¿µ¾î°íÀü198 Çã¸Õ ¸áºôÀÇ ¸¶µðI(English Classics198 Mardi: and A Voyage Thither, Vol. I by Herman Melville)
English Classics198 Mardi: and A Voyage Thither, Vol. I by Herman Melville
2021³â 10¿ù 10ÀÏ 09½Ã 59ºÐ ÀÔ·Â

 



 

Çã¸Õ ¸áºôÀÇ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849) : 1849³â ¿µ±¹ ·±´ø¿¡¼­ ÃÖÃÊ·Î Ãâ°£µÈ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)´Â Çã¸Õ ¸áºôÀÇ 3¹øÂ° ¼Ò¼³(the third book)·Î ÀüÀÛ - Ç×ÇØ¿Í ¸ðÇèÀ» ¼ÒÀç·Î ÇÑ ÀÚÀüÀû ¼Ò¼³°ú ´Þ¸® ¼ø¼ö ¼Ò¼³(first pure fiction work)ÀÌÀÚ ·Î¸Ç½º(a romance story)¸¦ Ç¥¹æÇÏ¿´½À´Ï´Ù.

 

PREFACE. Not long ago, having published two narratives of voyages in the Pacific, which, in many quarters, were received with incredulity, the thought occurred to me, of indeed writing a romance of Polynesian adventure, and publishing it as such; to see whether, the fiction might not, possibly, be received for a verity: in some degree the reverse of my previous experience. ¼­¹®. ¾ó¸¶ Àü, ÅÂÆò¾ç¿¡¼­ÀÇ Ç×ÇØ¿¡ ´ëÇÑ µÎ °¡Áö À̾߱⸦ ¹ßÇ¥Çߴµ¥, ¸¹Àº ºÎºÐ¿¡¼­ ¹ÏÀ» ¼ö ¾ø´Â ¹ÝÀÀÀ» º¸¿´°í, Æú¸®³×½Ã¾Æ ¸ðÇèÀÇ ·Î¸Ç½º¸¦ ½ÇÁ¦·Î ¾²°í ÃâÆÇÇÏ´Â °Í¿¡ ´ëÇÑ »ý°¢ÀÌ ¶°¿Ã¶ú½À´Ï´Ù; ¼Ò¼³ÀÌ, ¾î¼¸é, Á¦ ÀÌÀü À̾߱â¿Í´Â Á¤¹Ý´ë·Î ¹Þ¾Æµé¿©ÁöÁö ¾ÊÀ»Áö º¸±â À§Çؼ­¿ä. °æÇèÀÔ´Ï´Ù. This thought was the germ of others, which have resulted in Mardi. New York, January, 1849. ÀÌ »ý°¢Àº ŸÀÎÀÇ ¼¼±ÕÀ̾ú°í, À̰ÍÀÌ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)·Î ±Í°áµÇ¾ú½À´Ï´Ù. 1849³â 1¿ù ´º¿å.

 

ÀüÀÛ°ú ºñ½ÁÇÏ°Ô ³²ÅÂÆò¾çÀ» ¹æ¶ûÇÏ´Â ¹Ì±¹ ¼±¿øÀÌ µîÀåÇÑ´Ù´Â Á¡Àº µ¿ÀÏÇÏÁö¸¸ ¸ðÇè ±× ÀÚüº¸´Ù´Â ÁÖÀΰø°ú ÇöÁöÀÎÀÇ ±³·ùÇϸç, ¹Ì±¹ ¹®È­¿Í ÇöÁöÀÇ ÅäÂø ¹®È­ °£ÀÇ °¥µî µîÀÌ À̾߱âÀÇ È帧À» Áö¹èÇϰí ÀÖ½À´Ï´Ù. ¿øÁÖ¹ÎÀÇ ½Ã¼±À» ºô·Á ¹Ì±¹ÀÎÀÇ ÆíÇùÇÔ, µ¶´ÜÁÖÀÇ µîÀ» dzÀÚÇÏ´Â °ÍÀº ÀÌ ÀÛǰÀÌ Ã¶ÇÐÀûÀ̸鼭µµ ÇöÇÐÀûÀ̶ó´Â Æò°¡¸¦ ¹Þ´Â ¿äÀÎÀÔ´Ï´Ù. ±×·¯³ª ´ëÁßµéÀÌ Çã¸Õ ¸áºô¿¡°Ô ±â´ëÇÑ °ÍÀº ·Î¸Ç½º¿Í´Â °Å¸®°¡ ¸Ö¾ú°í, Æò·Ð°¡µé ¶ÇÇÑ ±×¸® ÁÁÀº Æò°¡¸¦ ³»¸®Áö ¾Ê¾Ò½À´Ï´Ù.

