¿µ¾î°íÀü115 ¸Þ¸® ¼Ð¸®ÀÇ Æ÷Å©³Ê(English Classics115 Falkner: A Novel by Mary Wollstonecraft Shelley)
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¸Þ¸® ¼Ð¸®ÀÇ Æ÷Å©³Ê(Falkner: A Novel by Mary Wollstonecraft Shelley)(1837)´Â ¸Þ¸® ¼Ð ¸®°¡ ÁýÇÊÇÑ 7±ÇÀÇ ÀåÆí ¼Ò¼³ Áß 6¹øÂ°·Î Ãâ°£µÈ ÀÛǰÀÔ´Ï´Ù. ±×³àÀÇ Ã¹ ¹øÂ° ÀÛǰÀº ±× À¯¸íÇÑ ÇÁ¶ûÄ˽´Å¸ÀΠ: È¤Àº Çö´ëÀÇ ÇÁ·Î¸ÞÅ׿콺(Frankenstein; Or, The Modern Prometheus)(1818)À̸ç, ¸¶Áö¸· ÀÛǰÀº 1959³â »çÈÄ¿¡ Ãâ°£µÈ ¸¶Æ¿´Ù(Mathilda by Mary Wollstonecraft Shelley)(1959)ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

"There stood,

In record of a sweet sad story,

An altar, and a temple bright,

Circled by steps, and o'er the gate

Was sculptured, 'To Fidelity!'"

SHELLEY.

 

"°Å±â ¼­ ÀÖ¾ú´Ù.

´ÞÄÞÇÏ°í ½½Ç À̾߱⸦ ±â·Ï¿¡,

Á¦´Ü°ú ¹àÀº ¼ºÀü,

°è´ÜÀ¸·Î ¿øÀ» ±×¸®¸ç ¹®À» ¿©¼¼¿ä

'To Fidelity!'¶ó°í Á¶°¢µÇ¾ú½À´Ï´Ù."

¼Ð¸®.

 

6»ì Â¥¸® ¾î¸° °í¾Æ¼Ò³à ¿¤¸®ÀÚº£½º ¶óºñ(Elizabeth Raby)´Â ·çÆÛÆ® Æ÷Å©³Ê(Rupert Falkner)ÀÇ ÀÚ»ìÀ» ¸·°í ±×¿¡°Ô ÀÔ¾çµË´Ï´Ù. ÀÌÈÄ ·çÆÛÆ® Æ÷Å©³Ê(Rupert Falkner)¿Í Á¦·²µå ³×ºô(Gerald Neville) °£¿¡ ¾ôÈù ÇØ¹¬Àº °¥µîÀ» ÇØ°áÇÔÀ¸·Î½á µÎ ³²ÀÚÀÇ È­ÇÕÀ» ÀÌ·ç´Â ¡®¿©¼º ±¸¿øÀÚ¡¯·Î Ȱ¾àÇÕ´Ï´Ù.

 

Falkner is the only one of Shelley's novels in which the heroine's agenda triumphs. by Ellis, Kate Ferguson Æ÷Å©³Ê´Â ¼Ð¸®ÀÇ ¼Ò¼³ Áß ¿©ÁÖÀΰøÀÇ ÀÇÁ¦°¡ ½Â¸®ÇÑ À¯ÀÏÇÑ ¼Ò¼³ÀÔ´Ï´Ù.

 

Æ÷Å©³Ê(Falkner: A Novel by Mary Wollstonecraft Shelley)(1837)¿¡ µîÀåÇϴ ¡®¾Æ¹öÁö¿Í µþ¡¯Àº ¸Þ¸® ¼Ð¸®ÀÇ ÀÛǰ¿¡¼­ ½¢ÇÏ°Ô µîÀåÇÑ Á¶ÇÕÀ¸·Î, ±×³à´Â ¿Ï°íÇÑ ¾Æ¹öÁö¿Í Àþ°í ¹Ì¼÷ÇÏÁö¸¸ ¿ªµ¿ÀûÀÎ µþ ij¸¯Å͸¦ ´ë¸³½ÃÄÑ À̾߱⸦ À̲ø¾ú½À´Ï´Ù.

