Çã¸Õ ¸áºôÀÇ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849) : 1849³â ¿µ±¹ ·±´ø¿¡¼ ÃÖÃÊ·Î Ãâ°£µÈ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)´Â Çã¸Õ ¸áºôÀÇ 3¹øÂ° ¼Ò¼³(the third book)·Î ÀüÀÛ - Ç×ÇØ¿Í ¸ðÇèÀ» ¼ÒÀç·Î ÇÑ ÀÚÀüÀû ¼Ò¼³°ú ´Þ¸® ¼ø¼ö ¼Ò¼³(first pure fiction work)ÀÌÀÚ ·Î¸Ç½º(a romance story)¸¦ Ç¥¹æÇÏ¿´½À´Ï´Ù.
PREFACE. Not long ago, having published two narratives of voyages in the Pacific, which, in many quarters, were received with incredulity, the thought occurred to me, of indeed writing a romance of Polynesian adventure, and publishing it as such; to see whether, the fiction might not, possibly, be received for a verity: in some degree the reverse of my previous experience. ¼¹®. ¾ó¸¶ Àü, ÅÂÆò¾ç¿¡¼ÀÇ Ç×ÇØ¿¡ ´ëÇÑ µÎ °¡Áö À̾߱⸦ ¹ßÇ¥Çߴµ¥, ¸¹Àº ºÎºÐ¿¡¼ ¹ÏÀ» ¼ö ¾ø´Â ¹ÝÀÀÀ» º¸¿´°í, Æú¸®³×½Ã¾Æ ¸ðÇèÀÇ ·Î¸Ç½º¸¦ ½ÇÁ¦·Î ¾²°í ÃâÆÇÇÏ´Â °Í¿¡ ´ëÇÑ »ý°¢ÀÌ ¶°¿Ã¶ú½À´Ï´Ù; ¼Ò¼³ÀÌ, ¾î¼¸é, Á¦ ÀÌÀü À̾߱â¿Í´Â Á¤¹Ý´ë·Î ¹Þ¾Æµé¿©ÁöÁö ¾ÊÀ»Áö º¸±â À§Çؼ¿ä. °æÇèÀÔ´Ï´Ù. This thought was the germ of others, which have resulted in Mardi. New York, January, 1849. ÀÌ »ý°¢Àº ŸÀÎÀÇ ¼¼±ÕÀ̾ú°í, À̰ÍÀÌ ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)·Î ±Í°áµÇ¾ú½À´Ï´Ù. 1849³â 1¿ù ´º¿å.
ÀüÀÛ°ú ºñ½ÁÇÏ°Ô ³²ÅÂÆò¾çÀ» ¹æ¶ûÇÏ´Â ¹Ì±¹ ¼±¿øÀÌ µîÀåÇÑ´Ù´Â Á¡Àº µ¿ÀÏÇÏÁö¸¸ ¸ðÇè ±× ÀÚüº¸´Ù´Â ÁÖÀΰø°ú ÇöÁöÀÎÀÇ ±³·ùÇϸç, ¹Ì±¹ ¹®È¿Í ÇöÁöÀÇ ÅäÂø ¹®È °£ÀÇ °¥µî µîÀÌ À̾߱âÀÇ È帧À» Áö¹èÇϰí ÀÖ½À´Ï´Ù. ¿øÁÖ¹ÎÀÇ ½Ã¼±À» ºô·Á ¹Ì±¹ÀÎÀÇ ÆíÇùÇÔ, µ¶´ÜÁÖÀÇ µîÀ» dzÀÚÇÏ´Â °ÍÀº ÀÌ ÀÛǰÀÌ Ã¶ÇÐÀûÀ̸鼵µ ÇöÇÐÀûÀ̶ó´Â Æò°¡¸¦ ¹Þ´Â ¿äÀÎÀÔ´Ï´Ù. ±×·¯³ª ´ëÁßµéÀÌ Çã¸Õ ¸áºô¿¡°Ô ±â´ëÇÑ °ÍÀº ·Î¸Ç½º¿Í´Â °Å¸®°¡ ¸Ö¾ú°í, Æò·Ð°¡µé ¶ÇÇÑ ±×¸® ÁÁÀº Æò°¡¸¦ ³»¸®Áö ¾Ê¾Ò½À´Ï´Ù.
