¿µ¾î°íÀü028 Á¶ÁöÇÁ ÄÜ·¡µåÀÇ ¾ÏÈæÀÇ ÇÙ½É(English Classics028 Heart of Darkness by Joseph Conrad)
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¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899) : Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)´Â ±¹³»¿¡¼­ ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)À̶õ ÀÛǰº¸´Ù, ÀÌ ¼Ò¼³ÀÌ ÇÁ·£½Ã½º Æ÷µå ÄÚÆú¶ó(Francis Ford Coppola) °¨µ¶ÀÇ Áö¿ÁÀÇ ¹¬½Ã·Ï(ò¢è«ÀÇ ÙùãÆÖâ, Apocalypse Now)(1979)ÀÇ ¿øÀÛ ¼Ò¼³À̶õ °ÍÀ¸·Î ´õ¿í À¯¸íÇÕ´Ï´Ù. Áö¿ÁÀÇ ¹¬½Ã·Ï(ò¢è«ÀÇ ÙùãÆÖâ, Apocalypse Now)(1979)Àº ÇÁ·£½Ã½º Æ÷µå ÄÚÆú¶ó(Francis Ford Coppola) °¨µ¶ÀÌ ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)À» °¢»öÇÏ¿© 3³â°£ ÃÔ¿µÇØ 1979³â °³ºÀÇÑ ¿µÈ­·Î ±×¿¡°Ô Ä­ ¿µÈ­Á¦ Ȳ±ÝÁ¾·Á»ó(1979), ¾ÆÄ«µ¥¹Ì»ó(1980) µîÀ» ¼±»çÇÏ¸ç ´ëºÎ(ÓÛÝ«, The Godfather)(1972) ½Ã¸®Áî ÀÌÈÄ ´Ù½Ã Çѹø ¼¼°èÀûÀÎ ¸íÀåÀ¸·Î °ÝÂù¹Þ°Ô ÇÑ °ÉÀÛÀÔ´Ï´Ù. ÀÌÈÄ °³ºÀÇÑ ¿Ã¸®¹ö ½ºÅæ °¨µ¶ÀÇ Ç÷¡Å÷(Platoon)(1986), ½ºÅĸ® Å¥ºê¸¯ °¨µ¶ÀÇ Ç® ¸ÞÅ» ÀçŶ(Full Metal Jacket)(1987)°ú ÇÔ²² ÇöÀç±îÁöµµ ÃÖ°íÀÇ ¡®º£Æ®³²Àü ¿µÈ­¡¯ÀÌÀÚ, ¡®¹ÝÀü¿µÈ­ÀÇ ¹é¹Ì¡¯·Î Æò°¡¹Þ°í ÀÖ½À´Ï´Ù.

 

Äá°í ÀÚÀ¯±¹À» ¹è°æÀ¸·Î ÇÑ ¼Ò¼³°ú ´Þ¸® ¿µÈ­ÀÇ ¹è°æÀº Çö´ëÀÇ º£Æ®³²ÀüÀ» ¸ðƼºê·Î Çϰí ÀÖÀ¸¸ç, ´ç´ë ¹Ì±¹ °ü°´¿¡°Ô È£Æò ¹ÞÀ¸¸ç Å©°Ô ÈïÇàÇÏ¿´½À´Ï´Ù. ±×·¯³ª, Çѱ¹Àº º£Æ®³²Àü ÂüÀü ±¹°¡Àε¥´Ù°¡ ¹ÝÀüÁÖÀÇÀûÀÎ ¿ä¼Ò¸¦ ¹®Á¦»ï¾Æ ±º»çÁ¤±Ç ½ÃÀý ¼öÀÔ ±ÝÁöµÇ¾ú°í, 1988³â¿¡¾ß °³ºÀÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. Àΰ£ÀÇ ±¤±â¸¦ Àû³ª¶óÇÏ°Ô °í¹ßÇÑ ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)Àº Áö¿ÁÀÇ ¹¬½Ã·Ï(ò¢è«ÀÇ ÙùãÆÖâ, Apocalypse Now)(1979) ¿Ü¿¡µµ ¼Ò¼³ ¿øÁ¦¸¦ ±×´ë·Î µý ¿µÈ­ ¾îµÒÀÇ ¹¬½Ã·Ï(Heart Of Darkness)(1994), Àΰ£°ú °Å´ë»ý¹°Ã¼ÀÇ ´ë¸³À» ±×¸° ¿µÈ­ Å·Äá(King Kong)(2005) µî ¼ö¸¹Àº ÀÛǰ¿¡ Á÷°£Á¢ÀûÀ¸·Î ¿µÇâÀ» ÁÖ¾ú½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