 

"Lodore and Falkner represent fusions of the psychological social novel with the educational novel, resulting not in romances but instead in narratives of destabilization: the heroic protagonists are educated women who strive to create a world of justice and universal love". by Bennett, Betty T. "·Îµµ¾î(Lodore)¿Í Æ÷Å©³Ê(Falkner)´Â ½É¸®ÇÐÀû »çȸ ¼Ò¼³°ú ±³À° ¼Ò¼³ÀÇ À¶ÇÕÀ» ³ªÅ¸³»¸ç, ±× °á°ú ·Î¸Ç½º°¡ ¾Æ´Ï¶ó ºÒ¾ÈÁ¤È­ÀÇ ¼­»ç°¡ ³ªÅ¸³³´Ï´Ù. ¿µ¿õÀû ÁÖÀΰøÀº Á¤ÀÇ¿Í º¸ÆíÀû »ç¶ûÀÇ ¼¼°è¸¦ ¸¸µé±â À§ÇØ ³ë·ÂÇÏ´Â ±³À°¹ÞÀº ¿©¼ºÀÔ´Ï´Ù.¡°

 

Neville and Elizabeth had no drawback to their felicity. They cared not for the world, and when they did enter it, the merits of both commanded respect and liking; they were happy in each other, happy in a growing family, happy in Falkner; whom, as Neville had said, it was impossible to regard with lukewarm sentiments; and they derived a large store of happiness from his enlightened mind, from the elevated tone of moral feeling, which was the result of his sufferings, and from the deep affection with which he regarded them both. They were happy also in the wealth which gave scope to the benevolence of their dispositions, and in the talents that guided them rightly through the devious maze of life. They often visited Dromore, but their chief time was spent at their seat in Bucks, near which Falkner had purchased a villa.

 

³×ºô°ú ¿¤¸®ÀÚº£½º´Â ±×µéÀÇ Çູ¿¡ ´ÜÁ¡ÀÌ ¾ø¾ú½À´Ï´Ù. ±×µéÀº ¼¼»ó¿¡ °ü½ÉÀ» µÎÁö ¾Ê¾ÒÀ¸¸ç, ±×µéÀÌ ¼¼»ó¿¡ µé¾î°¬À» ¶§ Á¸°æ°ú »ç¶ûÀ» ¹Þ´Â µÎ °¡Áö ÀåÁ¡À» ¸ðµÎ °®Ãß¾ú½À´Ï´Ù. ±×µéÀº ¼­·Î ÇູÇß°í, ¼ºÀåÇÏ´Â °¡Á¤¿¡¼­ ÇູÇß°í, Æ÷Å©³Ê¿¡¼­ ÇູÇß½À´Ï´Ù. NevilleÀÌ ¸»ÇßµíÀÌ, ¹ÌÁö±ÙÇÑ °¨Á¤À» °í·ÁÇÏ´Â °ÍÀº ºÒ°¡´ÉÇß½À´Ï´Ù. ±×¸®°í ±×µéÀº ±×ÀÇ ±ú´ÞÀº ¸¶À½, ±×ÀÇ °íÅëÀÇ °á°úÀÎ °í»óÇÑ µµ´öÀû °¨Á¤, ±×¸®°í ±×°¡ µÎ °¡Áö ¸ðµÎ¸¦ ¹Ù¶óº¸´Â ±íÀº ¾ÖÁ¤¿¡¼­ ¸¹Àº ÇູÀ» ¾ò¾ú½À´Ï´Ù. ±×µéÀº ¶ÇÇÑ ±×µéÀÇ ±âÁúÀÇ ÀÚºñ·Î¿ò¿¡ ¹üÀ§¸¦ Á¦°øÇÏ´Â ºÎ¿Í »îÀÇ Çè¾ÇÇÑ ¹Ì·Î¸¦ ÅëÇØ ±×µéÀ» ¿Ã¹Ù·Î ÀεµÇÏ´Â Àç´É¿¡¼­ ÇູÇß½À´Ï´Ù. ±×µéÀº Á¾Á¾ µå·Î¸ð¾î¸¦ ¹æ¹®ÇßÁö¸¸, ±×µéÀÇ ÁÖµÈ ½Ã°£Àº Æ÷Å©³Ê°¡ ºô¶ó¸¦ ±¸ÀÔÇÑ ±ÙóÀÇ ¹÷½º¿¡ ÀÖ´Â ÀÚ¸®¿¡¼­ º¸³Â½À´Ï´Ù.

