¿µ¾î°íÀü151 ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ µà¿§(English Classics151 A Duet, with an Occasional Chorus by Arthur Conan Doyle)
English Classics151 A Duet, with an Occasional Chorus by Arthur Conan Doyle
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¾Æ¼­ ÄÚ³­ µµÀÏÀº ´Ù¾çÇÑ ºÐ¾ßÀÇ ¼Ò¼³ »Ó ¾Æ´Ï¶ó, ÀüÀï ½Ã(War poetry)¸¦ ¸ðÀº ½ÃÁý°ú ´ëº»(playwright) µî ´Ùä·Î¿î Çü½ÄÀÇ ±ÛÀ» ÁÙ±âÂ÷°Ô ÁýÇÊÇÏ¿´½À´Ï´Ù. ÀÌ ¶§¹®¿¡ µà¿§(A Duet, with an Occasional Chorus by Arthur Conan Doyle)(1899)Àº Á¦¸ñ¸¸ ³õ°í º¸Àڸ頳뷧¸»À» ¸ðÀº °¡»çÁý(ʰÞòó¢)À¸·Î ¿ÀÇØÇÒ ¼ö ÀÖ´Â Á¦¸ñÀ̰ڽÀ´Ï´Ù¸¸, »ï°¢°ü°è¸¦ ´Ù·é ·Î¸Ç½º ¼Ò¼³ÀÔ´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀÌ ÇÁ·©Å©(Frank Cross)¿Í ¸ðµå(Maude Crosse) ºÎºÎ¿Í Àü ³²ÆíÀÇ ¿¬ÀÎ(a previous lover of the husband)À̶õ »ï°¢±¸µµÀÇ ·Î¸Ç½º¸¦ ½è´Ù´Ï?! ¼È·Ï ȨÁîÀÇ ÆÒÀ̶ó¸é Ãæ°ÝÀ» ¹ÞÀ¸½ÇÁöµµ ¸ð¸£°Ú³×¿ä. 1899³â ¿µ±¹ ±×·£Æ® ¸®Â÷µå(Grant Richards)¿Í ¹Ì±¹ µð. ¾ÖÇÃÅæ(D. Appleton) ÃâÆÇ»ç¸¦ ÅëÇØ Ãâ°£µÇ¾ú½À´Ï´Ù. ±¹³» ¹ø¿ªº» ¹ÌÃâ°£. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

Á¦¸ñ »Ó ¾Æ´Ï¶ó, ¸ñÂ÷¸¦ º¸¸é ÇÑ ÆíÀÇ ·Î¸Ç½º ¼Ò¼³ÀÌ ¸¶Ä¡ ¿ÀÆä¶óó·³ º¸ÀÏ ¼ö ÀÖµµ·Ï ¿¬ÃâÇÑ ÄÚ³­ µµÀÏÀÇ ¼¾½º¸¦ ¿³º¼ ¼ö ÀÖ½À´Ï´Ù. ¼­°î(The Overture)À¸·Î ½ÃÀÛÇØ µÎ ¸íÀÇ ¼Ö·Î(The Two Solos)¿Í µÎ ¸íÀÇ ¼Ö·Î¿Í µà¿§(Two Solos and a Duet)À» °ÅÃÄ, µà¿§ °îÀÇ ¸¶Áö¸· À½Ç¥(The Last Note of the Duet), ±×¸®°í Æ®¸®¿À(The Trio)·Î ¸¶¹«¸®µÇ´Â ¡®·Î¸Ç½º ¼Ò¼³¡¯Àº ¸¶Ä¡ ÇÑÆíÀÇ ¿ÀÆä¶ó¿Í °°Àº µ¶Æ¯ÇÑ ±¸¼ºÀ» Áö´Õ´Ï´Ù. ´õ ³ª¾Æ°¡ ¼Ö·Î, µà¿§, Æ®¸®¿À´Â ÇØ´ç éÅÍ¿¡ µîÀåÇϴ ÁÖ¿ä µîÀåÀι°ÀÇ ¼ýÀÚ¸¦ ÀºÀ¯Çϱ⿡ Ã߸®¼Ò¼³À» Ǫ´Â µí ÇÑ ¸ôÀÔ°¨µµ ´À³¥ ¼ö ÀÖÁö¿ä!

