¿µ¾î°íÀü184 ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ Á¤·É »çÁøÀÇ »ç·Ê(English Classics184 The Case for Spirit Photography by Arthur Conan Doyle)
English Classics184 The Case for Spirit Photography by Arthur Conan Doyle
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ÄÚ³­ µµÀÏÀÇ ÃÖÃÊÀÇ ¿µÈ¥¿¡ °üÇÑ ÀÛǰ(the first fiction dealing with spirits) : ¾Æ¼­ ÄÚ³­ µµÀÏÀº ÃÊÀÚÇöÀûÀÎ Çö»ó°ú ½É·É¼ú¿¡ °üÇÑ ´ÜÆíÀ» ¸ð¾Æ 1922³â ¿µ±¹ Á¸ ¸Ó·¹ÀÌ(John Murray) ÃâÆÇ»ç¸¦ ÅëÇØ Æ®¿ÍÀ϶óÀÕ°ú º¸ÀÌÁö ¾Ê´Â °Í¿¡ ´ëÇÑ À̾߱â(Tales of Twilight and the Unseen)(1922)¸¦ ÃâÆÇÇÏ¿´½À´Ï´Ù. 3³â ÈÄ ¹Ì±¹ ÃâÆÇ»ç George H. Doran Co.¿¡¼­ Á¦¸ñÀ» »ì¦ ¹Ù²Ù¾î À§´ëÇÑ Å²ÇöóÃ÷ ½ÇÇè°ú Æ®¿ÍÀ϶óÀÕ°ú º¸ÀÌÁö ¾Ê´Â °Í¿¡ ´ëÇÑ À̾߱â(The Great Keinplatz Experiment and Other Tales of Twilight and the Unseen by Arthur Conan Doyle)(1925)·Î Ãâ°£ÇÏ¿´½À´Ï´Ù.

 

À§´ëÇÑ Å²ÇöóÃ÷ ½ÇÇè(The Great Keinplatz Experiment)(1885)Àº ÄÚ³­ µµÀÏÀÌ º§±×¶óºñ¾Æ ¸Å°ÅÁø(Belgravia Magazine)À» ÅëÇØ 1885³â ¹ßÇ¥ÇÑ ÀÛǰÀ¸·Î ½É·É¼ú(spiritualism)¿¡ °ü½ÉÀÌ ÀÖ´ø ±×°¡ ÁýÇÊÇÑ ¡®ÃÖÃÊÀÇ ¿µÈ¥¿¡ °üÇÑ ÀÛǰ¡¯(the first fiction dealing with spirits)À̶õ Ư¡ÀÌ ÀÖ½À´Ï´Ù. ´ÜÇົÀ¸·Î Ãâ°£µÇ±âµµ 30³â ÀüÀ̶ó´Ï, ±×ÀÇ ½É·É¼ú¿¡ ´ëÇÑ °ü½ÉÀº °áÄÚ ÇÏ·ç¾ÆÄ§¿¡ ¿Ï¼ºµÈ °ÍÀÌ ¾Æ´Õ´Ï´Ù. ³ÃöÇÑ À̼ºÀÇ Å½Á¤ ¼È·Ï ȨÁî(Sherlock Holmes)¸¦ âÁ¶ÇÑ ÀÛ°¡°¡, È²´ç¹«°èÇϱâ ¦ÀÌ ¾ø´Â ½É·É¼ú¿¡ ºüÁ® ±ÛÀ» ½èÀ» »Ó ¾Æ´Ï¶ó, ½É·ÉÇÐȸ¿¡ ÀûÁö ¾ÊÀº ¿¬±¸ºñ¸¦ Áö¿øÇÑ ÀÌÀ¯¿¡ ´ëÇØ¼­´Â ¼È·ÎŰ¾ðµéÀÇ ÀǰßÀÌ ºÐºÐÇÕ´Ï´Ù¸¸... »ç½Ç ¡®À¯¸íÀÛ°¡ÀÇ Àº¹ÐÇÑ ºñ¹Ð¡¯Ã³·³ µ¶ÀÚµéÀ» Ȧ¸®´Â ¶±¹äÀº ÈçÄ¡ ¾ÊÀ»Å״ϱî¿ä! ÄÚ³­ µµÀÏÀÌ ÈÄó¿Í °áÈ¥ÇÑ ÈÄ ÀüóÀÇ Àڽĵ鿡°Ô ¼ÒȦÇÏ¿´°í ÀÌ °úÁ¤¿¡¼­ »ý°è¸¦ À§ÇØ ÀüÀï¿¡ ÂüÀüÇÑ ¾ÆµéÀÌ Àڽź¸´Ù ÀÏÂï ¼¼»óÀ» ¶°³­ °Í¿¡ ´ëÇÑ ÀÚÃ¥°¨ÀÌ ¡®Á×Àº ÀÚ¿Í ¼ÒÅëÇÒ ¼ö ÀÖ´Ù¡¯´Â ½É·É¼ú¿¡ ¸Å·áµÈ °è±â Áß Çϳª¶ó°í ÃßÁ¤µË´Ï´Ù.

