¿µ¾î°íÀü044 Á¦ÀÓ½º Á¶À̽ºÀÇ À²¸®½Ã½º(English Classics044 Ulysses by James Joyce)
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À²¸®½Ã½º(Ulysses)(1922) : 1922³â 2¿ù 2ÀÏ, Á¦ÀÓ½º Á¶À̽ºÀÇ ¸¶Èç»ì »ýÀÏ Ãâ°£µÈ À²¸®½Ã½º(Ulysses)(1922)´Â ´õºí¸° Ãâ½ÅÀÇ ¼¼ µîÀåÀι°ÀÌ 1904³â 6¿ù 16ÀÏ, À̸¥¹Ù ºí·ëÁîµ¥ÀÌ(Bloomsday)(1954)¿¡ °æÇèÇÑ ¿¡ÇǼҵ带 ¿«Àº 18ÆíÀÇ ´ÜÆíÀÔ´Ï´Ù. À²¸®½Ã½º(Ulysses)´Â È£¸Þ·Î½º(Homer)°¡ ÁýÇÊÇÑ °í´ë ±×¸®½ºÀÇ ¼­»ç½Ã ¿Àµð¼¼ÀÌ(Odyssey)¿¡ µîÀåÇÏ´Â Æ®·ÎÀÌ ÀüÀïÀÇ ¿µ¿õ ¿Àµð¼¼¿ì½º(Odysseus)ÀÇ ¶óƾ¾î À̸§ÀÔ´Ï´Ù. ÃÑ 24ÆíÀÇ ´ÜÆíÁýÀ¸·Î ±¸¼ºµÈ 10³â°£ÀÇ ±ÍÇâ ¸ðÇè±â·Î, À²¸®½Ã½º(Ulysses)(1922)ÀÇ ±¸¼º°ú Çü½Ä ¶ÇÇÑ À̸¦ µû¶ú½À´Ï´Ù. À²¸®½Ã½º(Ulysses)(1922)´Â ¡®Á¦ÀÓ½º Á¶À̽ºÀÇ ´ëÇ¥ÀÛ¡¯ÀÌÀÚ, ÀÚÀ§ ÇàÀ§¸¦ ¹¦»çÇÑ ºÎºÐÀ¸·Î ÀÎÇØ ¿Ü¼³ ³íÀï¿¡ ÈÖ¸»·ÈÀ¸¸ç, ¿µ±¹°ú ¹Ì±¹¿¡¼­ ÃâÆÇ°ú ÆÇ¸Å°¡ ±ÝÁöµÈ ¹Ù Àִ ¡®¹®Á¦ÀÛ¡¯À̱⵵ ÇÕ´Ï´Ù. ÀÛǰ¿¡ µîÀåÇÏ´Â ´õºí¸°ÀÇ ½ÇÁ¦ Àå¼Ò´Â ±×ÀÇ ÈçÀûÀ» ã´Â µ¶ÀÚµéÀÇ ¹ß°ÉÀ½ÀÌ ²÷ÀÌÁö ¾Ê´Â ¸í¼Ò – Àϸí À²¸®½Ã½º ·çÆ®(Ulysses Route)·Î ÀÚ¸®¸Å±èÇÏ¿´½À´Ï´Ù. ³­ÇØÇÑ °ÍÀ¸·Î À¯¸íÇÑ Á¦ÀÓ½º Á¶À̽ºÀÇ ÀÛǰ Áß¿¡¼­ °¡Àå ³­ÇØÇÑ ÀÛǰÀ¸·Î ²ÅÈ÷¸ç, ÀÛ°¡ º»ÀÎ ¶ÇÇÑ À̸¦ ÀÚ¶û(?!)ÇÏ¿´½À´Ï´Ù. ¼Ò¼³ ¿øÀÛÀ» ¼ÒÀç·Î 1974³â ¹ÂÁöÄÃ, 1967³â ¿µÈ­, 1982³â ¶óµð¿À µå¶ó¸¶ µî ´Ù¾çÇÑ ¹öÀüÀ¸·Î Àçź»ýÇÏ¿´½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