º§±â¿¡(Belgium) ·¹¿ÀÆúµå 2¼¼(Leopold II)(1835~1909) : À¯·´Àº ¹°·Ð ¼­Àεµ, ³²¹Ì, µ¿³²¾Æ, ¸»·¹À̱ºµµ, ¾ÆÇÁ¸®Ä« Äá°í... Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)´Â ±³¿ª¼± ¼±¿øÀ¸·Î ½ÃÀÛÇØ 2, 3, 1µî Ç×ÇØ»ç¸¦ °ÅÃÄ ¼±Àå¿¡ À̸£±â±îÁö ½Ê¼ö ³â°£ ¼±»ó¿¡¼­ ±Ù¹«ÇÏ¸ç ¼¼°è °¢Áö¸¦ Á÷Á¢ ¹æ¹®ÇÑ ¡®¼±¿ø Ãâ½ÅÀÇ ¼Ò¼³°¡¡¯ÀÔ´Ï´Ù. ´ç½Ã ¿µ±¹À» ºñ·ÔÇÑ À¯·´ Á¦±¹ÁÖÀÇÀÇ Á¤Á¡¿¡¼­ ¹Ù¶óº» ´ç½ÃÀÇ °æÇèÀº ±×°¡ ÁýÇÊÇÑ ´Ù¾çÇÑ ¼Ò¼³ÀÇ ÀÚ¾çºÐÀÌ µÇ¾ú½À´Ï´Ù. º§±â¿¡ÀÇ ·¹¿ÀÆúÆ® ·Îµ¥º£ÀÌÅ© Çʸ³½º ¸¶¸®¾Æ ºòÅ丣(Leopold Lodewijk Filips Maria Victor), ÀÏ¸í ·¹¿ÀÆúµå 2¼¼(Leopold II)°¡ ¼³¸³ÇÑ È¸»çÀÇ ¼±ÀåÀ¸·Î Äá°í ÀÚÀ¯±¹(État indépendant du Congo)¿¡ ÆÄ°ßµÇ¾ú½À´Ï´Ù.

 

´ç½Ã ·¹¿ÀÆúµå 2¼¼´Â ¾ÆÇÁ¸®Ä«ÀÇ ¹Ì°³ÇÑ ¿øÁÖ¹ÎÀ» Áßµ¿ÀÇ ³ë¿¹¹«¿ª»óÀ¸·ÎºÎÅÍ ¡®º¸È£¡¯Çϰí, ±âµ¶±³¸¦ ºñ·ÔÇÑ ¼±Áø ¹®¸íÀ¸·Î ¡®°è¸ù¡¯ÇÑ´Ù´Â ÃëÁö·Î º£¸¦¸° ȸ´ã(1884)¿¡¼­ À¯·´ÀÇ ÁöÁö¸¦ ¹Þ¾Æ º§±â¿¡ÀÇ 75¹è¿¡ ´ÞÇÏ´Â ¸éÀûÀÇ Äá°í ÀÚÀ¯±¹(État indépendant du Congo)¸¦ ÀÚ½ÅÀÇ ½Ä¹ÎÁö·Î ÀÎÁ¤ ¹Þ¾Ò½À´Ï´Ù. ÀÌÈÄ »ó¾Æ¿Í °í¹«¸¦ äÃëÇϱâ À§ÇØ ÈæÀÎÀ» ¾Ç¶öÇÏ°Ô ÂøÃëÇϰí, ÇдëÇϰí ÇлìÇÏ¿´À¸³ª ÀÕ´Ù¸¥ °í¹ß¿¡µµ ºÒ±¸ÇÏ°í ¹«¿ªÀ¸·Î ÃàôÇÑ ¹æ´ëÇÑ ºÎ¸¦ ¹ÙÅÁÀ¸·Î ¾ð·Ð ¸Å¼ö, ºÎÀÎ, Å¹¿ùÇÑ °ÅÁþ¸» µîÀ¸·Î ÀºÆóÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù. ±×·¯³ª, ±×¿¡ ´ëÇÑ ºñ³­ÀÌ °Å¼¼ÁöÀÚ °á±¹ º§±â¿¡ Á¤ºÎ´Â ±×ÀÇ »çÀ¯Áö¸¦ ÀμöÇÏ¿´½À´Ï´Ù. ¸·´ëÇÑ ºÎ¸¦ âÃâÇÏ´Â »çÀ¯Áö(?!)¸¦ ÀÒ¾ú´Ù°í´Â Çϳª, 75¼¼±îÁö Àå¼öÇÏ¿´½À´Ï´Ù.