Çö´ë »çȸÀÇ ¹®¸í¿¡ ´ëÇÑ Ã¶ÇÐÀûÀÎ ¿ä¼Ò¸¦ ÇÔÃàÇϰí ÀÖ´Â ¸¶µð(Mardi: and A Voyage Thither by Herman Melville)(1849)¿¡¼ Çã¸Õ ¸áºôÀÌ ¸ô¸ó°æ(Book of Mormon)(2200 BC to AD 421), ÇÁ¶û½º ¸£³×»ó½º ½Ã´ë ÃÖ´ëÀÇ °ÉÀÛÀ̶ó ¼Õ²ÅÈ÷´Â °¡¸£°Æ¢¾Æ¿Í ÆÎŸ±×·ò¿¤(Gargantua and Pantagruel)(1693~1694), Á¶³ª´Ü ½ºÀ§ÇÁÆ®ÀÇ °É¸®¹ö ¿©Çà±â(Gulliver's Travels)(1726) µîÀÇ ¿µÇâÀ» ¹Þ¾ÒÀ¸¸®¶ó ÇØ¼®ÇÏ´Â °ßÇØµµ ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
Now, all this, to be plain, was but one of the many visions one has up aloft. But coming upon me at this time, it wrought upon me so, that thenceforth my desire to quit the Arcturion became little short of a frenzy. I Foot In Stirrup ÀÌÁ¦, ÀÌ ¸ðµç °ÍÀº ¸í¹éÇϰÔ, ¿ì¸®°¡ ³ôÀÌ µé°í ÀÖ´Â ¸¹Àº ȯ»ó Áß Çϳª¿¡ ºÒ°úÇß½À´Ï´Ù. ±×·¯³ª ÀÌ ½Ã±â¿¡ ³ª¿¡°Ô ´ÚÄ¡ÀÚ ±×°ÍÀº ³ª¿¡°Ô ³Ê¹«³ª Å« ¿µÇâÀ» ¹ÌÃÆ°í, ±× ÀÌÈÄ·Î ¾ÆÅ©Åõ¸®¿Â(Arcturion)À» ±×¸¸µÎ°íÀÚ ÇÏ´Â ³ªÀÇ ¿¸ÁÀº ±¤¶õ¿¡ Á¶±Ý À̸£°Ô µÇ¾ú½À´Ï´Ù.
At first he is taken by surprise, never having dreamt of a state of existence where existence itself seems suspended. He shakes himself in his coat, to see whether it be empty or no. He closes his eyes, to test the reality of the glassy expanse. He fetches a deep breath, by way of experiment, and for the sake of witnessing the effect. If a reader of books, Priestley on Necessity occurs to him; and he believes in that old Sir Anthony Absolute to the very last chapter. His faith in Malte Brun, however, begins to fail; for the geography, which from boyhood he had implicitly confided in, always assured him, that though expatiating all over the globe, the sea was at least margined by land. That over against America, for example, was Asia. But it is a calm, and he grows madly skeptical. II A Calm óÀ½¿¡´Â Á¸Àç ÀÚü°¡ Á¤ÁöµÈ °Íó·³ º¸ÀÌ´Â Á¸ÀçÀÇ »óŸ¦ ²Þµµ ²ÙÁö ¸øÇÑ Ã¤ ³î¶ó¿òÀ» ±ÝÄ¡ ¸øÇÑ´Ù. ±×´Â ÄÚÆ®°¡ ºñ¾î ÀÖ´ÂÁö ¾ø´ÂÁö ¾Ë¾Æº¸±â À§ÇØ ÄÚÆ® ¾È¿¡¼ ¸öÀ» Èçµì´Ï´Ù. ±×´Â ´«À» °¨°í À¯¸®Ã¢ÀÇ ½Çü¸¦ ½ÃÇèÇÕ´Ï´Ù. ±×´Â ½ÇÇèÀ» ÅëÇØ È¿°ú¸¦ ¸ñ°ÝÇϱâ À§ÇØ ½ÉÈ£ÈíÀ» ÇÕ´Ï´Ù. Ã¥À» Àд »ç¶÷À̶ó¸é Çʿ信 ´ëÇÑ Priestley°¡ ±×¿¡°Ô ¶°¿À¸¨´Ï´Ù. ±×¸®°í ±×´Â ¸¶Áö¸· Àå±îÁö ±× ´ÄÀº ¾Ø¼´Ï ¾Û¼Ö·çÆ® °æÀ» ¹Ï½À´Ï´Ù. ±×·¯³ª Malte Brun¿¡ ´ëÇÑ ±×ÀÇ ¹ÏÀ½Àº ½ÇÆÐÇϱ⠽ÃÀÛÇÕ´Ï´Ù. ¼Ò³â ½ÃÀýºÎÅÍ ±×°¡ ¾Ï¹¬ÀûÀ¸·Î Åоî³õ¾Ò´ø Áö¸®ÇÐÀº Àü ¼¼°è¿¡ °ÅÁÖÇϰí ÀÖÁö¸¸ ¹Ù´Ù´Â ÃÖ¼ÒÇÑ À°Áö·Î µÑ·¯½Î¿© ÀÖ´Ù´Â »ç½ÇÀ» Ç×»ó ±×¿¡°Ô È®½Å½ÃÄױ⠶§¹®ÀÔ´Ï´Ù. ¿¹¸¦ µé¾î, ¹Ì±¹À» »ó´ë·Î ÇÑ °ÍÀº ¾Æ½Ã¾Æ¿´½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº °í¿äÇÏ°í ±×´Â ¹ÌÄ£ µíÀÌ È¸ÀÇÀûÀÔ´Ï´Ù.
