¿µ¾î°íÀü194 Çã¸Õ ¸áºôÀÇ ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(English Classics194 Battle-Pieces and Aspects of the War by Herman Melville)
English Classics194 Battle-Pieces and Aspects of the War by Herman Melville
2021³â 10¿ù 10ÀÏ 09½Ã 51ºÐ ÀÔ·Â




 

Çã¸Õ ¸áºôÀÇ ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866) : ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866)Àº Çã¸Õ ¸áºôÀÇ Ã¹ ¹øÂ° ½ÃÁý(poetry collection)À¸·Î ´ç´ëÀÇ ¹Ì±¹ ³²ºÏ ÀüÀï(American Civil War)(1861~1865)°ú À̸¦ À§ÇØ Çå½ÅÇÑ 30¸¸ ¸íÀÇ Àü»çÀÚ¸¦ ±â¸®±â À§ÇØ ÁýÇÊÇÑ ÇåÁ¤ ½ÃÁýÀÔ´Ï´Ù. ÀÛǰÀÇ ¼­µÎ¿¡ ÀÌ¿¡ ´ëÇÑ ¾ð±ÞÀÌ ÀÖ½À´Ï´Ù.

 

The Battle-Pieces

in this volume are dedicated

to the memory of the

THREE HUNDRED THOUSAND

who in the war

for the maintenance of the Union

fell devotedly

under the flag of their fathers.

ÀüÅõ Á¶°¢

ÀÌ º¼·ý¿¡¼­ Àü¿ë

ÀÇ ±â¾ïÀ¸·Î

»ï½Ê ¸¸

´©°¡ ÀüÀï¿¡¼­

¿¬ÇÕÀÇ À¯Áö¸¦ À§ÇØ

Çå½ÅÀûÀ¸·Î ¶³¾îÁ³´Ù

±×µéÀÇ ¾Æ¹öÁöÀÇ ±ê¹ß ¾Æ·¡.

 

Çã¸Õ ¸áºôÀº ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866) ÀÌÀü¿¡µµ ½ÃÁýÀ» ÁýÇÊÇÑ ¹Ù ÀÖÀ¸³ª, ±×ÀÇ Ã¥À» ÁÖ·Î Ãâ°£ÇÑ ¹Ì±¹ ÃâÆÇ»ç Harper & Brothers°¡ °ÅÀýÇÔ¿¡ µû¶ó 1866³â¿¡¾ß, ±×°Íµµ ¹Ì±¹ÀÎÀÌ °ü½É¾øÀ» ¼ö ¾ø´Â ÀüÀïÀ» ¼ÒÀç·Î »ïÀº ÈÄ¿¡¾ß ÀÚ½ÅÀÇ Ã¹ ¹øÂ° ½ÃÁýÀ» Ãâ°£ÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. 1866³âÀº ³²ºÏÀüÀïÀÌ Á¾·áµÈ À̵ëÇØÀÔ´Ï´Ù. Çã¸Õ ¸áºôÀº 1863³â ¸Å»çÃß¼¼Ã÷¿¡¼­ ´º¿åÀ¸·Î ÀÌÁÖÇÏ¿´À¸¸ç, ´º¿å »ýȰÀ» ½ÃÀÛÇϸ鼭 ±âÁ¸ÀÇ Ç×ÇØ¿Í ¸ðÇèÀ» ´ãÀº ¼Ò¼³¿¡¼­ Å»ÇÇÇØ ¹Ì±¹ ³²ºÏ ÀüÀï(American Civil War)(1861~1865)À» ¼ÒÀç·Î ÇÑ »õ·Î¿î ÀÛǰ¿¡ µµÀüÇÏ¿´½À´Ï´Ù. ½ÃÀÇ Çü½ÄÀ» ºô·Á ÀÚ½ÅÀÇ ÀüÈÄ Àç°Ç¿¡ ´ëÇÑ °ßÇØ¸¦ ¹àÇûÀ¸¸ç, À̸¦ º¸ÃæÇϱâ À§ÇÑ ´Ù¾çÇÑ ÁÖ¼®°ú º¸Ãæ ÀÚ·á(Notes and a Supplement)¸¦ ÷ºÎÇÏ¿´´Ù´Â Á¡ÀÌ Æ¯Â¡ÀÔ´Ï´Ù.

