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English Classics200 John Marr and Other Poems by Herman Melville
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Çã¸Õ ¸áºôÀÇ Á¸ ¸¶¸£¿Í ´Ù¸¥ ½Ãµé(John Marr and Other Poems by Herman Melville)(1888) : 1888³â Ãâ°£µÈ Á¸ ¸¶¸£¿Í ´Ù¸¥ ½Ãµé(John Marr and Other Poems by Herman Melville)(1888)Àº ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866), Å¬¶ó·¼(Clarel: A Poem and Pilgrimage in the Holy Land)(1876)¿¡ ÀÌÀº Çã¸Õ ¸áºôÀÇ ¼¼ ¹øÂ° ½ÃÁýÀÔ´Ï´Ù. ±×·¯³ª ÃâÆÇ»ç¸¦ ÅëÇØ Á¤½Ä Ãâ°£ÇÑ °ÍÀÌ ¾Æ´Ï¶ó ÀÚ½ÅÀÇ ÁöÀε鿡°Ô ³ª´²ÁÖ±â À§ÇØ 25ºÎ¸¸À» ÀÚºñ·Î ÀμâÇÑ °ÍÀ¸·Î ´ëÁßÀ̳ª ºñÆò°¡µé¿¡°Ô ¾Ë·ÁÁöÁö ¾ÊÀº ¡®¼û°ÜÁø ÀÛǰ¡¯À̱⵵ ÇÕ´Ï´Ù. ÀÛ°¡´Â 3³â ÈÄ ³× ¹øÂ°ÀÌÀÚ ¸¶Áö¸· ½ÃÁý Ƽ¸ô·¹¿Â(Timoleon)(1891)À» ÀüÀÛ°ú ¸¶Âù°¡Áö·Î ºñ°ø°³·Î Ãâ°£Çϰí, ¼öº´ ºô¸®¹öµå(Billy Budd, Sailor)(1891)¸¦ ¿Ï°á ÁþÁö ¸øÇÏ°í »ç¸ÁÇÏ¿´½À´Ï´Ù.

 

2¹øÀ̳ª ¿¬°ÅǪ ½ÃÁýÀ» °ø°³ÇÏÁö ¾ÊÀº °ÍÀº ±×°¡ ÀÕµû¸¥ ÀåÆí ¼Ò¼³ÀÇ ½ÇÆÐ¿Í Ȥµ¶ÇÑ ºñÆòÀ¸·Î ÀÎÇÏ¿©, ½ÉÁ¤ÀûÀ¸·Î ¹®Çа踦 ¶°³µ±â ¶§¹®À̶ó°í ÇØ¼®µË´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, ¼Õ¿¡¼­ ÆæÀ» ³õÀ» ¼ö ¾ø¾ú´ø ±×ÀÇ »îÀÌ ÇÑÆíÀ¸·Î´Â ¾È¾²·´°Ô ¿©°ÜÁö³×¿ä. Ã¹ ¹øÂ° ½Ã Á¸ ¸¶¸£¿Í ´Ù¸¥ ¼±¿øµé(John Marr And Other Sailors)ºÎÅÍ ¿¡Çʷα×(Epilogue)±îÁö ÃÑ 74ÆíÀÇ ½Ã°¡ ´ã°Ü ÀÖ½À´Ï´Ù. ÀÚ½ÅÀÇ °¡Á·°ú ¸î¸î Ä£±¸µé¿¡°Ô¸¸ °Ç³Ù ¡®Çã¸Õ ¸áºôÀÇ ¼¼ ¹øÂ° ½ÃÁý¡¯ÀÌ ±Ã±ÝÇϽôٸé, Àϵ¶À» ±ÇÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

INTRODUCTORY NOTE. Melville's verse printed for the most part privately in small editions from middle life onward after his great prose work had been written, taken as a whole, is of an amateurish and uneven quality. In it, however, that loveable freshness of personality, which his philosophical dejection never quenched, is everywhere in evidence. It is clear that he did not set himself to master the poet's art, yet through the mask of conventional verse which often falls into doggerel, the voice of a true poet is heard. In selecting the pieces for this volume I have put in the vigorous sea verses of John Marr in their entirety and added those others from his Battle Pieces, Timoleon, etc., that best indicate the quality of their author's personality. The prose supplement to battle pieces has been included because it does so much to explain the feeling of his war verse and further because it is such a remarkably wise and clear commentary upon those confused and troublous days of post-war reconstruction. H. C.

 

