µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)´Â ·¯½Ã¾Æ ¸Þ½ÅÀú(The Russian Messenger)(1879~1880)¸¦ ÅëÇØ ¿¬ÀçÇÑ ÀÛǰÀ¸·Î ±×ÀÇ 5´ë ÀåÆí(ÁË¿Í ¹ú, ¹éÄ¡, ¾Ç·É, ¹Ì¼º³â, Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé) Áß °¡Àå ¸¶Áö¸·À¸·Î ÁýÇÊÇÑ ÀÛǰÀÔ´Ï´Ù. ±×ÀÇ ¹®ÇÐÀû ¿ª·®ÀÌ ÃÖ°íµµ¿¡ ´ÞÇßÀ» ¶§ ¿Ï¼ºÇÑ ÃÖ°íÀÇ ÀÛǰÀÌÀÚ, ¼ûÀ» °ÅµÎ±â 4°³¿ù Àü¿¡ ¿Ï¼ºÇÑ À¯ÀÛ(ë¶íÂ)ÀÔ´Ï´Ù. ÀÛ°¡´Â Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)¸¦ º»µð 3ºÎÀÛÀ¸·Î °èȹÇÏ¿´À¸³ª, 1ºÎ¸¸À» ¿Ï¼ºÇÏ°í »ç¸ÁÇÔÀ¸·Î½á ºÎµæÀÌÇÏ°Ô ¿Ï¼ºµÉ ¼ö ¾ø°Ô µÇ¾ú½À´Ï´Ù. ¾Æ¸¶µµ ¡®¼¼°è¿¡¼ °¡Àå À¯¸íÇÑ ¹Ì¿Ï¼º ¼Ò¼³¡¯ Áß ÇϳªÀÌÀÚ Á¸¼Ó»ìÇØ¶õ Àΰ£ÀÇ ±Ý±â¸¦ ¼ÒÀç·Î ´Ù·é ¼Ò¼³ Áß °¡Àå À¯¸íÇÑ ¼Ò¼³ÀÏ °ÍÀÔ´Ï´Ù.
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¡°The world says: "You have needs -- satisfy them. You have as much right as the rich and the mighty. Don't hesitate to satisfy your needs; indeed, expand your needs and demand more." This is the worldly doctrine of today. And they believe that this is freedom. The result for the rich is isolation and suicide, for the poor, envy and murder.