 

There seems no reason why patriotism and narrowness should go together, or why intellectual impartiality should be confounded with political trimming, or why serviceable truth should keep cloistered by a cause not partisan. Yet the work of Reconstruction, if admitted to be feasible at all, demands little but common sense and Christian charity. Little but these? These are much. Supplement. ¾Ö±¹½É°ú ÆíÇùÇÔÀÌ ÇÔ²² °¡¾ß ÇÒ ÀÌÀ¯°¡ ¾ø´Â °Í °°À¸¸ç, ÁöÀû °øÆò¼ºÀÌ Á¤Ä¡ÀûÀÎ ¼ÕÁú°ú È¥µ¿µÇ¾î¾ß ÇÏ´Â ÀÌÀ¯, ¶Ç´Â Á¤´çÇÏÁö ¾ÊÀº ¸íºÐÀ¸·Î ¾µ¸ð ÀÖ´Â Áø½ÇÀ» °è¼Ó ¼û°Ü¾ß ÇÒ ÀÌÀ¯°¡ ¾ø´Â °Í °°½À´Ï´Ù. ±×·¯³ª Àç°Ç ÀÛ¾÷ÀÌ ½ÇÇö °¡´ÉÇÏ´Ù°í ÀÎÁ¤µÈ´Ù¸é »ó½Ä°ú ±âµ¶±³Àû »ç¶û ¿Ü¿¡´Â °ÅÀÇ ¿ä±¸µÇÁö ¾Ê½À´Ï´Ù. ÀÛÁö¸¸ À̰͵é? À̰͵éÀº ¸¹½À´Ï´Ù.

 

Å©°Ô 2ºÎÀÇ ¼½¼ÇÀ¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç 1ºÎ´Â ´Ù¼Ò ±ä ºÐ·®ÀÇ ¼­Á¤½Ã(short lyric)¿Í ¼­»ç½Ã(narrative poems), 2ºÎ´Â »ó´ëÀûÀ¸·Î ªÀº ¾Ö°¡(elegies), ºñ¹®(epitaphs), ·¹Äû¿¥(requiems) µîÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ½À´Ï´Ù. ÀÛǰ¿¡ ¼Ò°³µÈ ½Ã´Â ÃÑ 72ÆíÀÔ´Ï´Ù. ÀüÀïÀÇ ¿µ±¤º¸´Ù ÀüÀïÀÇ ºñÂüÇÔ°ú ÂüȤÇÔ¿¡ ´õ Å« ºñÁßÀ» µÎ¾ú´Ù´Â Á¡¿¡¼­ ¹Ì±¹ÀÎÀÇ ¹Ì±¹ ³»Àü¿¡ °üÇÑ ÀÛǰÀÌÁö¸¸ È£ÀüÀûÀÎ ¾Ö±¹ÁÖÀÇ Â¡°íÀÌÁò(jingoism)À̳ª ½Â¸®ÁÖÀÇ(triumphalism)¸¦ °íÃë½ÃŰ´Â °Í°ú °Å¸®°¡ ¸Ö´Ù´Â °ÍÀÌ ¡®½ÃÀÎ Çã¸Õ ¸á¹ø¡¯ÀÇ Æ¯Â¡ÀÌÀÚ °³¼ºÀ̶ó°í º¼ ¼ö ÀÖ½À´Ï´Ù. ±×·¸±â ¶§¹®¿¡ µ¶Àڵ鿡°Ô ±×¸® Å« ±¸¸Å¿åÀ» ºÒ·¯ÀÏÀ¸Å°Áö ¸øÇß´Ù´Â ÇѰè´Â ÀÖ°Ú½À´Ï´Ù¸¸...