 

±×·¯³ª, ÄÚ³­ µµÀÏÀÌ ÁýÇÊÇÑ ½É·ÉÁÖÀÇ ¹× ÃÊÀÚ¿¬ÀûÀÎ Çö»ó(Spiritualist and paranormal works) À帣 Áß Ãʱ⿡ ÇØ´çÇϴ »õ·Î¿î °è½Ã·Ï(The New Revelation by Arthur Conan Doyle)(1917)°ú ¹ÙÀÌÅ» ¸Þ½ÃÁö(The Vital Message by Arthur Conan Doyle)(1919)´Â ¸ðµÎ ¾Æµé Å·½½¸®(Kingsley)ÀÇ »ç¸Á(1918) ÀÌÀü¿¡ Ãâ°£µÇ¾ú½À´Ï´Ù. ±×°¡ ½É·É¼ú¿¡ °ü½ÉÀ» µÎ±â ½ÃÀÛÇÑ °ÍÀº ¿ª¼³ÀûÀ¸·Î ±×°¡ ÀÇÇÐÀ» °øºÎÇÑ, ¿¡µò¹ö·¯ Àǰú´ëÇÐ ¼ö·á(1881) ÀüÀ̶ó´Â ÁÖÀåÀÌ ¿ÀÈ÷·Á ´õ ¼³µæ·ÂÀÌ ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ Á¤·É »çÁøÀÇ »ç·Ê(The Case for Spirit Photography by Arthur Conan Doyle)(1922) : ÄÚ³­ µµÀÏÀº ¿äÁ¤ÀÇ µµ·¡(The Coming of the Fairies by Arthur Conan Doyle)(1922)¸¦ Ãâ°£ÇÑ ÈÄ ½Åºñ·Î¿î Á¸Àç(Spirit)¿¡ °üÇÑ ´Ù¾çÇÑ »ç·Ê¸¦ ¸ð¾Ò°í, À̸¦ Á¤·É »çÁøÀÇ »ç·Ê(The Case for Spirit Photography by Arthur Conan Doyle)(1922)·Î ¹­¾î Ãâ°£ÇÏ¿´½À´Ï´Ù. ½É·É»çÁøÀ¸·Î ÀÎÇØ »ç±â(fraud) ÇøÀÇ·Î ±â¼ÒµÈ ÁöÀΠ– ½É·É¼ú»ç(Spiritualist) Àª¸®¾ö È£ÇÁ(William Hope)(1863~1933)°¡ ÁÖµµÇÑ °­½Å¼ú»ç ±×·ì(spiritualists group) Å©·ç ¼­Å¬(Crewe Circle)À» º¯È£Çϱâ À§ÇÑ ¸ñÀûÀ¸·Î ÁýÇÊÇÏ¿´À¸¸ç, ±×¿Í µ¿½Ã¿¡ ÀÌ Ã¥À» ÅëÇØ ´ëÁߵ鿡°Ô ¹ÌÁöÀÇ Á¸Àç(Sprit)°¡ ½ÇÁ¦·Î Á¸ÀçÇÔÀ» ¾Ë¸®°íÀÚ Çß½À´Ï´Ù. Ã¥ÀÇ ±âȹÀǵµ¿Í ¸ñÀûÀº ¼­¹®(Preface)À» ÅëÇØ ¹àÈ÷°í ÀÖÁö¿ä.

 

PREFACE. The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. ÃÖ±Ù ½É·É»çÁø(Psychic Photography)¿¡ ´ëÇÑ °ø°Ý¿¡ ´ëÇÑ È«º¸´Â Áõ°Å·Î¼­ÀÇ °úÇÐÀû °¡Ä¡¿¡ ºñÇØ ÀüÇô ¸ÂÁö ¾Ê¾Ò½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀÌ ¼º°øÀûÀÎ ¹Ì±¹ ¼øÈ¸¸¦ ¸¶Ä¡°í ¿µ±¹À¸·Î µ¹¾Æ¿ÔÀ» ¶§ ³í¶õÀº ÇÑâÀ̾ú½À´Ï´Ù. ±×´Â ƯÀ¯ÀÇ ½Å¼ÓÇÔÀ¸·Î ÀÌ·¯ÇÑ ºÎÁ¤ÀûÀÎ °ø°Ý¿¡ ±àÁ¤ÀûÀÎ ¹Ý°ÝÀ¸·Î Áï½Ã ´ëóÇϱâ·Î °áÁ¤Çß°í, ÀÌ Ã¥Àº ±× °áÁ¤ÀÇ °á°úÀÔ´Ï´Ù.