´õºí¸° »ç¶÷µé(Dubliners)(1914) : 1914³â Ãâ°£µÈ ´õºí¸° »ç¶÷µé(Dubliners)(1914)Àº 15ÆíÀÇ ´ÜÆíÁýÀ¸·Î, Ã¹ Æí¿¡ µîÀåÇÏ´Â ¾ÆÀ̰¡ Á¡Â÷ ¼ºÀåÇÏ´Â °úÁ¤À» ¼øÂ÷ÀûÀ¸·Î ±×·Á³Â½À´Ï´Ù. ´õºí¸° 3ºÎÀÛ(Dublin Trilogy)ÀÇ Ã¹ ÀÛǰÀ¸·Î ´õºí¸° »ç¶÷µé(Dubliners)(1914)¿¡ µîÀåÇÏ´Â Àι°Àº ±×ÀÇ Â÷±âÀÛ¿¡¼­µµ µîÀåÇÕ´Ï´Ù. Á¦ÀÓ½º Á¶À̽º°¡ ¸í¼º°ú ±ÇÀ§¸¦ ÀÎÁ¤¹ÞÁö ¸øÇÏ´Â ÃÊÂ¥ ½ÃÀýÀÇ ±Û·Î, ¹«·Á 15¸íÀÇ ÃâÆÇ»ç·ÎºÎÅÍ °¢±â ´Ù¸¥ ¼öÁ¤À» ¿äû¹ÞÀº ¡®ºñ¿îÀÇ ÀÛǰ¡¯À̱⵵ ÇÕ´Ï´Ù. À̰Š»ç¶÷ µ¹¾Æ¹ö¸®°Ô ¸¸µéÁÒ... ½è´Ù°¡, °íÃÆ´Ù°¡, »¯´Ù°¡, ³Ö¾ú´Ù°¡, ÂïÀº ÈÄ¿¡ ȸ¼ö±îÁö... 1914³âÀº 1905³âÀ¸·ÎºÎÅÍ ¹«·Á 10³âÀÌ È帥 ½ÃÁ¡¿¡ ºñ·Î¼Ò Ãâ°£µÈ ÇØÀÔ´Ï´Ù. 1962³â The Dubliners¶õ À̸§ÀÇ ¹Î¼Ó ¹êµå°¡ °á¼ºµÇ¾ú½À´Ï´Ù. ¿ì¸®¿¡°Ô´Â »ý¼ÒÇÏÁö¸¸, 2012³â 50ÁÖ³âÀ» ¸ÂÀÌÇÒ ¶§±îÁö ²ÙÁØÈ÷ Ȱµ¿ÇÏ¿´À¸¸ç ¾ÆÀÏ·£µåÀο¡°Ô Å« »ç¶ûÀ» ¹Þ¾Ò½À´Ï´Ù.

 

ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916) : Á¦ÀÓ½º Á¶À̽ºÀÇ ÀÚÀüÀûÀÎ ¼Ò¼³·Î, ÀÛǰ¿¡ µîÀåÇÏ´Â ½ºÆ¼ºì µð´ú·¯½º(Stephen Dedalus)´Â Â÷±âÀÛ¿¡µµ µîÀåÇϴ ¡®ÀÛ°¡ÀÇ ¹®ÇÐÀû ºÐ½Å¡¯À¸·Î ±×¸®½º ½ÅÈ­¿¡¼­ Å©·¹Å¸ ¼¶ÀÇ ¹Ì·Î¸¦ ¼³°èÇÑ °ÇÃà°¡ ´ÙÀ̴޷νº(¥Ä¥áί¥ä¥á¥ë¥ïς)¿¡¼­ µû¿Â °ÍÀÔ´Ï´Ù. ¿¡°íÀ̽ºÆ®(The Egoist)¿¡ ¿¬ÀçÇÑ ÈÄ 1916³â ¾ÆÀÏ·£µå³ª ¿µ±¹ÀÌ ¾Æ´Ñ, ¹Ì±¹ ´º¿å¿¡¼­ ÃÖÃÊ·Î Ãâ°£µÇ¾ú½À´Ï´Ù. ¸¶Æ¾ ½ºÄݼ¼Áö °¨µ¶ÀÇ ¿µÈ­ µðÆÄƼµå(The Departed)(2006)¿¡ µîÀåÇϴ Non ServiamÀº ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916) Chapter IIIÀÇ ¹®±¸¸¦ ÀοëÇÑ °ÍÀÔ´Ï´Ù. ³ÝÇø¯½º¿¡¼­ ½Ãû °¡´É. ¾ÆÀÏ·£µå °¡¼ö È£Áö¾î(Andrew Hozier Byrne)ÀÇ ³ë·¡ Angel of Small Death & The Codeine Scene(2014)´Â ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916)¸¦ ¸ðƼºê·Î ¸¸µé¾îÁ³½À´Ï´Ù. Non ServiamÀº Rotting Christ, MOONSORROW, Pih µîÀÌ ¹ßÇ¥ÇÑ ³ë·¡ÀÇ À̸§À¸·Î ¼±ÅõǾú½À´Ï´Ù. ±×·¯³ª, ÀÌ´Â Á¦ÀÓ½º Á¶À̽ºÀÇ ¼Ò¼³º¸´Ù´Â ¾Ç¸¶ ·ç½ÃÆÛ(Lucifer)¿Í °ü·ÃÀÌ ³ôÀº Çìºñ¸ÞÅ» ¹êµå, ¶ô¹êµå, ·¡ÆÛ½º·¯¿î °î¸íÀÌÁö¿ä. ¾Ç¸¶ ·ç½ÃÆÛ(Lucifer)´Â õ»ç¿Í ´Þ¸® ½ÅÀ» ¹Ï´Â °ÍÀ» °ÅºÎÇÑ´Ù´Â Àǹ̷Π¶óƾ¾î Non Serviam, ¿µ¾î I will not serve¶ó°í Çߴٴµ¥¿ä, Çö´ë¿¡´Â ºñ´Ü Á¾±³ÀûÀÎ Àǹ̸¦ ³Ñ¾î¼­ Á¤Ä¡, ¹®È­ÀûÀÎ ÀúÇ×À» ÀºÀ¯ÇÕ´Ï´Ù.