 

Ãâ°£µÈ ÀÌÈÄ 3³â µ¿¾È ¼ÕÀͺбâÁ¡¿¡ ¹ÌÄ¡Áö ¸øÇÑ - °íÀÛ 500¿©ºÎµµ ÆÈ¸®Áö ¾ÊÀ» Á¤µµ·Î ÈïÇà¿¡´Â ½ÇÆÐÇÏ¿´½À´Ï´Ù¸¸, Çö´ë¿¡ À̸£·¯ ³²ºÏ ÀüÀïÀ» ÁÖ¿ä ¼ÒÀç·Î ÇÏ´Â Áß¿äÇÑ ÀÛǰÁý(one of the most important group of poems on the Civil War)À¸·Î½á °¡Ä¡¸¦ ÀÎÁ¤¹Þ°í ÀÖ½À´Ï´Ù. ¹Ì±¹ÀÇ ¹®ÇкñÆò°¡ ·Î·»½º ºÎ¿¤(Lawrence Buell)(1939~)Àº ¸áºôÀÌ ¿ùÆ® ÈÖÆ®¸Õ ÀÌÈÄ ÃÖ°íÀÇ ³²ºÏÀüÀï ½ÃÁýÀ» ÁýÇÊÇÏ¿´´Ù(next to Walt Whitman, Melville wrote the best series of Civil War lyrics)°í È£ÆòÇϱ⵵ Çß½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

¼ø±³ÀÚ(The Martyr)´Â 1865³â ¹Ì±¹ ´ëÅë·É ¸µÄÁÀÇ ¾Ï»ìÀ» ¼ÒÀç·Î ÇÑ ½ÃÀÔ´Ï´Ù. ´º¿å°ú ¿ö½ÌÅÏÀÇ °Å¸®¿¡µµ ºÒ±¸Çϰí Çã¸Õ ¸áºô·Î½á´Â ´ç´ë ¹Ì±¹¿¡¼­ »ì°í ÀÖ´Â ¹Ì±¹ ÀÛ°¡·Î½á ±â¾ïÇÒ ¼ö¹Û¿¡ ¾ø´Â ´ë»ç°ÇÀÌ¿´°ÚÁö¿ä.

 

The Martyr.

¼ø±³ÀÚ.

 

Indicative of the passion of the people on the 15th of April, 1865.

1865³â 4¿ù 15ÀÏ »ç¶÷µéÀÇ ¿­Á¤À» ³ªÅ¸³À´Ï´Ù.

 

Good Friday was the day

Of the prodigy and crime,

When they killed him in his pity,

When they killed him in his prime

Of clemency and calm—

When with yearning he was filled

To redeem the evil-willed,

And, though conqueror, be kind;

But they killed him in his kindness,

In their madness and their blindness,

And they killed him from behind.

ÁÁÀº ±Ý¿äÀÏÀº ±×³¯À̾ú¾î¿ä.

õÀç¿Í ¹üÁË¿¡ ´ëÇØ¼­¿ä.

±×µéÀÌ ±×¸¦ ºÒ½ÖÈ÷ ¿©°Ü Á׿´À» ¶§¿ä

Àü¼º±â¿¡ Á׿´À» ¶§¿ä

°ü´ëÇϰí Ä§ÂøÇÕ´Ï´Ù.

±×¸®¿òÀ¸·Î °¡µæ áÀ» ¶§¿ä

¾ÇÀǸ¦ °¡Áø ÀÚµéÀ» ±¸¿øÇϱâ À§Çؼ­¿ä.

±×¸®°í Á¤º¹ÀÚÀ̱ä ÇÏÁö¸¸ Ä£ÀýÇÏ°Ô ´ëÇØÁÖ¼¼¿ä

ÇÏÁö¸¸ ±×µéÀº ±×ÀÇ Ä£ÀýÇÔÀ¸·Î ±×¸¦ Á׿´¾î¿ä.