 

The Overture

The Overture Continued

The Overture Concluded

The Two Solos

Two Solos and a Duet

The Last Note of the Duet

The Trio

 

The Overture¿¡¼­ The Overture Continued·Î, ´Ù½Ã The Overture Concluded·Î À̾îÁö´Â ¼­°î(The Overture) 3ÆíÀº ÇÁ·©Å©(Frank Cross)¿Í ¸ðµå(Maude Crosse)°¡ °áÈ¥½Ä ³¯Â¥¸¦ ³õ°í, ÀǰßÀ» ÁÖ°í¹Þ´Â ÆíÁö Çü½ÄÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ½À´Ï´Ù. ¼­°î¸¸ º¸ÀÚ¸é µ¶ÀÚµéÀº ¼­°£Ã¼ ¼Ò¼³(ßöÊÛô÷ á³àã)·Î ¿ÀÀÎÇØµµ ¹«¸®°¡ ¾Æ´Ò °ÍÀÔ´Ï´Ù.

 

Woking, May 20th. My dearest Maude,—You know that your mother suggested, and we agreed, that we should be married about the beginning of September. Don¡¯t you think that we might say the 3rd of August? It is a Wednesday, and in every sense suitable. Do try to change the date, for it would in many ways be preferable to the other. I shall be eager to hear from you about it. And now, dearest Maude . . . (The rest is irrelevant.) ³ªÀÇ °¡Àå »ç¶ûÇÏ´Â ¸ðµå, ´ç½ÅÀº ´ç½ÅÀÇ ¾î¸Ó´Ï°¡ ¿ì¸®°¡ 9¿ù ÃÊ¿¡ °áÈ¥ÇÏÀÚ°í Á¦¾ÈÇß°í ¿ì¸®°¡ µ¿ÀÇÇß´Ù´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. ¿ì¸®°¡ 8¿ù 3ÀÏÀ̶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù°í »ý°¢ÇÏÁö ¾Ê½À´Ï±î? ¼ö¿äÀÏÀÌ¸ç ¸ðµç ¸é¿¡¼­ ÀûÇÕÇÕ´Ï´Ù. ³¯Â¥¸¦ º¯°æÇÏ·Á°í ½ÃµµÇϽʽÿÀ. ¿©·¯ ¸é¿¡¼­ ´Ù¸¥ ³¯Â¥º¸´Ù ´õ ³ªÀ» °ÍÀ̱⠶§¹®ÀÔ´Ï´Ù. ±×°Í¿¡ ´ëÇØ µè°í ½Í½À´Ï´Ù. ±×¸®°í Áö±Ý, »ç¶ûÇÏ´Â ¸ðµå. . . (³ª¸ÓÁö´Â »ó°ü¾ø½À´Ï´Ù.)

 

St. Albans, May 22nd. My Dearest Frank,—Mother sees no objection to the 3rd of August, and I am ready to do anything which will please you and her. Of course there are the guests to be considered, and the dressmakers and other arrangements, but I have no doubt that we shall be able to change the date all right. O Frank . . . (What follows is beside the point.) Ä£¾ÖÇÏ´Â ÇÁ·©Å©, ¾î¸Ó´Ï´Â 8¿ù 3ÀÏÀ» ¹Ý´ëÇÏÁö ¾ÊÀ¸½Ã¸ç ´ç½Å°ú ±×³à¸¦ ±â»Ú°Ô ÇÏ´Â ÀÏÀ̶ó¸é ¹«¾ùÀ̵ç ÇÒ Áغñ°¡ µÇ¾î ÀÖ½À´Ï´Ù. ¹°·Ð °í·ÁÇØ¾ß ÇÒ ¼Õ´Ô°ú ¾çÀåÁ¡ ¹× ±âŸ Áغñ°¡ ÀÖÁö¸¸ ³ª´Â ¿ì¸®°¡ ³¯Â¥¸¦ ±¦Âú°Ô º¯°æÇÒ ¼ö ÀÖÀ» °ÍÀ̶ó°í ¹Ï¾î ÀǽÉÄ¡ ¾Ê½À´Ï´Ù. ¿À ÇÁ·©Å©. . . (´ÙÀ½Àº ¿äÁ¡À» ¹þ¾î³­ °ÍÀÔ´Ï´Ù.)