And there is but little difference in the manner of dying. To die, is all. And death has been gallantly encountered by those who never beheld blood that was red, only its light azure seen through the veins. And to yield the ghost proudly, and march out of your fortress with all the honors of war, is not a thing of sinew and bone. Though in prison, Geoffry Hudson, the dwarf, died more bravely than Goliah, the giant; and the last end of a butterfly shames us all. Some women have lived nobler lives, and died nobler deaths, than men. Threatened with the stake, mitred Cranmer recanted; but through her fortitude, the lorn widow of Edessa stayed the tide of Valens' persecutions. 'Tis no great valor to perish sword in hand, and bravado on lip; cased all in panoply complete. For even the alligator dies in his mail, and the swordfish never surrenders. To expire, mild-eyed, in one's bed, transcends the death of Epaminondas. IX The Watery World Is All Before Them ±×¸®°í Á×´Â ¹æ½Ä¿¡´Â °ÅÀÇ Â÷À̰¡ ¾ø½À´Ï´Ù. Á×´Â °ÍÀÌ ÀüºÎÀÔ´Ï´Ù. ±×¸®°í ºÓÀº ÇǸ¦ º» ÀûÀÌ ¾ø°í Ç÷°üÀ» ÅëÇØ º¸ÀÌ´Â ¹àÀº Ǫ¸¥»öÀÇ ÇǸ¦ º» ÀûÀÌ ¾ø´Â »ç¶÷µéÀº ¿ë°¨ÇÏ°Ô Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ±×¸®°í ÀÚ¶û½º·´°Ô À¯·ÉÀ» ³»¼¼¿ì°í ¸ðµç ÀüÀïÀÇ ¿µ¿¹¸¦ ¾È°í ¿ä»õ ¹ÛÀ¸·Î Ç౺ÇÏ´Â °ÍÀº ÈûÁÙ°ú »ÀÀÇ ¹®Á¦°¡ ¾Æ´Õ´Ï´Ù. °¨¿Á¿¡¼ ³ÀïÀÌÀÎ Á¦ÇÁ¸® Çãµå½¼Àº °ÅÀÎÀÎ °ñ¸®¾Ñº¸´Ù ´õ ¿ë°¨ÇÏ°Ô Á×¾ú½À´Ï´Ù. ³ªºñÀÇ ¸¶Áö¸· ³¡Àº ¿ì¸® ¸ðµÎ¸¦ ºÎ²ô·´°Ô ÇÕ´Ï´Ù. ¾î¶² ¿©¼ºµéÀº ³²¼ºº¸´Ù ´õ °í±ÍÇÑ »îÀ» »ì¾Ò°í ´õ °í±ÍÇÑ Á×À½À» ¸ÂÀÌÇß½À´Ï´Ù. ¸»¶Ò¿¡ À§ÇùÀ» ´À³¤ Cranmer´Â öȸÇß½À´Ï´Ù. ±×·¯³ª ±×³àÀÇ ºÒ±¼ÀÇ ÀÇÁö·Î ¿¡µ¥»çÀÇ °íµ¶ÇÑ ¹Ì¸ÁÀÎÀº ¹ß·»½ºÀÇ ¹ÚÇØ¸¦ ¸·¾Ò½À´Ï´Ù. '¼Õ¿¡ Ä®À» µé°í ÀÔÀ¸·Î Çã¼¼¸¦ ºÎ¸®´Â °ÍÀº Å« ¿ë±â°¡ ¾Æ´Ï´Ù. Àüü ÄÉÀ̽º¿¡ ¸ðµÎ ´ã¾Ò½À´Ï´Ù. ¾Ç¾îÁ¶Â÷µµ ¿ìÆí¹° ¼Ó¿¡¼ Á×°í Ȳ»õÄ¡´Â °áÄÚ Ç׺¹ÇÏÁö ¾Ê±â ¶§¹®ÀÔ´Ï´Ù. ¸¸·á, ¿ÂÈÇÑ ´«Àº ħ´ë¿¡¼ EpaminondasÀÇ Á×À½À» ÃÊ¿ùÇÕ´Ï´Ù.
Oh, Ocean, when thou choosest to smile, more beautiful thou art than flowery mead or plain! XVI They Are Becalmed ¿À, ´ë¾çÀÌ¿©, ´ç½ÅÀÌ ¹Ì¼Ò¸¦ ÁöÀ» ¶§ ´ç½ÅÀº ²É¹çÀ̳ª Æò¿øº¸´Ù ´õ ¾Æ¸§´ä½À´Ï´Ù!
-¸ñÂ÷(Index)- ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯ Á¶¸íÈ ÆíÁýÀåÀÇ 15°¡Áö Ű¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville) 01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) 02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)! 03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod) 04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) 05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎȰ(Melville Revival) 06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) 07. ¸áºô Çùȸ(The Melville Society)(1945) 08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ ¸ðºñµñ(Moby Dick)(1956) 09. ¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) 10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971) 11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984) 12. ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) 13. ¿µ¹®ÇÐ 3´ë ºñ±Ø 14. ¹Ì±¹¿¡¼ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý 15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville) Çã¸Õ ¸áºôÀÇ ¸¶µðI(Mardi: and A Voyage Thither, Vol. I by Herman Melville)(1849) Preface I. Foot In Stirrup II. A Calm III. A King For A Comrade IV. A Chat In The Clouds V. Seats Secured And Portmanteaus Packed VI. Eight Bells VII. A