¿µ¾î°íÀü113 ¸Þ¸® ¼Ð¸®ÀÇ ÇÁ·Î¼¼¸£Çɰú ¹Ì´Ù½º(English Classics113 Proserpine and Midas by Mary Wollstonecraft Shelley)
2021³â 10¿ù 06ÀÏ 22½Ã 56ºÐ ÀÔ·Â

 



 

ÇÁ·Î¼¼¸£Çɰú ¹Ì´Ù½º(Proserpine and Midas by Mary Wollstonecraft Shelley)(1922)´Â ¼Ð¸® ºÎºÎ°¡ ÇÔ²² ÁýÇÊÇÑ ¾î¸°ÀÌ¿ë ¿î¹® µå¶ó¸¶(a verse drama written for children) ÇÁ·Î¼¼¸£ÇÉ(Proserpine)°ú ¹Ì´Ù½º(Midas)À» ÇÔ²² ¹­¾î¼­ ÃâÆÇÇÑ ÀÛǰÀ¸·Î ¡®ÇÁ·Î¼¼¸£Çɰú ¹Ì´Ù½º(Proserpine and Midas)¡¯À̶õ Á¦¸ñÀÇ ÀÛǰÀÌ ¾Æ´Õ´Ï´Ù. ´Ù¸¸ µÎ ÀÛǰ ¸ðµÎ °°Àº ½Ã±â¿¡ ÁýÇÊÇÏ¿´À¸¸ç, ±Øº»ÀÇ Çü½ÄÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ°í, ±âÁ¸ÀÇ °íÀü ½ÅÈ­¸¦ µÚÁý´Â ¹æ½ÄÀÇ ÀçâÀÛÀ̶ó´Â °øÅëÁ¡ÀÌ À־®ÇÑ ½ÖÀÇ ±Øº»¡¯À¸·Î º¼ ¼ö ÀÖ½À´Ï´Ù.

 

¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)(1797~1851)°¡ ÀÌÅ»¸®¾Æ¿¡ °ÅÁÖÇÑ 1820³â°æ µå¶ó¸¶ÀÇ ÃʾÈ(the blank verse drama)À» ÁýÇÊÇÏ¿´°í, ³²Æí ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)(1792~1822)°¡ ±Ø¿¡ »ðÀԵǴ ¼­Á¤½Ã(lyric poems) µÎ ÆíÀ» ½è½À´Ï´Ù.

 

¸Þ¸® ¼Ð¸®´Â 1820³â ¿ø°í¸¦ ¿Ï¼ºÇÑ ÈÄ 1824³â The Browning Box, 1830³â ¾î¸°ÀÌ ÀâÁö Forget-Me-Not¿¡ Åõ°íÇÏ¿´À¸³ª, ÀÕ´Þ¾Æ °ÅÀý ´çÇÏ¿´½À´Ï´Ù. 8³âÀÌ È帥 ÈÄ ´ëÆø ¼öÁ¤ÇÏ¿©, 1832³â ¿µ±¹ ·±´ø The Winter's Wreath¸¦ ÅëÇØ ÃÖÃÊ·Î ¹ßÇ¥µÇ¾úÀ¸³ª, ´ç½Ã¿¡´Â ±×¸® Å« ÁÖ¸ñÀ» ¹ÞÁö´Â ¸øÇÏ¿´½À´Ï´Ù. Æò·Ð°¡µéÀº ¸Þ¸®ÀÇ ±Øº»º¸´Ù ¿ÀÈ÷·Á ½ÃÀÎÀ¸·Î À¯¸íÇß´ø ³²ÆíÀÇ ½Ã¿¡ ´ëÇÑ °ü½ÉÀÌ ´õ ÄÇ´Ù´Â... ¹é¿© ³âÀÇ ¼¼¿ùÀÌ È帥 ÈÄ ¹®ÇÐÇÐÀÚ A. KoszulÀÇ ÆíÁýÀ» ÅëÇØ 1922³â ÇÁ·Î¼¼¸£ÇÉ(Proserpine)¿Í ¹Ì´Ù½º(Midas)´Â ÇÕº» ÇüÅ·ΠÃâ°£µÇ¾ú½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