 

±×·¯³ª Àª¸®¾ö È£ÇÁ(William Hope)°¡ ÃÔ¿µÇÑ ½É·É»çÁøÀº ±×¸©¿¡ »õ°ÜÁø ƯÁ¤ÇÑ ·Î°í µîÀ¸·Î ÀÎÇØ ±³¹¦ÇÑ ÇÕ¼ºÀÌÀÚ »ç±â¿´´Ù´Â °ÍÀÌ ¹ß°¢µÇ¾ú½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸Çϰí, ÄÚ³­ µµÀÏÀº ÀÌ °°Àº »çÅ¿¡µµ ºÒ±¸Çϰí, È£ÇÁ¿¡ ´ëÇÑ ½Å·Ú¸¦ ÀÒÁö ¾Ê¾Ò±â¿¡ Á¤·É »çÁøÀÇ »ç·Ê(The Case for Spirit Photography by Arthur Conan Doyle)(1922)¸¦ Ãâ°£ÇØ ±×¸¦ µÎµÐÇϰíÀÚ Çß½À´Ï´Ù. ÀÌ´Â ÄÚ³­ µµÀÏÀÌ ¾ó¸¶³ª ½É·É¼ú¿¡ ½ÉÃëÇÏ¿´´ÂÁö ¿³º¼ ¼ö ÀÖ´Â ´ë¸ñÀÔ´Ï´Ù. ¾î¼¸é ½É·É¼úÀ» ¹Ï¾ú´Ù±â º¸´Ù´Â, ½É·É¼úÀÌ Á¸ÀçÇÏ´Â °ÍÀ» ¹Ï°í ½Í¾ú´ÂÁöµµ ¸ð¸£°Ú½À´Ï´Ù. ³ÃöÇÑ À̼ºÀÇ Å½Á¤ ¡®¼È·Ï ȨÁîÀÇ ¾Æ¹öÁö¡¯¶ó±â¿¡´Â ³Ê¹«³ª »ó¹ÝµÈ ÇൿÀÌ ¾Æ´Ò ¼ö ¾ø¾î¼­ ÇöÀç±îÁö ½¢ÇÑ È£»ç°¡µéÀÇ ÀÔ¿¡ ¿À¸£³»¸®´Â °ÍÀ» ÇÇÇÒ ¼ö ¾ø°Ô µÇ¾ú½À´Ï´Ù. ÀÛǰÀÇ ³»¿ë ´ëºÎºÐÀÌ Àª¸®¾ö È£ÇÁ(William Hope)ÀÇ ½É·É¼ú°ú À̸¦ Áõ¸íÇÒ ¼ö ÀÖ´Â ´Ù¾çÇÑ »ç·ÊÀÇ ³ª¿­·Î ÀÌ·ç¾îÁ® ÀÖ¾î (È£ÇÁ°¡ »ç±â²ÛÀ̶ó´Â °ÍÀ» ¾Ë°í ÀÖ´Â µ¶ÀÚ°¡ ¾Æ´Ï´õ¶óµµ) µµÀúÈ÷ ÀÛ°¡ ÄÚ³­ µµÀÏÀÌ °´°üÀûÀ¸·Î ÁýÇÊÇÏ¿´´Ù°í º¼ ¼ö´Â ¾ø½À´Ï´Ù. Å³¸µÅ¸ÀÓ¿ëÀ¸·Î 20¼¼±â ¿µ±¹¿¡¼­ À¯ÇàÇÑ ½É·É¼ú°ú ´ç´ëÀÇ (ÇÕ¼ºµÈ) Á¤·É»çÁø, ÄÚ³­ µµÀÏÀÇ ÀÌ¿¡ ´ëÇÑ ¿­Á¤ µîÀ» ¿³º¸°í ½ÍÀº ¸ñÀûÀ¸·Î Ãßõ µå¸³´Ï´Ù.

 

It is a popular fallacy that it is the easiest thing in the world to fake a ¡°spirit¡± photograph. Those few photographers who have tried to imitate a genuine psychic effect have usually made the discovery that it is by no means so easy a matter as it appears, even when no restriction is placed on the conditions under which the fake should be produced. When conditions are imposed, similar to those usually obtaining with, say, the Crewe Circle, the difficulty of producing a fraudulent result is enormously increased. Under certain conditions, where suitable precautions are employed and where the sitter has a thorough knowledge of photography, plus an acquaintance with trick methods, even the possibility of deception without detection can, for all practical purposes, be ruled out of court. Under these special conditions, investigators of repute have on many occasions secured successful psychic results. CHAPTER VIII. EVIDENTIAL AND SCIENTIFIC ASPECTS OF PSYCHIC PHOTOGRAPHY

 