 

´ç½Ã À¯·´Á¦±¹ÀÇ ¸¸ÇàÀº ÀÌ·ç ¸»ÇÒ ¼ö ¾øÀ» Á¤µµ·Î Áöµ¶ÇßÀ¸³ª, ·¹¿ÀÆúµå 2¼¼´Â ±× Áß¿¡¼­µµ ´Ü¿¬, Æ¯È÷, À¯µ¶ ¾Ç¶öÇÏ¿´±â¿¡ ¿À´Ã³¯±îÁö ¡®¿ª»ç»ó °¡Àå ¾Ç¶öÇÑ ½Ä¹ÎÁÖÀÇÀÚ¡¯·Î ¼Õ²ÅÈú Á¤µµÀÔ´Ï´Ù. È÷Ʋ·¯ÀÇ È¦·ÎÄÚ½ºÆ®(Holocaust)(1933~1945) ¸øÁö ¾ÊÀº ¾ÇÇàÀ» ÀúÁú·¶À½¿¡µµ ºÒ±¸Çϰí, ¾ÆÇÁ¸®Ä« Äá°í¿¡ ±¹ÇѵǾú´Ù´Â Á¡ ¶§¹®¿¡ ±×ÀÇ ¾Ç¸íÀº »ó´ëÀûÀ¸·Î Àß ¾Ë·ÁÁ® ÀÖÁö ¾ÊÀº ÆíÀÔ´Ï´Ù. º§±â¿¡¿¡¼­µµ Èæ¿ª»çÀÎ ±×ÀÇ °ú°Å»ç¸¦ öÀúÈ÷ Áö¿ì°í Àֱ⠶§¹®¿¡, Á¤ÀÛ º§±â¿¡ÀÇ ÇлýµéÀº ±×ÀÇ ¾ÇÇà¿¡ ´ëÇØ Àß ¸ð¸¥´Ù´Â... Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)´Â Äá°í¿¡¼­ µ¹¾Æ¿Â ÈÄ °Ç°­ÀÌ ¾ÇÈ­µÇ¾î ´Ù½Ã ¹è¸¦ Ÿ±â ¾î·Á¿ö ÁöÀÚ º»°ÝÀûÀ¸·Î ±ÛÀ» ¾²±â ½ÃÀÛÇÏ¿´½À´Ï´Ù.

 

1895³â Ãâ°£ÇÑ ¿Ã¸¶À̾îÀÇ ¹Ùº¸Áþ(Almayer's Folly)À» ½ÃÀÛÀ¸·Î ÀÚ½ÅÀÌ ¡®Á÷Á¢ ¸ñµµÇÑ Áö¿Á¡¯À» ¼ÒÀç·Î Áøº¸ÀÇ ÀüÃʱâÁö(An Outpost of Progress)(1897)¿Í ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ¼Ò¼³¿¡ µîÀåÇÏ´Â °ÅÃ÷(Kurtz)´Â ÀÌÈÄ ¼ö¸¹Àº ¿µÈ­, ¼Ò¼³, °ÔÀÓ µî¿¡¼­ ¡®ÀüÀïÀÇ ±¤±â¿¡ ¹ÌÃİ¡´Â ij¸¯ÅÍ¡¯ÀÇ ´ë¸í»ç·Î ¼öµµ ¾øÀÌ ¿À¸¶Áֵ˴ϴÙ.