 

Çö´ë »çȸÀÇ ¹®¸í¿¡ ´ëÇÑ Ã¶ÇÐÀûÀÎ ¿ä¼Ò¸¦ ÇÔÃàÇϰí Àִ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)¿¡¼­ Çã¸Õ ¸áºôÀÌ ¸ô¸ó°æ(Book of Mormon)(2200 BC to AD 421), ÇÁ¶û½º ¸£³×»ó½º ½Ã´ë ÃÖ´ëÀÇ °ÉÀÛÀ̶ó ¼Õ²ÅÈ÷´Â °¡¸£°­Æ¢¾Æ¿Í ÆÎŸ±×·ò¿¤(Gargantua and Pantagruel)(1693~1694), Á¶³ª´Ü ½ºÀ§ÇÁÆ®ÀÇ °É¸®¹ö ¿©Çà±â(Gulliver's Travels)(1726) µîÀÇ ¿µÇâÀ» ¹Þ¾ÒÀ¸¸®¶ó ÇØ¼®ÇÏ´Â °ßÇØµµ ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

Now, all this, to be plain, was but one of the many visions one has up aloft. But coming upon me at this time, it wrought upon me so, that thenceforth my desire to quit the Arcturion became little short of a frenzy. I Foot In Stirrup ÀÌÁ¦, ÀÌ ¸ðµç °ÍÀº ¸í¹éÇϰÔ, ¿ì¸®°¡ ³ôÀÌ µé°í ÀÖ´Â ¸¹Àº ȯ»ó Áß Çϳª¿¡ ºÒ°úÇß½À´Ï´Ù. ±×·¯³ª ÀÌ ½Ã±â¿¡ ³ª¿¡°Ô ´ÚÄ¡ÀÚ ±×°ÍÀº ³ª¿¡°Ô ³Ê¹«³ª Å« ¿µÇâÀ» ¹ÌÃÆ°í, ±× ÀÌÈÄ·Î ¾ÆÅ©Åõ¸®¿Â(Arcturion)À» ±×¸¸µÎ°íÀÚ ÇÏ´Â ³ªÀÇ ¿­¸ÁÀº ±¤¶õ¿¡ Á¶±Ý À̸£°Ô µÇ¾ú½À´Ï´Ù.

 

At first he is taken by surprise, never having dreamt of a state of existence where existence itself seems suspended. He shakes himself in his coat, to see whether it be empty or no. He closes his eyes, to test the reality of the glassy expanse. He fetches a deep breath, by way of experiment, and for the sake of witnessing the effect. If a reader of books, Priestley on Necessity occurs to him; and he believes in that old Sir Anthony Absolute to the very last chapter. His faith in Malte Brun, however, begins to fail; for the geography, which from boyhood he had implicitly confided in, always assured him, that though expatiating all over the globe, the sea was at least margined by land. That over against America, for example, was Asia. But it is a calm, and he grows madly skeptical. II A Calm Ã³À½¿¡´Â Á¸Àç ÀÚü°¡ Á¤ÁöµÈ °Íó·³ º¸ÀÌ´Â Á¸ÀçÀÇ »óŸ¦ ²Þµµ ²ÙÁö ¸øÇÑ Ã¤ ³î¶ó¿òÀ» ±ÝÄ¡ ¸øÇÑ´Ù. ±×´Â ÄÚÆ®°¡ ºñ¾î ÀÖ´ÂÁö ¾ø´ÂÁö ¾Ë¾Æº¸±â À§ÇØ ÄÚÆ® ¾È¿¡¼­ ¸öÀ» Èçµì´Ï´Ù. ±×´Â ´«À» °¨°í À¯¸®Ã¢ÀÇ ½Çü¸¦ ½ÃÇèÇÕ´Ï´Ù. ±×´Â ½ÇÇèÀ» ÅëÇØ È¿°ú¸¦ ¸ñ°ÝÇϱâ À§ÇØ ½ÉÈ£ÈíÀ» ÇÕ´Ï´Ù. Ã¥À» Àд »ç¶÷À̶ó¸é Çʿ信 ´ëÇÑ Priestley°¡ ±×¿¡°Ô ¶°¿À¸¨´Ï´Ù. ±×¸®°í ±×´Â ¸¶Áö¸· Àå±îÁö ±× ´ÄÀº ¾Ø¼­´Ï ¾Û¼Ö·çÆ® °æÀ» ¹Ï½À´Ï´Ù. ±×·¯³ª Malte Brun¿¡ ´ëÇÑ ±×ÀÇ ¹ÏÀ½Àº ½ÇÆÐÇϱ⠽ÃÀÛÇÕ´Ï´Ù. ¼Ò³â ½ÃÀýºÎÅÍ ±×°¡ ¾Ï¹¬ÀûÀ¸·Î Åоî³õ¾Ò´ø Áö¸®ÇÐÀº Àü ¼¼°è¿¡ °ÅÁÖÇϰí ÀÖÁö¸¸ ¹Ù´Ù´Â ÃÖ¼ÒÇÑ À°Áö·Î µÑ·¯½Î¿© ÀÖ´Ù´Â »ç½ÇÀ» Ç×»ó ±×¿¡°Ô È®½Å½ÃÄױ⠶§¹®ÀÔ´Ï´Ù. ¿¹¸¦ µé¾î, ¹Ì±¹À» »ó´ë·Î ÇÑ °ÍÀº ¾Æ½Ã¾Æ¿´½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº °í¿äÇÏ°í ±×´Â ¹ÌÄ£ µíÀÌ È¸ÀÇÀûÀÔ´Ï´Ù.