 

Woking, May 25th. My dearest Maude,—I have been thinking over that change of date, and I see one objection which had not occurred to me when I suggested it. August the 1st is Bank holiday, and travelling is not very pleasant about that time. My idea now is that we should bring it off before that date. Fancy, for example, how unpleasant it would be for your Uncle Joseph if he had to travel all the way from Edinburgh with a Bank-holiday crowd. It would be selfish of us if we did not fit in our plans so as to save our relatives from inconvenience. I think therefore, taking everything into consideration, that the 20th of July, a Wednesday, would be the very best day that we could select. I do hope that you will strain every nerve, my darling, to get your mother to consent to this change. When I think . . . (A digression follows.) Ä£¾ÖÇÏ´Â ¸ðµå ¾¾, ³¯Â¥ º¯°æ¿¡ ´ëÇØ »ý°¢ÇØ ºÃ´Âµ¥, Á¦°¡ Á¦¾ÈÇßÀ» ¶§ »ý°¢Áöµµ ¸øÇß´ø ÀÌÀǰ¡ Çϳª ÀÖ½À´Ï´Ù. 8¿ù 1ÀÏÀº ÀºÇà ÈÞÀÏÀ̰í, ±× ½Ã°£¿¡´Â ¿©ÇàÀÌ º°·Î Áñ°ÌÁö ¾Ê½À´Ï´Ù. Áö±Ý Á¦ »ý°¢Àº ±× ³¯Â¥ Àü¿¡ Ãë¼ÒÇÏ´Â °Ô ÁÁ°Ú¾î¿ä. ¿¹¸¦ µé¾î, ´ç½ÅÀÇ »ïÃÌ Á¶¼ÁÀÌ ¿¡µç¹ö·¯¿¡¼­ ÀºÇà ÈÞÀÏÀÇ ±ºÁßµé°ú ÇÔ²² ¸Õ ±æÀ» ¿©ÇàÇØ¾ß ÇÑ´Ù¸é ¾ó¸¶³ª ±âºÐ³ª»Ü±î¿ä? Ä£Ã´µéÀÇ ºÒÆíÀ» ´ú¾îÁÖ±â À§ÇØ °èȹ¿¡ ¸ÂÁö ¾Ê´Â °ÍÀº À̱âÀûÀÎ ÇൿÀÔ´Ï´Ù. ±×·¯¹Ç·Î ¸ðµç °ÍÀ» °í·ÁÇØ º¼ ¶§, 7¿ù 20ÀÏ ¼ö¿äÀÏÀÌ ¿ì¸®°¡ ¼±ÅÃÇÒ ¼ö ÀÖ´Â °¡Àå ÁÁÀº ³¯ÀÌ µÉ °Í °°½À´Ï´Ù. ¾î¸Ó´Ô²²¼­ ÀÌ º¯È­¿¡ µ¿ÀÇÇϽõµ·Ï ¸ðµç ½Å°æÀ» °ïµÎ¼¼¿ì½Ã±æ ¹Ù¶ø´Ï´Ù, ³» »ç¶û. Á¦°¡ »ý°¢ÇÒ ¶§... (ÀÌÅ»ÀÌ µÚµû¸¨´Ï´Ù.)




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 30°¡Áö Ű¿öµå·Î Àд ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

01. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)

02. ¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor)

03. Å½Á¤(Detective)

04. ½ÃÀÎ(Poet)

05. ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902)

06. ¼È·Ï ȨÁîÀÇ ½ÇÁ¦ ¸ðµ¨Àº ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh) Á¶¼Á º§ (Joseph Bell) ±³¼ö?!

07. Á¸ H. ¿Ó½¼(John H. Watson)Àº ÀÛ°¡ º»ÀÎ?!

08. ¼È·ÎŰ¾ð(Sherlockian), È¨Áö¾ð(Holmesian)

09. ¼È·Ï ȨÁîÀÇ »ç¸Á(4 May 1891)

10. ¼È·Ï ȨÁîÀÇ ºÎȰ(1902)

11. ¿¬±Ø ¼È·Ï ȨÁî(Sherlock Holmes, Play)(1899)

12. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903)

13. ¸ð¸®½º ¸£ºí¶û(Maurice Marie Émile Leblanc) ¾Æ¸£¼¾ ·òÆØ(Arsène Lupin)¿¡ ¼È·Ï ȨÁî(Herlock Sholmès)°¡?!(1908)

14. ¿¡µå°Å ¾Ù·± Æ÷(Edgar Allan Poe)¿Í ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)À» ÇÕÇϸé? ¸íŽÁ¤ ÄÚ³­(Ù£÷®ïÏ «³«Ê«ó)(1994~ÇöÀç)!