 

He lived in retirement: he grew a sage amid his books and his own reflections. But his heart was true to itself to the end, and his pleasures were derived from the society of his beloved Elizabeth, of Neville, who was scarcely less dear, and their beautiful children. Surrounded by these, he felt no want of the nearest ties; they were to him as his own. Time passed lightly on, bringing no apparent change; thus they still live—and Neville has never for a moment repented the irresistible impulse that led him to become the friend of him whose act had rendered his childhood miserable, but who completed the happiness of his maturer years.

 

±×´Â ÀºÅðÇÏ¿© »ì¾Ò½À´Ï´Ù. ±×´Â Ã¥°ú ÀÚ½ÅÀÇ ¼ºÂû ¼Ó¿¡¼­ ÇöÀÎÀÌ µÇ¾ú½À´Ï´Ù. ±×·¯³ª ±×ÀÇ ¸¶À½Àº ³¡±îÁö Áø½ÇÇß°í ±×ÀÇ Äè¶ôÀº ±×°¡ »ç¶ûÇÏ´Â ¿¤¸®ÀÚº£½º, °ÅÀÇ ´ú »ç¶û½º·¯¿î ³×ºô, ±×¸®°í ±×µéÀÇ ¾Æ¸§´Ù¿î ¾ÆÀ̵éÀÇ »çȸ¿¡¼­ ÆÄ»ýµÇ¾ú½À´Ï´Ù. À̰͵鿡 µÑ·¯½Î¿© ±×´Â °¡Àå °¡±î¿î À¯´ë°¡ ºÎÁ·ÇÏ´Ù°í ´À³¢Áö ¾Ê¾Ò½À´Ï´Ù. ±×µéÀº ±×¿¡°Ô ÀÚ½ÅÀÇ °ÍÀ̾ú½À´Ï´Ù. ½Ã°£Àº °¡º­ÀÌ Èê·¶°í ¶Ñ·ÇÇÑ º¯È­´Â ¾ø¾ú½À´Ï´Ù. ±×·¸°Ô ±×µéÀº ¿©ÀüÈ÷ ​​»ì°í ÀÖ´Ù. ±×¸®°í ³×ºôÀº ¾î¸° ½ÃÀýÀ» ºñÂüÇÏ°Ô ¸¸µé¾ú´ø ÇൿÀ¸·Î ÀÎÇØ ¾î¸° ½ÃÀýÀ» ºñÂüÇÏ°Ô ¸¸µé¾úÁö¸¸ ¼º¼÷ÇÑ »îÀÇ ÇູÀ» ¿Ï¼ºÇÑ ±×ÀÇ Ä£±¸°¡ µÇµµ·Ï À̲ø¾ú´ø ÀúÇ×ÇÒ ¼ö ¾ø´Â Ãæµ¿À» ´Ü ÇÑ ¼ø°£µµ ȸ°³ÇÏÁö ¾Ê¾Ò½À´Ï´Ù.




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 17°¡Áö Ű¿öµå·Î Àд ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

01. ¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin)

02. ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft)

03. »ç¶ûÀÇ µµÇÇÀΰ¡, À¯ºÎ³²°úÀÇ ºÒ·ûÀΰ¡?

03-1. À¯ºÎ³² ³²ÆíÀ» ¾ò°í, ³× Àڳฦ ÀÒ´Ù.