 

¡°Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath : The horror! The horror!¡±

"Á¦°¡ º» ÀûÀÌ ¾ø´Â ±×ÀÇ ¸ð½À¿¡¼­ ³ªÅ¸³­ º¯È­¿¡ Á¢±ÙÇÏ´Â ¸ðµç °ÍÀº ´Ù½Ã´Â º¼ ¼ö ¾ø±â¸¦ ¹Ù¶ø´Ï´Ù. ¾Æ, °¨µ¿¹ÞÁö ¾Ê¾Ò¾î¿ä. Àú´Â ¸Å·áµÇ¾ú½À´Ï´Ù. ±×°ÍÀº ¸¶Ä¡ º£ÀÏÀ» ºô¸° °Í °°¾Ò½À´Ï´Ù. Àú´Â ±× »ó¾Æ ¾ó±¼¿¡¼­ ¾ö¼÷ÇÑ Àںνɰú ¹«ÀÚºñÇÑ Èû, °¥¸ÁÀÌ ¾ø´Â °øÆ÷ÀÇ Ç¥Á¤À» º¸¾Ò½À´Ï´Ù. °­·ÄÇϰí Àý¸ÁÀûÀÎ Àý¸ÁÀÇ Ç¥Á¤À» º¸¾Ò½À´Ï´Ù. ±×´Â ¿ÏÀüÇÑ Áö½ÄÀÇ ±× ÃÖ°íÀÇ ¼ø°£ µ¿¾È ¿å¸Á, À¯È¤, ±×¸®°í Ç׺¹ÀÇ ¸ðµç ¼¼ºÎ »çÇ׿¡¼­ ±×ÀÇ »îÀ» ´Ù½Ã »ì¾ÒÀ»±î¿ä? ±×´Â ¾î¶² »óÀ» º¸°í ¼Ó»èÀ̸ç, ¾î¶² ȯ»óÀ» º¸°í, µÎ ¹ø ¿ï¾ú½À´Ï´Ù. ±× ¿ÜħÀº È£Èí¿¡ Áö³ªÁö ¾Ê¾Ò½À´Ï´Ù. ±× °øÆ÷! ²ûÂïÇØ¿ä!"

 



 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

6°¡Áö Ű¿öµå·Î Àд Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad) by Á¶¸íÈ­ ÆíÁýÀå

01. ¿ìÅ©¶óÀ̳ª º£¸£µðÄ¡¿ì(¬¢¬Ö¬â¬Õ¬Ú¬éі¬Ó) Å»ýÀÇ Æú¶õµå°è ¿µ±¹ÀÛ°¡(1857~1924)

02. º§±â¿¡(Belgium) ·¹¿ÀÆúµå 2¼¼(Leopold II)(1835~1909)

03. ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)

04. Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)¸¦ ¸¸³ª´Â 5°¡Áö ¹æ¹ý

05. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)

06. Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)ÀÇ ¾î·Ï(Quotes)(35)

Á¶ÁöÇÁ ÄÜ·¡µåÀÇ ¾ÏÈæÀÇ ÇÙ½É(Heart of Darkness by Joseph Conrad)(1902)

I

II

III

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)

A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio books legally?)