15. ¿µ±¹ BBC One ¼È·Ï(Sherlock)(2010, 2012, 2014, 2017)

16. ÁÖ¿ä ÀÛǰ(Books)

16-1. ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)

16-2. ³× »ç¶÷ÀÇ ¼­¸í(The Sign of the Four)(1890)

16-3. ¼È·Ï ȨÁîÀÇ ¸ðÇè(The Adventures of Sherlock Holmes)(1892)

16-4. ¼È·Ï ȨÁîÀÇ È¸»ó·Ï(The Memoirs of Sherlock Holmes)(1893)

16-5. ¹Ù½ºÄ¿ºôÀÇ »ç³É°³(The Hound of the Baskervilles)(1902)

16-6. ¼È·Ï ȨÁîÀÇ ±Íȯ(The Return of Sherlock Holmes)(1905)

16-7. ÀÒ¾î¹ö¸° ¼¼°è(The Lost World)(1912)

16-8. °øÆ÷ÀÇ °è°î(The Valley of Fear)(1915)

16-9. ¼È·Ï ȨÁîÀÇ ¸¶Áö¸· Àλç(His Last Bow : An Epilogue of Sherlock Holmes)(1917)

16-10. ¼È·Ï ȨÁîÀÇ »ç°ÇÁý(The Case-Book of Sherlock Holmes)(1927)

17. ¾Æ¼­ ÄÚ³­ µµÀÏÀÇ ¸»(Conversations with Arthur Conan Doyle : In His own Words)(2016)

18. ¿µ±¹¿¡¼­ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)¸¦ ¸¸³ª´Â 13°¡Áö ¹æ¹ý

19. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

20. ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle) ¾î·Ï(Quotes)

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ µà¿§(A Duet, with an Occasional Chorus by Arthur Conan Doyle)(1899)

To Mrs. Maude Crosse

The Overture

The Overture Continued

The Overture Concluded

The Two Solos

In Britain¡¯s Valhalla

Two Solos and a Duet

Keeping up Appearances

The Home-Coming

Laying a Course

Confessions

Concerning Mrs. Beeton

Mr. Samuel Pepys

A Visit to Mr. Samuel Pepys

Trouble

A Rescue

The Browning Society

An Investment

A Thundercloud

Danger

No. 5 Cheyne Row

The Last Note of the Duet

The Trio

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼­ 100À§(Top 100 Books)

A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100

A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±

A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±

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A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±

A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±

A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç

A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

Á¶¸íÈ­ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)

Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±

Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,014)

 




 

¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)

 

¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930) : ±¹³»¿¡¼­´Â ÈçÈ÷ ¾Æ¼­(Arthur)¸¦ Á¦¿ÜÇÑ ÄÚ³­ µµÀÏ(Conan Doyle)·Î ºÎ¸£´Â ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ÀÇ ¡®ÀÇ»ç Ãâ½Å ¼Ò¼³°¡¡¯ÀÔ´Ï´Ù. ÄÚ³­ µµÀÏ(Conan Doyle)À̶ó°í ºÎ¸¦ °æ¿ì ÄÚ³­ÀÌ À̸§, µµÀÏÀÌ ¼ºÀ̶ó°í ¿ÀÇØÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ ¾Æ¹öÁö¿Í ¾î¸Ó´Ï »çÀÌ¿¡¼­ ž ¾ÆÀÏ·£µå°è ¿µ±¹ÀÎ(Irish-British) ¼Ò¼³°¡(1859~1930)·Î °³¾÷ÇÑ º´¿ø¿¡ ¼Õ´ÔÀÌ ¾ø¾î, ÇѰ¡ÇÑ ½Ã°£¿¡ ¼Ò¼³À» ½è´Âµ¥, ÀÌ ¼Ò¼³ÀÌ ¹Ù·Î ±× À¯¸íÇÑ ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®Áî¶õ °Ç ÀÍÈ÷ ¾Ë·ÁÁø ź»ýºñÈ­ÁÒ! ¼Ò¼³ÀÌ Àα⸦ ²øÀÚ ÀÛ°¡¸¦ ¸¸³ª°í ½ÍÀº ȯÀÚ(?!)µéÀÇ ¹æ¹®À¸·Î Àá½Ã º´¿øÀÌ ºÏÀû°Å¸®±âµµ Çß½À´Ï´Ù¸¸, ±Û·Î ¹ö´Â ¼öÀÔÀÌ º´¿ø ¼öÀͰú ºñ±³ÇÒ ¼ö ¾øÀ» Á¤µµ·Î Ä¿ÁöÀÚ, º´¿øÀ» ¶§·ÁÄ¡°í º»°ÝÀûÀ¸·Î Àü¾÷ ÀÛ°¡·Î Ȱµ¿ÇÏ¿´½À´Ï´Ù. ±×´Â 1887³â ÁÖÈ«»ö ¿¬±¸(A Study in Scarlet)(1887)¸¦ ½ÃÀÛÀ¸·Î ¼È·Ï ȨÁî(Sherlock Holmes)¿Í ÀÇ»ç ¿Ó½¼(Dr. Watson)ÀÌ µîÀåÇÏ´Â ÀåÆí ¼Ò¼³ 4Æí°ú ´ÜÆí 56ÆíÀ» ¹­Àº 5ÆíÀÇ ´ÜÆíÁýÀ» ÁýÇÊÇÏ¿´½À´Ï´Ù. ¼È·Ï ȨÁî°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°ÇÀº 1877³âºÎÅÍ 1903³â±îÁö ¸ðµÎ 58°ÇÀ̸ç, ÀºÅð ÈÄ¿¡ 2°ÇÀ» ´õÇØ ÃÑ 60°ÇÀÔ´Ï´Ù. Áï 60ÆíÀÇ ¿¡ÇǼҵå´Â ±×°¡ ÇØ°áÇÑ 60°ÇÀÇ »ç°Ç°ú °°Àº ¼ýÀÚÀÔ´Ï´Ù. ¼È·Ï ȨÁî(Sherlock Holmes) ÀÌÀü¿¡µµ ŽÁ¤ÀÌ µîÀåÇÏ´Â Ã߸® ¼Ò¼³ÀÌ ¾ø´ø °ÍÀº ¾Æ´ÏÁö¸¸, ½ÇÁ¦ »ç°Ç¿¡¼­ ¸ðƼºê¸¦ µû¿À°í, ¿µ±¹À» ºñ·ÔÇØ ¼¼°è °¢Áö¿¡¼­ ¸ÍȰ¾àÇϸç, À°Ã¼ÀûÀÎ Èûº¸´Ù´Â ºñ»óÇÑ Ã߸®·ÂÀ¸·Î »ç°ÇÀ» ÇØ°áÇÏ´Â ¸íŽÁ¤ ij¸¯Å͸¦ ±¸ÃàÇϰí, ±×¸¦ µ½Àº Á¶·ÂÀÚ¿ÍÀÇ ²ö²öÇÑ ¿ìÁ¤À» ¹üÁË ¼Ò¼³(Crime fiction)ÀÇ °ø½Äó·³ ±¸ÃàÇÑ °ÍÀº ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÇ °øÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ´ëÁßÀûÀÎ Àα⸦ ¾òÀº ¼È·Ï ȨÁî ½Ã¸®Á´Ù´Â ´Ù¸¥ ºÐ¾ß – ¿ª»ç¼Ò¼³À» ºñ·ÔÇØ ³íÇȼÇ, ±Øº», ½Ã, ÆÇŸÁö, ¸á·Î¼Ò¼³, È£·¯, SF´Â ¹°·Ð ½É·É¼Ò¼³±îÁö!, ¿¡ ´õ¿í °ü½ÉÀÌ ¸¹¾Æ Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ½¬Áö ¾Ê°í ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ´Ù¸¸ ¼È·Ï ȨÁ Á¦¿ÜÇÑ ´Ù¸¥ ºÐ¾ßÀÇ ±ÛÀº Å©°Ô Àα⸦ ²øÁö ¸øÇß½À´Ï´Ù.