â¹éÇÑ Àý¸ÁÀÇ ³­·Î(on the hearth of pale despair)¿¡ ºüÁö´Ù : ¸Þ¸® ¼Ð¸®°¡ »çÈÄ¿¡ Ãâ°£µÈ ¸¶Æ¿´Ù(Mathilda by Mary Wollstonecraft Shelley)(1959)¸¦ ÁýÇÊÇÑ ½Ã±â(1819~1820)´Â ³²Æí ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)(1792~1822)¿ÍÀÇ »çÀÌ¿¡ µÐ µþ°ú ¾ÆµéÀ» 1818³â ÀÌÅ»¸®¾Æ º£´Ï½º¿Í 1819³â ·Î¸¶¿¡¼­ ÀÒ°í Àý¸Á¿¡ ºüÁø ½Ã±â¿´½À´Ï´Ù. ±×³à´Â ÀÚ½ÄÀ» ÀÒÀº ½½ÇÄÀ» Àرâ À§Çؼ­¶óµµ ´õ´õ¿í ÀÛǰ¿¡ ¸ôÀÔÇϰíÀÚ ÇßÀ» °ÍÀÔ´Ï´Ù. ±×³àÀÇ ½½ÇÄÀº 1819³â ÆÛ½Ã Ç÷η»½º(Percy Florence)¸¦ Ãâ»êÇϸ鼭 ´Ù¼Ò °¡¶ó¾É¾Ò½À´Ï´Ù. ±×³à´Â ºÒÀÇÀÇ »ç°í·Î ³²ÆíÀ» ÀÒ°í, À¯ÀÏÇÏ°Ô ³²Àº ¾ÆµéÀ» ¾çÀ°Çϱâ À§ÇØ ÀÛ°¡·Î½á ¿Õ¼ºÇÏ°Ô È°µ¿Çϸç, ´Ù¾çÇÑ ¸Åü¿¡ ´Ù¾çÇÑ Çü½ÄÀÇ ÀÛǰÀ» ²÷ÀÓ¾øÀÌ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

ÀüÇüÀûÀÎ °íÀü ½ÅÈ­(classical myths)¸¦ µÚÁý´Ù!! : Ç÷çÅä(Pluto)°¡ ÇÁ·Î¼¼¸£ÇÉ(Proserpine)À» ³³Ä¡ÇÑ ¿Àºñµð¿ì½ºÀÇ ±×¸®½º ½ÅÈ­(the Greek myth)¸¦ ¸ðƼºê·Î »ï°í ÀÖÀ¸¸ç, ¸Þ¸® ¼Ð¸®ÀÇ ÀÛǰ´ä°Ô ¿©ÁÖÀΰø ÇÁ·Î¼¼¸£ÇÉ(Proserpine)¿¡°Ô ÃÊÁ¡ÀÌ ¸ÂÃçÁ® ÀÖ½À´Ï´Ù. ±âÁ¸ÀÇ ½ÅÈ­¿¡¼­ ÇÁ·Î¼¼¸£ÇÉÀÌ ³³Ä¡µÇ°í, °­°£ ´çÇÏ´Â ºñ·ÃÀÇ ¿©ÀÎÀ¸·Î ±×·ÁÁ³´Ù¸é, ¸Þ¸® ¼Ð¸®ÀÇ ±Øº»¿¡¼­´Â ½º½º·ÎÀÇ ÀÇÁö·Î ÁöÇÏ ¼¼°è¸¦ ¹þ¾î³ª·Á´Â ¿©ÁÖÀΰøÀ¸·Î ¹¦»çµÉ »Ó¸¸ ¾Æ´Ï¶ó ³²¼º ij¸¯ÅÍÀÇ ºñÁß ÀÚü°¡ Àû½À´Ï´Ù. ÀÌ´Â ³²¼ºÀûÀÎ »öä°¡ °­ÇÑ ¹Ì´Ù½º(Midas)¿Í ´ëºñµÇ´Â Ãø¸éÀ¸·Î, ÀÌ ¶§¹®¿¡ ÇÁ·Î¼¼¸£ÇÉ(Proserpine)¿Í ¹Ì´Ù½º(Midas)´Â ¡®ÇÑ ½ÖÀÇ ±Øº»¡¯À¸·Î ¿©°ÜÁý´Ï´Ù.

