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English Classics196 The Apple-Tree Table, and Other Sketches by Herman Melville
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Çã¸Õ ¸áºôÀÇ »ç°ú³ª¹« ŹÀÚ(The Apple-Tree Table, and Other Sketches by Herman Melville)(1922) : ¸áºôÀº ¾ÆÈ© ÆíÀÇ ÀåÆí¼Ò¼³À» ¾´ ÀÛ°¡·Î ¸í¼ºÀ» ¶³ÃÆÀ¸³ª, ´ÜÆíµµ ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. 1856³â ´ÜÆíÀ» ¹­¾î ±¤Àå À̾߱â(The Piazza Tales by Herman Melville)(1856)·Î Ãâ°£ÇÑ ¹Ù ÀÖÁö¸¸, ºñ½ÁÇÑ ½Ã±â¿¡ ¹ßÇ¥ÇÏ¿´À¸³ª ÀÌ·± Àú·± »çÀ¯·Î Á¦¿ÜµÈ ´ÜÆíÀº ±×ÀÇ »çÈÄÀΠ1922³â¿¡¾ß ºñ·Î¼Ò Ãâ°£µÉ ¼ö ÀÖ¾ú½À´Ï´Ù. ³¡ÀÌ º¸ÀÌÁö ¾Ê´Â ³²ÅÂÆò¾çÀ» ŽÇèÇÏ´Â ¸ðÇè±â¸¦ Áñ°Ü ¾²´Â ÀÛ°¡·Î½áÀÇ ÀλóÀ» Çѹ濡 ±úÆ®·Á¹ö¸± ½ÇÇèÀûÀÎ ½Ãµµ – ¹ÝÀü, À¯¸Ó, Ç³ÀÚ µîÀ¸·Î °¡µæÇÏ´Ù´Â Á¡¸¸À¸·Îµµ Çã¸Õ ¸áºôÀÇ ¾Öµ¶ÀÚ¶ó¸é ÇѹøÂë Àо¸¸ÇÑ °¡Ä¡°¡ ÀÖ½À´Ï´Ù. ÃÑ 11ÆíÀÇ À̾߱Ⱑ ´ã°Ü ÀÖÀ¸¸ç, Á¦¸ñÀÇ »ç°ú³ª¹« ŹÀÚ(The Apple-Tree Table)°¡ ù ¹øÂ°·Î µîÀåÇÕ´Ï´Ù. ºÐ·®ÀÌ ±æÁö ¾ÊÀº ©¸·ÇÑ ´ÜÆíÁýÀÓ¿¡µµ ºÒ±¸Çϰí, ±¹³» ¹ø¿ªº»ÀÌ ¹ÌÃâ°£µÈ °ÍÀº ¾Æ½¬¿î ´ë¸ñÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

Introductory Note. The various prose sketches here reprinted were first published by Melville, some in Harper's and some in Putnam's magazines, during the years from 1850 to 1856. "Hawthorne and His Mosses," the only piece of criticism in this collection, is particularly interesting viewed in the light of Melville's friendship with Hawthorne while they were neighbors at Pittsfield, Massachusetts. ¿©±â¼­ ÀçÀμâµÈ ´Ù¾çÇÑ »ê¹® ½ºÄÉÄ¡´Â 1850³âºÎÅÍ 1856³â±îÁö ¸áºô¿¡ ÀÇÇØ óÀ½ ÃâÆÇµÇ¾ú½À´Ï´Ù. ÀϺδ ÇÏÆÛ»ç(Harper's)¿¡, ÀϺδ Dz³² ¸Å°ÅÁø(Putnam's magazines)¿¡ °ÔÀçµÇ¾ú½À´Ï´Ù. ÀÌ Ä÷º¼Ç¿¡¼­ À¯ÀÏÇÏ°Ô ºñÆÇÀûÀÎ ÀÛǰÀΠ"È£¼Õ°ú ±×ÀÇ À̳¢(Hawthorne And His Mosses)"´Â ¸áºôÀÌ ¸Å»çÃß¼¼Ã÷ ÁÖ ÇÇÃ÷¹ö±×¿¡¼­ ÀÌ¿ôÀ¸·Î Áö³»´ø ½ÃÀý È£¼Õ°ú ¿ìÁ¤À» ºñÃß¾î º¼ ¶§ ƯÈ÷ Èï¹Ì·Ó½À´Ï´Ù.