¡± "¼¼»óÀº ´ÙÀ½°ú °°ÀÌ ¸»ÇÕ´Ï´Ù. "ÇÊ¿ä´Â ÀÖ½À´Ï´Ù. ±×µéÀ» ¸¸Á·½ÃŰ½Ê½Ã¿À. ´ç½ÅÀº ºÎÀÚ¿Í °ÀÚ¸¸ÅÀ̳ª ¸¹Àº ±Ç¸®¸¦ °¡Áö°í ÀÖ½À´Ï´Ù. ÁÖÀúÇÏÁö ¸»°í ¿ä±¸ »çÇ×À» ÃæÁ·ÇϽʽÿÀ. ½ÇÁ¦·Î ¿ä±¸ »çÇ×À» È®ÀåÇÏ°í ´õ ¸¹Àº °ÍÀ» ¿ä±¸ÇϽʽÿÀ. À̰ÍÀÌ ¿À´Ã³¯ÀÇ ¼¼¼ÓÀûÀÎ ±³¸®ÀÔ´Ï´Ù. ±×¸®°í ±×µéÀº À̰ÍÀÌ ÀÚÀ¯¶ó°í ¹Ï½À´Ï´Ù. ºÎÀÚµéÀÇ °á°ú´Â °í¸³°ú ÀÚ»ì, °¡³°ú ½Ã±â, ±×¸®°í »ìÀÎÀÔ´Ï´Ù.¡±
ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867)ÀÇ ¹è°æ, »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg) : »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg)´Â ½ÇÁ¦·Î ÀÛ°¡°¡ °¡Àå ¿À·¡ ¸Ó¹°¸ç ÁýÇÊÇÑ µµ½ÃÀÔ´Ï´Ù. Vladimirskaya(¬£¬Ý¬Ñ¬Õ¬Ú¬Þ¬Ú¬â¬ã¬Ü¬Ñ¬ñ) ÁöÇÏö¿ª ¹Ù·Î ¾Õ¿¡ ±×ÀÇ µ¿»ó°ú ¹Ú¹°°üÀÌ ÀÖÀ¸¸ç, ¼Ò¼³¿¡ µîÀåÇÏ´Â ÁÖ¿ä Àå¼Ò°¡ ¹ÐÁýÇØ ÀÖ¾î ¼¼°è °¢ÁöÀÇ ¹®ÇбâÇàÀÚµéÀÌ Áñ°Ü ã´Â ¡®¹®ÇÐÀÇ ¼ºÁö¡¯°¡ µÇ¾ú½À´Ï´Ù. µµ½ºÅ俽½ºÅ°´Â ÀçÁ¤ÀûÀÎ ¹®Á¦·Î »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg)¿¡ °ÅÁÖÇÏ´Â µ¿¾È ¹«·Á ½º¹« ¹ø ÀÌ»ó ¿Å°Ü ´Ù³æ½À´Ï´Ù. »óÆ®ÆäÅ׸£ºÎ¸£Å©ÀÇ µµ½ºÅ俽½ºÅ° ¹Ú¹°°ü(Dostoevsky Museum, ¬®¬å¬Ù¬Ö¬Û ¬¶. ¬®. ¬¥¬à¬ã¬ä¬à¬Ö¬Ó¬ã¬Ü¬à¬Ô¬à)Àº ±×°¡ °¡Á·°ú ÇÔ²² ¸Ó¹°·¶À» »Ó ¾Æ´Ï¶ó, ±×°¡ ¼ûÀ» °ÅµÐ °ø°£¿¡ ¸¶·ÃµÇ¾ú½À´Ï´Ù. ¡®¿ÀÈÄ 8½Ã 36ºÐ¡¯¿¡ ¸ØÃçÁø ½Ã°è°¡ ÀÖ´Â ¹æÀÌ ¹Ù·Î ±×°¡ ÁýÇÊ¿¡ ¸ôµÎÇÏ´ø ¼ÀçÀÔ´Ï´Ù. 2021³âÀº µµ½ºÅ俽½ºÅ° ź»ý 200ÁÖ³âÀÔ´Ï´Ù. À̸¦ ±â³äÇØ Áֻ󯮯äÅ׸£ºÎ¸£Å© ÃÑ¿µ»ç°üÀÇ Áö¿øÀ¸·Î, »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg) µµ½ºÅ俽½ºÅ° ¹Ú¹°°ü¿¡ Çѱ¹¾î °¡À̵尡 ¼³Ä¡µÇ¾ú½À´Ï´Ù.