 

¹Ì´Ù½º(Midas)´Â ¼ÕÀ¸·Î ¸¸Áö´Â °Í¸¶´Ù ±ÝÀ¸·Î º¯Çϴ ¹Ì´Ù½º ¿ÕÀÇ Àü¼³À» ¸ðƼºê·Î »ï°í ÀÖÀ¸¸ç, ³²¼ºÀÌ ÁÖµµÇÏ´Â Á¤Ä¡ ¹®Á¦¿Í ²÷À» ¸ð¸£´Â ºÎÀÇ ÃàÀç(the unbounded accumulation of wealth)¿¡ ´ëÇÑ Ç³ÀÚ¸¦ °ñÀÚ·Î ÇÕ´Ï´Ù. ÀÛ°¡°¡ ÇÁ·Î¼¼¸£ÇÉ(Proserpine)°ú ¸¶Âù°¡Áö·Î ±âÁ¸ÀÇ ÀüÇüÀûÀÎ °íÀü ½ÅÈ­(classical myths)¸¦ µÚÁý´Â ÀÛ¾÷¿¡ ¸Å·áµÇ¾úÀ½À» ´Ù½Ã Çѹø È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù.

 

PREFATORY NOTE. The editor came across the unpublished texts included in this volume as early as 1905. Perhaps he ought to apologize for delaying their appearance in print. The fact is he has long been afraid of overrating their intrinsic value. But as the great Shelley centenary year has come, perhaps this little monument of his wife¡¯s collaboration may take its modest place among the tributes which will be paid to his memory. For Mary Shelley¡¯s mythological dramas can at least claim to be the proper setting for some of the most beautiful lyrics of the poet, which so far have been read in undue isolation. And even as a literary sign of those times, as an example of that classical renaissance which the romantic period fostered, they may not be altogether negligible. ÆíÁýÀÚ´Â ÀÏÂïÀÌ 1905³â¿¡ ÀÌ Ã¥¿¡ Æ÷ÇÔµÈ ¹Ì°ø°³ ÅØ½ºÆ®¸¦ Á¢Çß½À´Ï´Ù. ¾Æ¸¶µµ ±×´Â ÀμâÆÇ¿¡ °ÔÀç°¡ ´Ê¾îÁø °Í¿¡ ´ëÇØ »ç°úÇØ¾ß ÇÒ °ÍÀÔ´Ï´Ù. »ç½Ç ±×´Â ¿À·§µ¿¾È ±×µéÀÇ º»ÁúÀûÀÎ °¡Ä¡¸¦ °ú´ë Æò°¡ÇÏ´Â °ÍÀ» µÎ·Á¿öÇß½À´Ï´Ù. ±×·¯³ª ¼Ð¸®ÀÇ À§´ëÇÑ 100ÁÖ³âÀÌ µÇ¸é¼­ ¾Æ¸¶µµ ±×ÀÇ ¾Æ³»ÀÇ Çù·Â¿¡ ´ëÇÑ ÀÌ ÀÛÀº ±â³ä¹°ÀÌ ±×ÀÇ Ã߸𿡠¹ÙÃÄÁú °ø¹° °¡¿îµ¥ °â¼ÕÇÑ ÀÚ¸®¸¦ Â÷ÁöÇÒ °ÍÀÔ´Ï´Ù. Mary ShelleyÀÇ ½ÅÈ­Àû µå¶ó¸¶´Â Àû¾îµµ Áö±Ý±îÁö °úµµÇÏ°Ô °í¸³µÇ¾î ÀÐÇôÁø ½ÃÀÎÀÇ °¡Àå ¾Æ¸§´Ù¿î °¡»çÀÇ ÀûÀýÇÑ ¼³Á¤À̶ó°í ÁÖÀåÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×¸®°í ±× ½Ã´ëÀÇ ¹®ÇÐÀû ±âÈ£·Î¼­, ³¶¸¸ÁÖÀÇ ½Ã´ë°¡ Ã˹ßÇÑ °íÀüÀû ¸£³×»ó½ºÀÇ ÇÑ ¿¹·Î¼­, ±×°ÍµéÀ» ¿ÏÀüÈ÷ ¹«½ÃÇÒ ¼ö´Â ¾øÀ» °ÍÀÔ´Ï´Ù.

