŲ½º¡¯·Î Ȱ¾àÇÏ°Ô µË´Ï´Ù.
°¡³ÇÔ°ú ³ëµ¿ÀÇ ºó°ïÇÔÀ» ¿Â¸öÀ¸·Î üÇèÇÑ µðŲ½º´Â À̸¦ °³ÀÎÀÇ °ÔÀ¸¸§ÀÌ ¾Æ´Ñ, »çȸ±¸Á¶ÀûÀÎ ¸ð¼ø°ú º´Æó·Î ÁöÀûÇÏ¿´À¸¸ç, À̸¦ ¶§·Î´Â °í¹ßÇϰí, ¶§·Î´Â dzÀÚÇÏ´Â ±ÛÀ» ÅëÇØ µ¿½Ã´ëÀÇ µ¶ÀÚµé, ½ÉÁö¾î ¹Ù´Ù °Ç³Ê ¹Ì±¹ÀÇ µ¶Àڵ鿡°Ôµµ ±íÀº °¨µ¿À» ¼±»çÇÏ¿´½À´Ï´Ù. ´ç½Ã ¹Ì±¹¿¡¼´Â ±×ÀÇ ÇØÀûÆÇÀÌ ¹ü¶÷ÇØ µðŲ½º ¶ÇÇÑ À̸¦ °ÇÏ°Ô ºñÆÇÇϱ⵵ Çß½À´Ï´Ù. ƯÈ÷ ¸ÅüÀÇ Æ¯¼ºÀ» Àß ÀÌÇØÇÑ ±âÀÚ Ãâ½ÅÀÇ ÀÛ°¡´ä°Ô ¿¬Àç¿¡ ÃÖÀûÈµÈ ¿ø°í ÁýÇÊ – Àϸí Ŭ¸®ÇÁÇà¾î½Ä °á¸»(Cliffhanger endings)°ú µ¶ÀÚµéÀÇ ¹ÝÀÀÀ» Áï°¢ ¿ø°í¿¡ ¹Ý¿µÇÏ´Â À¯¿¬ÇÔ, ±×¸®°í Á×´Â ¼ø°£±îÁö ÀÛǰÀ» ÁýÇÊÇÒ Á¤µµÀÇ ¿Õ¼ºÇÑ ÇÊ·ÂÀ¸·Î ´ç´ë ÃÖ°íÀÇ ¹®È£ÀÌÀÚ ´ëÁßÀûÀÎ ¹®ÇаèÀÇ ½ºÅ¸·Î ÀÎÁ¤¹Þ¾Ò½À´Ï´Ù. ºñ´Ü ¿ø°í ¼öÀÔ ¿Ü¿¡µµ º»ÀÎÀÌ Á÷Á¢ ¸Åü¸¦ ¹ß°£Çϰí, ÀúÀÚ°¡ Ã¥À» Àоî ÁÖ´Â ³¶µ¶È¸ µîÀÇ ºÎ´ëÇà»çµµ Ȱ¹ßÇÏ°Ô ÆîÃÄ ¸·´ëÇÑ ¼öÀÔÀ» ¿Ã·ÈÀ¸¸ç, ÇöÀç ÃʵîÇб³·Î Ȱ¿ëµÇ°í ÀÖ´Â ¿µ±¹ ·±´ø ¿Ü°ûÀÇ ÄËÆ®(Kent) ÁÖ¿¡ ´ëÀúÅÃÀ» À常ÇÏ¿´½À´Ï´Ù. ´Ù¸¸ Àڳฦ 10¸íÀ̳ª ³ºÀº µ¥´Ù°¡ ģô°ú ÁöÀεéÀÇ Ã»Å¹À¸·Î Æò»ý ²÷ÀÓ¾ø´Â ¸¶°¨¿¡ ½Ã´Þ·È½À´Ï´Ù¸¸, ÀÌ ¶ÇÇÑ ±×ÀÇ ´ÙÀÛÀÇ ¿øµ¿·ÂÀÌ µÇ¾ú½À´Ï´Ù. »ç¸Á ÈÄ¿¡´Â ÀÚ½ÅÀÌ Å°¿ì´ø °í¾çÀÌÀÇ °ü¸®ÀαîÁö ÁöÁ¤ÇÏ¿´À» Á¤µµ´Ï, °¡³ÇÑ Áý¿¡¼ ÅÂ¾î³ ³ëµ¿ÀÚ Ãâ½ÅÀÇ ÀÛ°¡·Î½á´Â À¯·¡¾ø´Â ¼º°øÀÓ¿¡´Â ºÐ¸íÇÕ´Ï´Ù.