¡°I used to analyze myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom I¡¯d tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts ¡®to be like the rest¡¯ –and suddenly, in the midst of my laughing, I¡¯d give way to sadness, fall into ludicrous despondency and once again start the whole process all over again – in short, I went round and round like a squirrel on a wheel.¡± "Àú´Â Á¦ ÀÚ½ÅÀ» ¸¶Áö¸· ½ÇŸ·¡±îÁö ºÐ¼®Çϰí, Á¦ ÀÚ½ÅÀ» ´Ù¸¥ »ç¶÷µé°ú ºñ±³Çϰí, Á¦°¡ ¼ÖÁ÷ÇØÁö·Á°í ³ë·ÂÇß´ø »ç¶÷µéÀÇ »ç¼ÒÇÑ ´«±æ, ¹Ì¼Ò, ±×¸®°í ¸»µéÀ» ¶°¿Ã¸®°í, ¸ðµç °ÍÀ» ³ª»Û ½Ã°¢À¸·Î ÇØ¼®Çϰí, '³ª¸ÓÁöó·³ µÇ·Á°í' ÇÏ´Â Á¦ ½Ãµµ¸¦ ¾Ç¶öÇÏ°Ô ¿ô°ï Çß½À´Ï´Ù. ±×¸®°í °©ÀÚ±â, Á¦ ¿ôÀ½ ¼Ó¿¡¼, ½½ÇÄ¿¡ ºüÁ®µé°ï Çß½À´Ï´Ù. ¸»µµ ¾È µÇ´Â ÇãÅ»°¨¿¡ ´Ù½Ã ÇÑ ¹ø ¸ðµç °úÁ¤À» ´Ù½Ã ½ÃÀÛÇÕ´Ï´Ù. ÇѸ¶µð·Î, Àú´Â ¹ÙÄû ´Þ¸° ´Ù¶÷Áãó·³ ºùºù µ¹¾Ò½À´Ï´Ù.¡±
ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼Å¬(Petrashevsky Circle)(1847~1849) : ¹ÌÇÏÀÏ ÆäÆ®¶ó¼ÎÇÁ½ºÅ°(Mikhail Petrashevsky)(1821~1866)°¡ »óÆ®ÆäÅ׸£ºÎ¸£Å©(¬³¬Ñ¬ß¬Ü¬ä-¬±¬Ö¬ä¬Ö¬â¬Ò¬å¬â¬Ô)ÀÇ Áý¿¡¼ ¸ÅÁÖ °³ÃÖÇÑ ¹®ÇÐ Åä·Ð ¸ðÀÓÀ¸·Î, µµ½ºÅ俽½ºÅ°¸¦ ºñ·ÔÇÑ ´ç´ëÀÇ Àþ°í ¾ß½É¸¸¸¸ÇÑ ÀÚÀ¯ÁÖÀÇ Áö½ÄÀÎ(liberal intellectuals) - °ø¹«¿ø, ±ºÀÎ, ÀÛ°¡, ±³»ç, Çлý µîÀÌ ¸ð¿© ´Ù¾çÇÑ Á¤Ä¡Àû ÀǰßÀ» ±³È¯ÇÏ¿´½À´Ï´Ù. ´ç½Ã ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼Å¬¿¡ Âü°¡ÇÑ À̵é·Î´Â µµ½ºÅ俽½ºÅ°¸¦ ºñ·ÔÇØ ½ÃÀÎ ¾ÆÆú·Ð ¸¶ÀÌÄÚÇÁ(Apollo Maikov), ¿ìÅ©¶óÀ̳ª Å»ýÀÇ ÀÛ°¡ °â Ȱ¡ Ÿ¶ó½º È帮ȣ·ÎºñÄ¡ ¼Î¿ìþÄÚ(¬´¬Ñ¬â¬Ñ¬ã ¬¤¬â¬Ú¬Ô¬à¬â¬à¬Ó¬Ú¬é ¬º¬Ö¬Ó¬é¬Ö¬ß¬Ü¬à), ½ÃÀÎ ¾Ë·º¼¼ÀÌ Ç÷¹¼ÎÇÁ(Alexei Pleschev) µîÀÇ Àú¸íÀλ簡 ´ë°Å Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. ±×·¯³ª, ÇÁ¶û½º 2¿ù Çõ¸í(February Revolution)(1848)À» ÁöÄѺ» ·¯½Ã¾Æ Á¦±¹ÀÇ È²Á¦ ÀÔÀå¿¡¼ ¡®ºÒ¿ÂÇÑ Á¤Ä¡¼¼·Â¡¯ÀÇ ÀæÀº