"¿µÈ¥" »çÁøÀ» À§Á¶ÇÏ´Â °ÍÀÌ ¼¼»ó¿¡¼­ °¡Àå ½¬¿î ÀÏÀ̶ó´Â °ÍÀº ´ëÁßÀûÀÎ ¿À·ùÀÔ´Ï´Ù. ÁøÁ¤ÇÑ ½É·É È¿°ú¸¦ ¸ð¹æÇÏ·Á°í ³ë·ÂÇÑ ¼Ò¼öÀÇ »çÁøÀÛ°¡µéÀº °¡Â¥°¡ ¸¸µé¾îÁö´Â Á¶°Ç¿¡ ¾Æ¹«·± Á¦Çѵµ µÎÁö ¾Ê´õ¶óµµ ±×°ÍÀÌ º¸ÀÌ´Â °Íó·³ °áÄÚ ½¬¿î ÀÏÀÌ ¾Æ´Ï¶ó´Â »ç½ÇÀ» ¹ß°ßÇß½À´Ï´Ù. Å©·ç ¼­Å¬(Crew Circle)°ú °°ÀÌ ÀϹÝÀûÀ¸·Î ȹµæÇÏ´Â Á¶°Ç°ú À¯»çÇÑ Á¶°ÇÀÌ ºÎ°úµÇ¸é »ç±â °á°ú¸¦ ³»´Â µ¥ ¾î·Á¿òÀÌ Å©°Ô Áõ°¡ÇÕ´Ï´Ù. ÀûÀýÇÑ ¿¹¹æ Á¶Ä¡°¡ Àû¿ëµÇ°í ½ÃÅͰ¡ »çÁø¿¡ ´ëÇÑ Ã¶ÀúÇÑ Áö½Ä°ú Æ®¸¯ ¹æ¹ý¿¡ ´ëÇØ Àß ¾Ë°í Àִ ƯÁ¤ Á¶°Ç¿¡¼­´Â µéŰÁö ¾Ê°í ¼ÓÀÏ °¡´É¼ºµµ ¸ðµç ½ÇÁ¦ÀûÀÎ ¸ñÀûÀ» À§ÇØ ¹ýÁ¤¿¡¼­ ¹èÁ¦µÉ ¼ö ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ Æ¯º°ÇÑ Á¶°Ç¿¡¼­ ÆòÆÇÀÌ ÁÁÀº Á¶»çÀÚµéÀº ¸¹Àº °æ¿ì¿¡ ¼º°øÀûÀÎ ½É·É °á°ú¸¦ ¾ò¾ú½À´Ï´Ù.




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 30°¡Áö Ű¿öµå·Î Àд ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

01. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)

02. ¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor)

03. Å½Á¤(Detective)

04. ½ÃÀÎ(Poet)

05. ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902)

06. ¼È·Ï ȨÁîÀÇ ½ÇÁ¦ ¸ðµ¨Àº ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh) Á¶¼Á º§ (Joseph Bell) ±³¼ö?!

07. Á¸ H. ¿Ó½¼(John H. Watson)Àº ÀÛ°¡ º»ÀÎ?!

08. ¼È·ÎŰ¾ð(Sherlockian), È¨Áö¾ð(Holmesian)

09. ¼È·Ï ȨÁîÀÇ »ç¸Á(4 May 1891)

10. ¼È·Ï ȨÁîÀÇ ºÎȰ(1902)

11. ¿¬±Ø ¼È·Ï ȨÁî(Sherlock Holmes, Play)(1899)

12. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903)

13. ¸ð¸®½º ¸£ºí¶û(Maurice Marie Émile Leblanc) ¾Æ¸£¼¾ ·òÆØ(Arsène Lupin)¿¡ ¼È·Ï ȨÁî(Herlock Sholmès)°¡?!(1908)

14. ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe)¿Í ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)À» ÇÕÇϸé? ¸íŽÁ¤ ÄÚ³­(Ù£÷®ïÏ «³«Ê«ó)(1994~ÇöÀç)!

15. ¿µ±¹ BBC One ¼È·Ï(Sherlock)(2010, 2012, 2014, 2017)

16. ÁÖ¿ä ÀÛǰ(Books)

16-1. ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)

16-2. ³× »ç¶÷ÀÇ ¼­¸í(The Sign of the Four)(1890)

16-3. ¼È·Ï ȨÁîÀÇ ¸ðÇè(The Adventures of Sherlock Holmes)(1892)

16-4. ¼È·Ï ȨÁîÀÇ È¸»ó·Ï(The Memoirs of Sherlock Holmes)(1893)

16-5. ¹Ù½ºÄ¿ºôÀÇ »ç³É°³(The Hound of the Baskervilles)(1902)

16-6. ¼È·Ï ȨÁîÀÇ ±Íȯ(The Return of Sherlock Holmes)(1905)