 

¿ì¸® Áý »ç°ú³ª¹« ŹÀÚ(The Apple-Tree Table)¿¡ ¹«¾ùÀΰ¡ »ì°í ÀÖ´Ù?! : »ç°ú³ª¹« ŹÀÚ(The Apple-Tree Table)´Â ³²ÆíÀÎ È­ÀÚ°¡ ´Ù¶ô¹æ ±¸¼®¿¡ ó¹ÚÇô ÀÖ¾ú´ø ¾ÆÁÖ ±â±«Çϰí ÀÛ°í ¿À·¡µÈ ŹÀÚ¸¦ ¹ß°ßÇϸ鼭 ½ÃÀÛµÈ »ç°Ç(?!)À» ¼ÒÀç·Î ´Ù·ç°í ÀÖ½À´Ï´Ù. ¿ì¿¬Âú°Ô °è´Ü½Ä Á¤¿ø ÇÑ ÄÒ¿¡¼­ ¿­¼è¸¦ ¹ß°ßÇϰí, ³ì½½°í ³°Àº ¿­¼è·Î ´Ù¶ô¹æ¿¡ µé¾î°£ ³²ÆíÀº ¿Â°® ¸ÕÁö¿Í ¹ú·¹ ½Ãüµé·Î °¡µæÇÑ °ø°£ÀÇ ³°¾ÆºüÁø °¡±¸µé Áß¿¡¼­ Æò¹üÇÑ ¸¶È£°¡´Ï°¡ ¾Æ´Ï¶ó È£µÎ³ª¹«Ã³·³ ¾îµÎ¿öÁø »ç°ú³ª¹«(not of the ordinary mahogany, but of apple-tree-wood, which age had darkened nearly to walnut)¿¡ ¸Å·áµÇ°í ¸¿´Ï´Ù! ¾ÆÄ§¿¡´Â °¡Á·°ú ÇÔ²² ¾ÆÄ§ ½Ä»ç¸¦, ¹ã¿¡´Â µ¶¼­¸¦ À§ÇÑ ´Ù¿ëµµ ŹÀڷΠȰ¿ëÇϱâ À§ÇØ ´Ù¶ô¹æ¿¡¼­ ³°Àº ŹÀÚ¸¦ ²¨³À´Ï´Ù. ±×·¯³ª µþµéÀº ÀÌ»óÇÒ Á¤µµ·Î ŹÀÚ¸¦ ½È¾îÇϴµ¥... ±×¶§ºÎÅÍ Áý¿¡¼­´Â ±â¹¦ÇÑ ÀÏÀÌ ¹ß»ýÇÕ´Ï´Ù. Æ½! Æ½! Çѹã Áß¿¡ µé·Á¿À´Â »ý¼ÒÇÑ ¼Ò¸®´Â °¡Á·µé¿¡°Ô °øÆ÷¸¦ ºÒ¾î ÀÏÀ¸Å°´Âµ¥, ÀÌ°Ç ±Í½ÅÀϱî¿ä, ´©±º°¡ÀÇ ¿µÈ¥Àϱî¿ä?!

 

The incident was not wholly without example. The wood of the table was apple-tree, a sort of tree much fancied by various insects. The bugs had come from eggs laid inside the bark of the living tree in the orchard. ±× »ç°ÇÀÌ ÀüÀûÀ¸·Î ¿¹°¡ ¾ø´Â °ÍÀº ¾Æ´Õ´Ï´Ù. ½ÄŹÀÇ ³ª¹«´Â ´Ù¾çÇÑ °ïÃæµéÀÌ ¸Å¿ì ÁÁ¾ÆÇÏ´Â ³ª¹«ÀÇ ÀÏÁ¾ÀÎ »ç°ú³ª¹«¿´½À´Ï´Ù. ±× ¹ú·¹µéÀº °ú¼ö¿ø¿¡ ÀÖ´Â »ì¾ÆÀÖ´Â ³ª¹«²®Áú ¾È¿¡ ³ºÀº ¾Ë¿¡¼­ ³ª¿Â °ÍÀ̾ú½À´Ï´Ù.