ȸµ¿Àº ¸¶¶àÄ¡ ¾ÊÀ» ¼ö ¹Û¿¡ ¾ø¾ú½À´Ï´Ù. ÀÌ¿¡ ´ÏÄݶóÀÌ 1¼¼ ÆÄºí·ÎºñÄ¡(¬¯¬Ú¬Ü¬à¬Ý¬Ñ¬Û I ¬±¬Ñ¬Ó¬Ý¬à¬Ó¬Ú¬é)´Â ±×µéÀÇ Çຸ¸¦ ¸é¹ÐÈ÷ °¨½ÃÇÏ¿´°í °á±¹ ºÒ¿Â¹®¼¸¦ µ¹·Á ÀÐÀº °ÍÀ» ²¿Åõ¸® Àâ¾Æ 1849³â ÀÏÁ¦È÷ Âü°¡ÀÚµéÀ» üÆ÷ÇÏ¿´½À´Ï´Ù. 4°³¿ù°£ÀÇ È¤µ¶ÇÑ ½É¹® ³¡¿¡ Àü¿ø¿¡°Ô ÃÑ»ìÇüÀ» ¼±°íÇÏ¿´½À´Ï´Ù. ºÒ°ú 28¼¼ÀÇ ³ªÀÌ¿¡, »çÇüÀÇ À§±â¿¡¼ °¡±î½º·Î ¸ñ¼ûÀ» °ÇÁø µµ½ºÅ俽½ºÅ°°¡ ´ç½ÃÀÇ Ãæ°ÝÀ» ¹ÙÅÁÀ¸·Î Á×À½ÀÇ ÁýÀÇ ±â·Ï(¬©¬Ñ¬á¬Ú¬ã¬Ü¬Ú ¬Ú¬Ù ¬®¬×¬â¬ä¬Ó¬à¬Ô¬à ¬Õ¬à¬Þ¬Ñ)(1860~1862)°ú ¹éÄ¡(¬ª¬Õ¬Ú¬à¬ä, The Idiot)(1869)¸¦ ÁýÇÊÇÑ °ÍÀº ±×ÀÇ ÀÏ»ý¿¡¼ »©³õÀ» ¼ö ¾ø´Â Áß¿äÇÑ »ç°ÇÀÔ´Ï´Ù.
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¡°Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.¡± "¹«¾ùº¸´Ùµµ, Àڽſ¡°Ô °ÅÁþ¸»À» ÇÏÁö ¸¶¼¼¿ä. Àڽſ¡°Ô °ÅÁþ¸»À» Çϰí ÀÚ½ÅÀÇ °ÅÁþ¸»À» µè´Â »ç¶÷Àº ÀÚ½ÅÀÇ ³»¸éÀ̳ª ÁÖº¯ÀÇ Áø½ÇÀ» ±¸º°ÇÒ ¼ö ¾ø´Â Áö°æ¿¡ À̸£¹Ç·Î ÀڽŰú ŸÀο¡ ´ëÇÑ ¸ðµç Á¸°æ½ÉÀ» ÀÒ°Ô µË´Ï´Ù. ±×¸®°í Á¸°æ½ÉÀÌ ¾ø´Â ÀÌ´Â »ç¶ûÇÏÁö ¾Ê°Ô µË´Ï´Ù.¡±
-¸ñÂ÷(Index)- ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯ 13°¡Áö Ű¿öµå·Î Àд ǥµµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky) by Á¶¸íÈ ÆíÁýÀå 01. »çÇüÀ» ¼±°í¹Þ°í, ½Ãº£¸®¾Æ Çü¹«¼Ò¿¡ º¹¿ªÇÑ ·¯½Ã¾ÆÀÇ ´ë¹®È£(1821~1881) 02. ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼Å¬(Petrashevsky Circle)(1847~1849) 03. ÁöÇϷκÎÅÍÀÇ ¼ö±â(¬©¬Ñ¬á¬Ú¬ã¬Ü¬Ú ¬Ú¬Ù¬ì ¬á¬à¬Õ¬á¬à¬Ý¬î¬ñ, Notes from Underground)(1864) 04. ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867) 05. ¹éÄ¡(¬ª¬Õ¬Ú¬à¬ä, The Idiot)(1869) 06. ¾Ç·É(¬¢¬Ö¬ã¬í, Demons)(1872) 07. Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880) 08. BBC ´ç½ÅÀÇ ¹Ð·¹´Ï¾ö(Your Millennium) À§´ëÇÑ ÀÛ°¡(Greatest Writer) 8À§(1999) 09. ·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1) ·¯½Ã¾ÆÀÇ À̸§(Name of Russia)(2008) 7À§ 10. ·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1) µå¶ó¸¶ µµ½ºÅ俽½ºÅ°(¬¥¬à¬ã¬ä¬à¬Ö́¬Ó¬ã¬Üі¬Û) 8ºÎÀÛ(2010) 11. Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky)¸¦ ¸¸³ª´Â Àå¼Ò TOP16 12. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky) 13. Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky) ¾î·Ï(Quotes)(34) Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880) Part I Book I. The History Of A Family Book II. An Unfortunate Gathering Book III. The Sensualists Part II Book IV. Lacerations Book V. Pro And Contra Book VI. The Russian Monk Part III Book VII. Alyosha Book VIII. Mitya Book IX. The Preliminary Investigation Part IV Book X. The Boys Book XI. Ivan Book XII. A Judicial Error Epilogue Footnotes ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics) A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼ 100À§(Top 100 Books) A02. ¼¿ï´ë ±ÇÀåµµ¼ 100 A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼± A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼± A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼± A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼± A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼± A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44) A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?) A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books) Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049) Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼± Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(954)
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¡°Beauty will save the world¡± "¾Æ¸§´Ù¿òÀÌ ¼¼»óÀ» ±¸ÇÒ °ÍÀÔ´Ï´Ù.¡±
»çÇüÀ» ¼±°í¹Þ°í, ½Ãº£¸®¾Æ Çü¹«¼Ò¿¡ º¹¿ªÇÑ ·¯½Ã¾ÆÀÇ ´ë¹®È£(1821~1881) : µµ½ºÅ俽½ºÅ°´Â µ¿½Ã´ë¿¡ Ȱµ¿ÇÑ ·¹ÇÁ ´ÏÄݶ󿹺ñÄ¡ Å罺ÅäÀÌ(¬¤¬â¬Ñ¬æ ¬¬Ö¬Ó ¬¯¬Ú¬Ü¬à¬Ý¬Ñ́¬Ö¬Ó¬Ú¬é ¬´¬à¬Ý¬ã¬ä¬à́¬Û, Lev Nicolayevich Tolstoy), ¾Ë·º»êµå¸£ ¼¼¸£°Ô¿¹ºñÄ¡ Ǫ½ÃŲ(¬¡¬Ý¬Ö¬Ü¬ã¬Ñ¬ß¬Õ¬â ¬³¬Ö¬â¬Ô¬Ö¬Ö¬Ó¬Ú¬é ¬±¬å¬ê¬Ü¬Ú¬ß, Alexander Sergeyevich Pushkin), ÀÌ¹Ý ¼¼¸£°Ô¿¹ºñÄ¡ Åõ¸£°Ô³×ÇÁ(¬ª¬Ó¬Ñ́¬ß ¬³¬Ö¬â¬Ô¬Ö́¬Ö¬Ó¬Ú¬é ¬´¬å¬â¬Ô¬Ö́¬ß¬Ö¬Ó, Ivan Sergeyevich Turgenev)¿Í ÇÔ²² ¡®·¯½Ã¾Æ¸¦ ´ëÇ¥ÇÏ´Â ´ë¹®È£¡¯ÀÔ´Ï´Ù. Å罺ÅäÀ̰¡ ºÎÀ¯ÇÑ ±ÍÁ· °¡¹®ÀÇ ÀÚÁ¦·Î½á »ý°è¿¡ ´ëÇÑ °í¹Î¾øÀÌ ÀÛǰ Ȱµ¿À» ÇÑ °Í°ú ´Þ¸®, µµ½ºÅ俽½ºÅ°´Â »çÇü ¼±°í¿Í Çü¹«¼Ò, 2¹øÀÇ º´¿ª°ú °£Áú µîÀ¸·Î ¼øÅºÄ¡ ¾ÊÀº »îÀ» °ßµ®¾ß Çß´Ù´Â ±Ø¸íÇÑ Â÷À̰¡ ÀÖ½À´Ï´Ù. ƯÈ÷ »çÇü ¼±°í Á÷Àü¿¡ ±âÀûÀûÀ¸·Î °¨ÇüµÇ¾î °Á¦ ³ë¿ªÇü¿¡ Ã³ÇØÁø °ÍÀº À¯¸íÇÑ ÀÏÈ·Î, ÀÛ°¡ÀÇ °³ÀÎÀûÀÎ »îÀÌ ÀÛǰ¿¡ ¹ÌÄ£ ¿µÇâÀ» À½¹ÌÇØ º¸´Â °Íµµ µÎ ÀÛ°¡ÀÇ ÀÛǰÀ» Àд ¹¦¹Ì Áß¿¡ ÇϳªÀÏ °ÍÀÔ´Ï´Ù. µµ½ºÅ俽½ºÅ°´Â »ç¸ÁÇϱâ 4°³¿ù Àü¿¡ ¹ßÇ¥ÇÑ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)¸¦ ºñ·ÔÇØ ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867), ¹éÄ¡(¬ª¬Õ¬Ú¬à¬ä, The Idiot)(1869), ¾Ç·É(¬¢¬Ö¬ã¬í, Demons)(1872) µî 12ÆíÀÇ ÀåÆí ¼Ò¼³°ú ´ÜÆí µîÀ» ÁýÇÊÇÏ¿´°í, ¡®20¼¼±â ½ÇÁ¸ÁÖÀÇ ¹®ÇÐÀÇ ¼±±¸ÀÚ¡¯·Î ¼Õ²ÅÈü´Ï´Ù. ƯÈ÷ ÁöÇϷκÎÅÍÀÇ ¼ö±â(¬©¬Ñ¬á¬Ú¬ã¬Ü¬Ú ¬Ú¬Ù ¬á¬à¬Õ¬á¬à¬Ý¬î¬ñ, Notes from the Underground)(1864)´Â ¡®½ÇÁ¸ÁÖÀÇ ¹®ÇÐÀÇ È¿½Ã¡¯·Î ÀÏÄþîÁö´Â ±â³äºñÀûÀÎ ÀÛǰÀÔ´Ï´Ù. 2021³âÀº µµ½ºÅ俽½ºÅ° ź»ý 200ÁÖ³âÀÔ´Ï´Ù. À̸¦ ±â³äÇØ Áֻ󯮯äÅ׸£ºÎ¸£Å© ÃÑ¿µ»ç°üÀÇ Áö¿øÀ¸·Î, »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg) µµ½ºÅ俽½ºÅ° ¹Ú¹°°ü¿¡ Çѱ¹¾î °¡À̵尡 ¼³Ä¡µÇ¾ú½À´Ï´Ù.
¡°It is better to be unhappy and know the worst, than to be happy in a fool's paradise.¡± "¹Ùº¸ °°Àº õ±¹¿¡¼ ÇູÇÑ °Íº¸´Ù´Â ÃÖ¾ÇÀÇ »óȲÀ» ¾Ë°í, ºÒÇàÇÑ °ÍÀÌ ´õ ³´½À´Ï´Ù.¡±