 

Çdzװ£ÀÇ °æ¾ß(Finnegans Wake)(1939) : ´õºí¸° 3ºÎÀÛ(Dublin Trilogy)¿¡ À̾î Á¦ÀÓ½º Á¶À̽º°¡ Ãâ°£ÇÑ Çdzװ£ÀÇ °æ¾ß(Finnegans Wake)(1939) ¶ÇÇÑ ±×ÀÇ ´Ù¸¥ ÀÛǰ°ú ¸¶Âù°¡Áö·Î ÇØ¼®ÀÌ ³­ÇØÇÑ ÀÛǰÀ¸·Î À¯¸íÇÕ´Ï´Ù. 2012³â Çѱ¹¾î ¹ø¿ªº»ÀÌ ¡®¼¼°è¿¡¼­ 4¹øÂ° ¹ø¿ªº»¡¯À¸·Î Ãâ°£µÇ¾úÀ¸¸ç, ÇöÀç±îÁö Çѱ¹¾î ¹ø¿ªÀº ±èÁ¾°Ç ±³¼ö°¡ À¯ÀÏÇÕ´Ï´Ù. ±èÁ¾°Ç ±³¼ö´Â Çdzװ£ÀÇ °æ¾ß(Finnegans Wake)(1939) ¿Ü¿¡µµ ´õºí¸° »ç¶÷µé(Dubliners)(1914), À²¸®½Ã½º(Ulysses)(1922)À» ºñ·ÔÇØ ±×ÀÇ ÀÛǰ ÇØ¼³ÁýÀ» ÁýÇÊÇÑ ¡®±¹³» ÃÖ°íÀÇ Á¦ÀÓ½º Á¶À̽º Àü¹®°¡¡¯ÀÔ´Ï´Ù. ÄõÅ©(quark)´Â Çö´ë¹°¸®Çп¡¼­ ¹°ÁúÀÇ ±âº» ¼ººÐ(a fundamental constituent of matter)ÀÌÀÚ ¼Ò¸³ÀÚÀÇ ÀÏÁ¾(a type of elementary particle)À» ÀÏÄ´ Çö´ë ¹°¸®ÇÐ ¿ë¾îÀÔ´Ï´Ù. ¹°¸®Çаú´Â ÀüÇô °ü·Ã ¾ø´Â Á¦ÀÓ½º Á¶À̽ºÀÇ ¼Ò¼³ Çdzװ£ÀÇ °æ¾ß(Finnegans Wake)(1939)¿¡¼­ µû¿Â °ÍÀ¸·Î, ¸¶Å©(Mark)¿¡°Ô ¼úÀ» ±ÇÇÏ´Â ¹®Àå¿¡¼­ À¯·¡ÇÏ¿´½À´Ï´Ù. 1963³â ¹Ì±¹ ¹°¸®ÇÐÀÚ ¸Ó¸® °Ö¸¸(Murray Gell-Mann)ÀÌ ¸í¸íÇÏ¿´À¸¸ç 1969³â ³ëº§ ¹°¸®ÇлóÀ» ¼ö»óÇÏ¿´½À´Ï´Ù.

 