 

Çã¸Õ ¸áºôÀº È£¼Õºü?! È£¼Õ°ú ±×ÀÇ À̳¢(Hawthorne And His Mosses) : Çã¸Õ ¸áºôÀº ´º¿åÀ¸·Î ÀÌÁÖÇϱâ Àü ¸Å»çÃß¼¼Ã÷ ÁÖ¿¡ °ÅÁÖÇÒ ´ç½Ã ¹Ì±¹ ÀÛ°¡ ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne)(1804~1864)°ú ±³·ùÇÏ¿´°í, ±×¿¡ ´ëÇØ ±íÀº È£°¨À» °¡Á³½À´Ï´Ù. ±×¿¡ ´ëÇÑ Á¸°æ°ú Âù»ç¸¦ È£¼Õ°ú ±×ÀÇ À̳¢(Hawthorne And His Mosses)¿¡ ´ã¾Æ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ½ÉÁö¾î È£¼ÕÀÌ ¼¼°èÀûÀÎ ¹®È£ ¼ÎÀͽºÇǾ ¸øÁö¾ÊÀº ÀÛ°¡¶ó°í Ãß¾ÓÇÏ¿´½À´Ï´Ù. ¼¼°è °¢ÁöÀÇ ¼ÎÀͽºÇǾîºü, ÀÏ¸í ¹Ù¸£µ¹¶óÆ®¸®(Bardolatry)¿¡°Õ ºÒÆíÇÒ ¼öµµ ÀÖ°Ú½À´Ï´Ù¸¸¡¦¡¦. ¿Ü·Î¿î ¹Ù´Ù¸¦ Ȧ·Î Ç×ÇØÇϴ ¸ðºñµñ(Moby Dick by Herman Melville)(1851)ÀÇ ÀÛ°¡°¡ µ¿½Ã´ëÀÇ ¹Ì±¹ÀÛ°¡¸¦ ÀÌ·¸°Ô³ª ±ØÂùÇÏ´Ù´Ï, ¿ØÁö ³¸¼³°Ô ´À²¸Áö³×¿ä. ¾Æ¸¶µµ È£¼ÕÀ̶õ ÀÛ°¡¸¦ ÅëÇØ ¡®¿µ±¹ÀÇ ¼ÎÀͽºÇÇ¾î ¸»°í! µ¿½Ã´ëÀÇ ¹Ì±¹ÀÛ°¡ÀÎ ³ª¡¯¿¡ ´ëÇØ¼­µµ Á» ´õ °ü½ÉÀ» °¡Á®´Þ¶õ ¸Þ½ÃÁö´Â ¾Æ´Ï¾úÀ»±î¿ä?

 