µµ½ºÅ俽½ºÅ°ÀÇ ±¸¿øÀÚ, ¾È³ª(Anna Grigoryevna Snitkina) : ±×ÀÇ µÎ ¹øÂ° ¾Æ³» ¾È³ª´Â ¾Æ³»À̱â ÀÌÀü¿¡ ¡®ÀÛ°¡ µµ½ºÅ俽½ºÅ°¡¯ÀÇ ¿Á¤ÀûÀÎ µ¶ÀÚÀ̱⵵ Çß½À´Ï´Ù. »ýÀü¿¡ ³²ÆíÀÌ ±¸¼úÇÑ ¿ø°í¸¦ ¿Å±ä ¶Ç ÇϳªÀÇ ÀÛ°¡ÀÌÀÚ, ±×ÀÇ »ç¸Á ÈÄ¿¡µµ ¹Ì¿Ï¼º ¿ø°í¸¦ Á¤¸®ÇÑ ÆíÁýÀÚ¿´À¸¸ç, ¹Ú¹°°ü¿¡ À¯Ç°À» ±âÁõÇØ ³²ÆíÀÇ Àü¿ë ¹®ÇаüÀ» ²Ù¹Ð ¼ö ÀÖµµ·Ï Áö¿øÇÏ´Â µî ¡®ÀÛ°¡ µµ½ºÅ俽½ºÅ°¡¯¸¦ ¿Ï¼ºÇÑ º¸ÀÌÁö ¾Ê´Â Á¶·ÂÀÚÀÔ´Ï´Ù. ¹«¾ùº¸´Ù µµ½ºÅ俽½ºÅ°ÀÇ »ýÀü°ú »çÈÄ, °¢°¢ ȸ°í·ÏÀ» ¹ßÇ¥ÇØ, µµ½ºÅ俽½ºÅ°¸¦ ¿¬±¸ÇÏ´Â ÇÐÀڵ鿡°Ô´Â »©³õÀ» ¼ö ¾ø´Â ÀڷḦ ¼±»çÇßÁö¿ä. 35¼¼ÀÇ ÀþÀº ³ªÀÌ·Î ³²ÆíÀ» ÀÒ¾úÀ¸³ª ÀçÈ¥ÇÏÁö ¾Ê¾Ò°í, 1918³â »ç¸ÁÇÑ ÈÄ ³²Æí°ú °°Àº ¹¦Áö¿¡ ¾ÈÀåµÇ¾ú½À´Ï´Ù. µµ½ºÅ俽½ºÅ°¿Í ³× ¸íÀÇ Àڳฦ µÎ¾úÀ¸¸ç, ù°¿Í ³Ý°´Â ¼ºÀÎÀÌ µÇ±â Àü¿¡ ÀÒ¾ú½À´Ï´Ù.
¡°What is hell? I maintain that it is the suffering of being unable to love.¡± "Áö¿ÁÀ̶õ ¹«¾ùÀԴϱî? Àú´Â Áö¿ÁÀÌ »ç¶ûÇÒ ¼ö ¾ø´Â °íÅëÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù.¡±
BBC ´ç½ÅÀÇ ¹Ð·¹´Ï¾ö(Your Millennium) À§´ëÇÑ ÀÛ°¡(Greatest Writer) 8À§(1999) : ¿µ±¹ÀÇ ¹æ¼Û±¹ BBC°¡ 2000³âÀ» ¸ÂÀÌÇÏ¿© 1999³â ÁøÇàÇÑ ¼³¹®Á¶»ç ´ç½ÅÀÇ ¹Ð·¹´Ï¾ö(Your Millennium)Àº 1¿ù ¹ß¸í°¡ºÎÅÍ 12¿ù±îÁö ÀÛ°¡, ¿¹¼ú°¡, ÀÛ°î°¡ µî ºÐ¾ßº° Àι°À» Á¶»çÇÏ¿© ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. BBCÀÇ Æ¯¼º»ó ¿µ±¹°ú ¿µ¿¬¹æ±¹°¡¸¦ Áß½ÉÀ¸·Î Á¶»çÇÑ´Ù´Â ÇѰ谡 ÀÖ°í, ÀÌ ¶§¹®¿¡ ¼øÀ§±Ç¿¡ ¿µ±¹Àΰú ¿µ¿¬¹æ±¹°¡ÀÇ Àι°ÀÌ ´ë°Å Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. ±×·¯³ª, ¿ªÀ¸·Î ¿µ±¹Àο¡°Ô ¸¹Àº ¿µÇâÀ» ¹ÌÄ£ Àι°ÀÌ ´©±¸ÀÎÁö È®ÀÎÇϱ⿡ ÁÁÀº ÁöÇ¥ÀÔ´Ï´Ù. 2¿ù¿¡ ¹ßÇ¥ÇÑ ÀÛ°¡ ºÎºÐ¿¡¼ Àª¸®¾ö ¼¼ÀͽºÇǾî(William Shakespeare)°¡ ¾ÐµµÀûÀÎ 1À§¸¦ Â÷ÁöÇÏ¿´À¸¸ç, ¹Ì±¹ ÀÛ°¡·Î½á´Â À¯ÀÏÇÏ°Ô ¸¶Å© Æ®¿þÀÎ(Mark Twain)ÀÌ 10À§¸¦ Â÷ÁöÇÏ¿´½À´Ï´Ù. ·¯½Ã¾Æ ÀÛ°¡·Î½á´Â µµ½ºÅ俽½ºÅ°°¡ À¯ÀÏÇÏ°Ô 8À§¿¡ À̸§À» ¿Ã·È½À´Ï´Ù.