 

And there is but little difference in the manner of dying. To die, is all. And death has been gallantly encountered by those who never beheld blood that was red, only its light azure seen through the veins. And to yield the ghost proudly, and march out of your fortress with all the honors of war, is not a thing of sinew and bone. Though in prison, Geoffry Hudson, the dwarf, died more bravely than Goliah, the giant; and the last end of a butterfly shames us all. Some women have lived nobler lives, and died nobler deaths, than men. Threatened with the stake, mitred Cranmer recanted; but through her fortitude, the lorn widow of Edessa stayed the tide of Valens' persecutions. 'Tis no great valor to perish sword in hand, and bravado on lip; cased all in panoply complete. For even the alligator dies in his mail, and the swordfish never surrenders. To expire, mild-eyed, in one's bed, transcends the death of Epaminondas. IX The Watery World Is All Before Them ±×¸®°í Á×´Â ¹æ½Ä¿¡´Â °ÅÀÇ Â÷À̰¡ ¾ø½À´Ï´Ù. Á×´Â °ÍÀÌ ÀüºÎÀÔ´Ï´Ù. ±×¸®°í ºÓÀº ÇǸ¦ º» ÀûÀÌ ¾ø°í Ç÷°üÀ» ÅëÇØ º¸ÀÌ´Â ¹àÀº Ǫ¸¥»öÀÇ ÇǸ¦ º» ÀûÀÌ ¾ø´Â »ç¶÷µéÀº ¿ë°¨ÇÏ°Ô Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ±×¸®°í ÀÚ¶û½º·´°Ô À¯·ÉÀ» ³»¼¼¿ì°í ¸ðµç ÀüÀïÀÇ ¿µ¿¹¸¦ ¾È°í ¿ä»õ ¹ÛÀ¸·Î Ç౺ÇÏ´Â °ÍÀº ÈûÁÙ°ú »ÀÀÇ ¹®Á¦°¡ ¾Æ´Õ´Ï´Ù. °¨¿Á¿¡¼­ ³­ÀïÀÌÀÎ Á¦ÇÁ¸® Çãµå½¼Àº °ÅÀÎÀÎ °ñ¸®¾Ñº¸´Ù ´õ ¿ë°¨ÇÏ°Ô Á×¾ú½À´Ï´Ù. ³ªºñÀÇ ¸¶Áö¸· ³¡Àº ¿ì¸® ¸ðµÎ¸¦ ºÎ²ô·´°Ô ÇÕ´Ï´Ù. ¾î¶² ¿©¼ºµéÀº ³²¼ºº¸´Ù ´õ °í±ÍÇÑ »îÀ» »ì¾Ò°í ´õ °í±ÍÇÑ Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ¸»¶Ò¿¡ À§ÇùÀ» ´À³¤ Cranmer´Â öȸÇß½À´Ï´Ù. ±×·¯³ª ±×³àÀÇ ºÒ±¼ÀÇ ÀÇÁö·Î ¿¡µ¥»çÀÇ °íµ¶ÇÑ ¹Ì¸ÁÀÎÀº ¹ß·»½ºÀÇ ¹ÚÇØ¸¦ ¸·¾Ò½À´Ï´Ù. '¼Õ¿¡ Ä®À» µé°í ÀÔÀ¸·Î Çã¼¼¸¦ ºÎ¸®´Â °ÍÀº Å« ¿ë±â°¡ ¾Æ´Ï´Ù. Àüü ÄÉÀ̽º¿¡ ¸ðµÎ ´ã¾Ò½À´Ï´Ù. ¾Ç¾îÁ¶Â÷µµ ¿ìÆí¹° ¼Ó¿¡¼­ Á×°í Ȳ»õÄ¡´Â °áÄÚ Ç׺¹ÇÏÁö ¾Ê±â ¶§¹®ÀÔ´Ï´Ù. ¸¸·á, ¿ÂÈ­ÇÑ ´«Àº ħ´ë¿¡¼­ EpaminondasÀÇ Á×À½À» ÃÊ¿ùÇÕ´Ï´Ù.