 

These biographical and literary points have been dealt with in an introduction for which the kindest help was long ago received from the late Dr. Garnett and the late Lord Abinger. Sir Walter Raleigh was also among the first to give both encouragement and guidance. My friends M. Emile Pons and Mr. Roger Ingpen have read the book in manuscript. The authorities of the Bodleian Library and of the Clarendon Press have been as generously helpful as is their well-known wont. To all the editor wishes to record his acknowledgements and thanks. ÀÌ·¯ÇÑ Àü±â ¹× ¹®ÇÐÀû ¿äÁ¡Àº ¿À·¡Àü¿¡ Íº °¡³Ý ¹Ú»ç¿Í Íº ¾ÖºùÀú °æÀ¸·ÎºÎÅÍ °¡Àå Ä£ÀýÇÑ µµ¿òÀ» ¹ÞÀº ¼­¹®¿¡¼­ ´Ù·ç¾îÁ³½À´Ï´Ù. Walter Raleigh °æµµ óÀ½À¸·Î °Ý·Á¿Í Áöµµ¸¦ Á¦°øÇÑ »ç¶÷ Áß ÇÑ »ç¶÷ÀÔ´Ï´Ù. ³» Ä£±¸ M. Emile Pons¿Í Mr. Roger IngpenÀº Çʻ纻À¸·Î Ã¥À» Àоú½À´Ï´Ù. Bodleian Library¿Í Clarendon PressÀÇ ´ç±¹Àº Àß ¾Ë·ÁÁø ±×µéÀÇ ÀÇÁö¸¸Å­À̳ª °ü´ëÇÏ°Ô µµ¿òÀ» ÁÖ¾ú½À´Ï´Ù. ¸ðµç ÆíÁýÀÚ¿¡°Ô ±×ÀÇ °¨»ç¿Í °¨»ç¸¦ ±â·ÏÇϰíÀÚ ÇÕ´Ï´Ù.




 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

Á¶¸íÈ­ ÆíÁýÀåÀÇ 17°¡Áö Ű¿öµå·Î Àд ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

01. ¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin)

02. ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft)

03. »ç¶ûÀÇ µµÇÇÀΰ¡, À¯ºÎ³²°úÀÇ ºÒ·ûÀΰ¡?

03-1. À¯ºÎ³² ³²ÆíÀ» ¾ò°í, ³× Àڳฦ ÀÒ´Ù.

03-2. ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½ÃÁý ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)(1839)

04. 1816³â ½ºÀ§½º Á¦³×¹Ù ºô¶ó µð¿À´ÙƼ(Villa Diodati)¿¡¼­´Â ´ëü ¹«½¼ ÀÏÀÌ ÀÖ¾úÀ»±î?

04-1. ¿µ±¹ 3´ë ³¶¸¸ÁÖÀÇ ½ÃÀΠ¹ÙÀÌ·±ÀÌ Ã³ÀÚ½ÄÀ» ¹ö¸° ¾²·¹±â¶ó°í?!