¡°I think the devil doesn't exist, but man has created him, he has created him in his own image and likeness.¡± "Àú´Â ¾Ç¸¶°¡ Á¸ÀçÇÏÁö ¾Ê´Â´Ù°í »ý°¢ÇÏÁö¸¸, Àΰ£Àº ±×¸¦ âÁ¶ÇØ ³Â½À´Ï´Ù. Àΰ£Àº ÀÚ½ÅÀÇ À̹ÌÁö¿Í ¶È ´àÀº ¾Ç¸¶¸¦ ¸¸µé¾úÁö¿ä."
·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1) ·¯½Ã¾ÆÀÇ À̸§(Name of Russia)(2008) 7À§ : ·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1)Àº 2008³â 500¸íÀÇ ·¯½Ã¾Æ À§ÀÎÀ» ´ë»óÀ¸·Î ÇÑ ÀαâÅõÇ¥ ·¯½Ã¾ÆÀÇ À̸§(Name of Russia)À» ¹æ¿µÇÏ¿´½À´Ï´Ù. ¹«·Á 5õ¸¸ ¸í(·¯½Ã¾Æ Àα¸ 1.445¾ï, 2018)ÀÌ Âü¿©ÇÑ ÅõÇ¥¸¦ ÅëÇØ ÃÖÁ¾ 12¸íÀÌ ¼±Á¤µÇ¾ú½À´Ï´Ù. Alexander Yaroslavich Nevsky°¡ 1À§¿¡ ¼±Á¤µÇ¾úÀ¸¸ç, µµ½ºÅ俽½ºÅ°´Â 7À§! 12¸íÀÇ À§ÀÎÀº ´ëºÎºÐ Á¤Ä¡ ÁöµµÀÚ(ȲÁ¦, Â÷¸£, ¿ÕÀÚ, À屺, ÃѸ® µî)À̸ç, ÈÇÐÀÚ ¸àµ¨·¹¿¹ÇÁ(Dmitri Mendeleev)(9À§), ÀÛ°¡ ¾Ë·º»êµå¸£ ¼¼¸£°Ô¿¹ºñÄ¡ Ǫ½ÃŲ(¬¡¬Ý¬Ö¬Ü¬ã¬Ñ¬ß¬Õ¬â ¬³¬Ö¬â¬Ô¬Ö¬Ö¬Ó¬Ú¬é ¬±¬å¬ê¬Ü¬Ú¬ß)(4À§) ±×¸®°í µµ½ºÅ俽½ºÅ°°¡ ¿¹¿ÜÀûÀ¸·Î Æ÷ÇԵǾú½À´Ï´Ù.
¡°I love mankind, he said, "but I find to my amazement that the more I love mankind as a whole, the less I love man in particular.¡± "Àú´Â Àηù¸¦ »ç¶ûÇÏÁö¸¸ ³î¶ø°Ôµµ Á¦°¡ Àηù Àüü¸¦ ´õ ¸¹ÀÌ »ç¶ûÇÒ¼ö·Ï, ƯÈ÷ Àΰ£À» ´ú »ç¶ûÇÏ°Ô µË´Ï´Ù."¶ó°í ±×´Â ¸»Çß½À´Ï´Ù.¡±
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