±×µéÀÇ ±¤±â¿Í ¸Í¸ñÀûÀÎ ¸ð½À¿¡¼­¿ä

µÚ¿¡¼­ Á׿´¾î¿ä.

 

There is sobbing of the strong,

And a pall upon the land;

But the People in their weeping

Bare the iron hand:

Beware the People weeping

When they bare the iron hand.

°­ÇÑ ÀÚÀÇ Èå´À³¦ÀÌ ÀÖ½À´Ï´Ù.

¶¥ À§¿¡ â¹®ÀÌ ÀÖ¾î¿ä.

ÇÏÁö¸¸ »ç¶÷µéÀº ¿ïºÎ¢°í ÀÖÁÒ.

°­Ã¶ ¼ÕÀ» ¹þ±é´Ï´Ù.

´«¹°À» È긮´Â »ç¶÷µéÀ» Á¶½ÉÇϼ¼¿ä.

°­Ã¶ÀÇ ¼ÕÀ» ¹þ°åÀ» ¶§¿ä

 

He lieth in his blood—

The father in his face;

They have killed him, the Forgiver—

The Avenger takes his place,

The Avenger wisely stern,

Who in righteousness shall do

What the heavens call him to,

And the parricides remand;

For they killed him in his kindness,

In their madness and their blindness,

And his blood is on their hand.

±×´Â ÇÇ ¼Ó¿¡ ´©¿ö ÀÖ¾î¿ä.

¾Æ¹öÁö ¾ó±¼À» Çϰí ÀÖ¾î¿ä.

±×µéÀÌ ±×¸¦ Á׿´¾î¿ä, ¿ë¼­ÀÚ...

¾îº¥Á®½º°¡ ÀÚ¸®¸¦ Àâ¾Ò¾î¿ä.

'¾îº¥Àú'´Â Çö¸íÇÏ°Ô ¾öÇÕ´Ï´Ù.

´©°¡ ÀǷοî ÀÏÀ» ÇϰڽÀ´Ï±î?

ÇÏ´ÃÀÌ ¹¹¶ó°í ºÎ¸£´ø°¡¿ä?

±×¸®°í »ìÀ°Àº ¿ä±¸ÇÕ´Ï´Ù;

Ä£ÀýÀ» º£Ç®¾î ±×¸¦ Á׿´À¸´Ï±î

±×µéÀÇ ±¤±â¿Í ¸Í¸ñÀûÀÎ ¸ð½À¿¡¼­¿ä

±×¸®°í ±×ÀÇ Çǰ¡ ±×µéÀÇ ¼Õ¿¡ ÀÖ¾î¿ä.

 

There is sobbing of the strong,

And a pall upon the land;

But the People in their weeping

Bare the iron hand:

Beware the People weeping

When they bare the iron hand.

°­ÇÑ ÀÚÀÇ Èå´À³¦ÀÌ ÀÖ½À´Ï´Ù.

¶¥ À§¿¡ â¹®ÀÌ ÀÖ¾î¿ä.

ÇÏÁö¸¸ »ç¶÷µéÀº ¿ïºÎ¢°í ÀÖÁÒ.

°­Ã¶ ¼ÕÀ» ¹þ±é´Ï´Ù.

´«¹°À» È긮´Â »ç¶÷µéÀ» Á¶½ÉÇϼ¼¿ä.

°­Ã¶ÀÇ ¼ÕÀ» ¹þ°åÀ» ¶§¿ä




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 15°¡Áö Ű¿öµå·Î Àд Çã¸Õ ¸áºô(Herman Melville)

01. ¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891)

02. ¸ðÇè¼Ò¼³(Adventure Fiction)? °í·¡ÀâÀÌ ¹Ú¹°ÇÐ(Natural Science)!