04-2. Á¶Áö °íµç ¹ÙÀÌ·±(George Gordon Byron)ÀÇ ÆÄÆí(Fragment of a Novel)(1816)

04-3. Á¸ Àª¸®¾ö Æú¸®µ¹¸®(John William Polidori)ÀÇ ¹ìÆÄÀ̾î(The Vampyre)(1819)

04-4. ¹ÙÀÌ·±ÀÇ µþ ·¯ºê·¹À̽º ¹éÀÛºÎÀÎ ¾î°Å½ºÅÍ ¿¡ÀÌ´Ù Å·(Augusta Ada King, Countess of Lovelace)

05. Àεµ³×½Ã¾Æ Žº¸¶ó È­»ê(Gunung Tambora)(1815)ÀÌ Æø¹ßÇÏÁö ¾Ê¾Ò´Ù¸é, ÇÁ¶ûÄ˽´Å¸ÀÎÀº ź»ýÇÏÁö ¾Ê¾Ò´Ù?!

06. ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1818)ÀÌ À͸íÀ¸·Î Ãâ°£µÈ ÀÌÀ¯´Â?

07. ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1818)Àº ¼¼°è ÃÖÃÊÀÇ SF?!

08. ¿µÈ­ ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)(1931)

09. ÇÁ¶ûÄ˽´Å¸ÀÎ(Frankenstein)ÀÌ ±«¹° À̸§ÀÌ ¾Æ´Ï¶ó°í?!

10. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

11. ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley) ¾î·Ï(Quote)

¸Þ¸® ¼Ð¸®ÀÇ ÇÁ·Î¼¼¸£Çɰú ¹Ì´Ù½º(Proserpine and Midas by Mary Wollstonecraft Shelley)(1922)

Prefatory Note

Introduction

I-I.

I-II.

Mythological Dramas

Proserpine

P-Dramatis Personae

P-Act I

P-Act II

Midas

M-Dramatis Personae

M-Act I

M-Act II

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼­ 100À§(Top 100 Books)

A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100

A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±

A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±

A05. ¼­¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼­ 60±Ç

A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±

A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±

A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç

A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

Á¶¸íÈ­ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)

Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±

Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(964)

 




 

¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)

 

¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin) & ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft) : ÀÛ°¡ ¸Þ¸® ¼Ð¸®(Mary Wollstonecraft Shelley)´Â ºÎ¸ð´Ô ¶ÇÇÑ ¹ü»óÄ¡ ¾ÊÀº °¡¹®¿¡¼­ ž½À´Ï´Ù. ±×³à´Â 1797³â 8¿ù ¿µ±¹ ·±´øÀÇ ÇÑ °¡Á¤Áý¿¡¼­ Á¤Ä¡ öÇÐÀÚÀÌÀÚ ¾Æ³ªÅ°Áò »ç»ó°¡ ¾Æ¹öÁö¿Í ÃÖÃÊÀÇ Æä¹Ì´Ï½ºÆ® Áß ÇѸíÀ¸·Î ÀÏÄþîÁö´Â ¾î¸Ó´Ï »çÀÌ¿¡¼­ ž½À´Ï´Ù. ¸Þ¸® ¼Ð¸®ÀÇ ¾î¸Ó´Ï ¸Þ¸® ¿ï½ºÅÏÅ©·¡ÇÁÆ®(Mary Wollstonecraft)´Â ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£(A Vindication of the Rights of Woman)(1792)ÀÇ ÀúÀÚ·Î Æä¹Ì´ÏÁòÀÇ ¿ª»ç¿¡¼­ ¡®ÃÖÃÊÀÇ ±Ù´ëÀû Æä¹Ì´Ï½ºÆ®¡¯·Î ÀÏÄþîÁö´Â Àι°ÀÔ´Ï´Ù. °íµåÀ©Àº »çº° ÈÄ ¾Æ³»ÀÇ Àú¼­ ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£(A Vindication of the Rights of Woman)(1792)¸¦ ±â¹ÝÀ¸·Î ¿©¼ºÀÇ ±Ç¸® ¿ËÈ£ÀÇ ÀúÀÚ¿¡ °üÇÑ È¸°í·Ï(Memoirs of the Author of a Vindication of the Rights of Woman)(1798)À» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

