¿µ¾î°íÀü164 ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸¶Áö¸· °¶¸®¼±(English Classics164 The Last Galley; Impressions and Tales by Arthur Conan Doyle)
English Classics164 The Last Galley; Impressions and Tales by Arthur Conan Doyle
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¼È·Ï ȨÁî(Sherlock Holmes)ÀÇ ÀÛ°¡ ÄÚ³­ µµÀÏÀÌ ¿ª»ç ¼Ò¼³(historical novel)À» ½è´Ù±¸?! : ¾Æ¼­ ÄÚ³­ µµÀÏÀº ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)ºÎÅÍ ¼È·Ï ȨÁîÀÇ »ç°ÇÁý(The Case-Book of Sherlock Holmes)(1927)±îÁö ÃÑ 9±Ç(4ÆíÀÇ ÀåÆí°ú 5ÆíÀÇ ´ÜÆíÁý)À» ÁýÇÊÇÏ´Â ±â°£¿¡µµ ´Ù¾çÇÑ À帣ÀÇ ¼Ò¼³(Novels), ½Ã(War poetry), ³íÇȼÇ(Nonfiction), ´ëº»(Playwright) µîÀ» ÁýÇÊÇÑ ´ÙÀÛ ÀÛ°¡ÀÔ´Ï´Ù. 1889³â Ãâ°£ÇÑ ¸¶ÀÌÄ« Ŭ¶óÅ©(Micah Clarke by Arthur Conan Doyle)(1889)¸¦ ºñ·ÔÇØ ½ÇÁ¸ÇÏ´Â Àι°°ú ¿ª»çÀûÀÎ »ç°Ç, ÀÚ½ÅÀÇ °æÇè´ã µîÀ» ¼ÒÀç·Î ÇÑ ¿ª»ç ¼Ò¼³(historical novel)À» ²ÙÁØÈ÷ ÁýÇÊÇÏ¿´½À´Ï´Ù. ÀÛ°¡ ½º½º·Î´Â ¼È·Ï ȨÁî(Sherlock Holmes)¿Í °°Àº Ã߸®¼Ò¼³º¸´Ù´Â ¿ª»ç ¼Ò¼³ ÀÛ°¡·Î ´ëÁßµéÀÇ Âù»ç¸¦ ¹Þ°í ½Í¾ú½À´Ï´Ù¸¸, ±×¸® ¼º°øÀûÀÌÁö´Â ¸øÇß½À´Ï´Ù. ±×ÀÇ ¿ª»ç¼Ò¼³ÀÌ ÇüÆí¾ø¾ú´Ù±âº¸´Ù´Â ±×°¡ âÁ¶Çس½ ¾î¶² ij¸¯Å͵µ ¼È·Ï ȨÁî(Sherlock Holmes)ÀÇ ¾Æ¼ºÀ» ³ÑÀ» ¼ö´Â ¾ø¾ú´Ù´Â °ÍÀÌ ´õ Á¤È®ÇÑ ¼³¸íÀ̰ڳ׿ä. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¿ª»ç ¼Ò¼³(historical novel) ´ÜÆíÁý in ·Î¸¶(Roman Empire) : ¸¶Áö¸· ±º´Ü°ú ¿¾³¯ À̾߱â(The Last of the Legions and Other Tales of Long Ago by Arthur Conan Doyle)(1910)´Â ¹æ´ëÇÑ ·Î¸¶ Á¦±¹À» Áß½ÉÀ¸·Î ½ÇÁ¸ÇÏ´Â »ç°Ç°ú µµ½Ã, Àι° µîÀ» ¸ðƼºê·Î »ïÀº ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¿ª»ç ¼Ò¼³(historical novel) ´ÜÆíÁýÀÔ´Ï´Ù. ½Ã°£ÀûÀ¸·Î´Â °í´ë½Ã´ë(Antiquity)ºÎÅÍ Ãµ³â±â(first millenary)¸¦ ¹è°æÀ¸·Î Çϰí ÀÖ½À´Ï´Ù. 1922³â John Murray ÃâÆÇ»ç¿¡¼­ ÃÖÃÊ·Î ¹ßÇàµÇ¾úÀ¸¸ç, ¸¶Áö¸· ±º´Ü(The Last of the Legions)ºÎÅÍ ´õ ¼¾Åõ¸®¿Â(The Centurion)±îÁö 13ÆíÀÇ ´ÜÆíÀ» ´ã°í ÀÖ½À´Ï´Ù.