03. ÀÎÁ¾ÀÇ µµ°¡´Ï(Racial Melting Pot) ÇÇÄõµåÈ£(The Pequod)

04. ´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891)

05. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â) & ¸áºôÀÇ ºÎȰ(Melville Revival)

06. D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923)

07. ¸áºô Çùȸ(The Melville Society)(1945)

08. Á¸ ÈÞ½ºÅÏ(John Huston) °¨µ¶ÀÇ ¿µÈ­ ¸ðºñµñ(Moby Dick)(1956)

09. ¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958)

10. ¹Ù´ÙÀÇ, ¹Ù´Ù¿¡ ÀÇÇÑ, ¹Ù´Ù¸¦ À§ÇÑ ºê·£µå?! ½ºÅ¸¹÷½º(Starbucks)(1971)

11. ¹Ì±¹ ¿ìÁ¤Ã»(Ú¸ÏÐéèïÙôæ, United States Postal Service) Çã¸Õ ¸áºô ±â³ä¿ìÇ¥(1984)

12. ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010)

13. ¿µ¹®ÇР3´ë ºñ±Ø

14. ¹Ì±¹¿¡¼­ Çã¸Õ ¸áºô(Herman Melville)¸¦ ¸¸³ª´Â 3°¡Áö ¹æ¹ý

15. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Çã¸Õ ¸áºô(Herman Melville)

Çã¸Õ ¸áºôÀÇ ÀüÅõ Á¶°¢°ú ÀüÀïÀÇ ¾ç»ó(Battle-Pieces and Aspects of the War by Herman Melville)(1866)

The Portent(1859)

Misgivings

The Conflict of Convictions

Apathy and Enthusiasm

The March into Virginia

Lyon

Ball's Bluff

Dupont's Round Fight

The Stone Fleet

Donelson

The Cumberland

In the Turret

The Temeraire

A Utilitarian View of the Monitors Fight

Shiloh

The Battle for the Mississipppi

Malvern Hill

The Victor of Antietam

Battle of Stone River, Tennessee

Running the Batteries

Stonewall Jackson

Stonewall Jackson(ascribed to a Virginian)

Gettysburg

The House-Top

Look-out Mountain

Chattanooga

The Armies of the Wilderness

On the Photograph of a Corps Commander

The Swamp Angel

The Battle for the Bay

Sheridan at Cedar Creek

In the Prison Pen

The College Colonel

The Eagle of the Blue

A Dirge for McPherson

At the Cannon's Mouth

The March to the Sea

The Frenzy in the Wake

The Fall of Richmond

The Surrender at Appomattox

A Canticle

The Martyr

"The Coming Storm"

Rebel Color-bearers at Shiloh

The Muster

Aurora-Borealis

The Released Rebel Prisoner

A Grave near Petersburg, Virginia

"Formerly a Slave."

The Apparition

Magnanimity Baffled

On the Slain Collegians

America

Verses Inscriptive and Memorial

On the Home Guards who perished in the Defense of Lexington, Missouri

Inscription for Graves at Pea Ridge, Arkansas

The Fortitude of the North Under the Disaster of the Second Manassas

On the Men of Maine killed in the Victory of Baton Rouge, Louisiana

An Epitaph

Inscription for Marye's Heights, Fredericksburg

The Mound by the Lake

On the Slain at Chickamauga

An uninscribed Monument on one of the Battle-fields of the Wilderness

On Sherman's Men Who fell in the Assault of Kenesaw Mountain, Georgia

On the Grave of a young Cavalry Officer killed in the Valley of Virginia

A Requiem for Soldiers lost in Ocean Transports

On a Natural Monument in a Field of Georgia

Commemorative of a Naval Victory

Presentation to the Authorities, by Privates, of Colors captured in Battles ending in the Surrender of Lee

The Returned Volunteer to his Rifle

The Scout toward Aldie

Lee in the Capitol

A Meditation

Supplement

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,044)

 




 

Çã¸Õ ¸áºô(Herman Melville)

 