03-2. ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½ÃÁý ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)(1839)

04. 1816³â ½ºÀ§½º Á¦³×¹Ù ºô¶ó µð¿À´ÙƼ(Villa Diodati)¿¡¼­´Â ´ëü ¹«½¼ ÀÏÀÌ ÀÖ¾úÀ»±î?

04-1. ¿µ±¹ 3´ë ³¶¸¸ÁÖÀÇ ½ÃÀΠ¹ÙÀÌ·±ÀÌ Ã³ÀÚ½ÄÀ» ¹ö¸° ¾²·¹±â¶ó°í?!

04-2. Á¶Áö °íµç ¹ÙÀÌ·±(George Gordon Byron)ÀÇ ÆÄÆí(Fragment of a Novel)(1816)

04-3. Á¸ Àª¸®¾ö Æú¸®µ¹¸®(John William Polidori)ÀÇ ¹ìÆÄÀ̾î(The Vampyre)(1819)

04-4. ¹ÙÀÌ·±ÀÇ µþ ·¯ºê·¹À̽º ¹éÀÛºÎÀÎ ¾î°Å½ºÅÍ ¿¡ÀÌ´Ù Å·(Augusta Ada King, Countess of Lovelace)

05. Àεµ³×½Ã¾Æ Žº¸¶ó È­»ê(Gunung Tambora)(1815)ÀÌ Æø¹ßÇÏÁö ¾Ê¾Ò´Ù¸é, ÇÁ¶ûÄ˽´Å¸ÀÎÀº ź»ýÇÏÁö ¾Ê¾Ò´Ù?!

06. ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1818)ÀÌ À͸íÀ¸·Î Ãâ°£µÈ ÀÌÀ¯´Â?

07. ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1818)Àº ¼¼°è ÃÖÃÊÀÇ SF?!

08. ¿µÈ­ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1931)

09. ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)ÀÌ ±«¹° À̸§ÀÌ ¾Æ´Ï¶ó°í?!

10. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

11. ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley) ¾î·Ï(Quote)

¸Þ¸® ¼Ð¸®ÀÇ Æ÷Å©³Ê(Falkner: A Novel by Mary Wollstonecraft Shelley)(1837)

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Chapter XXVIII

Chapter XXIX

Chapter XXX

Chapter XXXI

Chapter XXXII

Chapter XXXIII

Chapter XXXIV

Chapter XXXV

Chapter XXXVI

Chapter XXXVII

Chapter XXXVIII

Chapter XXXIX

Chapter XL

Chapter XLI

Chapter XLII

Chapter XLIII

Chapter XLIV

Chapter XLV

Chapter XLVI

Chapter XLVII

Chapter XLVIII

Chapter XLIX

Chapter L

Chapter LI

Chapter LII

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

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Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(964)

 




 

¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

 

¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin) & ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft) : ÀÛ°¡ ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)´Â ºÎ¸ð´Ô ¶ÇÇÑ ¹ü»óÄ¡ ¾ÊÀº °¡¹®¿¡¼­ ž½À´Ï´Ù. ±×³à´Â 1797³â 8¿ù ¿µ±¹ ·±´øÀÇ ÇÑ °¡Á¤Áý¿¡¼­ Á¤Ä¡ öÇÐÀÚÀÌÀÚ ¾Æ³ªÅ°Áò »ç»ó°¡ ¾Æ¹öÁö¿Í ÃÖÃÊÀÇ Æä¹Ì´Ï½ºÆ® Áß ÇѸíÀ¸·Î ÀÏÄþîÁö´Â ¾î¸Ó´Ï »çÀÌ¿¡¼­ ž½À´Ï´Ù. ¸Þ¸® ¼Ð¸®ÀÇ ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft)´Â ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£(A Vindication of the Rights of Woman)(1792)ÀÇ ÀúÀÚ·Î Æä¹Ì´ÏÁòÀÇ ¿ª»ç¿¡¼­ ¡®ÃÖÃÊÀÇ ±Ù´ëÀû Æä¹Ì´Ï½ºÆ®¡¯·Î ÀÏÄþîÁö´Â Àι°ÀÔ´Ï´Ù. °íµåÀ©Àº »çº° ÈÄ ¾Æ³»ÀÇ Àú¼­ ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£(A Vindication of the Rights of Woman)(1792)¸¦ ±â¹ÝÀ¸·Î ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£ÀÇ ÀúÀÚ¿¡ °üÇÑ È¸°í·Ï(Memoirs of the Author of a Vindication of the Rights of Woman)(1798)À» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin)Àº Á¤Ä¡ öÇÐÀÚÀÌÀÚ ¾Æ³ªÅ°Áò »ç»ó°¡·Î, ¾Æ³»¸¦ ÀÒÀº ÈÄ °ð °è¸ð¿Í °áÈ¥ÇÏ¿´½À´Ï´Ù. ±×·¯³ª, °è¸ð´Â ù ¹øÂ° ºÎÀÎÀÌ ³ºÀº ¸Þ¸®¿¡ ´ëÇØ º° ´Ù¸¥ °ü½ÉÀ» º¸ÀÌÁö ¾Ê¾Ò½À´Ï´Ù. ¾î¼¸é µþ¿¡ ´ëÇÑ ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò´ø µþ¹Ùº¸ Àª¸®¾öÀÇ ¾ÖÁ¤ ¶§¹®¿¡ À¯µ¶ ¸Þ¸®¸¦ ½È¾îÇß´ÂÁöµµ... Àª¸®¾ö °íµåÀ©Àº °è¸ðÀÇ »ç¶ûÀ» ¹ÞÁö ¸øÇÑ ¸Þ¸®¸¦ ¿©¼ºÀÓ¿¡µµ ºÒ±¸Çϰí, °¡Á¤±³»ç¸¦ ÃʺùÇØ °¡¸£Ä¡°í ÀڽŰú ±³·ùÇÏ´ø ´Ù¾çÇÑ ¹®Àεé°ú ¾î¿ï¸®°Ô ÇÔÀ¸·Î½á ¡®ÀÛ°¡ ¸Þ¸® ¼Ð¸®¡¯·Î½á ¼ºÀåÇÏ´Â Ãʼ®À» ´ÙÁø Áß¿äÇÑ Àι°ÀÔ´Ï´Ù. Èʳ¯ ±×ÀÇ °¡¸£Ä§À» ¹Þ´ø ÀþÀº ÀÛ°¡ Áß ÇÑ ¸íÀÎ ÆÛ½Ã ºñ½Ã ¼Ð¸®°¡ ÀÚÀ¯·Ó°Ô ¹®ÇÐÀÛǰÀ» Àаí, ³íÇÒ ¼ö ÀÖ´ø º¸±â µå¹® ¿©¼º – ¸Þ¸® ¼Ð¸®¸¦ ¸¸³ª ù´«¿¡ ¹ÝÇÑ °ÍÀº °áÄÚ ¿ì¿¬ÀÌ ¾Æ´Ò °ÍÀÔ´Ï´Ù.

 