¼­µÎ. ¸áºôÀÇ ½Ã´Â ±×ÀÇ À§´ëÇÑ »ê¹® ÀÛǰÀÌ ¾²¿©Áø ÀÌÈÄ Áß¼¼ºÎÅÍ ÀÛÀº ÆÇº»À¸·Î ´ëºÎºÐ »çÀûÀ¸·Î ÀμâµÇ¾ú°í, ÀüüÀûÀ¸·Î º¼ ¶§, ¾Æ¸¶Ãß¾îÀûÀÌ°í °í¸£Áö ¸øÇÑ Ç°ÁúÀÇ °ÍÀÔ´Ï´Ù. ±×·¯³ª ±× ¼Ó¿¡´Â ±×ÀÇ Ã¶ÇÐÀû ³«´ãÀº °áÄÚ °¡¶ó¾ÉÁö ¾Ê´Â »ç¶û½º·¯¿î °³¼ºÀÇ ½Å¼±ÇÔÀÌ °÷°÷¿¡ ´ã°Ü ÀÖ½À´Ï´Ù. ±×°¡ ½ÃÀÎÀÇ ¿¹¼ú¿¡ Åë´ÞÇÏÁö ¾ÊÀº °ÍÀº ºÐ¸íÇÏÁö¸¸, Á¾Á¾ µ¶¼³¿¡ ºüÁö´Â °ü½ÀÀûÀÎ ½ÃÀÇ Å»À» ÅëÇØ ÁøÁ¤ÇÑ ½ÃÀÎÀÇ ¸ñ¼Ò¸®°¡ µé·Á¿É´Ï´Ù. ÀÌ Ã¥ÀÇ ÀÛǰµéÀ» ¼±Á¤Çϱâ À§ÇØ Àú´Â Á¸ ¸¶¸£ÀÇ °­·ÄÇÑ ¹Ù´Ù ±¸ÀýµéÀ» ÀüºÎ Áý¾î³Ö°í, ±×ÀÇ ¹èƲ Çǽº, Æ¼¸ô·¹¿Â µî¿¡ ÀÖ´Â ´Ù¸¥ ÀÛǰµéÀ» Ãß°¡Çß½À´Ï´Ù. ÀÌ ÀÛǰµéÀº ±×µéÀÇ ÀúÀÚÀÇ °³¼ºÀ» °¡Àå Àß ³ªÅ¸³À´Ï´Ù. »ê¹®ÀÌ Æ÷ÇÔµÈ ÀÌÀ¯´Â ±×ÀÇ ÀüÀï ½ÃÀÇ ´À³¦À» ¼³¸íÇÏ´Â µ¥ ¸¹Àº µµ¿òÀÌ µÇ°í ÀüÈÄ Àç°Ç ´ç½ÃÀÇ È¥¶õ½º·´°í Èûµç ³¯µé¿¡ ´ëÇÑ ¸Å¿ì Çö¸íÇÏ°í ¸íÈ®ÇÑ ÇØ¼³À̱⠶§¹®ÀÔ´Ï´Ù. H.C..




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 15°¡Áö Ű¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)

01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)

02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!

03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)

04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)

05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎȰ(Melville Revival)

06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)

07. ¸áºô Çùȸ(The Melville Society)(1945)

08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ­ ¸ðºñµñ(Moby Dick)(1956)

09. ¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)

10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)

11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)

12. ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)

13. ¿µ¹®ÇР3´ë ºñ±Ø

14. ¹Ì±¹¿¡¼­ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý

15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)

Çã¸Õ ¸áºôÀÇ Á¸ ¸¶¸£¿Í ´Ù¸¥ ½Ãµé(John Marr and Other Poems by Herman Melville)(1888)

Introductory Note

John Marr And Other Sailors

Bridegroom Dick

Tom Deadlight

Jack Roy

Sea Pieces

The Haglets

The Aeolian Harp

To The Master Of The Meteor

Far Off-Shore

The Man-Of-War Hawk

The Figure-Head

The Good Craft Snow Bird

Old Counsel

The Tuft Of Kelp

The Maldive Shark

To Ned

Crossing The Tropics

The Berg

The Enviable Isles

Pebbles

Lines Traced Under An Image Of Amor Threatening

The Night March

The Ravaged Villa

The New Zealot To The Sun

Monody

Lone Founts

The Bench Of Boors

Art

The Enthusiast

Shelley'S Vision

The Marchioness Of Brinvilliers

The Age Of The Antonines

Herba Santa

Off Cape Colonna

The Apparition

Supplement

The Portent

From The Conflict Of Convictions

The March Into Virginia

Ball'S Bluff

The Stone Fleet

The Temeraire

Malvern Hill

Stonewall Jackson

The House-Top

Chattanooga

On The Photograph Of A Corps Commander

The Swamp Angel

Sheridan At Cedar Creek

In The Prison Pen

The College Colonel

The Martyr

Rebel Color-Bearers At Shiloh

Aurora Borealis

The Released Rebel Prisoner

On The Slain Collegians

America

Inscription

The Fortitude Of The North

The Mound By The Lake

On The Slain At Chickamauga

An Uninscribed Monument

On The Grave Of A Young Cavalry Officer

Commemorative Of A Naval Victory

We Fish

Invocation

Dirge¥°

Marlena

Pipe Song

Song Of Yoomy

Gold

The Land Of Love

Dirge¥±

Epilogue

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

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A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

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Çã¸Õ ¸áºô(Herman Melville)

 

¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °­Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà È­¹°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì ÇØ±º ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), Å¸È÷Ƽ(Tahiti), Å¸ÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î Ȱµ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛǰÀ¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛǰÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹øÂ° ÀÛǰ ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼­ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛǰ Ȱµ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆÇµµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.

 

´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛǰÀ» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆÇµÇ¾úÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼­ ±×ÀÇ ÀÛǰÀ» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.

 

D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : Ã¤Åи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛǰÀ» ¼Ò°³ÇÏ¿´½À´Ï´Ù.

 

¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛǰÀ» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³Çϰí ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)

 

¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼­¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛǰÀ» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆøÇ³ÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ­(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)

 

¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È­¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ ÇØº¯À» °È´Ù°¡, È­¼®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.

 






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