 

¾È°úÀÇ»ç(Ophthalmologist) & ±ºÀǰü(Military Doctor) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº ¿µ±¹ ºÏºÎÀÇ ½ºÄÚÆ²·£µå¿¡ À§Ä¡ÇÑ ¿¡µç¹ö·¯ ´ëÇÐ(The University of Edinburgh)¿¡¼­ ÀÇÇÐÀ» Àü°øÇÏ¿´°í, 1881³â Á¹¾÷(Bachelor of Medicine and Master of Surgery)ÇÏ¿´½À´Ï´Ù. ÀÇ»ç¶ó´Â Á÷¾÷À» »ì·Á Æ÷°æ¼± The Greenland whaler Hope of Peterhead(1880)°ú È­¹°¼± the SS Mayumba(1881)¿¡¼­ ¼ö°³¿ù°£ ¼±ÀÇ(àÏì¢)·Î ±Ù¹«Çϴ°¡ Çϸé, ³²¾ÆÇÁ¸®Ä«¿¡¼­ ¹ß¹ßÇÑ ³×´ú¶õµå°è º¸¾îÁ·°ú ¿µ±¹±º °£ÀÇ Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ±ºÀǰü(ÏÚì¢Î¯)À¸·Î ÂüÀüÇÏ´Â µî Æò¹üÇÏÁö ¾ÊÀº ÀÇ»ç »ýȰÀ» ÇÏ¿´°í, À̰°Àº ´Ù¾çÇÑ °æÇèÀº ±×ÀÇ ÀÛ°¡·Î½áÀÇ ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. ¿µ±¹ ³²¼­ºÎÀÇ Çø®¸Ó½º(Plymouth)(1882), ¿µ±¹ ³²ºÎÀÇ Ç×±¸µµ½Ã Æ÷Ã÷¸Ó½º(Portsmouth)(1882)¿¡¼­ °³¾÷À» ÇÏ¿´À¸³ª ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò°í, ÀÌÈÄ ÀÚ½ÅÀÇ ¼Ò¼³ ¼Ó ¹è°æÀÌ´ø ¿µ±¹ÀÇ ¼öµµ ·±´øÀ¸·Î ¿Å°å½À´Ï´Ù. ±× À¯¸íÇÑ º£ÀÌÄ¿°¡ 221B ¹øÁö(221b Baker)°¡ ¹Ù·Î ·±´ø¿¡ ÀÖÁö¿ä!

 

ŽÁ¤(Detective) : ¾Æ¼­ ÄÚ³­ µµÀÏÀº Á÷¾÷ÀûÀΠŽÁ¤(Detective)Àº ¾Æ´Ï¾úÀ¸³ª, »ç¹ý Á¤ÀÇ¿¡ °ü½ÉÀÌ ¸¹¾Ò°í Àû±ØÀûÀ¸·Î ÀÚ½ÅÀÇ ÀǰßÀ» °³ÁøÇÏ¿´½À´Ï´Ù. 1906³â ¿µ±¹Àΰú ÀεµÀÎ »çÀÌ¿¡ ž È¥Ç÷ º¯È£»ç Á¶Áö ¿¡´ÞÁö(George Edalji)°¡ ¸»À» ÇØÄ£ ÇøÀÇ·Î ±â¼ÒµÇ¾ú½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ±×ÀÇ ½Ã·ÂÀÌ ¸Å¿ì ÁÁÁö ¾Ê¾Æ Çö½ÇÀûÀ¸·Î ¹üÇàÀ» ÀúÁö¸£°í, °æÂûÀÇ ÃßÀûÀ» ÇÇÇØ µµÇÇÇÏ´Â °ÍÀÌ Çö½ÇÀûÀ¸·Î ¾î·Æ´Ù´Â °ÍÀ» ¹àÇô ±×°¡ 3³â ¸¸¿¡ ÀÚÀ¯ÀÇ ¸öÀÌ µÉ ¼ö ÀÖµµ·Ï µµ¿Ô½À´Ï´Ù. ÀÌ »ç°ÇÀº 1972³â BBC¸¦ ºñ·ÔÇØ ´Ù¾çÇÑ ¸Åü¿¡¼­ ¶óµð¿À, TV µîÀ¸·Î °¢»öÇØ ¹æ¿µÇÏ¿´½À´Ï´Ù. 1908³â¿¡´Â µ¶ÀÏ Ãâ½ÅÀÇ À¯´ëÀÎ ¿À½ºÄ« ½½·¹ÀÌÅÍ(Oscar Slater)°¡ °í·ÉÀÇ ¿©¼ºÀ» ÆøÇàÇÑ ÇøÀÇ·Î À¯ÁË ÆÇ°áÀ» ¹ÞÀÚ, ±×ÀÇ Ç×¼Ò¸¦ µ½±â À§ÇØ ¼Ò¼Ûºñ¿ëÀ» Áö¿øÇÏ¿´½À´Ï´Ù. ½ÇÁ¦·Î ¼È·Ï ȨÁîÀÇ Ã߸®·ÂÀ» ±â´ëÇÑ ¿µ±¹ °æÂûÀÌ ¹ÌÇØ°á»ç°ÇÀÇ ¼ö»ç¸¦ ÀÛ°¡ÀÎ ¾Æ¼­ ÄÚ³­ µµÀÏ¿¡°Ô ¿äûÇÒ Á¤µµ·Î ´ëÁßµéÀÇ ±×¿¡ ´ëÇÑ ½Å·Ú´Â ¶ß°Å¿ü½À´Ï´Ù.