¾Æ¹öÁö Àª¸®¾ö °íµåÀ©(William Godwin)Àº Á¤Ä¡ öÇÐÀÚÀÌÀÚ ¾Æ³ªÅ°Áò »ç»ó°¡·Î, ¾Æ³»¸¦ ÀÒÀº ÈÄ °ð °è¸ð¿Í °áÈ¥ÇÏ¿´½À´Ï´Ù. ±×·¯³ª, °è¸ð´Â ù ¹øÂ° ºÎÀÎÀÌ ³ºÀº ¸Þ¸®¿¡ ´ëÇØ º° ´Ù¸¥ °ü½ÉÀ» º¸ÀÌÁö ¾Ê¾Ò½À´Ï´Ù. ¾î¼¸é µþ¿¡ ´ëÇÑ ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò´ø µþ¹Ùº¸ Àª¸®¾öÀÇ ¾ÖÁ¤ ¶§¹®¿¡ À¯µ¶ ¸Þ¸®¸¦ ½È¾îÇß´ÂÁöµµ... Àª¸®¾ö °íµåÀ©Àº °è¸ðÀÇ »ç¶ûÀ» ¹ÞÁö ¸øÇÑ ¸Þ¸®¸¦ ¿©¼ºÀÓ¿¡µµ ºÒ±¸Çϰí, °¡Á¤±³»ç¸¦ ÃʺùÇØ °¡¸£Ä¡°í ÀڽŰú ±³·ùÇÏ´ø ´Ù¾çÇÑ ¹®Àεé°ú ¾î¿ï¸®°Ô ÇÔÀ¸·Î½á ¡®ÀÛ°¡ ¸Þ¸® ¼Ð¸®¡¯·Î½á ¼ºÀåÇÏ´Â Ãʼ®À» ´ÙÁø Áß¿äÇÑ Àι°ÀÔ´Ï´Ù. Èʳ¯ ±×ÀÇ °¡¸£Ä§À» ¹Þ´ø ÀþÀº ÀÛ°¡ Áß ÇÑ ¸íÀÎ ÆÛ½Ã ºñ½Ã ¼Ð¸®°¡ ÀÚÀ¯·Ó°Ô ¹®ÇÐÀÛǰÀ» Àаí, ³íÇÒ ¼ö ÀÖ´ø º¸±â µå¹® ¿©¼º – ¸Þ¸® ¼Ð¸®¸¦ ¸¸³ª ù´«¿¡ ¹ÝÇÑ °ÍÀº °áÄÚ ¿ì¿¬ÀÌ ¾Æ´Ò °ÍÀÔ´Ï´Ù.

 