¾ÆÀÏ·£µå Áß¾ÓÀºÇà(Central Bank of Ireland) ¢æ10 ±â³ä ÀºÈ­(2013) : ¾ÆÀÏ·£µå Áß¾ÓÀºÇàÀº 2013³â European Silver ProgrammeÀÇ ÀÏȯÀ¸·Î 2013³â Á¦ÀÓ½º Á¶À̽º¸¦ ¸ðµ¨·Î ÇÑ ¢æ10(£8.50) ±â³ä ÀºÈ­¸¦ ´Ü ¸¸ °³ ÇÑÁ¤ ¹ßÇàÇÏ¿´½À´Ï´Ù. ÆÇ¸Å°¡´Â ¢æ46! µ¿ÀüÀÇ ¾Õ¸é¿¡ ¾ÆÀÏ·£µå ÇÏÇÁ¸¦, µÞ¸é¿¡´Â ÀÛ°¡ÀÇ ÃÊ»óÈ­¿Í À²¸®½Ã½º(Ulysses)(1922)ÀÇ ÇÑ ´ë¸ñÀ» »õ°Ü ³Ö¾ú½À´Ï´Ù. È²´çÇϰԵµ ÀºÈ­¿¡´Â thatÀÌ Çѹø ´õ Ãß°¡µÇ¾ú´Âµ¥... Á¶°¢°¡ Mary GregoriyÀÇ ½Ç¼ö·Î ÃßÁ¤µË´Ï´Ù. ±×·¯³ª, ÀÌ¹Ì ¹ßÇàÇÑ ÀºÈ­ÀÎÁö¶ó ±¸¸ÅÀÚ¿¡°Ô À̸¦ °íÁöÇÏ°í ÆÇ¸ÅÇÏ¿´½À´Ï´Ù. ¼¼°è ±â³ä ÁÖÈ­ ¿ª»ç»ó À¯·¡¾ø´Â ¡®¿ÀŸ ÀºÈ­¡¯·Î Èʳ¯ °¡Ä¡°¡ ´õ ¿Ã¶ó°¥Áöµµ?!

 

Á¶À̽º »ê¾÷(Joyce Industry) : Á¦ÀÓ½º Á¶À̽º(James Joyce)´Â ¾ÆÀÏ·£µå ´õºí¸°¿¡¼­ ž, À¯·´ °¢Áö¸¦ ¹èȸÇÏ¿´½À´Ï´Ù¸¸ ÀÚ½ÅÀÇ ÀÛǰÀ» ÅëÇØ ´õºí¸°¿¡ ´ëÇÑ ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. ´õºí¸° »ç¶÷µé(1914)À» ½ÃÀÛÀ¸·Î ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(1916) , À²¸®½ÃÁî(1922)±îÁö, ÀÏ¸í ´õºí¸° 3ºÎÀÛ(Dublin Trilogy)Àº ¸ðµÎ ´õºí¸°°ú ´õºí¸°ÀÇ »ç¶÷µéÀ» ¼ÒÀç·Î Çϰí ÀÖ½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ¼¼°è °¢ÁöÀÇ Á¦ÀÓ½º Á¶À̽º(James Joyce) µ¶ÀÚµéÀº ¾ÆÀÏ·£µå ´õºí¸°À¸·Î ¿ÀÁ÷ ÀÛ°¡ÀÇ ÈçÀûÀ» ¸¸³ª±â À§ÇØ ¹æ¹®Çϴµ¥¿ä, ÀÌ ´öºÐ¿¡ ´õºí¸°Àº ºñ´Ü ºí·ëÁîµ¥ÀÌ(Bloomsday) »Ó ¾Æ´Ï¶ó Àϳ⠳»³» ±×ÀÇ Ã¥À» ¿·±¸¸®¿¡ ³¢°í ´õºí¸° °Å¸®¸¦ °È´Â °ü±¤°´À¸·Î °¡µæÇÕ´Ï´Ù. Á¦ÀÓ½º Á¶À̽º(James Joyce) ¶§¹®¿¡ ´õºí¸°À» ¹æ¹®ÇÑ À̵éÀÌ ¸Ô°í, ¸¶½Ã°í, ¼îÇÎÇÔÀ¸·Î½á ´õºí¸°ÀÇ °ü±¤¾÷, ¼÷¹Ú¾÷, ¼îÇθô µîÀº Å« ¼öÇý¸¦ ¹Þ´Â ¼ÀÀÌÁö¿ä. ¼ÎÀͽºÇǾîÀÇ ÀÛǰÀÌ À¯¹ßÇÑ °æÁ¦Àû °¡Ä¡¸¦ ¼ÎÀͽºÇÇ¾î »ê¾÷(Shakespeare Industry)À̶ó°í ĪÇϴµ¥, ´õºí¸°¿¡¼­´Â Á¦ÀÓ½º Á¶À̽º°¡ À¯¹ßÇÑ È¿°ú¸¦ Á¶À̽º »ê¾÷(Joyce Industry)À̶ó°í ¸í¸íÇÏ¿´½À´Ï´Ù.