 

°ñ¶ó ¸Ô´Â Àç¹Ì°¡ ÀÖ´Ù?! ÄÚ³­ µµÀÏÀÇ ¿ª»ç ºßÆä ´ÜÆíÁý : ÇϳªÀÇ ´ÜÆíÁýÀ¸·Î ¹­¿© ÀÖÁö¸¸ ÀÛǰ¸¶´Ù °¢±â ´Ù¸¥ ½Ã´ë¿Í Àå¼Ò, Àι°À» ±×·Á³»°í ÀÖ¾î ±»ÀÌ ÇѲ¨¹ø¿¡ ¼ø¼­´ë·Î ÀÐÁö ¾Ê¾Æµµ ¹«¹æÇÕ´Ï´Ù. ÀϷʷΠII. The Last GalleyÀº Æ÷¿¡´Ï ÀüÀï(the Punic Wars)À», III. Through the VeilÀº ºòÅ丮¾Æ ½Ã´ë(Victorian times)¸¦ ¹è°æÀ¸·Î Çϰí ÀÖÀ¸¸ç, V. The Contest´Â ³×·Î ȲÁ¦(the Emperor Nero)¸¦, VII. An Iconoclast´Â ±× À¯¸íÇÑ ºñ³Ê½º »ó(Greek statue of Venus), VIII. Giant Maximin´Â ¸·½Ã¹«½º 1¼¼(Maximinus I)¸¦, XI. The Home-ComingÀº È²Á¦ À¯½ºÆ¼´Ï¾Æ´©½º 1¼¼(Justinian)¿Í Å׿Àµµ¶ó ȲÈÄ(Empress Theodora)¸¦ ÁÖ¿ä µîÀåÀι°°ú ¼ÒÀç·Î »ï¾Æ µ¶Àڵ鿡°Ô ¸¶Ä¡ ·Î¸¶ Á¦±¹ÀÇ ÇϷ縦 °Å´Ï´Â µí ÇÑ ¿©Á¤À» ¼±»çÇÕ´Ï´Ù.

 