 

½ÃÀÎ(Poet) : ¡®¹üÁ˼Ҽ³ÀÇ ´ë°¡¡¯ ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)ÀÌ ½ÃÀÎ(Poet)À̶ó´Ï?! ±×·¯³ª, ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº Æò»ý õ Æí ÀÌ»óÀÇ ÀÛǰÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡·Î, ¼ö¹éÆíÀÇ ½Ã¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. 12¼¼(1870)¿¡ ¾´ ÃÖÃÊÀÇ ½Ã ÇлýÀÇ ²Þ(A Student's Dream)ºÎÅÍ 1922³â±îÁö Æò»ý¿¡ °ÉÃÄ 242ÆíÀÇ ½Ã¸¦ ½èÀ¸¸ç, ±× Áß¿¡ 104ÆíÀº °ø½ÄÀûÀ¸·Î ¸Åü¸¦ ÅëÇØ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL)(1902) : ¾Æ¼­ ÄÚ³­ µµÀÏ(Arthur Conan Doyle)Àº 1902³â ¼È·Ï ȨÁî(Sherlock Holmes) ½Ã¸®ÁîÀÇ ÀÛ°¡ÀÌÀÚ, Á¦2Â÷ º¸¾îÀüÀï(Boer War, Anglo Boer War)(1899~1902)¿¡ ÂüÀüÇÑ ±ºÀÎÀ¸·Î½áÀÇ °ø·Î¸¦ ÀÎÁ¤¹Þ¾Æ ±â»çÀÛÀ§(Knight Bachelor)¸¦ ¹Þ¾Ò½À´Ï´Ù. ÀÌ·Î½á ±×ÀÇ °ø½Ä ¸íĪÀº ¾Æ¼­ ÄÚ³­ µµÀÏ °æ(Sir Arthur Ignatius Conan Doyle KStJ DL). ±â»ç ÀÛÀ§¸¦ ¹ÞÀº ÈÄ ·±´ø ¼­³²ºÎÀÇ ¼­·¹ÀÌ(Surrey) ºÎÁö»ç(Deputy Lieutenant)·Î ÀÓ¸íµÇ¾ú½À´Ï´Ù. ±×¿¡°Ô ±â»ç¸¦ ¼ö¿©ÇÑ Àι°Àº ºòÅ丮¾Æ ¿©¿ÕÀÇ ÀåÀÚ ¿¡µå¿öµå 7¼¼(Edward VII)·Î, ¹«·Á 60¼¼ÀÇ ³ªÀÌ·Î ÁïÀ§ÇÏ¿´´Ù´Â... À̵ëÇØ 1903³â¿¡´Â ¼¼ÀÎÆ®Á¸ ÈÆÀå 2µî±Þ(Knight of Grace of the Most Venerable Order of the Hospital of Saint John of Jerusalem, KStJ)À» ¼ö¿©ÇÏ¿´½À´Ï´Ù. ÀÌ ¿Ü¿¡µµ Queen's South Africa Medal(1901), Knight of the Order of the Crown of Italy(1895), Order of the Medjidie – 2nd Class(Ottoman Empire)(1907) µîÀ» ¹Þ¾Ò½À´Ï´Ù.