Pause VIII. They Push Off, Velis Et Remis IX. The Watery World Is All Before Them X. They Arrange Their Canopies And Lounges, And Try To Make Things XI. Jarl Afflicted With The Lockjaw XII. More About Being In An Open Boat XIII. Of The Chondropterygii, And Other Uncouth Hordes Infesting The South Seas XIV. Jarl's Misgivings XV. A Stitch In Time Saves Nine XVI. They Are Becalmed XVII. In High Spirits, They Push On For The Terra Incognita XVIII. My Lord Shark And His Pages XIX. Who Goes There? XX. Noises And Portents XXI. Man Ho! XXII. What Befel The Brigantine At The Pearl Shell Islands XXIII. Sailing From The Island They Pillage The Cabin XXIV. Dedicated To The College Of Physicians And Surgeons XXV. Peril A Peace-Maker XXVI. Containing A Pennyweight Of Philosophy XXVII. In Which The Past History Op The Parki Is Concluded XXVIII. Suspicions Laid, And Something About The Calmuc XXIX. What They Lighted Upon In Further Searching The Craft, And The Resolution XXX. Hints For A Full Length Of Samoa XXXI. Rovings Alow And Aloft XXXII. Xiphius Platypterus XXXIII. Otard XXXIV. How They Steered On Their Way XXXV. Ah, Annatoo! XXXVI. The Parki Gives Up The Ghost XXXVII. Once More They Take To The Chamois XXXVIII. The Sea On Fire XXXIX. They Fall In With Strangers XL. Sire And Sons XLI. A Fray XLII. Remorse XLIII. The Tent Entered XLIV. Away XLV. Reminiscences XLVI. The Chamois With A Roving Commission XLVII. Yillah, Jarl, And Samoa XLVIII. Something Under The Surface XLIX. Yillah L. Yillah In Ardair LI. The Dream Begins To Fade LII. World Ho! LIII. The Chamois Ashore LIV. A Gentleman From The Sun LV. Tiffin In A Temple LVI. King Media A Host LVII. Taji Takes Counsel With Himself LVIII. Mardi By Night And Yillah By Day LIX. Their Morning Meal LX. Belshazzar On The Bench LXI. An Incognito LXII. Taji Retires From The World LXIII. Odo And Its Lord LXIV. Yillah A Phantom LXV. Taji Makes Three Acquaintances LXVI. With A Fair Wind, At Sunrise They Sail LXVII. Little King Peepi LXVIII. How Teeth Were Regarded In Valapee LXIX. The Company Discourse, And Braid-Beard Rehearses A Legend LXX. The Minstrel Leads Off With A Paddle-Song; And A Message Is Received LXXI. They Land Upon The Island Of Juam LXXII. A Book From The Chronicles Of Mohi LXXIII. Something More Of The Prince LXXIV. Advancing Deeper Into The Vale, They Encounter Donjalolo LXXV. Time And Temples LXXVI. A Pleasant Place For A Lounge LXXVII. The House Of The Afternoon LXXVIII. Babbalanja Solus LXXIX. The Center Of Many Circumferences LXXX. Donjalolo In The Bosom Of His Family LXXXI. Wherein Babbalanja Relates The Adventure Of One Karkeke In The Land LXXXII. How Donjalolo, Sent Agents To The Surrounding Isles; With The Result LXXXIII. They Visit The Tributary Islets LXXXIV. Taji Sits Down To Dinner With Five-And-Twenty Kings, And A Royal Time LXXXV. After