ÀüÀÛÀÇ 11ÆíÀÌ ´Ù½Ã ½Ç¸° ´ÜÆíÁý?! : ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸¶Áö¸· ±º´Ü(The Last of the Legions and Other Tales of Long Ago by Arthur Conan Doyle)(1910)ÀÌ Ãâ°£µÈ ´ÙÀ½ÇØ ¸¶Áö¸· °¶¸®¼±(The Last Galley; Impressions and Tales by Arthur Conan Doyle)(1911)ÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù. ÀüÀÛ¿¡ ½Ç¸° 13ÆíÀÇ ´ÜÆí Áß ¹«·Á 11ÆíÀÌ ´Ù½Ã ½Ç·È´Ù´Â Á¡¿¡¼­ ½â ÁÁÀº ±¸¼ºÀº ¾Æ´Õ´Ï´Ù. PART II.ÀÇ ¿©´ü ÀÛǰ Áß The Silver Mirror¸¦ Á¦¿ÜÇÑ Àϰö ÀÛǰÀº ¸¶Áö¸· ±º´Ü(The Last of the Legions and Other Tales of Long Ago by Arthur Conan Doyle)(1910)¿¡ ½Ç·È´ø °ÍÀº ¾Æ´Õ´Ï´Ù. PART I.ÀÇ ¿­ ÀÛǰ°ú PART II.ÀÇ ¿©´ü ÀÛǰ, ÃÑ 18ÆíÀÇ ´ÜÆíÀÌ °ÔÁ¦µÇ¾úÀ¸¸ç ÀÌ Áß 11ÆíÀº ÀüÀÛ°ú ÁßøµË´Ï´Ù. ¶ÇÇÑ ÀüÀÛ°ú °ãÄ¡Áö ¾Ê´Â ´ÜÆí ¶ÇÇÑ ÀÌ¹Ì ´Ù¸¥ ÀâÁö µîÀ» ÅëÇØ ¹ßÇ¥µÈ ¹Ù ÀÖÁö¿ä. ¾îÁö°£ÇÑ ÄÚ³­ µµÀÏÀÇ ÆÒÀÌ ¾Æ´Ñ ÀÌ»ó ±¸¸ÅÇϱ⠾ָÅÇÑ ±¸¼ºÀ̱ä ÇÏÁö¸¸, ±×°¡ ¿øÃ¼ ´Ù¾çÇÑ ´ÜÆíÀ» ½è°í °¢¾ç°¢»öÀÇ Å׸¶·Î ¼±º°ÇÑ ´ÜÆíÁý ¶ÇÇÑ ¹«¼öÈ÷ Á¸ÀçÇÑ´Ù´Â Á¡À» °¨¾ÈÇÑ´Ù¸é ÀÌÇØ°¡ µÇ´Â ´ë¸ñÀÔ´Ï´Ù. PART I.ÀÇ ¿­ ÀÛǰ°ú PART II.´Â ù ¹øÂ° ´ÜÆí The Silver Mirror´Â ÀüÀÛ¿¡ °ÔÁ¦µÈ ¹Ù ÀÖ´Â ÀÛǰÀ̳ª, ½Ç¸° ¼ø¼­´Â ¿ÏÀüÈ÷ ´Þ¶óÁ³½À´Ï´Ù. ÀüÀÛÀÇ Å¸ÀÌÆ² ÀÛǰÀÎ ¸¶Áö¸· °¶¸®¼±(The Last Galley)À» Àϰö ¹øÂ°·Î ¹èÄ¡Çϰí, µÎ ¹øÂ° ÀÛǰÀÌ¿´´ø ¸¶Áö¸· °¶¸®¼±(The Last Galley)À» ±ÇµÎ¿¡ ¹èÄ¡ÇÏ¿© Ã¥ Á¦¸ñÀ¸·Î »ï¾Ò½À´Ï´Ù. ºÎÁ¦´Â Àλó°ú À̾߱â(Impressions and Tales).

 

´õ Å« ÀÌ»óÀ» ÇâÇÑ ½ÃÇè ºñÇà(the past which maybe regarded as trial flights towards a larger ideal) : ÀÛ°¡ ÄÚ³­ µµÀÏÀº ¼­¹®(Preface)À» ÅëÇØ ¿ª»ç ¼Ò¼³ ´ÜÆí¿¡ Àλó°ú À̾߱â(Impressions and Tales)¶õ ºÎÁ¦¸¦ ºÙÀÎ ÀÌÀ¯¸¦ ¹àÇû½À´Ï´Ù. ÀÌ ÀÛǰ¿¡ ÀÛ°¡ÀÇ Àǵµ°¡ Ãæ½ÇÇÏ°Ô ¹Ý¿µµÇ¾ú´ÂÁö ÆÇ´ÜÇÏ´Â °ÍÀº µ¶ÀÚÀÇ ¸òÀÏ °ÍÀÔ´Ï´Ù.

 

The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama of history and not the drama of invention should claim the attention of the reader. I have been tempted sometimes to try the effect upon a larger scale; but meanwhile these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction.




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 30°¡Áö Ű¿öµå·Î Àд ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

01. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)

02. ¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor)

03. Å½Á¤(Detective)

04. ½ÃÀÎ(Poet)

05. ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902)

06. ¼È·Ï ȨÁîÀÇ ½ÇÁ¦ ¸ðµ¨Àº ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh) Á¶¼Á º§ (Joseph Bell) ±³¼ö?!

07. Á¸ H. ¿Ó½¼(John H. Watson)Àº ÀÛ°¡ º»ÀÎ?!