±×¿Í ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¿µ±¹ÀÎÀÇ »ç¶ûÀº ÇÑÀÏ¿ùµåÄÅÀÌ °³ÃÖµÈ 2002³â BBC°¡ ÁÖÃÖÇÑ À§´ëÇÑ ¿µ±¹ÀÎ 100¸í(100 great British heroes)°ú BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡¼ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù. BBC ¼±Á¤ À§´ëÇÑ ¿µ±¹ÀÎ 100¸í(100 great British heroes)¿¡¼´Â 41À§, BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡´Â 4À§¿¡ ·©Å©µÈ À§´ëÇÑ À¯»ê(Great Expectations)À» ºñ·ÔÇØ ¹«·Á 4ÆíÀÇ ÀÛǰÀ» ¿Ã¸®´Â ±â³äÀ» ÅäÇÏ¿´½À´Ï´Ù. ÇÑ ±¹°¡¸¦ ´ëÇ¥ÇÏ´Â ¼Ò¼³ 100¼±¿¡ ÇÑ ¸íÀÇ ÀÛ°¡°¡ 4ÆíÀ» ¿Ã¸° °ÍÀº ¹öÁö´Ï¾Æ ¿ïÇÁ(Virginia Woolf)¿Í ÇÔ²² À¯·¡¾ø´Â Áø±â·ÏÀÌ ¾Æ´Ò ¼ö ¾øÁÒ! 2017³â ij³ª´Ù¿¡¼´Â ±×ÀÇ ÀÛǰÀÌ ¾Æ´Ï¶ó, Àΰ£ Âû½º µðŲ½º¿¡ ÃÊ÷À» ¸ÂÃá ¿À¶ô¿µÈ Âû½º µðŲ½ºÀÇ ºñ¹Ð ¼Àç(The Man Who Invented Christmas)(2017)¸¦ Á¦ÀÛÇϱ⵵ ÇÏ¿´½À´Ï´Ù.
ºóÀÚµéÀÇ Ä£±¸, ¾ÆÀ̵éÀÇ ÈÄ¿øÀÚ, ¸ÅÃáºÎÀÇ µ¿Á¤ÀÚ(Sympathiser) : Âû½º µðŲ½ºÀÇ ¿©·¯ ÀÛǰ¿¡ ¡®ÀÌ¿ô¿¡ ´ëÇÑ ³ª´®¡¯ÀÌ °Á¶µÇ°í ÀÖµí ±× ¶ÇÇÑ ÀýÄ£ÀÎ Âû½º ¿þ½ºÆ®(Charles West)°¡ ¿î¿µÇÏ´Â ±×·¹ÀÕ ¿À¸£¸óµå ½ºÆ®¸´ º´¿ø(Great Ormond Street Hospital)¸¦ À§ÇÑ ¿¡¼¼ÀÌ ³«¿±(Drooping Buds) ¹ßÇ¥, ³¶µ¶È¸(public readings)¸¦ ÅëÇÑ ¸ð±Ý, °¡³ÇÑ ¿©¼ºÀ» À§ÇÑ ¿ì¶ó´Ï¾Æ ÄÚÆ¼Áö(Urania cottage) ¼³¸³ µî ´Ù¾çÇÑ ÀÚ¼±È°µ¿À» ÅëÇØ ¿µ±¹ÀÇ ¼ö¸¹Àº ¾ÆÀ̵é°ú ¸ÅÃáºÎ¸¦ ÈÄ¿øÇÏ¿´½À´Ï´Ù. ƯÈ÷ ±×°¡ Á÷Á¢ ÀÚ½ÅÀÇ ÀÛǰÀ» Àд ³¶µ¶È¸(public readings)´Â ´ëÁßµéÀÇ Æø¹ßÀûÀÎ °ü½ÉÀ» ¹Þ¾Ò´Ù°í Çϳ׿ä! ¿À´Ã³¯·Î Ä¡¸é, ¾ÆÀ̵¹ °ø°³ ¹æ¼ÛÀ̳ª ´ëÇаø¿¬¿¡ ºñ°ßÇÒ ¼ö ÀÖÀ» °Ì´Ï´Ù.