 



 

-¸ñÂ÷(Index)-

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11°¡Áö Ű¿öµå·Î Àд Á¦ÀÓ½º Á¶À̽º(James Joyce) by Á¶¸íÈ­ ÆíÁýÀå

01. °í±¹À¸·Î µ¹¾Æ¿À±æ °ÅºÎÇÑ ¾ÆÀÏ·£µå ÀÛ°¡(1882~1941)

02. ÇØ·²µå ºí·ë(Harold Bloom)ÀÇ ¼­±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994)

03. BBC ´ç½ÅÀÇ ¹Ð·¹´Ï¾ö(Your Millennium) À§´ëÇÑ ÀÛ°¡(Greatest Writer) 7À§(1999)

04. Å¸ÀÓÁö ¼±Á¤ 20¼¼±â °¡Àå ¿µÇâ·Â ÀÖ´Â Àι° 100ÀÎ(Time 100 : The Most Important People of the Century)(1999)

05. ºí·ëÁîµ¥ÀÌ(Bloomsday)(1954)

06. Á¦ÀÓ½º Á¶À̽º(James Joyce)ÀÇ ÁÖ¿ä ÀÛǰ

06-1. ´õºí¸° »ç¶÷µé(Dubliners)(1914)

06-2. ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916)

06-3. À²¸®½Ã½º(Ulysses)(1922)

06-4. Çdzװ£ÀÇ °æ¾ß(Finnegans Wake)(1939)

07. ¾ÆÀÏ·£µå Áß¾ÓÀºÇà(Central Bank of Ireland) ¢æ10 ±â³ä ÀºÈ­(2013)

08. Á¶À̽º »ê¾÷(Joyce Industry)

09. Á¦ÀÓ½º Á¶À̽º(James Joyce)¸¦ ¸¸³ª´Â Àå¼Ò TOP18

10. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Á¦ÀÓ½º Á¶À̽º(James Joyce)

11. Á¦ÀÓ½º Á¶À̽º(James Joyce) ¾î·Ï(Quotes)(30)

Á¦ÀÓ½º Á¶À̽ºÀÇ À²¸®½Ã½º(Ulysses by James Joyce)(1922)

I-1. Telemachus

I-2. Nestor

I-3. Proteus

II-4. Calypso

II-5. The Lotus-Eaters

II-6. Hades

II-7. Aeolus

II-8. Laestrygonians

II-9. Scylla and Charybdis

II-10. The Wandering Rocks

II-11. Sirens

II-12. Cyclops

II-13. Nausicaa

II-14. Oxen of the Sun

II-15. Circe

III-16. Eumaeus

III-17. Ithaca

III-18. Penelope

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼­ 100À§(Top 100 Books)

A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100

A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±

A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±

A05. ¼­¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼­ 60±Ç

A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±

A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±

A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±

A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç

A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)

A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

Á¶¸íÈ­ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049)

Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±

Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(954)

 



 

Á¦ÀÓ½º Á¶À̽º(James Joyce)

 

°í±¹À¸·Î µ¹¾Æ¿À±æ °ÅºÎÇÑ ¾ÆÀÏ·£µå ÀÛ°¡(1882~1941) : º»¸í Á¦ÀÓ½º ¿À°Å½ºÆ¾ ¾Ù·ÎÀ̽þ Á¶À̽º(James Augustine Aloysius Joyce). ¾ÆÀÏ·£µå ´õºí¸°¿¡¼­ ž Á¦ÀÓ½º Á¶À̽º(James Joyce)´Â 58¼¼ÀÇ ³ªÀÌ·Î »ç¸ÁÇÒ ¶§±îÁö ¼Ò¼³ ¿Ü¿¡µµ ½Ã, Èñ°î µîÀ» ÁýÇÊÇÑ ÀÛ°¡ÀÔ´Ï´Ù. ±×ÀÇ ÀÛǰÀº ¡®ÀÛǰÀ» Àо »ç¶÷º¸´Ù, ±×ÀÇ ÀÛǰÀ» ¿¬±¸ÇÑ ³í¹®ÀÌ ´õ ¸¹´Ù¡¯´Â ¿ì½º°¹¼Ò¸®°¡ ÀÖÀ» Á¤µµ·Î ¡®´©±¸³ª ¾ËÁö¸¸ ¸·»ó Àо »ç¶÷Àº µå¹®¡¯ ¡®³­ÇØÇÑ °íÀü ¸íÀÛ¡¯ÀÇ ´ë¸í»ç·Î ¼Õ²ÅÈü´Ï´Ù. 10¸íÀÇ ÇüÁ¦ÀڸŠÁß Ã¹Â°·Î žÀ¸¸ç, ¾ÆÀÏ·£µå ¿¹¼öȸ¿¡¼­ ¿î¿µÇϴ ¡®¾ö°ÝÇϱ⠱×Áö ¾ø´Â Çб³¡¯¿¡¼­ÀÇ °æÇè°ú ´ç½Ã ¿µ±¹À¸·ÎºÎÅÍ Ç̹ڹ޴ ¾ÆÀÏ·£µåÀÎÀÇ ÁÂÀý, ±×¸®°í °íÇâ ´õºí¸°°ú ÀÌ °÷¿¡¼­ »ç´Â À̵鿡 ´ëÇÑ ¾ÖÁ¤Àº ±×ÀÇ ÀÛǰ¿¡ £°Ô ¹è¾î ÀÖ½À´Ï´Ù.