»ç¶ûÀÇ µµÇÇÀΰ¡, À¯ºÎ³²°úÀÇ ºÒ·ûÀΰ¡? : ¸Þ¸® ¼Ð¸®´Â ºñ´Ü ÇÁ¶ûÄ˽´Å¸ÀÎÀ̶õ Ãæ°ÝÀûÀÎ ¼Ò¼³ÀÇ ÀÛ°¡À̱â ÀÌÀü¿¡ ±×³à ÀÚ½ÅÀÇ »î ¶ÇÇÑ ·¯ºê½ºÅ丮ÀÇ ÁÖÀΰøÀ¸·Î ¼Õ»öÀÌ ¾ø´Â - µ¶ÀÚµéÀÇ ÁÖ¸ñÀ» ¹ÞÀ» ¼ö ¹Û¿¡ ¾ø´Â ¡®¹®ÇаèÀÇ ÀνΡ¯ÀÔ´Ï´Ù. 2019³â ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎÀÌ ¾Æ´Ï¶ó, ÀÛ°¡ÀÎ ±×³àÀÇ »î¿¡ ÃÊÁ¡À» ¸ÂÃá ·Î¸ÇÆ½ ¼­»ç±ØÀÌ ¾ÆÀÏ·£µå¿¡¼­ Á¦À۵DZ⵵ Çß½À´Ï´Ù. ´ÙÄÚŸ ÆÐ´×ÀÇ ¿©µ¿»ý ¸Þ¸® ¿¤ ÆÐ´×(Mary Elle Fanning)ÀÌ ¸Þ¸® ¿ªÀ» ¸Ã¾Ò½À´Ï´Ù. ¸Þ¸®´Â ºÒ°ú ½Ê´ëÀÇ ³ªÀÌ·Î Èʳ¯ Á¸ ŰÃ÷(John Keats), ¹ÙÀÌ·±°ú ÇÔ²² ¿µ±¹ÀÇ 3´ë ³¶¸¸ÁÖÀÇ ½ÃÀÎÀ̶ó ºÒ¸®´Â ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)¿Í ¿î¸íÀûÀÎ »ç¶û¿¡ ºüÁ®µì´Ï´Ù. ±×·±µ¥, ¹®Á¦´Â ±×°¡ ÀÌ¹Ì °áÈ¥ÇÑ À¯ºÎ³²À̶õ °Í! ÁÖº¯ÀÇ ¼Õ°¡¶ôÁú¿¡µµ ºÒ±¸Çϰí, ¸Þ¸®´Â ³²Ä£(¾ÆÁ÷ ³²ÆíÀº ¾Æ´Ñ) ÆÛ½Ã¿Í ÇÔ²² ¿µ±¹À» ¹þ¾î³ª À¯·´ °÷°÷À» ´©ºñ¸ç, ±ÝÁöµÇ¾î Àֱ⿡ ´õ¿í ´ÞÄÞÇÑ ¡®»ç¶ûÀÇ µµÇÇ¡¯¿¡ ºüÁ® µé¾ú½À´Ï´Ù. ´ç½ÃÀÇ °æÇèÀº À̵ëÇØ ¼Ð¸® ºÎºÎÀÇ 6ÁÖ°£ÀÇ ¿©Çà À̾߱â(History of a Six Week¡¯s Tour by Mary Wollstonecraft Shelley and Percy Bysshe Shelley)(1817)À¸·Î Ãâ°£µË´Ï´Ù.

 

µÎ ¿¬ÀÎÀÇ °üÁ¡¿¡¼­ º¸¸é, »ç¶ûÀ» À§ÇØ °¡Á¤Á¶Â÷ Æ÷±âÇÑ ¾Æ¸§´Ù¿î »ç¶ûÀ̰ڽÀ´Ï´Ù¸¸, ¼¼»ó ¸¸»ç¿¡´Â ¾ç¸éÀÌ Àֱ⠸¶·ÃÀÌÁö¿ä. ÇÏ·ç ¾ÆÄ§¿¡ ³²ÆíÀ» »¯±ä ÆÛ½ÃÀÇ ¾Æ³» Harriet Westbrook´Â ±×µéÀÇ »ç¶ûÀÇ µµÇǸ¦ °ßµô ¼ö ¾ø¾î ½º½º·Î ¸ñ¼ûÀ» ²÷¾ú½À´Ï´Ù. ±×³àÀÇ ±íÀº Àý¸Á°ú µÇãÀ» ¼ö ¾ø´Â »ó½Ç·Î ÀÎÇÑ ºÐ³ë´Â °áÈ¥ 6³âÂ÷(1811~1816)ÀÎ ±×³à°¡ ÀÓ½ÅÇÑ ¸öÀ» À̲ø°í Â÷°¡¿î °­¹°¿¡ ¸öÀ» ´øÁö°Ô ÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ±×³à´Â Á×´Â ¼ø°£±îÁöµµ ¸ô¶úÀ» °Ì´Ï´Ù. ±×³à°¡ ÀÚ»ìÇÏÀÚ¸¶ÀÚ ÆÛ½Ã¿Í ¸Þ¸®°¡ ±â´Ù·È´Ù´Â µíÀÌ °áÈ¥(1816)ÇÒ ÁÙÀº...