Dinner LXXXVI. Of Those Scamps The Plujii LXXXVII. Nora-Bamma LXXXVIII. In A Calm, Hautia's Heralds Approach LXXXIX. Braid-Beard Rehearses The Origin Of The Isle Of Rogues XC. Rare Sport At Ohonoo XCI. Of King Uhia And His Subjects XCII. The God Keevi And The Precipice Op Mondo XCIII. Babbalanja Steps In Between Mohi And Yoomy; And Yoomy Relates A Legend XCIV. Of That Jolly Old Lord, Borabolla; And That Jolly Island Of His, Mondoldo XCV. That Jolly Old Lord Borabolla Laughs On Both Sides Of His Face XCVI. Samoa A Surgeon XCVII. Faith And Knowledge XCVIII. The Tale Of A Traveler XCIX. "Marnee Ora, Ora Marnee" C. The Pursuer Himself Is Pursued CI. The Iris CII. They Depart From Mondoldo CIII. As They Sail CIV. Wherein Babbalanja Broaches A Diabolical Theory, And, In His Own ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics) A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼ 100À§(Top 100 Books) A02. ¼¿ï´ë ±ÇÀåµµ¼ 100 A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼± A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼± A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼± A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼± A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼± A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44) A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?) 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Çã¸Õ ¸áºô(Herman Melville)
¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà ȹ°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì ÇØ±º ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), ŸÈ÷Ƽ(Tahiti), ŸÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î Ȱµ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛǰÀ¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛǰÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹øÂ° ÀÛǰ ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛǰ Ȱµ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆÇµµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.
´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛǰÀ» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆÇµÇ¾úÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼ ±×ÀÇ ÀÛǰÀ» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.
D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : äÅи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛǰÀ» ¼Ò°³ÇÏ¿´½À´Ï´Ù.
¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛǰÀ» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³Çϰí ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)
¼¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛǰÀ» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆøÇ³ÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ ÇØº¯À» °È´Ù°¡, ȼ®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.
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