 

1904³â ¾Æ³» ³ë¶ó ¹Ù³ÊŬ(Nora Barnacle)¿Í ÇÔ²² ¾ÆÀÏ·£µå¸¦ ¹þ¾î³ª ÀÌÅ»¸®¾Æ Æ®¸®¿¡½ºÅ×(Trieste), Å©·Î¾ÆÆ¼¾Æ Æú¶ó(Pola), ÇÁ¶û½º ÆÄ¸®, ½ºÀ§½º Ã븮È÷ µî ¿Â À¯·´À» µ¹¾Æ´Ù´Ï¸ç °ÅÁÖÇÏ¿´°í »ý°è¸¦ À§ÇÏ¿© ÀÛ°¡ ¿Ü¿¡µµ ¿µ¾î ±³»ç, °¢º»°¡, ¹®ÇÐÆò·Ð°¡, ÀºÇà¿ø µîÀ¸·Î Ȱµ¿ÇÏ¿´½À´Ï´Ù. ±×°¡ ±³»ç·Î ¿À·§ µ¿¾È °ÅÁÖÇÑ ÀÌÅ»¸®¾Æ Æ®¸®¿¡½ºÅ×(Trieste)ÀÇ Ä«Æä¿Í ±³È¸´Â ±×ÀÇ ÁýÇÊ¿¡ ±àÁ¤ÀûÀÎ ¿µÇâÀ» ¹ÌÄ£ ¡®¹®ÇбâÇàÁö¡¯·Î ÀÚ¸®¸Å±èÇÏ¿´½À´Ï´Ù. ¾Æ³»¿ÍÀÇ »çÀÌ´Â µ·µ¶ÇÏ¿´À¸³ª º»Àΰú µþÀÇ Á¤½Å ºÐ¿­, ¾ÇÈ­µÈ ´«À¸·Î ÀÎÇØ 9¹øÀ̳ª Ä¡·é ¼ö¼ú µî Á¤½ÅÀû, À°Ã¼ÀûÀ¸·Î ´Ù»ç´Ù³­Çß½À´Ï´Ù. Æ¯È÷ ´õºí¸° »ç¶÷µé(Dubliners)(1914)Àº Ãâ°£µÇ±â±îÁö ¹«·Á 10³â°£ ÃâÆÇ»ç¸¦ µ¹¸ç ¼öÁ¤¿¡ ¼öÁ¤À» °ÅµìÇØ¾ß Çß°í, ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916)¿¡ ¹¦»çµÈ ÀÚÀ§´Â ±×¸¦ ¿Ü¼³·Î ÀÎÇÑ ¹ýÀû ºÐÀïÀ¸·Î ¸ô¾Æ ³Ö¾ú½À´Ï´Ù.

 

´õºí¸°À» ¼ÒÀç·Î ÇÑ ÀÛǰ¸¸ ¼¼ Æí, ÀÏ¸í ´õºí¸° 3ºÎÀÛ(Dublin Trilogy) - ´õºí¸° »ç¶÷µé(Dubliners)(1914), ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó(A Portrait of the Artist as a Young Man)(1916), À²¸®½Ã½º(Ulysses)(1922)À» ÁýÇÊÇÒ Á¤µµ·Î °íÇâ¿¡ ´ëÇÑ ¾ÖÁ¤ÀÌ ³²´Þ¶ú½À´Ï´Ù. ±×·¯³ª, 1912³â ´õºí¸°¿¡¼­ ÃâÆÇ»ç¿Í ´ëÆÇ ½Î¿î ÈÄ¿¡´Â ¾Æ¹öÁö¿Í ÁöÀεéÀÇ °£°îÇÑ ¿äû¿¡µµ ºÒ±¸ÇÏ°í °í±¹À¸·Î ±Í±¹Çϱ⸦ °ÅºÎÇÏ¿´½À´Ï´Ù. À̴ 1904³â ¾Æ³»¿Í ´õºí¸°À» ¶°³­ ÈÄ 4¹øÂ° ¹æ¹®ÀÌÀÚ ±×ÀÇ ¸¶Áö¸· °í±¹ ¹æ¹®ÀÌ¿´½À´Ï´Ù. 1941³â ½ºÀ§½º Ã븮È÷¿¡¼­ 58¼¼ÀÇ ³ªÀÌ·Î ¿µ¸éÇÏ¿´½À´Ï´Ù. ³­ÇØÇϱâ·Î À¯¸íÇÑ ÀÛ°¡ÀÌÁö¸¸, ¿ÀÈ÷·Á ±×·¸±â ¶§¹®¿¡ ¼¼°è °¢Áö¿¡ Á¦ÀÓ½º Á¶À̽º(James Joyce) ÀÛǰÀ» Áñ±â´Â ÆÒ´ýÀÌ Çü¼ºµÇ¾î ÀÖ½À´Ï´Ù. ±¹³»¿¡µµ ±³¼öÁøÀÌ ´ë°Å Æ÷ÇÔµÈ Çѱ¹Á¦ÀÓ½ºÁ¶À̽ºÇÐȸ°¡ ÀÖÀ¸¸ç, ±×ÀÇ ´ëÇ¥ÀÛ°ú ÇØ¼³Áý µîÀÌ Çѱ¹¾î·Î ¹ø¿ª Ãâ°£µÇ¾ú½À´Ï´Ù.