¼±¿ø(Crew) Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³(Adventure Fiction) ÀÛ°¡(1819~1891) : Çã¸Õ ¸áºôÀº ÇҾƹöÁö ¶§ºÎÅÍ ¹«¿ª»óÀ¸·Î ºÎ¸¦ ÃàÀûÇÑ ºÎÀ¯ÇÑ °¡¹®ÀÇ ¿©´ü ÇüÁ¦ Áß ¼Â°·Î ž dzÁ·ÇÑ À¯³â½ÃÀýÀ» º¸³Â½À´Ï´Ù. ±×·¯³ª, ¼öÀÔ»ó ¾Æ¹öÁöÀÇ ÀÕµû¸¥ »ç¾÷ ½ÇÆÐ¿Í »ç¸ÁÀ¸·Î °æÁ¦ÀûÀ¸·Î ¾î·Á¿òÀ» °Þ±â ½ÃÀÛÇÏ¿´À¸¸ç, Çо÷À» ÀØÁö ¸øÇÏ°í »ý°è¿¡ ¶Ù¾îµé¾î¾ß Çß½À´Ï´Ù. ±×·¯´ø Áß Àü ¼¼°è¸¦ °­Å¸ÇÑ Àå±â ºÒȲ(Long Depression)À¸·Î ÀÏÀÚ¸®¸¦ ÀÒ°í, 1839³â ¿µ±¹Çà È­¹°¼±¿¡ ¸öÀ» ½Ç¾ú½À´Ï´Ù. ÀÌÈÄ ±×´Â ¼±¿øÀÌÀÚ ¹Ì ÇØ±º ¼öº´À¸·Î ¼¼°è °¢ÁöÀÇ ¼¶ – ¸¶¸£Å°Áî Á¦µµ(Marquesas Islands)ÀÇ ´©Äí È÷¹Ù(Nuku Hiva), Å¸È÷Ƽ(Tahiti), Å¸ÀÌ¿ÀÇØ ¸¸(Taiohae Bay), ¶óÇÏÀ̳ª ¼¶(Lahaina), È£³î·ê·ç(Honolulu) µîÀ» ¶°µ¹¸ç ´Ù¾çÇÑ °æÇèÀ» ½×¾Ò°í ÀÌ´Â ±×°¡ ¸ðÇè¼Ò¼³ ÀÛ°¡·Î Ȱµ¿ÇÏ´Â ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ±×°¡ Á÷Á¢ ±³·ùÇÑ Å¸ÀÌÇÇ ºÎÁ·(Typee)°ú Èï¹ÌÁøÁøÇÑ ¸ðÇè ¿©Çà±â¸¦ ´ãÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)¿Í ¿À¹«(Omoo : A Narrative of Adventures in the South Seas)(1847)´Â Çã¸Õ ¸áºôÀ» ¡®¼±¿ø Ãâ½ÅÀÇ ¸ðÇè¼Ò¼³ ÀÛ°¡¡¯·Î ¼¼»ó¿¡ ¾Ë¸®´Â ÀÛǰÀ¸·Î Àα⸦ ´©·È½À´Ï´Ù. ±×·¯³ª, ÀÛǰÀÇ ¹æÇâÀ» ¿ÏÀüÈ÷ ¹Ù²Û ¼¼ ¹øÂ° ÀÛǰ ¸¶µð(Mardi : and a Voyage Thither)(1849)ºÎÅÍ ¿¹Àü°ú °°Àº È£ÆòÀ» ¹ÞÁö ¸øÇÏ¿´À¸¸ç »ó¾÷ÀûÀ¸·Îµµ ±×¸® ÁÁÀº ¼ºÀûÀ» °ÅµÎÁö ¸øÇÏ¿´½À´Ï´Ù. ¶§¹®¿¡ ±×´Â ¼¼°ü °Ë»ç¿øÀ¸·Î »ý°è¸¦ À̾¾ß Çß½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, Á×±â Á÷Àü±îÁö ºô¸® ¹öµå(Billy Budd, Sailor)(1924) ¿ø°í¸¦ ¼Õ¿¡¼­ ³õÁö ¾Ê¾ÒÀ» Á¤µµ·Î ¼Ò¼³Àº ¹°·Ð ½Ã±îÁö ²ÙÁØÈ÷ ÀÛǰ Ȱµ¿À» À̾°¬À¸¸ç, ÀÚºñÃâÆÇµµ °¨¼öÇÒ Á¤µµ·Î ¹®Çп¡ ´ëÇÑ ¶ß°Å¿î ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. Çã¸Õ ¸áºô ź»ý 100ÁÖ³â(1919³â)À» ±âÁ¡À¸·Î ¡®Àç¹ß°ß¡¯µÇ¾î ¡®¹Ì±¹ÀÇ ´ë¹®È£¡¯·Î½á Àü ¼¼°è¿¡ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ½À´Ï´Ù.