 

À¯ºÎ³² ³²ÆíÀ» ¾ò°í, ³× Àڳฦ ÀÒ´Ù. : ¸Þ¸®´Â ºñ·Ï À¯ºÎ³²ÀÌ¿´À¸³ª, ¾Æ´Ï À¯ºÎ³²ÀÎ ³²ÆíÀÇ »ç¶ûÀ» ¾ò´Âµ¥´Â ¼º°øÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ¸Þ¸® ¶§¹®¿¡ Á¹Áö¿¡ ³²ÆíÀ» ÀúÁÖÇÏ¸ç °­¹°¿¡ ¸öÀ» ´øÁø ¿©ÀÎÀÇ ÇÑ ¶§¹®Àϱî¿ä? 5¸íÀÇ ÀÚ³à Áß¿¡ ¹«·Á 4¸íÀÌ ¸íÀ» ´Þ¸® Çß°í, ±×Åä·Ï »ç¶ûÇÏ´ø ³²Æí ¶ÇÇÑ 1822³â 29¼¼ÀÇ ÀþÀº ³ªÀÌ·Î ½ºÆäÄ¡¾Æ¿¡¼­ ¿äÆ®¸¦ Ÿ´ø Áß ½ÇÁ¾µÇ¾ú½À´Ï´Ù. Çϳª »ÓÀÎ ¾ÆµéÀ» µ¹º¸±â À§ÇØ ¸¶À½À» ´ÙÀâ°í ÁýÇÊ¿¡ ¸ôµÎÇÑ ±×³à´Â 1851³â ³úÁ¾¾çÀ¸·Î »ç¸ÁÇϱâ Àü±îÁö ¹ßÆÛ°¡(Valperga)(1823), ¶ó½ºÆ® ¸Ç(The Last Man)(1826), ÆÛŲ ¿öº¤ÀÇ Çà¿î(The Fortunes of Perkin Warbeck)(1830), ·Îµµ¾î(Lodore)(1835), Æ÷Å©³Ê(Falkner)(1837) µî ¿©·¯ ÀÛǰÀ» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù¸¸, Ã³³àÀÛ ÇÁ¶ûÄ˽´Å¸Àθ¸Å­ÀÇ Àαâ´Â ´Ù½Ã ¾òÁö ¸øÇß½À´Ï´Ù.

 

ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½Ã ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)(1839) : ¸Þ¸®´Â ³²Æí ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)°¡ Æò»ý ¾´ ½Ã¸¦ Á¤¸®ÇØ 1839³â ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½ÃÁý ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)À» Ãâ°£ÇÏ¿´½À´Ï´Ù. ¼Ð¸®´Â »ì¾Æ »ýÀü ±×³à°¡ ÇÁ¶ûÄ˽´Å¸ÀÎÀ» ¿Ï¼ºÇϱâ±îÁö °Ý·Á¿Í äÂïÀ» ¾Æ³¢Áö ¾Ê¾Ò°í, ±×³à ¶ÇÇÑ ÆÛ½ÃÀÇ ½Ã¿¡ ´ëÇÑ ¾ÖÁ¤À» ½ÃÁý ÀüÁý Ãâ°£À¸·Î Ç¥ÇöÇÏ¿´À¸´Ï, ÇÑ ¿©ÀÚÀÇ ¸ñ¼ûÀ» »¯Àº ½ÃÀÛÀº ±×¸® ¾Æ¸§´ä´Ù°í ÇÒ ¼ö´Â ¾ø°ÚÁö¸¸ ¹®Çа迡¼­ ã¾Æ º¸±â ½±Áö ¾ÊÀº ¡®¼¼±âÀÇ Ä¿Çá¯ÀÎ °ÍÀº ºÐ¸íÇÕ´Ï´Ù.

 




 



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