 

¡°You made me confess the fears that I have. But I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake and perhaps as long as eternity too.¡±

"´ç½ÅÀº ³»°¡ °¡Áö°í ÀÖ´Â µÎ·Á¿òÀ» °í¹éÇÏ°Ô Çß¾î¿ä. ÇÏÁö¸¸ ³»°¡ µÎ·Á¿öÇÏÁö ¾Ê´Â °Íµµ ´ç½Å¿¡°Ô ¸»ÇÒ°Ô¿ä. ³ª´Â È¥ÀÚ ÀÖ´Â °Í, ´Ù¸¥ »ç¶÷À» À§ÇØ ÂѰܳª´Â °Í, ±×¸®°í ³»°¡ ³²°Ü¾ß ÇÒ ¸ðµç °ÍÀ» ¶°³ª´Â °ÍÀ» µÎ·Á¿öÇÏÁö ¾Ê½À´Ï´Ù. ±×¸®°í Àú´Â ½Ç¼ö, ½ÉÁö¾î Å« ½Ç¼ö, Æò»ýÀÇ ½Ç¼ö, ±×¸®°í ¾î¼¸é ¿µ¿ø±îÁö ÇÏ´Â °ÍÀ» µÎ·Á¿öÇÏÁö ¾Ê½À´Ï´Ù.¡°

 

ŸÀÓÁö ¼±Á¤ 20¼¼±â °¡Àå ¿µÇâ·Â ÀÖ´Â Àι° 100ÀÎ(Time 100 : The Most Important People of the Century)(1999) : ¹Ì±¹ ŸÀÓÁö(Timeòµ)´Â 20¼¼±â¸¦ ¸Â¾Æ, Àü ¼¼°è¿¡¼­ °¡Àå ¿µÇâ·Â Àִ 100ÀÎÀÇ Àι°(The Most Important People of the Century)À» ¼±Á¤ÇÏ¿´½À´Ï´Ù. ÁöµµÀÚ & Çõ¸í°¡(LEADERS & REVOLUTIONARIES)ºÎÅÍ ¿¹¼ú°¡ & ¿¬¿¹ÀÎ(ARTISTS & ENTERTAINERS), °Ç¼³ÀÚ & °ÅÀÎ(BUILDERS & TITANS), °úÇÐÀÚµé & »ç»ó°¡µé(SCIENTISTS & THINKERS), ¿µ¿õ & ¾ÆÀÌÄÜ(HEROES & ICONS)±îÁö ÃÑ 5°³ Ä«Å×°í¸®·Î ³ª´¹´Ï´Ù. µ¶ÀÏÀÇ µ¶ÀçÀÚ ¾Æµ¹ÇÁ È÷Ʋ·¯(Adolf Hitler)°¡ ¼±Á¤µÈ °ÍÀÌ ³í¶õÀÌ µÇ±âµµ ÇÏ¿´À¸³ª, ÀÌ´Â ¹Ì±¹ ŸÀÓÁö(Timeòµ)°¡ ¼±°ú ¾ÇÀÌ ¾Æ´Ñ ¿ÀÁ÷ ¼¼°è»ç¿¡ ¹ÌÄ£ ¡®¿µÇâ·Â¡¯À¸·Î Æò°¡ÇÏ¿´´Ù´Â Á¡¿¡¼­ ÇÕ¸®ÀûÀÔ´Ï´Ù. Á¦ÀÓ½º Á¶À̽º(James Joyce)´Â ¿¹¼ú°¡ & ¿¬¿¹ÀÎ(ARTISTS & ENTERTAINERS) ºÎ¹®¿¡ ÀÛ°¡·Î ¼±Á¤µÇ¾ú½À´Ï´Ù.