 

¾Æ¼­ ÄÚ³­ µµÀÏÀÇ À¯¾ð(A Will)(1903) : ¾Æ¼­ ÄÚ³­ µµÀϴ 1930³â 7¿ù 7ÀÏ Å©·Î¿ìº¸·Î¿ì(Crowborough)ÀÇ ÀÚÅàWindlesham Manor¿¡¼­ ±×ÀÇ 2¹øÂ°ÀÌÀÚ ¸¶Áö¸· ºÎÀÎ Áø ·¹Å°(Jean Leckie)ÀÇ Ç°¿¡ ¾È°Ü »ç¸ÁÇÏ¿´½À´Ï´Ù. ±×ÀÇ ¸¶Áö¸· À¯¾ðÀº ´ÙÀ½°ú °°½À´Ï´Ù. You are wonderful. ´ç½Å ³Ê¹« ¸ÚÁ®. Å©·Î¿ìº¸·Î¿ì(Crowborough)¿¡ ±×ÀÇ µ¿»óÀÌ ÀÖ½À´Ï´Ù.

 

Æò»ý õÆí ÀÌ»óÀÇ ±ÛÀ» ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡ : ¾Æ¼­ ÄÚ³­ µµÀÏÀº 56ÆíÀÇ ¼È·Ï ȨÁî ½Ã¸®Á Æ÷ÇÔÇØ 258ÆíÀÇ ¼Ò¼³, ¿¡¼¼ÀÌ, ±â»ç¸¦ ÁýÇÊÇÏ¿´À¸¸ç ±× ºÐ¾ß ¶ÇÇÑ ¹üÁ˼Ҽ³ºÎÅÍ ¿ª»ç, ÆÇŸÁö, ¸ðÇè, °ø»ó °úÇÐ ¼Ò¼³, µå¶ó¸¶, ÀüÀï µî ¸Å¿ì ´Ù¾çÇÏ¿´½À´Ï´Ù. ÀÌ¿Í º°µµ·Î ¿¡¼¼ÀÌ, ÆÊÇ÷¿, ±â»ç, ¾ð·Ð ÆíÁö, ½Ã, ÀÎÅͺä, ¿¬±Ø µî ¼ö¸¹Àº ºÐ¾ßÀÇ ±ÛÀ» 1,200Æí ÀÌ»ó ÁýÇÊÇÒ Á¤µµ·Î ¿Õ¼ºÇÏ°Ô È°µ¿ÇÏ¿´½À´Ï´Ù. ¾Æ¼­ ÄÚ³­ µµÀÏÀº ÀÇÇÐÀ» Àü°øÇÑ ¿¤¸®Æ®·Î ´Ù¾çÇÑ ºÐ¾ß¿¡ È£±â½ÉÀ» °¡Áø ¡®´ÙÀÛ ÀÛ°¡¡¯¿´½À´Ï´Ù. ÀÛ°¡ º»ÀÎÀº ¡®¹üÁ˼Ҽ³ ÀÛ°¡¡¯°¡ ¾Æ´Ñ, ¡®¿ª»ç¼Ò¼³ ÀÛ°¡¡¯·Î ´ëÁߵ鿡°Ô ÀÎÁ¤¹Þ°í ½Í¾ú½À´Ï´Ù¸¸... ¿ì¸®¿¡°Ô´Â ¿©ÀüÈ÷ ¼È·Ï ȨÁîÀÇ ÀúÀڷθ¸ ±â¾ïµÇ´Â ¡®ºñ¿îÀÇ ÀÛ°¡¡¯À̱⵵ ÇÏÁö¿ä. »ýÀÇ ¸»¹Ì¿¡ °­·É¼ú¿¡ ½ÉÃëÇÑ °ÍÀº °úÇÐÀûÀÎ »ç½ÇÀ» Áß½ÃÇÏ´Â ±×ÀÇ Ã¶Çаú ´Ù¼Ò »óÀÌÇÑ °ÍÀ¸·Î º¸ÀÔ´Ï´Ù¸¸, ÀÌ ¶ÇÇÑ ¡®ÀÛ°¡ ¾Æ¼­ ÄÚ³­ µµÀÏ¡¯ÀÇ Èï¹Ì·Î¿î ¶±¹ä Áß¿¡ ÇϳªÀÎ °ÍÀº ºÐ¸íÇÕ´Ï´Ù. ¼È·Ï ȨÁî ½Ã¸®Áî´Â ±×ÀÇ »ý¾Ö ½ÃÀýºÎÅÍ ¿¬±ØÀ¸·Î °ø¿¬µÇ¾úÀ¸¸ç, ÇöÀç±îÁö ¡®°¢°¢¡¯ Ãµ Æí ÀÌ»óÀÇ ¿¬±Ø, ¿µÈ­, ¶óµð¿À µîÀ¸·Î Á¦À۵Ǿú½À´Ï´Ù.

 





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