 

Oh, Ocean, when thou choosest to smile, more beautiful thou art than flowery mead or plain! XVI They Are Becalmed ¿À, ´ë¾çÀÌ¿©, ´ç½ÅÀÌ ¹Ì¼Ò¸¦ ÁöÀ» ¶§ ´ç½ÅÀº ²É¹çÀ̳ª Æò¿øº¸´Ù ´õ ¾Æ¸§´ä½À´Ï´Ù!




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 15°¡Áö Ű¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)

01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)

02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!

03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)

04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)

05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎȰ(Melville Revival)

06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)

07. ¸áºô Çùȸ(The Melville Society)(1945)

08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ­ ¸ðºñµñ(Moby Dick)(1956)

09. ¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)

10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)

11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)

12. ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)

13. ¿µ¹®ÇР3´ë ºñ±Ø

14. ¹Ì±¹¿¡¼­ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý

15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)

Çã¸Õ ¸áºôÀÇ ¸¶µðI(Mardi: and A Voyage Thither, Vol. I by Herman Melville)(1849)

Preface

I. Foot In Stirrup

II. A Calm

III. A King For A Comrade

IV. A Chat In The Clouds

V. Seats Secured And Portmanteaus Packed

VI. Eight Bells

VII. A Pause

VIII. They Push Off, Velis Et Remis

IX. The Watery World Is All Before Them

X. They Arrange Their Canopies And Lounges, And Try To Make Things

XI. Jarl Afflicted With The Lockjaw

XII. More About Being In An Open Boat

XIII. Of The Chondropterygii, And Other Uncouth Hordes Infesting The South Seas

XIV. Jarl's Misgivings

XV. A Stitch In Time Saves Nine

XVI. They Are Becalmed

XVII. In High Spirits, They Push On For The Terra Incognita

XVIII. My Lord Shark And His Pages

XIX. Who Goes There?

XX. Noises And Portents

XXI. Man Ho!

XXII. What Befel The Brigantine At The Pearl Shell Islands

XXIII. Sailing From The Island They Pillage The Cabin

XXIV. Dedicated To The College Of Physicians And Surgeons

XXV. Peril A Peace-Maker

XXVI. Containing A Pennyweight Of Philosophy

XXVII. In Which The Past History Op The Parki Is Concluded

XXVIII. Suspicions Laid, And Something About The Calmuc

XXIX. What They Lighted Upon In Further Searching The Craft, And The Resolution

XXX. Hints For A Full Length Of Samoa

XXXI. Rovings Alow And Aloft

XXXII. Xiphius Platypterus

XXXIII. Otard

XXXIV. How They Steered On Their Way

XXXV. Ah, Annatoo!

XXXVI. The Parki Gives Up The Ghost

XXXVII. Once More They Take To The Chamois

XXXVIII. The Sea On Fire

XXXIX. They Fall In With Strangers

XL. Sire And Sons

XLI. A Fray

XLII. Remorse

XLIII. The Tent Entered

XLIV. Away

XLV. Reminiscences

XLVI. The Chamois With A Roving Commission

XLVII. Yillah, Jarl, And Samoa

XLVIII. Something Under The Surface

XLIX. Yillah

L. Yillah In Ardair

LI. The Dream Begins To Fade

LII. World Ho!

LIII. The Chamois Ashore

LIV. A Gentleman From The Sun

LV. Tiffin In A Temple

LVI. King Media A Host

LVII. Taji Takes Counsel With Himself

LVIII. Mardi By Night And Yillah By Day

LIX. Their Morning Meal

LX. Belshazzar On The Bench

LXI. An Incognito

LXII. Taji Retires From The World

LXIII. Odo And Its Lord

LXIV. Yillah A Phantom

LXV. Taji Makes Three Acquaintances

LXVI. With A Fair Wind, At Sunrise They Sail

LXVII. Little King Peepi

LXVIII. How Teeth Were Regarded In Valapee

LXIX. The Company Discourse, And Braid-Beard Rehearses A Legend

LXX. The Minstrel Leads Off With A Paddle-Song; And A Message Is Received

LXXI. They Land Upon The Island Of Juam

LXXII. A Book From The Chronicles Of Mohi

LXXIII. Something More Of The Prince

LXXIV. Advancing Deeper Into The Vale, They Encounter Donjalolo