ÄíÃ÷ ÀºÇà(Coutts banking)À» »ó¼Ó¹ÞÀº ¾ÈÁ©¶ó ºÎ¸£µ« ÄíÃ÷(Angela Burdett Coutts)¿Í ÇÔ²² ¼³¸³ÇÑ ¿ì¶ó´Ï¾Æ ÄÚÆ¼Áö(Urania cottage)´Â °¡³ÇÑ ¿©¼º ³ëµ¿ÀÚ¸¦ ±¸Á¦Çϰí, Àç±³À°Çϱâ À§ÇØ ¸¸µé¾îÁø °ø°£ÀÔ´Ï´Ù. µðŲ½º´Â ºñ´Ü ±ÝÀüÀûÀÎ ÈÄ¿ø »Ó ¾Æ´Ï¶ó ¼³¸³ºÎÅÍ ÀçÁ¤, ¼±¹ß±îÁö ±íÀÌ °ü¿©ÇÏ¿´½À´Ï´Ù. ¾ÆÀ̵éÀº ±×·¸´Ù Ä¡´õ¶óµµ, ¸ÅÃáºÎ¸¦ ÈÄ¿øÇÏ´Ù´Ï?! ¹º°¡ ¾Ö¸Å(?!)ÇÏÁö¸¸, 19¼¼±â ·±´ø¿¡´Â ½Ê¸¸ ´ÜÀ§ÀÇ ¸ÅÃáºÎ°¡ Ȱµ¿ÇÒ Á¤µµ·Î »çȸ°æÁ¦ÀûÀ¸·Î ¹®Á¦°¡ ¸¹¾Ò´ø ½Ã±â¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ºó¹Î, ³ëµ¿ÀÚ, ¾î¸°ÀÌ ³ëµ¿ µî »çȸ·ÎºÎÅÍ ¼Ò¿Ü¹ÞÀº À̵éÀº ±×°¡ ½ÇÁ¦·Î º¸°í µè°í °æÇèÇÑ ´ç½Ã ·±´øÀÇ »óȲÀ» ¹ÙÅÁÀ¸·Î Á¶ÇüȵǾú´ø °ÍÀÔ´Ï´Ù. ¿µ±¹Àο¡°Ô ÃÖ°íÀÇ ¿µ¿¹ÀÎ ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ³²ÂÊ ÀͶû(South Transept)¿¡ ¿µ¸éÇÏ¿´½À´Ï´Ù. ³²ÂÊ ÀͶû(South Transept)Àº ±×¸¦ ºñ·ÔÇÑ ÀÛ°¡, ¹®ÀÎ, ¼Ò¼³°¡ µîÀÌ ¸ð¿© ÀÖ¾î ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)¶ó ºÒ¸®±âµµ ÇÕ´Ï´Ù. ±×ÀÇ ¹¦¼® ¶ÇÇÑ ¿ìÃøÀ¸·Î Á¶ÁöÇÁ ·¯µð¾îµå ŰÇøµ(Joseph Rudyard Kipling), Åä¸Ó½º Çϵð(Thomas Hardy)¿Í ¸Â´ê¾Æ ÀÖ½À´Ï´Ù.
Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas)? Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)! : BBC ¼±Á¤ À§´ëÇÑ ¼Ò¼³ 100¼±(The 100 greatest British novels)¿¡´Â Æ÷ÇԵǾî ÀÖÁö ¾ÊÀ¸³ª, ¼¼°èÀûÀ¸·Î °¡Àå Àß ¾Ë·ÁÁø ±×ÀÇ ÀÛǰÀº ´Ü¿¬ Å©¸®½º¸¶½º ij·²(A Christmas Carol in Prose)ÀÔ´Ï´Ù. Âû½º µðŲ½º´Â 1843³â 12¿ù 9ÀÏ Å©¸®½º¸¶½º ij·²(A Christmas Carol. In Prose. Being a Ghost Story of Christmas.)Àº Ãâ°£ ´ç½Ã ÃÊÆÇ 6000ºÎ°¡ ´Ü ÇÏ·ç ¸¸¿¡ ¸ÅÁøµÉ Á¤µµ·Î Å« Àα⸦ ´©·È½À´Ï´Ù. ÀÌ¿¡ µðŲ½º´Â ¸Å³â ¸» Å©¸®½º¸¶½º¸¦ ±âÇØ ´ÜÆí ¼Ò¼³À» ¹ßÇ¥ÇÏ¿´°í, À̸¦ ¸ðÀº °ÍÀÌ 5ÆíÀÇ Å©¸®½º¸¶½º ´ÜÆíÁý(Christmas Books)ÀÔ´Ï´Ù. Å©¸®½º¸¶½º ´ÜÆíÁý(Christmas Books) Áß¿¡¼ °¡Àå Àß ¾Ë·ÁÁø Å©¸®½º¸¶½º ij·²(A Christmas Carol. In Prose. Being a Ghost Story of Christmas.)(1843)Àº ºÐ·®ÀÌ ±æÁö ¾ÊÀºµ¥´Ù°¡ ±¸µÎ¼è ¿¡ºñ´ÏÀú ½ºÅ©·çÁö(Ebenezer Scrooge)°¡ Å©¸®½º¸¶½º À̺꿡 À¯·ÉÀ» ¸¸³ª ÀÚ½ÅÀÇ °ú°Å¿Í ÇöÀç, ¹Ì·¡¸¦ µ¹¾Æº» ÈÄ °³½ÉÇØ ÀÌ¿ô°ú ÇÔ²² ³ª´©´Â »îÀ» »ê´Ù´Â ´Ü¼ø¸í·áÇÑ ±Ç¼±Â¡¾ÇÀû ±¸Á¶ ¶§¹®¿¡ ¾î¸°ÀÌ µ¿È´Â ¹°·Ð ¿µÈ·Îµµ ½¢ÇÏ°Ô Á¦À۵Ǿú½À´Ï´Ù.