16-7. ÀÒ¾î¹ö¸° ¼¼°è(The Lost World)(1912)

16-8. °øÆ÷ÀÇ °è°î(The Valley of Fear)(1915)

16-9. ¼È·Ï ȨÁîÀÇ ¸¶Áö¸· Àλç(His Last Bow : An Epilogue of Sherlock Holmes)(1917)

16-10. ¼È·Ï ȨÁîÀÇ »ç°ÇÁý(The Case-Book of Sherlock Holmes)(1927)

17. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸»(Conversations with Arthur Conan Doyle : In His own Words)(2016)

18. ¿µ±¹¿¡¼­ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)¸¦ ¸¸³ª´Â 13°¡Áö ¹æ¹ý

19. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

20. ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle) ¾î·Ï(Quotes)

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ Á¤·É »çÁøÀÇ »ç·Ê(The Case for Spirit Photography by Arthur Conan Doyle)(1922)

Preface

I. The Crewe Circle

II. Some Personal Experiences

III. Evidential Tests And Their Results

IV. An Examination Of Mr. Hope And His Critics

V. Further Difficulties Considered

VI. The Attack On Mrs. Deane And Mr. Vearncombe

VII. The Genesis And History Of The Crewe Circle By Miss F. R. Scatcherd

VIII. Evidential And Scientific Aspects Of Psychic Photography By Fred Barlow

IX. Conclusive Proof From Many Sources

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

 

¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930) : ±¹³»¿¡¼­´Â ÈçÈ÷ ¾Æ¼­(Arthur)¸¦ Á¦¿ÜÇÑ ÄÚ³­ µµÀÏ(Conan Doyle)·Î ºÎ¸£´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ÀÇ ¡®ÀÇ»ç Ãâ½Å ¼Ò¼³°¡¡¯ÀÔ´Ï´Ù. ÄÚ³­ µµÀÏ(Conan Doyle)À̶ó°í ºÎ¸¦ °æ¿ì ÄÚ³­ÀÌ À̸§, µµÀÏÀÌ ¼ºÀ̶ó°í ¿ÀÇØÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ ¾Æ¹öÁö¿Í ¾î¸Ó´Ï »çÀÌ¿¡¼­ ž ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)·Î °³¾÷ÇÑ º´¿ø¿¡ ¼Õ´ÔÀÌ ¾ø¾î, ÇѰ¡ÇÑ ½Ã°£¿¡ ¼Ò¼³À» ½è´Âµ¥, ÀÌ ¼Ò¼³ÀÌ ¹Ù·Î ±× À¯¸íÇÑ ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®Áî¶õ °Ç ÀÍÈ÷ ¾Ë·ÁÁø ź»ýºñÈ­ÁÒ! ¼Ò¼³ÀÌ Àα⸦ ²øÀÚ ÀÛ°¡¸¦ ¸¸³ª°í ½ÍÀº ȯÀÚ(?!)µéÀÇ ¹æ¹®À¸·Î Àá½Ã º´¿øÀÌ ºÏÀû°Å¸®±âµµ Çß½À´Ï´Ù¸¸, ±Û·Î ¹ö´Â ¼öÀÔÀÌ º´¿ø ¼öÀͰú ºñ±³ÇÒ ¼ö ¾øÀ» Á¤µµ·Î Ä¿ÁöÀÚ, º´¿øÀ» ¶§·ÁÄ¡°í º»°ÝÀûÀ¸·Î Àü¾÷ ÀÛ°¡·Î Ȱµ¿ÇÏ¿´½À´Ï´Ù. ±×´Â 1887³â ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)¸¦ ½ÃÀÛÀ¸·Î ¼È·Ï ȨÁî(Sherlock Holmes)¿Í ÀÇ»ç ¿Ó½¼(Dr. Watson)ÀÌ µîÀåÇÏ´Â ÀåÆí ¼Ò¼³ 4Æí°ú ´ÜÆí 56ÆíÀ» ¹­Àº 5ÆíÀÇ ´ÜÆíÁýÀ» ÁýÇÊÇÏ¿´½À´Ï´Ù. ¼È·Ï ȨÁî°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°ÇÀº 1877³âºÎÅÍ 1903³â±îÁö ¸ðµÎ 58°ÇÀ̸ç, ÀºÅð ÈÄ¿¡ 2°ÇÀ» ´õÇØ ÃÑ 60°ÇÀÔ´Ï´Ù. Áï 60ÆíÀÇ ¿¡ÇǼҵå´Â ±×°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°Ç°ú °°Àº ¼ýÀÚÀÔ´Ï´Ù. ¼È·Ï ȨÁî(Sherlock Holmes) ÀÌÀü¿¡µµ ŽÁ¤ÀÌ µîÀåÇÏ´Â Ã߸® ¼Ò¼³ÀÌ ¾ø´ø °ÍÀº ¾Æ´ÏÁö¸¸, ½ÇÁ¦ »ç°Ç¿¡¼­ ¸ðƼºê¸¦ µû¿À°í, ¿µ±¹À» ºñ·ÔÇØ ¼¼°è °¢Áö¿¡¼­ ¸ÍȰ¾àÇϸç, À°Ã¼ÀûÀÎ Èûº¸´Ù´Â ºñ»óÇÑ Ã߸®·ÂÀ¸·Î »ç°ÇÀ» ÇØ°áÇÏ´Â ¸íŽÁ¤ ij¸¯Å͸¦ ±¸ÃàÇϰí, ±×¸¦ µ½Àº Á¶·ÂÀÚ¿ÍÀÇ ²ö²öÇÑ ¿ìÁ¤À» ¹üÁË ¼Ò¼³(Crime fiction)ÀÇ °ø½Äó·³ ±¸ÃàÇÑ °ÍÀº ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÇ °øÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ´ëÁßÀûÀÎ Àα⸦ ¾òÀº ¼È·Ï ȨÁî ½Ã¸®Á´Ù´Â ´Ù¸¥ ºÐ¾ß – ¿ª»ç¼Ò¼³À» ºñ·ÔÇØ ³íÇȼÇ, ±Øº», ½Ã, ÆÇŸÁö, ¸á·Î¼Ò¼³, È£·¯, SF´Â ¹°·Ð ½É·É¼Ò¼³±îÁö!, ¿¡ ´õ¿í °ü½ÉÀÌ ¸¹¾Æ Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ½¬Áö ¾Ê°í ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ´Ù¸¸ ¼È·Ï ȨÁ Á¦¿ÜÇÑ ´Ù¸¥ ºÐ¾ßÀÇ ±ÛÀº Å©°Ô Àα⸦ ²øÁö ¸øÇß½À´Ï´Ù.