08. ¼È·ÎŰ¾ð(Sherlockian), È¨Áö¾ð(Holmesian)

09. ¼È·Ï ȨÁîÀÇ »ç¸Á(4 May 1891)

10. ¼È·Ï ȨÁîÀÇ ºÎȰ(1902)

11. ¿¬±Ø ¼È·Ï ȨÁî(Sherlock Holmes, Play)(1899)

12. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903)

13. ¸ð¸®½º ¸£ºí¶û(Maurice Marie Émile Leblanc) ¾Æ¸£¼¾ ·òÆØ(Arsène Lupin)¿¡ ¼È·Ï ȨÁî(Herlock Sholmès)°¡?!(1908)

14. ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe)¿Í ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)À» ÇÕÇϸé? ¸íŽÁ¤ ÄÚ³­(Ù£÷®ïÏ «³«Ê«ó)(1994~ÇöÀç)!

15. ¿µ±¹ BBC One ¼È·Ï(Sherlock)(2010, 2012, 2014, 2017)

16. ÁÖ¿ä ÀÛǰ(Books)

16-1. ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)

16-2. ³× »ç¶÷ÀÇ ¼­¸í(The Sign of the Four)(1890)

16-3. ¼È·Ï ȨÁîÀÇ ¸ðÇè(The Adventures of Sherlock Holmes)(1892)

16-4. ¼È·Ï ȨÁîÀÇ È¸»ó·Ï(The Memoirs of Sherlock Holmes)(1893)

16-5. ¹Ù½ºÄ¿ºôÀÇ »ç³É°³(The Hound of the Baskervilles)(1902)

16-6. ¼È·Ï ȨÁîÀÇ ±Íȯ(The Return of Sherlock Holmes)(1905)

16-7. ÀÒ¾î¹ö¸° ¼¼°è(The Lost World)(1912)

16-8. °øÆ÷ÀÇ °è°î(The Valley of Fear)(1915)

16-9. ¼È·Ï ȨÁîÀÇ ¸¶Áö¸· Àλç(His Last Bow : An Epilogue of Sherlock Holmes)(1917)

16-10. ¼È·Ï ȨÁîÀÇ »ç°ÇÁý(The Case-Book of Sherlock Holmes)(1927)

17. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸»(Conversations with Arthur Conan Doyle : In His own Words)(2016)

18. ¿µ±¹¿¡¼­ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)¸¦ ¸¸³ª´Â 13°¡Áö ¹æ¹ý

19. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

20. ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle) ¾î·Ï(Quotes)

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸¶Áö¸· °¶¸®¼±(The Last Galley; Impressions and Tales by Arthur Conan Doyle)(1911)

Preface

PART I.

The Last Galley

The Contest

Through the Veil

An Iconoclast

Giant Maximin

I. The Coming of Maximin

II. The Rise of Giant Maximin

III. The Fall of Maximin

The Coming of the Huns

The Last of the Legions

The First Cargo

The Home-Coming

The Red Star

PART II.

The Silver Mirror

The Blighting of Sharkey

The Marriage of the Brigadier

The Lord of Falconbridge

Out of the Running

¡°De Profundis¡±

The Great Brown-Pericord Motor

The Terror of Blue John Gap

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

 

¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930) : ±¹³»¿¡¼­´Â ÈçÈ÷ ¾Æ¼­(Arthur)¸¦ Á¦¿ÜÇÑ ÄÚ³­ µµÀÏ(Conan Doyle)·Î ºÎ¸£´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ÀÇ ¡®ÀÇ»ç Ãâ½Å ¼Ò¼³°¡¡¯ÀÔ´Ï´Ù. ÄÚ³­ µµÀÏ(Conan Doyle)À̶ó°í ºÎ¸¦ °æ¿ì ÄÚ³­ÀÌ À̸§, µµÀÏÀÌ ¼ºÀ̶ó°í ¿ÀÇØÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ ¾Æ¹öÁö¿Í ¾î¸Ó´Ï »çÀÌ¿¡¼­ ž ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)·Î °³¾÷ÇÑ º´¿ø¿¡ ¼Õ´ÔÀÌ ¾ø¾î, ÇѰ¡ÇÑ ½Ã°£¿¡ ¼Ò¼³À» ½è´Âµ¥, ÀÌ ¼Ò¼³ÀÌ ¹Ù·Î ±× À¯¸íÇÑ ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®Áî¶õ °Ç ÀÍÈ÷ ¾Ë·ÁÁø ź»ýºñÈ­ÁÒ! ¼Ò¼³ÀÌ Àα⸦ ²øÀÚ ÀÛ°¡¸¦ ¸¸³ª°í ½ÍÀº ȯÀÚ(?!)µéÀÇ ¹æ¹®À¸·Î Àá½Ã º´¿øÀÌ ºÏÀû°Å¸®±âµµ Çß½À´Ï´Ù¸¸, ±Û·Î ¹ö´Â ¼öÀÔÀÌ º´¿ø ¼öÀͰú ºñ±³ÇÒ ¼ö ¾øÀ» Á¤µµ·Î Ä¿ÁöÀÚ, º´¿øÀ» ¶§·ÁÄ¡°í º»°ÝÀûÀ¸·Î Àü¾÷ ÀÛ°¡·Î Ȱµ¿ÇÏ¿´½À´Ï´Ù. ±×´Â 1887³â ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)¸¦ ½ÃÀÛÀ¸·Î ¼È·Ï ȨÁî(Sherlock Holmes)¿Í ÀÇ»ç ¿Ó½¼(Dr. Watson)ÀÌ µîÀåÇÏ´Â ÀåÆí ¼Ò¼³ 4Æí°ú ´ÜÆí 56ÆíÀ» ¹­Àº 5ÆíÀÇ ´ÜÆíÁýÀ» ÁýÇÊÇÏ¿´½À´Ï´Ù. ¼È·Ï ȨÁî°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°ÇÀº 1877³âºÎÅÍ 1903³â±îÁö ¸ðµÎ 58°ÇÀ̸ç, ÀºÅð ÈÄ¿¡ 2°ÇÀ» ´õÇØ ÃÑ 60°ÇÀÔ´Ï´Ù. Áï 60ÆíÀÇ ¿¡ÇǼҵå´Â ±×°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°Ç°ú °°Àº ¼ýÀÚÀÔ´Ï´Ù. ¼È·Ï ȨÁî(Sherlock Holmes) ÀÌÀü¿¡µµ ŽÁ¤ÀÌ µîÀåÇÏ´Â Ã߸® ¼Ò¼³ÀÌ ¾ø´ø °ÍÀº ¾Æ´ÏÁö¸¸, ½ÇÁ¦ »ç°Ç¿¡¼­ ¸ðƼºê¸¦ µû¿À°í, ¿µ±¹À» ºñ·ÔÇØ ¼¼°è °¢Áö¿¡¼­ ¸ÍȰ¾àÇϸç, À°Ã¼ÀûÀÎ Èûº¸´Ù´Â ºñ»óÇÑ Ã߸®·ÂÀ¸·Î »ç°ÇÀ» ÇØ°áÇÏ´Â ¸íŽÁ¤ ij¸¯Å͸¦ ±¸ÃàÇϰí, ±×¸¦ µ½Àº Á¶·ÂÀÚ¿ÍÀÇ ²ö²öÇÑ ¿ìÁ¤À» ¹üÁË ¼Ò¼³(Crime fiction)ÀÇ °ø½Äó·³ ±¸ÃàÇÑ °ÍÀº ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÇ °øÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ´ëÁßÀûÀÎ Àα⸦ ¾òÀº ¼È·Ï ȨÁî ½Ã¸®Á´Ù´Â ´Ù¸¥ ºÐ¾ß – ¿ª»ç¼Ò¼³À» ºñ·ÔÇØ ³íÇȼÇ, ±Øº», ½Ã, ÆÇŸÁö, ¸á·Î¼Ò¼³, È£·¯, SF´Â ¹°·Ð ½É·É¼Ò¼³±îÁö!, ¿¡ ´õ¿í °ü½ÉÀÌ ¸¹¾Æ Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ½¬Áö ¾Ê°í ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ´Ù¸¸ ¼È·Ï ȨÁ Á¦¿ÜÇÑ ´Ù¸¥ ºÐ¾ßÀÇ ±ÛÀº Å©°Ô Àα⸦ ²øÁö ¸øÇß½À´Ï´Ù.