»ç¶ûÀÇ µµÇÇÀΰ¡, À¯ºÎ³²°úÀÇ ºÒ·ûÀΰ¡? : ¸Þ¸® ¼Ð¸®´Â ºñ´Ü ÇÁ¶ûÄ˽´Å¸ÀÎÀ̶õ Ãæ°ÝÀûÀÎ ¼Ò¼³ÀÇ ÀÛ°¡À̱â ÀÌÀü¿¡ ±×³à ÀÚ½ÅÀÇ »î ¶ÇÇÑ ·¯ºê½ºÅ丮ÀÇ ÁÖÀΰøÀ¸·Î ¼Õ»öÀÌ ¾ø´Â - µ¶ÀÚµéÀÇ ÁÖ¸ñÀ» ¹ÞÀ» ¼ö ¹Û¿¡ ¾ø´Â ¡®¹®ÇаèÀÇ ÀνΡ¯ÀÔ´Ï´Ù. 2019³â ¼Ò¼³ ÇÁ¶ûÄ˽´Å¸ÀÎÀÌ ¾Æ´Ï¶ó, ÀÛ°¡ÀÎ ±×³àÀÇ »î¿¡ ÃÊÁ¡À» ¸ÂÃá ·Î¸ÇÆ½ ¼­»ç±ØÀÌ ¾ÆÀÏ·£µå¿¡¼­ Á¦À۵DZ⵵ Çß½À´Ï´Ù. ´ÙÄÚŸ ÆÐ´×ÀÇ ¿©µ¿»ý ¸Þ¸® ¿¤ ÆÐ´×(Mary Elle Fanning)ÀÌ ¸Þ¸® ¿ªÀ» ¸Ã¾Ò½À´Ï´Ù. ¸Þ¸®´Â ºÒ°ú ½Ê´ëÀÇ ³ªÀÌ·Î Èʳ¯ Á¸ ŰÃ÷(John Keats), ¹ÙÀÌ·±°ú ÇÔ²² ¿µ±¹ÀÇ 3´ë ³¶¸¸ÁÖÀÇ ½ÃÀÎÀ̶ó ºÒ¸®´Â ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)¿Í ¿î¸íÀûÀÎ »ç¶û¿¡ ºüÁ®µì´Ï´Ù. ±×·±µ¥, ¹®Á¦´Â ±×°¡ ÀÌ¹Ì °áÈ¥ÇÑ À¯ºÎ³²À̶õ °Í! ÁÖº¯ÀÇ ¼Õ°¡¶ôÁú¿¡µµ ºÒ±¸Çϰí, ¸Þ¸®´Â ³²Ä£(¾ÆÁ÷ ³²ÆíÀº ¾Æ´Ñ) ÆÛ½Ã¿Í ÇÔ²² ¿µ±¹À» ¹þ¾î³ª À¯·´ °÷°÷À» ´©ºñ¸ç, ±ÝÁöµÇ¾î Àֱ⿡ ´õ¿í ´ÞÄÞÇÑ ¡®»ç¶ûÀÇ µµÇÇ¡¯¿¡ ºüÁ® µé¾ú½À´Ï´Ù. ´ç½ÃÀÇ °æÇèÀº À̵ëÇØ ¼Ð¸® ºÎºÎÀÇ 6ÁÖ°£ÀÇ ¿©Çà À̾߱â(History of a Six Week¡¯s Tour by Mary Wollstonecraft Shelley and Percy Bysshe Shelley)(1817)À¸·Î Ãâ°£µË´Ï´Ù.

 

µÎ ¿¬ÀÎÀÇ °üÁ¡¿¡¼­ º¸¸é, »ç¶ûÀ» À§ÇØ °¡Á¤Á¶Â÷ Æ÷±âÇÑ ¾Æ¸§´Ù¿î »ç¶ûÀ̰ڽÀ´Ï´Ù¸¸, ¼¼»ó ¸¸»ç¿¡´Â ¾ç¸éÀÌ Àֱ⠸¶·ÃÀÌÁö¿ä. ÇÏ·ç ¾ÆÄ§¿¡ ³²ÆíÀ» »¯±ä ÆÛ½ÃÀÇ ¾Æ³» Harriet Westbrook´Â ±×µéÀÇ »ç¶ûÀÇ µµÇǸ¦ °ßµô ¼ö ¾ø¾î ½º½º·Î ¸ñ¼ûÀ» ²÷¾ú½À´Ï´Ù. ±×³àÀÇ ±íÀº Àý¸Á°ú µÇãÀ» ¼ö ¾ø´Â »ó½Ç·Î ÀÎÇÑ ºÐ³ë´Â °áÈ¥ 6³âÂ÷(1811~1816)ÀÎ ±×³à°¡ ÀÓ½ÅÇÑ ¸öÀ» À̲ø°í Â÷°¡¿î °­¹°¿¡ ¸öÀ» ´øÁö°Ô ÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ±×³à´Â Á×´Â ¼ø°£±îÁöµµ ¸ô¶úÀ» °Ì´Ï´Ù. ±×³à°¡ ÀÚ»ìÇÏÀÚ¸¶ÀÚ ÆÛ½Ã¿Í ¸Þ¸®°¡ ±â´Ù·È´Ù´Â µíÀÌ °áÈ¥(1816)ÇÒ ÁÙÀº...