 

¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ ºÏºÎÀÇ ½ºÄÚÆ²·£µå¿¡ À§Ä¡ÇÑ ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh)¿¡¼­ ÀÇÇÐÀ» Àü°øÇÏ¿´°í, 1881³â Á¹¾÷(Bachelor of Medicine and Master of Surgery)ÇÏ¿´½À´Ï´Ù. ÀÇ»ç¶ó´Â Á÷¾÷À» »ì·Á Æ÷°æ¼± The Greenland whaler Hope of Peterhead(1880)°ú È­¹°¼± the SS Mayumba(1881)¿¡¼­ ¼ö°³¿ù°£ ¼±ÀÇ(àÏì¢)·Î ±Ù¹«Çϴ°¡ Çϸé, ³²¾ÆÇÁ¸®Ä«¿¡¼­ ¹ß¹ßÇÑ ³×´ú¶õµå°è º¸¾îÁ·°ú ¿µ±¹±º °£ÀÇ Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ±ºÀǰü(ÏÚì¢Î¯)À¸·Î ÂüÀüÇÏ´Â µî Æò¹üÇÏÁö ¾ÊÀº ÀÇ»ç »ýȰÀ» ÇÏ¿´°í, À̰°Àº ´Ù¾çÇÑ °æÇèÀº ±×ÀÇ ÀÛ°¡·Î½áÀÇ ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ¿µ±¹ ³²¼­ºÎÀÇ Çø®¸Ó½º(Plymouth)(1882), ¿µ±¹ ³²ºÎÀÇ Ç×±¸µµ½Ã Æ÷Ã÷¸Ó½º(Portsmouth)(1882)¿¡¼­ °³¾÷À» ÇÏ¿´À¸³ª ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò°í, ÀÌÈÄ ÀÚ½ÅÀÇ ¼Ò¼³ ¼Ó ¹è°æÀÌ´ø ¿µ±¹ÀÇ ¼öµµ ·±´øÀ¸·Î ¿Å°å½À´Ï´Ù. ±× À¯¸íÇÑ º£ÀÌÄ¿°¡ 221B ¹øÁö(221b Baker)°¡ ¹Ù·Î ·±´ø¿¡ ÀÖÁö¿ä!