LXXV. Time And Temples

LXXVI. A Pleasant Place For A Lounge

LXXVII. The House Of The Afternoon

LXXVIII. Babbalanja Solus

LXXIX. The Center Of Many Circumferences

LXXX. Donjalolo In The Bosom Of His Family

LXXXI. Wherein Babbalanja Relates The Adventure Of One Karkeke In The Land

LXXXII. How Donjalolo, Sent Agents To The Surrounding Isles; With The Result

LXXXIII. They Visit The Tributary Islets

LXXXIV. Taji Sits Down To Dinner With Five-And-Twenty Kings, And A Royal Time

LXXXV. After Dinner

LXXXVI. Of Those Scamps The Plujii

LXXXVII. Nora-Bamma

LXXXVIII. In A Calm, Hautia's Heralds Approach

LXXXIX. Braid-Beard Rehearses The Origin Of The Isle Of Rogues

XC. Rare Sport At Ohonoo

XCI. Of King Uhia And His Subjects

XCII. The God Keevi And The Precipice Op Mondo

XCIII. Babbalanja Steps In Between Mohi And Yoomy; And Yoomy Relates A Legend

XCIV. Of That Jolly Old Lord, Borabolla; And That Jolly Island Of His, Mondoldo

XCV. That Jolly Old Lord Borabolla Laughs On Both Sides Of His Face

XCVI. Samoa A Surgeon

XCVII. Faith And Knowledge

XCVIII. The Tale Of A Traveler

XCIX. "Marnee Ora, Ora Marnee"

C. The Pursuer Himself Is Pursued

CI. The Iris

CII. They Depart From Mondoldo

CIII. As They Sail

CIV. Wherein Babbalanja Broaches A Diabolical Theory, And, In His Own

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼­ 100À§(Top 100 Books)

A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100

A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±

A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±

A05. ¼­¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼­ 60±Ç

A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±

A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±

A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç

A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

Á¶¸íÈ­ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)

Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±

Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,044)

 




 

Çã¸Õ ¸áºô(Herman Melville)

 

¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °­Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà È­¹°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì ÇØ±º ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), Å¸È÷Ƽ(Tahiti), Å¸ÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î Ȱµ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛǰÀ¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛǰÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹øÂ° ÀÛǰ ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼­ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛǰ Ȱµ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆÇµµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.

 

´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛǰÀ» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆÇµÇ¾úÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼­ ±×ÀÇ ÀÛǰÀ» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.

 

D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : Ã¤Åи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛǰÀ» ¼Ò°³ÇÏ¿´½À´Ï´Ù.

 

¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛǰÀ» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³Çϰí ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)

 

¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼­¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛǰÀ» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆøÇ³ÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ­(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)

 

¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È­¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ ÇØº¯À» °È´Ù°¡, È­¼®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.

 






< ÀúÀÛ±ÇÀÚ © Å׸¶¿©Çà½Å¹® TTN Korea. ¹«´ÜÀüÀç-Àç¹èÆ÷±ÝÁö >