Now, it is that blackness in Hawthorne, of which I have spoken that so fixes and fascinates me. It may be, nevertheless, that it is too largely developed in him. Perhaps he does not give us a ray of light for every shade of his dark. But however this may be, this blackness it is that furnishes the infinite obscure of his background,—that background, against which Shakspeare plays his grandest conceits, the things that have made for Shakspeare his loftiest but most circumscribed renown, as the profoundest of thinkers. For by philosophers Shakspeare is not adored, as the great man of tragedy and comedy:—"Off with his head; so much for Buckingham!" This sort of rant interlined by another hand, brings down the house,—those mistaken souls, who dream of Shakespeare as a mere man of Richard the Third humps and Macbeth daggers. But it is those deep far-away things in him; those occasional flashings-forth of the intuitive Truth in him; those short, quick probings at the very axis of reality;—these are the things that make Shakspeare, Shakspeare. ÀÌÁ¦, È£¼ÕÀÇ °ËÀº»öÀÌ Àú¸¦ °íÁ¤½ÃŰ°í ¸ÅȤ½Ãŵ´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, ±×°ÍÀº ±×¿¡°Ô¼­ ³Ê¹« Å©°Ô ¹ßÀüµÈ °ÍÀÏ ¼ö ÀÖ½À´Ï´Ù. ¾Æ¸¶µµ ±×´Â ¾îµÒÀÇ ¸ðµç ±×´Ã¿¡ ºûÀ» ÁÖÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ±×·¯³ª ÀÌ·¯ÇÑ °ËÀº ¹è°æÀº ±×ÀÇ ¹è°æÀÇ ¹«ÇÑÇÑ ¹«¸í, Áï ¼ÎÀͽºÇǾ ±×ÀÇ °¡Àå ¿õÀåÇÑ ÀÚ¸¸½ÉÀ» µå·¯³»´Â ¹è°æ, ¼ÎÀͽºÇǾ°Ô ¸¸µé¾îÁØ °ÍµéÀº ±×ÀÇ °¡Àå °í»óÇÏÁö¸¸ °¡Àå ÀýÁ¦µÈ »ç»ó°¡·Î¼­ÀÇ ¸í¼ºÀ» °¡Á®´ÙÁÝ´Ï´Ù. ¼ÎÀͽºÇǾî´Â ºñ±Ø°ú Èñ±ØÀÇ °ÅÀåó·³ »ç¶û¹ÞÁö ¾Ê±â ¶§¹®¿¡ öÇÐÀڵ鿡°Ô´Â »ç¶û¹ÞÁö ¾Ê½À´Ï´Ù. "¸Ó¸®´Â Áý¾îÄ¡¿ì°í ¹öÅ·¾öÀ» À§Çؼ­!" ´Ù¸¥ ¼Õ¿¡´Â ÀÌ·± °íÇÔ¼Ò¸®°¡ µé·Á, ÁýÀ» ¹«³Ê¶ß¸³´Ï´Ù. ¼ÎÀͽºÇǾ ¸®Â÷µå 3¼¼¿Í ¸Æº£½º ´Ü°ËÀÇ Çѳ¹ »ç¶÷À¸·Î ²Þ²Ù°í ÀÖ´Â, Âø°¢ÇÑ ¿µÈ¥µé ¸»ÀÔ´Ï´Ù. ÇÏÁö¸¸ ±×°ÍÀº ±×ÀÇ ±íÀº °÷¿¡ ÀÚ¸® Àâ°í ÀÖ½À´Ï´Ù. Á÷°üÀûÀÎ Áø½ÇÀÇ ¼ø°£ÀûÀÎ ¼ø°£µé, Çö½ÇÀÇ ÇÑ Ãà¿¡¼­ ª°í ºü¸¥ ޱ¸µé, À̰ÍÀÌ ¹Ù·Î Shakspare, Shakspare¸¦ ¸¸µå´Â °ÍÀÔ´Ï´Ù.




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 15°¡Áö Ű¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)

01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)

02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!

03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)

04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)

05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎȰ(Melville Revival)

06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)

07. ¸áºô Çùȸ(The Melville Society)(1945)

08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ­ ¸ðºñµñ(Moby Dick)(1956)

09. ¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)

10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)

11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)

12. ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)

13. ¿µ¹®ÇР3´ë ºñ±Ø

14. ¹Ì±¹¿¡¼­ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý

15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)

Çã¸Õ ¸áºôÀÇ »ç°ú³ª¹« ŹÀÚ(The Apple-Tree Table, and Other Sketches by Herman Melville)(1922)

Introductory Note

The Apple-Tree Table

Hawthorne And His Mosses

Jimmy Rose

I And My Chimney

The Paradise Of Bachelors

The Tartarus Of Maids

Cock-A-Doodle-Doo!

The Fiddler

Poor Man'S Pudding And Rich Man'S Crumbs

The Happy Failure

The 'Gees

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼­ 100À§(Top 100 Books)

A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100

A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±

A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±

A05. ¼­¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼­ 60±Ç

A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±

A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±

A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç

A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

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Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±

Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,044)

 




 

Çã¸Õ ¸áºô(Herman Melville)

 

¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °­Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà È­¹°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì ÇØ±º ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), Å¸È÷Ƽ(Tahiti), Å¸ÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î Ȱµ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛǰÀ¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛǰÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹øÂ° ÀÛǰ ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼­ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛǰ Ȱµ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆÇµµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.

 

´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛǰÀ» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆÇµÇ¾úÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼­ ±×ÀÇ ÀÛǰÀ» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.

 

D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : Ã¤Åи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛǰÀ» ¼Ò°³ÇÏ¿´½À´Ï´Ù.

 

¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛǰÀ» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³Çϰí ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)

 

¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼­¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛǰÀ» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆøÇ³ÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ­(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)

 

¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È­¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ ÇØº¯À» °È´Ù°¡, È­¼®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.

 






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