 

ŽÁ¤(Detective) : ¾Æ¼­ ÄÚ³­ µµÀÏÀº Á÷¾÷ÀûÀΠŽÁ¤(Detective)Àº ¾Æ´Ï¾úÀ¸³ª, »ç¹ý Á¤ÀÇ¿¡ °ü½ÉÀÌ ¸¹¾Ò°í Àû±ØÀûÀ¸·Î ÀÚ½ÅÀÇ ÀǰßÀ» °³ÁøÇÏ¿´½À´Ï´Ù. 1906³â ¿µ±¹Àΰú ÀεµÀÎ »çÀÌ¿¡ ž È¥Ç÷ º¯È£»ç Á¶Áö ¿¡´ÞÁö(George Edalji)°¡ ¸»À» ÇØÄ£ ÇøÀÇ·Î ±â¼ÒµÇ¾ú½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ±×ÀÇ ½Ã·ÂÀÌ ¸Å¿ì ÁÁÁö ¾Ê¾Æ Çö½ÇÀûÀ¸·Î ¹üÇàÀ» ÀúÁö¸£°í, °æÂûÀÇ ÃßÀûÀ» ÇÇÇØ µµÇÇÇÏ´Â °ÍÀÌ Çö½ÇÀûÀ¸·Î ¾î·Æ´Ù´Â °ÍÀ» ¹àÇô ±×°¡ 3³â ¸¸¿¡ ÀÚÀ¯ÀÇ ¸öÀÌ µÉ ¼ö ÀÖµµ·Ï µµ¿Ô½À´Ï´Ù. ÀÌ »ç°ÇÀº 1972³â BBC¸¦ ºñ·ÔÇØ ´Ù¾çÇÑ ¸Åü¿¡¼­ ¶óµð¿À, TV µîÀ¸·Î °¢»öÇØ ¹æ¿µÇÏ¿´½À´Ï´Ù. 1908³â¿¡´Â µ¶ÀÏ Ãâ½ÅÀÇ À¯´ëÀÎ ¿À½ºÄ« ½½·¹ÀÌÅÍ(Oscar Slater)°¡ °í·ÉÀÇ ¿©¼ºÀ» ÆøÇàÇÑ ÇøÀÇ·Î À¯ÁË ÆÇ°áÀ» ¹ÞÀÚ, ±×ÀÇ Ç×¼Ò¸¦ µ½±â À§ÇØ ¼Ò¼Ûºñ¿ëÀ» Áö¿øÇÏ¿´½À´Ï´Ù. ½ÇÁ¦·Î ¼È·Ï ȨÁîÀÇ Ã߸®·ÂÀ» ±â´ëÇÑ ¿µ±¹ °æÂûÀÌ ¹ÌÇØ°á»ç°ÇÀÇ ¼ö»ç¸¦ ÀÛ°¡ÀÎ ¾Æ¼­ ÄÚ³­ µµÀÏ¿¡°Ô ¿äûÇÒ Á¤µµ·Î ´ëÁßµéÀÇ ±×¿¡ ´ëÇÑ ½Å·Ú´Â ¶ß°Å¿ü½À´Ï´Ù.

 

½ÃÀÎ(Poet) : ¡®¹üÁ˼Ҽ³ÀÇ ´ë°¡¡¯ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÌ ½ÃÀÎ(Poet)À̶ó´Ï?! ±×·¯³ª, ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº Æò»ý õ Æí ÀÌ»óÀÇ ÀÛǰÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡·Î, ¼ö¹éÆíÀÇ ½Ã¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. 12¼¼(1870)¿¡ ¾´ ÃÖÃÊÀÇ ½Ã ÇлýÀÇ ²Þ(A Student's Dream)ºÎÅÍ 1922³â±îÁö Æò»ý¿¡ °ÉÃÄ 242ÆíÀÇ ½Ã¸¦ ½èÀ¸¸ç, ±× Áß¿¡ 104ÆíÀº °ø½ÄÀûÀ¸·Î ¸Åü¸¦ ÅëÇØ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº 1902³â ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®ÁîÀÇ ÀÛ°¡ÀÌÀÚ, Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ÂüÀüÇÑ ±ºÀÎÀ¸·Î½áÀÇ °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ ±â»çÀÛÀ§(Knight Bachelor)¸¦ ¹Þ¾Ò½À´Ï´Ù. ÀÌ·Î½á ±×ÀÇ °ø½Ä ¸íĪÀº ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL). ±â»ç ÀÛÀ§¸¦ ¹ÞÀº ÈÄ ·±´ø ¼­³²ºÎÀÇ ¼­·¹ÀÌ(Surrey) ºÎÁö»ç(Deputy Lieutenant)·Î ÀÓ¸íµÇ¾ú½À´Ï´Ù. ±×¿¡°Ô ±â»ç¸¦ ¼ö¿©ÇÑ Àι°Àº ºòÅ丮¾Æ ¿©¿ÕÀÇ ÀåÀÚ ¿¡µå¿öµå 7¼¼(Edward VII)·Î, ¹«·Á 60¼¼ÀÇ ³ªÀÌ·Î ÁïÀ§ÇÏ¿´´Ù´Â... À̵ëÇØ 1903³â¿¡´Â ¼¼ÀÎÆ®Á¸ ÈÆÀå 2µî±Þ(Knight of Grace of the Most Venerable Order of the Hospital of Saint John of Jerusalem, KStJ)À» ¼ö¿©ÇÏ¿´½À´Ï´Ù. ÀÌ ¿Ü¿¡µµ Queen's South Africa Medal(1901), Knight of the Order of the Crown of Italy(1895), Order of the Medjidie – 2nd Class(Ottoman Empire)(1907) µîÀ» ¹Þ¾Ò½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903) : ¾Æ¼­ ÄÚ³­ µµÀϴ 1930³â 7¿ù 7ÀÏ Å©·Î¿ìº¸·Î¿ì(Crowborough)ÀÇ ÀÚÅàWindlesham Manor¿¡¼­ ±×ÀÇ 2¹øÂ°ÀÌÀÚ ¸¶Áö¸· ºÎÀÎ Áø ·¹Å°(Jean Leckie)ÀÇ Ç°¿¡ ¾È°Ü »ç¸ÁÇÏ¿´½À´Ï´Ù. ±×ÀÇ ¸¶Áö¸· À¯¾ðÀº ´ÙÀ½°ú °°½À´Ï´Ù. You are wonderful. ´ç½Å ³Ê¹« ¸ÚÁ®. Å©·Î¿ìº¸·Î¿ì(Crowborough)¿¡ ±×ÀÇ µ¿»óÀÌ ÀÖ½À´Ï´Ù.