 

¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ ºÏºÎÀÇ ½ºÄÚÆ²·£µå¿¡ À§Ä¡ÇÑ ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh)¿¡¼­ ÀÇÇÐÀ» Àü°øÇÏ¿´°í, 1881³â Á¹¾÷(Bachelor of Medicine and Master of Surgery)ÇÏ¿´½À´Ï´Ù. ÀÇ»ç¶ó´Â Á÷¾÷À» »ì·Á Æ÷°æ¼± The Greenland whaler Hope of Peterhead(1880)°ú È­¹°¼± the SS Mayumba(1881)¿¡¼­ ¼ö°³¿ù°£ ¼±ÀÇ(àÏì¢)·Î ±Ù¹«Çϴ°¡ Çϸé, ³²¾ÆÇÁ¸®Ä«¿¡¼­ ¹ß¹ßÇÑ ³×´ú¶õµå°è º¸¾îÁ·°ú ¿µ±¹±º °£ÀÇ Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ±ºÀǰü(ÏÚì¢Î¯)À¸·Î ÂüÀüÇÏ´Â µî Æò¹üÇÏÁö ¾ÊÀº ÀÇ»ç »ýȰÀ» ÇÏ¿´°í, À̰°Àº ´Ù¾çÇÑ °æÇèÀº ±×ÀÇ ÀÛ°¡·Î½áÀÇ ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ¿µ±¹ ³²¼­ºÎÀÇ Çø®¸Ó½º(Plymouth)(1882), ¿µ±¹ ³²ºÎÀÇ Ç×±¸µµ½Ã Æ÷Ã÷¸Ó½º(Portsmouth)(1882)¿¡¼­ °³¾÷À» ÇÏ¿´À¸³ª ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò°í, ÀÌÈÄ ÀÚ½ÅÀÇ ¼Ò¼³ ¼Ó ¹è°æÀÌ´ø ¿µ±¹ÀÇ ¼öµµ ·±´øÀ¸·Î ¿Å°å½À´Ï´Ù. ±× À¯¸íÇÑ º£ÀÌÄ¿°¡ 221B ¹øÁö(221b Baker)°¡ ¹Ù·Î ·±´ø¿¡ ÀÖÁö¿ä!

 

ŽÁ¤(Detective) : ¾Æ¼­ ÄÚ³­ µµÀÏÀº Á÷¾÷ÀûÀΠŽÁ¤(Detective)Àº ¾Æ´Ï¾úÀ¸³ª, »ç¹ý Á¤ÀÇ¿¡ °ü½ÉÀÌ ¸¹¾Ò°í Àû±ØÀûÀ¸·Î ÀÚ½ÅÀÇ ÀǰßÀ» °³ÁøÇÏ¿´½À´Ï´Ù. 1906³â ¿µ±¹Àΰú ÀεµÀÎ »çÀÌ¿¡ ž È¥Ç÷ º¯È£»ç Á¶Áö ¿¡´ÞÁö(George Edalji)°¡ ¸»À» ÇØÄ£ ÇøÀÇ·Î ±â¼ÒµÇ¾ú½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ±×ÀÇ ½Ã·ÂÀÌ ¸Å¿ì ÁÁÁö ¾Ê¾Æ Çö½ÇÀûÀ¸·Î ¹üÇàÀ» ÀúÁö¸£°í, °æÂûÀÇ ÃßÀûÀ» ÇÇÇØ µµÇÇÇÏ´Â °ÍÀÌ Çö½ÇÀûÀ¸·Î ¾î·Æ´Ù´Â °ÍÀ» ¹àÇô ±×°¡ 3³â ¸¸¿¡ ÀÚÀ¯ÀÇ ¸öÀÌ µÉ ¼ö ÀÖµµ·Ï µµ¿Ô½À´Ï´Ù. ÀÌ »ç°ÇÀº 1972³â BBC¸¦ ºñ·ÔÇØ ´Ù¾çÇÑ ¸Åü¿¡¼­ ¶óµð¿À, TV µîÀ¸·Î °¢»öÇØ ¹æ¿µÇÏ¿´½À´Ï´Ù. 1908³â¿¡´Â µ¶ÀÏ Ãâ½ÅÀÇ À¯´ëÀÎ ¿À½ºÄ« ½½·¹ÀÌÅÍ(Oscar Slater)°¡ °í·ÉÀÇ ¿©¼ºÀ» ÆøÇàÇÑ ÇøÀÇ·Î À¯ÁË ÆÇ°áÀ» ¹ÞÀÚ, ±×ÀÇ Ç×¼Ò¸¦ µ½±â À§ÇØ ¼Ò¼Ûºñ¿ëÀ» Áö¿øÇÏ¿´½À´Ï´Ù. ½ÇÁ¦·Î ¼È·Ï ȨÁîÀÇ Ã߸®·ÂÀ» ±â´ëÇÑ ¿µ±¹ °æÂûÀÌ ¹ÌÇØ°á»ç°ÇÀÇ ¼ö»ç¸¦ ÀÛ°¡ÀÎ ¾Æ¼­ ÄÚ³­ µµÀÏ¿¡°Ô ¿äûÇÒ Á¤µµ·Î ´ëÁßµéÀÇ ±×¿¡ ´ëÇÑ ½Å·Ú´Â ¶ß°Å¿ü½À´Ï´Ù.