 

´º¿åŸÀÓÁî(The New York Times)ÀÇ ¸ðºñµñ(Mobie Dick)(1891) : Çã¸Õ ¸áºôÀº ŸÀÌÇÇ(Typee : A Peep at Polynesian Life)(1846)ºÎÅÍ ¿Ï¼ºÇϱâ Àü¿¡ »ç¸ÁÇÑ ºô¸® ¹öµå(Billy Budd, Sailor)(1924)±îÁö ½Ê¿© ÆíÀÌ ³Ñ´Â ÀÛǰÀ» ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´À¸³ª, ±×°¡ ¾òÀº ÃÑ ¼öÀÍÀº ¸¸ ´Þ·¯°¡ ³ÑÁö ¾Ê½À´Ï´Ù. ÇöÀçÀÇ ±×¿¡ ´ëÇÑ Æò°¡¿Í º°µµ·Î, Çã¸Õ ¸áºôÀº ÃʱâÀÛÀÇ ¹Ý¦ Àα⸦ Á¦¿ÜÇϸé, ´ëºÎºÐÀÇ Ã¥ÀÌ ÀýÆÇµÇ¾úÀ» Á¤µµ·Î »ì¾Æ »ýÀü¿¡ ¡®´ëÁßÀûÀ¸·Î ¼º°øÇÑ ÀÛ°¡¡¯´Â ¾Æ´Ï¿´½À´Ï´Ù. ¿ÀÁ×ÇÏ¸é ±×°¡ »ç¸ÁÇßÀ» ¶§ ´º¿åŸÀÓÁî(The New York Times) ºÎ°í¶õ¿¡¼­ ±×ÀÇ ÀÛǰÀ» Moby DickÀÌ ¾Æ´Ñ, Mobie DickÀ̶ó ¿À±âÇßÀ» Á¤µµ·Î ¸»ÀÌÁÒ.

 

D.H. ·Î·»½º(David Herbert Lawrence)ÀÇ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)(1923) : Ã¤Åи® ºÎÀÎÀÇ »ç¶û(Lady Chatterley's Lover)(1989)·Î Àß ¾Ë·ÁÁø ¿µ±¹ ÀÛ°¡ D.H. ·Î·»½º(David Herbert Lawrence)´Â 1923³â ¹ßÇ¥ÇÑ ¹Ì±¹ °íÀü¹®ÇÐ ¿¬±¸(Studies in Classic American Literature)À» ÅëÇØ ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe), ³Ê»õ´Ï¾ó È£¼Õ(Nathaniel Hawthorne), ¿ùÆ® ÈÖÆ®¸Õ(Walter Walt Whitman) µîÀÇ ´ë¹®È£¿Í ÇÔ²² Çã¸Õ ¸áºôÀÇ ÀÛǰÀ» ¼Ò°³ÇÏ¿´½À´Ï´Ù.