 

¡°His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.¡±

¡°±×ÀÇ ½ÉÀåÀº ¹Ð¹° À§ÀÇ ÄÚ¸£Å©Ã³·³ ±×³àÀÇ ¿òÁ÷ÀÓ¿¡ µû¶ó ÃãÀ» Ãß¾ú´Ù. ±×´Â ±×³àÀÇ ´«ÀÌ ±×µéÀÇ µÎ°Ç ¾Æ·¡¿¡¼­ ±×¿¡°Ô ¸»ÇÏ´Â °ÍÀ» µé¾ú°í, Àλý¿¡¼­µç ¿µÀû À¸·Îµç, ±×°¡ Àü¿¡ ±×µéÀÇ À̾߱⸦ µé¾ú´Ù´Â °ÍÀ» ¾Ë¾Ò½À´Ï´Ù.¡±

 

ºí·ëÁîµ¥ÀÌ(Bloomsday)(1954) : ÀÛ°¡ Á¦ÀÓ½º Á¶À̽º(James Joyce)¸¦ ±â³äÇÏ´Â ¹®Çбâ³äÀÏÀÔ´Ï´Ù. ´ëºÎºÐÀÇ ÀÛ°¡±â³äÀÏÀº ÀÛ°¡ÀÇ »ýÀÏÀ̰ڽÀ´Ï´Ù¸¸, Á¦ÀÓ½º Á¶À̽º(James Joyce)ÀÇ °æ¿ì ±×ÀÇ ´ëÇ¥ÀÛ À²¸®½Ã½º(Ulysses)(1922)¿¡ µîÀåÇϴ 6¿ù 16ÀÏ Ä¡·¯Áý´Ï´Ù. À²¸®½Ã½º(Ulysses)(1922)¿¡´Â ÁÖÀΰø ·¹¿ÀÆúµå ºí·ë(Leopold Bloom)ÀÌ ±×ÀÇ ¾Æ³» ³ë¶ó ¹Ù³ªÅ¬(Nora Barnacle)°ú 1904³â 6¿ù 16ÀÏ, ´Ü ÇÏ·çÀÇ À̾߱⸦ ¹¦»çÇϴµ¥ ±× ³¯À» ±â³äÇÏ¿© ºí·ë ºÎºÎÀÇ ³¯, Áï ºí·ëÁîµ¥ÀÌ(Bloomsday) È¤Àº ¶óºÕ(Lá Bloom)À̶ó ¸í¸íÇÏ¿´½À´Ï´Ù. ¼Ò¼³ÀÇ ¹è°æ 50ÁÖ³âÀ» ¸ÂÀÌÇÑ 1954³â ÀÛǰ¿¡ µîÀåÇÏ´Â Àå¼Ò - Àϸí À²¸®½Ã½º ·çÆ®(Ulysses route)¸¦ µû¶ó ¼øÈ¸ÇÔÀ¸·Î½á ½ÃÀ۵Ǿú½À´Ï´Ù. Áö³­ 2004³âÀº ¹«·Á 100ÁÖ³âÀ» ¸ÂÀÌÇßÁö¿ä! ¿µ±¹ ´õºí¸°ÀÌ ¿øÁ¶À̳ª, ±×ÀÇ ÀÛǰÀÌ »ç¶û¹Þ´Â À¯·´ÀÇ ÇÁ¶û½º, Çë°¡¸®, ÀÌÅ»¸®¾Æ, Ã¼ÄÚ, ¶óÆ®ºñ¾Æ µîÀ» ºñ·ÔÇØ ¹Ì±¹, È£ÁÖ, ´ºÁú·£µå, Ä³³ª´Ù µî¿¡¼­µµ Á¦ÀÓ½º Á¶À̽º(James Joyce)¸¦ ±â³äÇÏ´Â ±æ°Å¸® °ø¿¬, ¹®ÇÐȸ, ³¶µ¶È¸, ÃàÁ¦ µîÀÌ ÆîÃÄÁý´Ï´Ù.

 

¡°I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.¡±

"Á¦°¡ ¹«¾ùÀ» ÇÏ°í ¹«¾ùÀ» ÇÏÁö ¾ÊÀ» °ÍÀÎÁö ¸»¾¸µå¸®°Ú½À´Ï´Ù. Àú´Â ±×°ÍÀ» ´õ ÀÌ»ó ¹ÏÁö ¾Ê´Â °÷¿¡ ºÀ»çÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ±×°ÍÀ» Á¦ °íÇâÀ̶ó ºÎ¸£µç, Á¶±¹À̶ó ºÎ¸£µç, ±³È¸¶ó°í ºÎ¸£µç. ±×¸®°í Àú´Â Á¦°¡ ÇÒ ¼ö ÀÖ´Â ÇÑ ÃÖ´ëÇÑ ÀÚÀ¯·Ó°Ô ±×¸®°í ÀüÀûÀ¸·Î Á¦°¡ ÇÒ ¼ö ÀÖ´Â ÇÑ, Á¦°¡ »ç¿ëÇÒ ¼ö ÀÖ´Â À¯ÀÏÇÑ ¹«±âÀΠħ¹¬, ¸Á¸í, ±×¸®°í ±³È°ÇÔÀ¸·Î Àú¸¦ Ç¥ÇöÇÏ·Á°í ³ë·ÂÇÒ °ÍÀÔ´Ï´Ù.¡°

 




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