 

½ÃÀÎ(Poet) : ¡®¹üÁ˼Ҽ³ÀÇ ´ë°¡¡¯ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÌ ½ÃÀÎ(Poet)À̶ó´Ï?! ±×·¯³ª, ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº Æò»ý õ Æí ÀÌ»óÀÇ ÀÛǰÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡·Î, ¼ö¹éÆíÀÇ ½Ã¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. 12¼¼(1870)¿¡ ¾´ ÃÖÃÊÀÇ ½Ã ÇлýÀÇ ²Þ(A Student's Dream)ºÎÅÍ 1922³â±îÁö Æò»ý¿¡ °ÉÃÄ 242ÆíÀÇ ½Ã¸¦ ½èÀ¸¸ç, ±× Áß¿¡ 104ÆíÀº °ø½ÄÀûÀ¸·Î ¸Åü¸¦ ÅëÇØ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº 1902³â ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®ÁîÀÇ ÀÛ°¡ÀÌÀÚ, Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ÂüÀüÇÑ ±ºÀÎÀ¸·Î½áÀÇ °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ ±â»çÀÛÀ§(Knight Bachelor)¸¦ ¹Þ¾Ò½À´Ï´Ù. ÀÌ·Î½á ±×ÀÇ °ø½Ä ¸íĪÀº ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL). ±â»ç ÀÛÀ§¸¦ ¹ÞÀº ÈÄ ·±´ø ¼­³²ºÎÀÇ ¼­·¹ÀÌ(Surrey) ºÎÁö»ç(Deputy Lieutenant)·Î ÀÓ¸íµÇ¾ú½À´Ï´Ù. ±×¿¡°Ô ±â»ç¸¦ ¼ö¿©ÇÑ Àι°Àº ºòÅ丮¾Æ ¿©¿ÕÀÇ ÀåÀÚ ¿¡µå¿öµå 7¼¼(Edward VII)·Î, ¹«·Á 60¼¼ÀÇ ³ªÀÌ·Î ÁïÀ§ÇÏ¿´´Ù´Â... À̵ëÇØ 1903³â¿¡´Â ¼¼ÀÎÆ®Á¸ ÈÆÀå 2µî±Þ(Knight of Grace of the Most Venerable Order of the Hospital of Saint John of Jerusalem, KStJ)À» ¼ö¿©ÇÏ¿´½À´Ï´Ù. ÀÌ ¿Ü¿¡µµ Queen's South Africa Medal(1901), Knight of the Order of the Crown of Italy(1895), Order of the Medjidie – 2nd Class(Ottoman Empire)(1907) µîÀ» ¹Þ¾Ò½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903) : ¾Æ¼­ ÄÚ³­ µµÀϴ 1930³â 7¿ù 7ÀÏ Å©·Î¿ìº¸·Î¿ì(Crowborough)ÀÇ ÀÚÅàWindlesham Manor¿¡¼­ ±×ÀÇ 2¹øÂ°ÀÌÀÚ ¸¶Áö¸· ºÎÀÎ Áø ·¹Å°(Jean Leckie)ÀÇ Ç°¿¡ ¾È°Ü »ç¸ÁÇÏ¿´½À´Ï´Ù. ±×ÀÇ ¸¶Áö¸· À¯¾ðÀº ´ÙÀ½°ú °°½À´Ï´Ù. You are wonderful. ´ç½Å ³Ê¹« ¸ÚÁ®. Å©·Î¿ìº¸·Î¿ì(Crowborough)¿¡ ±×ÀÇ µ¿»óÀÌ ÀÖ½À´Ï´Ù.