 

Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡ : ¾Æ¼­ ÄÚ³­ µµÀÏÀº 56ÆíÀÇ ¼È·Ï ȨÁî ½Ã¸®Á Æ÷ÇÔÇØ 258ÆíÀÇ ¼Ò¼³, ¿¡¼¼ÀÌ, ±â»ç¸¦ ÁýÇÊÇÏ¿´À¸¸ç ±× ºÐ¾ß ¶ÇÇÑ ¹üÁ˼Ҽ³ºÎÅÍ ¿ª»ç, ÆÇŸÁö, ¸ðÇè, °ø»ó °úÇÐ ¼Ò¼³, µå¶ó¸¶, ÀüÀï µî ¸Å¿ì ´Ù¾çÇÏ¿´½À´Ï´Ù. ÀÌ¿Í º°µµ·Î ¿¡¼¼ÀÌ, ÆÊÇ÷¿, ±â»ç, ¾ð·Ð ÆíÁö, ½Ã, ÀÎÅͺä, ¿¬±Ø µî ¼ö¸¹Àº ºÐ¾ßÀÇ ±ÛÀ» 1,200Æí ÀÌ»ó ÁýÇÊÇÒ Á¤µµ·Î ¿Õ¼ºÇÏ°Ô È°µ¿ÇÏ¿´½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ÀÇÇÐÀ» Àü°øÇÑ ¿¤¸®Æ®·Î ´Ù¾çÇÑ ºÐ¾ß¿¡ È£±â½ÉÀ» °¡Áø ¡®´ÙÀÛ ÀÛ°¡¡¯¿´½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ¡®¹üÁ˼Ҽ³ ÀÛ°¡¡¯°¡ ¾Æ´Ñ, ¡®¿ª»ç¼Ò¼³ ÀÛ°¡¡¯·Î ´ëÁߵ鿡°Ô ÀÎÁ¤¹Þ°í ½Í¾ú½À´Ï´Ù¸¸... ¿ì¸®¿¡°Ô´Â ¿©ÀüÈ÷ ¼È·Ï ȨÁîÀÇ ÀúÀڷθ¸ ±â¾ïµÇ´Â ¡®ºñ¿îÀÇ ÀÛ°¡¡¯À̱⵵ ÇÏÁö¿ä. »ýÀÇ ¸»¹Ì¿¡ °­·É¼ú¿¡ ½ÉÃëÇÑ °ÍÀº °úÇÐÀûÀÎ »ç½ÇÀ» Áß½ÃÇÏ´Â ±×ÀÇ Ã¶Çаú ´Ù¼Ò »óÀÌÇÑ °ÍÀ¸·Î º¸ÀÔ´Ï´Ù¸¸, ÀÌ ¶ÇÇÑ ¡®ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ¡¯ÀÇ Èï¹Ì·Î¿î ¶±¹ä Áß¿¡ ÇϳªÀÎ °ÍÀº ºÐ¸íÇÕ´Ï´Ù. ¼È·Ï ȨÁî ½Ã¸®Áî´Â ±×ÀÇ »ý¾Ö ½ÃÀýºÎÅÍ ¿¬±ØÀ¸·Î °ø¿¬µÇ¾úÀ¸¸ç, ÇöÀç±îÁö ¡®°¢°¢¡¯ Ãµ Æí ÀÌ»óÀÇ ¿¬±Ø, ¿µÈ­, ¶óµð¿À µîÀ¸·Î Á¦À۵Ǿú½À´Ï´Ù.

 






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