19¼¼±â ¿µ±¹Àº »ê¾÷ÁÖÀÇ ½Ã´ë¸¦ °ÅÄ¡¸ç, »ç¶÷µéÀº Á÷ÀåÀ» ã¾Æ µµ½Ã·Î ¸ô·Áµé¾î °÷°÷¿¡ ½½·³°¡°¡ Çü¼ºµÈ ¾Ï¿ïÇÑ ½Ã±â¿´½À´Ï´Ù. Å©¸®½º¸¶½º´Â Á¾±³ÀûÀÎ ÃàÀÏÀÏÁö¾ðÁ¤ °¡Á·µéÀÌ ÇÔ²² º¸³»´Â ÈÞÀϷνáÀÇ Àǹ̴ ±Þ¼ÓÇÏ°Ô ¼èÅðÇÒ ¼ö ¹Û¿¡ ¾ø¾ú½À´Ï´Ù¸¸... µðŲ½º°¡ ÀÛǰ¿¡¼ ¹¦»çÇÑ ¡®ºñ·Ï °¡³ÇÏ´õ¶óµµ °¡Á· °£¿¡ Á¤À» ³ª´©´Â Å©¸®½º¸¶½º¡¯ÀÇ ¸ð½ÀÀº ÀÛǰÀÇ Àαâ¿Í ÇÔ²² ´ëÁßÀÇ ¸¶À½¿¡µµ ±í¼÷ÇÏ°Ô Àü´ÞµÇ¾ú°í, ¿µ±¹ÀÇ °Ü¿ï dz°æ¸¶Àú ¹Ù²ã³õ¾Ò½À´Ï´Ù. ¿¬¸»¿¡ °¡³ÇÑ ÀÌ¿ôµéÀ» À§ÇØ ±âºÎ¸¦ ÇÑ´Ù´ø°¡, ¾ÆÀ̵鿡°Ô ¼±¹°À» ÁÖ´Â °Í, ÀÛǰÀÇ Á¦¸ñÀΠij·ÑÀ» ÇÔ²² ºÎ¸£´Â °ÍÀ» ºñ·ÔÇØ ±¸µÎ¼èÀÇ ´ë¸í»ç·Î ½ºÄí¸£Áö(Scrooge)°¡ ±»ÇôÁø °Í µîÀº ¸ðµÎ Âû½º µðŲ½ºÀÇ ÀÌÈÄ¿¡ ¡®Å©¸®½º¸¶½ºÀÇ °ø½Ä¡¯À¸·Î Á¤¸³µÈ °ÍÀÔ´Ï´Ù. À̰°Àº ´ëÁßµéÀÇ »ç¶û ´öºÐ¿¡ µðŲ½º´Â Å©¸®½º¸¶½ºÀÇ ¾Æ¹öÁö(Father Christmas) ȤÀº Å©¸®½º¸¶½º¸¦ ¹ß¸íÇÑ ÀÛ°¡(The man who invented Christmas)¶õ º°ÄªÀ» ¾ò°Ô µÇ¾ú½À´Ï´Ù. ±×°¡ »ç¸ÁÇÑ ÈÄ ¿µ±¹ÀÇ ¾î¸°À̵éÀÌ ÀÌÁ¦ Å©¸®½º¸¶½º´Â ¿ÀÁö ¾Ê´Â °Å³Ä°í ¿ï¸Ô¿´À» Á¤µµ·Î ¸»ÀÌÁÒ.
|