 

À¯ºÎ³² ³²ÆíÀ» ¾ò°í, ³× Àڳฦ ÀÒ´Ù. : ¸Þ¸®´Â ºñ·Ï À¯ºÎ³²ÀÌ¿´À¸³ª, ¾Æ´Ï À¯ºÎ³²ÀÎ ³²ÆíÀÇ »ç¶ûÀ» ¾ò´Âµ¥´Â ¼º°øÇÏ¿´½À´Ï´Ù. ±×·¯³ª, ¸Þ¸® ¶§¹®¿¡ Á¹Áö¿¡ ³²ÆíÀ» ÀúÁÖÇÏ¸ç °­¹°¿¡ ¸öÀ» ´øÁø ¿©ÀÎÀÇ ÇÑ ¶§¹®Àϱî¿ä? 5¸íÀÇ ÀÚ³à Áß¿¡ ¹«·Á 4¸íÀÌ ¸íÀ» ´Þ¸® Çß°í, ±×Åä·Ï »ç¶ûÇÏ´ø ³²Æí ¶ÇÇÑ 1822³â 29¼¼ÀÇ ÀþÀº ³ªÀÌ·Î ½ºÆäÄ¡¾Æ¿¡¼­ ¿äÆ®¸¦ Ÿ´ø Áß ½ÇÁ¾µÇ¾ú½À´Ï´Ù. Çϳª »ÓÀÎ ¾ÆµéÀ» µ¹º¸±â À§ÇØ ¸¶À½À» ´ÙÀâ°í ÁýÇÊ¿¡ ¸ôµÎÇÑ ±×³à´Â 1851³â ³úÁ¾¾çÀ¸·Î »ç¸ÁÇϱâ Àü±îÁö ¹ßÆÛ°¡(Valperga)(1823), ¶ó½ºÆ® ¸Ç(The Last Man)(1826), ÆÛŲ ¿öº¤ÀÇ Çà¿î(The Fortunes of Perkin Warbeck)(1830), ·Îµµ¾î(Lodore)(1835), Æ÷Å©³Ê(Falkner)(1837) µî ¿©·¯ ÀÛǰÀ» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù¸¸, Ã³³àÀÛ ÇÁ¶ûÄ˽´Å¸Àθ¸Å­ÀÇ Àαâ´Â ´Ù½Ã ¾òÁö ¸øÇß½À´Ï´Ù.

 

ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½Ã ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)(1839) : ¸Þ¸®´Â ³²Æí ÆÛ½Ã ºñ½Ã ¼Ð¸®(Percy Bysshe Shelley)°¡ Æò»ý ¾´ ½Ã¸¦ Á¤¸®ÇØ 1839³â ÆÛ½Ã ºñ½Ã ¼Ð¸®ÀÇ ½ÃÁý ÀüÁý(Notes to the Complete Poetical Works of Percy Bysshe Shelley)À» Ãâ°£ÇÏ¿´½À´Ï´Ù. ¼Ð¸®´Â »ì¾Æ »ýÀü ±×³à°¡ ÇÁ¶ûÄ˽´Å¸ÀÎÀ» ¿Ï¼ºÇϱâ±îÁö °Ý·Á¿Í äÂïÀ» ¾Æ³¢Áö ¾Ê¾Ò°í, ±×³à ¶ÇÇÑ ÆÛ½ÃÀÇ ½Ã¿¡ ´ëÇÑ ¾ÖÁ¤À» ½ÃÁý ÀüÁý Ãâ°£À¸·Î Ç¥ÇöÇÏ¿´À¸´Ï, ÇÑ ¿©ÀÚÀÇ ¸ñ¼ûÀ» »¯Àº ½ÃÀÛÀº ±×¸® ¾Æ¸§´ä´Ù°í ÇÒ ¼ö´Â ¾ø°ÚÁö¸¸ ¹®Çа迡¼­ ã¾Æ º¸±â ½±Áö ¾ÊÀº ¡®¼¼±âÀÇ Ä¿Çá¯ÀÎ °ÍÀº ºÐ¸íÇÕ´Ï´Ù.

 




 



< ÀúÀÛ±ÇÀÚ © Å׸¶¿©Çà½Å¹® TTN Korea. ¹«´ÜÀüÀç-Àç¹èÆ÷±ÝÁö >