 

Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡ : ¾Æ¼­ ÄÚ³­ µµÀÏÀº 56ÆíÀÇ ¼È·Ï ȨÁî ½Ã¸®Á Æ÷ÇÔÇØ 258ÆíÀÇ ¼Ò¼³, ¿¡¼¼ÀÌ, ±â»ç¸¦ ÁýÇÊÇÏ¿´À¸¸ç ±× ºÐ¾ß ¶ÇÇÑ ¹üÁ˼Ҽ³ºÎÅÍ ¿ª»ç, ÆÇŸÁö, ¸ðÇè, °ø»ó °úÇÐ ¼Ò¼³, µå¶ó¸¶, ÀüÀï µî ¸Å¿ì ´Ù¾çÇÏ¿´½À´Ï´Ù. ÀÌ¿Í º°µµ·Î ¿¡¼¼ÀÌ, ÆÊÇ÷¿, ±â»ç, ¾ð·Ð ÆíÁö, ½Ã, ÀÎÅͺä, ¿¬±Ø µî ¼ö¸¹Àº ºÐ¾ßÀÇ ±ÛÀ» 1,200Æí ÀÌ»ó ÁýÇÊÇÒ Á¤µµ·Î ¿Õ¼ºÇÏ°Ô È°µ¿ÇÏ¿´½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ÀÇÇÐÀ» Àü°øÇÑ ¿¤¸®Æ®·Î ´Ù¾çÇÑ ºÐ¾ß¿¡ È£±â½ÉÀ» °¡Áø ¡®´ÙÀÛ ÀÛ°¡¡¯¿´½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ¡®¹üÁ˼Ҽ³ ÀÛ°¡¡¯°¡ ¾Æ´Ñ, ¡®¿ª»ç¼Ò¼³ ÀÛ°¡¡¯·Î ´ëÁߵ鿡°Ô ÀÎÁ¤¹Þ°í ½Í¾ú½À´Ï´Ù¸¸... ¿ì¸®¿¡°Ô´Â ¿©ÀüÈ÷ ¼È·Ï ȨÁîÀÇ ÀúÀڷθ¸ ±â¾ïµÇ´Â ¡®ºñ¿îÀÇ ÀÛ°¡¡¯À̱⵵ ÇÏÁö¿ä. »ýÀÇ ¸»¹Ì¿¡ °­·É¼ú¿¡ ½ÉÃëÇÑ °ÍÀº °úÇÐÀûÀÎ »ç½ÇÀ» Áß½ÃÇÏ´Â ±×ÀÇ Ã¶Çаú ´Ù¼Ò »óÀÌÇÑ °ÍÀ¸·Î º¸ÀÔ´Ï´Ù¸¸, ÀÌ ¶ÇÇÑ ¡®ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ¡¯ÀÇ Èï¹Ì·Î¿î ¶±¹ä Áß¿¡ ÇϳªÀÎ °ÍÀº ºÐ¸íÇÕ´Ï´Ù. ¼È·Ï ȨÁî ½Ã¸®Áî´Â ±×ÀÇ »ý¾Ö ½ÃÀýºÎÅÍ ¿¬±ØÀ¸·Î °ø¿¬µÇ¾úÀ¸¸ç, ÇöÀç±îÁö ¡®°¢°¢¡¯ Ãµ Æí ÀÌ»óÀÇ ¿¬±Ø, ¿µÈ­, ¶óµð¿À µîÀ¸·Î Á¦À۵Ǿú½À´Ï´Ù.

 






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