 

¸áºô Çùȸ(The Melville Society)(1945) : 1945³â Çã¸Õ ¸áºôÀÇ Àλý°ú ÀÛǰÀ» ¿¬±¸ÇÏ´Â ºñ¿µ¸® ´Üü ¸áºô Çùȸ(The Melville Society)(1945)°¡ ¹ßÁ·ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛǰ¿¡ ´ëÇÑ ¾ÆÄ«ÀÌºê ±¸ÃàÀ» ºñ·ÔÇØ Çã¸Õ ¸áºôÀ» ÁÖÁ¦·Î ÇÑ ÄÁÆÛ·±½º, ¿¬±¸È°µ¿ µîÀÇ È°µ¿À» Àü°³Çϰí ÀÖ½À´Ï´Ù. The Melville Society(https://melvillesociety.org)

 

¼­¸Ó½Ë ¸öÀÇ ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)(1958) : ¿µ±¹ Ãâ½ÅÀÇ ÀÛ°¡ ¼­¸Ó¼Â ¸ö(Somerset Maugham)Àº Àü ¼¼°èÀÇ(¿µ¹Ì±ÇÀ» Áß½ÉÀ¸·Î ·¯½Ã¾Æ¾î°¡ Æ÷ÇÔµÈ) ÁÖ¿ä ÀÛ°¡¿Í ÀÛǰÀ» °ñ¶ó 1958³â ¼¼°è 10´ë ¼Ò¼³(The World's Ten Greatest Novels by W. Somerset Maugham)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. Ç ÇʵùÀÇ ±â¾Æ Åè Á¸½ºÀÇ À̾߱â(The History of Tom Jones by Henry Fielding)(1749), Á¦ÀÎ ¿À½ºÆ¾ÀÇ ¿À¸¸°ú Æí°ß(Pride and Prejudice by Jane Austen)(1813), ½ºÅÁ´ÞÀÇ Àû°ú Èæ(Le Rouge et le Noir, The Red and the Black by Stendhal)(1830), ¿À³ë·¹ µå ¹ßÀÚÅ©ÀÇ °í¸®¿À ¿µ°¨(Le Pere Goriot, Old Man Goriot by Honoré de Balzac)(1834), ¿¡¹Ð¸® ºê·ÐÅ×ÀÇ ÆøÇ³ÀÇ ¾ð´ö(Wuthering Heights by Emily Brontë)(1847), Âû½º µðŲ½ºÀÇ µ¥À̺ñµå ÄÚÆÛÇʵå(David Copperfield by Charles Dickens)(1850), Çã¸Õ ¸áºôÀÇ ¸ðºñµñ(Moby Dick by Herman Melville)(1851), ±Í½ºÅ¸ºê Ç÷κ£¸£ÀÇ ¸¶´ã º¸¹Ù¸®(Madame Bovary by Gustave Flaubert)(1856), ·¹ÇÁ Å罺ÅäÀÌÀÇ ÀüÀï°ú ÆòÈ­(War and Peace by Leo Tolstoy)(1867), Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)

 

¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan Melvillei)(2010) : 2010³â »õ·Ó°Ô ¹ß°ßÇÑ ÃÊ´ëÇü ÇâÀ¯°í·¡(giant sperm whale)ÀÇ È­¼® À̸§Àº Çã¸Õ ¸áºôÀ» ±â¸®´Â ÇÐ¸í ¸®ºñ¾ÆÅº ¸áºô·¹ÀÌ(Livyatan melvillei)À¸·Î Áö¾îÁ³½À´Ï´Ù. ½ÅüÀÇ ÀϺκи¸ ¹ß°ßµÇ¾úÀ¸³ª, ÃѱæÀÌ 18¹ÌÅÍ¿¡ ¸ö¹«°Ô°¡ 40ÅæÀ¸·Î ÃßÁ¤µÉ Á¤µµ·Î °Å´ëÇÑ µ¢Ä¡¸¦ ÀÚ¶ûÇÕ´Ï´Ù. È£ÁÖ Beaumaris BayÀÇ ÇØº¯À» °È´Ù°¡, È­¼®À» ¹ß°ßÇÑ ¹ß°ßÀÚ Murray Orr°¡ ±×ÀÇ ÆÒÀ̶ó°í Çϳ׿ä.

 






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