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Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(954)

 



 

Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)

 

º»¸í À¯Á¦ÇÁ Å׿Àµµ¸£ ÄÜ¶óÆ® ÄÚÁ¦´¦½ºÅ°(Józef Teodor Konrad Korzeniowski), Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)´Â ÇöÀçÀÇ ¿ìÅ©¶óÀ̳ª(¬µ¬Ü¬â¬Ñї¬ß¬Ñ) ÁöÅä¹Ì¶ó½ºÄ«(¬¨¬Ú¬ä¬à¬Þ¬Ú¬â¬ã¬î¬Ü¬Ñ ¬à¬Ò¬Ý¬Ñ¬ã¬ä¬î) º£¸£´ôÄ¡ÇÁ(¬¢¬Ö¬â¬Õ¬Ú¬éі¬Ó)¿¡¼­ Æú¶õµå ºÎ¸ð »çÀÌ¿¡¼­ ž½À´Ï´Ù. Æú¶õµå ±ÍÁ· °¡¹®ÀÇ ¿Ü¾Æµé·Î Æú¶õµå ±ÍÁ· ÀÛÀ§(Polish Na©©ęcz coat-of-arms)¸¦ ¼ÒÀ¯ÇÏ¿´À¸¸ç, Èʳ¯ ¿µ±¹ ±¹ÀûÀÇ ÀÛ°¡·Î À¯¸íÇØ Áø ÀÌÈÄ¿¡µµ ¿µ±¹ ±â»ç ÀÛÀ§¸¦ °ÅÀýÇÏ´Â µî ÀÚ½ÅÀÇ Ãâ½Å¿¡ ´ëÇÑ ¾ÖÁ¤À» ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù.

 

ºÒ°ú ¿­µÎ »ìÀÇ ¾î¸° ³ªÀÌ¿¡ ·¯½Ã¾Æ¿Í µ¶ÀÏ, ¿À½ºÆ®¸®¾Æ°¡ ºÐÇÒ Áö¹èÇÏ´Â °­Á¡±â¸¦ °Þ¾úÀ¸¸ç, Æú¶õµå µ¶¸³¿îµ¿¿¡ Åõ½ÅÇÑ ºÎ¸ð¸¦ ÀÒ°í, ¿Ü¼÷ºÎÀÇ º¸»ìÇËÀ» ¹Þ¾Ò½À´Ï´Ù. ¿À½ºÆ®¸®¾Æ ½Ã¹Î±ÇÀ» ¾òÁö ¸øÇÏÀÚ Á¤Ä¡¹üÀ¸·Î óÇüµÈ ¾Æ¹öÁö·Î ÀÎÇÑ 25³â°£ÀÇ ·¯½Ã¾Æ±º º¹¹«¸¦ ÇÇÇØ ÇÁ¶û½º ¸¶¸£¼¼À¯¸¦ °ÅÃÄ ¿µ±¹À¸·Î ¸Á¸í, ¼±¿øÀ¸·Î Á¦2ÀÇ »îÀ» ½ÃÀÛÇÕ´Ï´Ù.

 

¸Á¸íÀÚ¶õ Ãâ½Å°ú ƯÀ¯ÀÇ ¾îÅõ·Î ¾î·Á¿òÀ» °Þ¾î¾ß ÇßÀ¸³ª, ¸í¼®ÇÑ µÎ³ú·Î ¿µ¾î¸¦ ½ÀµæÇÏ¿´°í ¿µ±¹¿¡¼­ À̵îÇ×ÇØ»ç¿Í ÀϵîÇ×ÇØ»ç ÀÚ°ÝÀ» ÃëµæÇϴµ¥ ¼º°øÇÕ´Ï´Ù. 1886³â Á¤½ÄÀ¸·Î ¿µ±¹¿¡ ±ÍÈ­ÇÔÀ¸·Î½á ±×´Â ¿µ±¹ÀÛ°¡·Î ¸í¼ºÀ» ¶³Ä¡°Ô µÇ¾ú½À´Ï´Ù. Á¶ÁöÇÁ ÄÜ·¡µå(Joseph Conrad)¶õ À̸§Àº ±ÍÈ­¿Í ÇÔ²² °³¸íÇÑ °ÍÀ¸·Î, ±×´Â ¸ðµç ÀÛǰÀ» ¿µ±¹ ±¹ÀûÀ» ÃëµæÇÑ ÈÄ ¿µ¾î·Î ÁýÇÊÇØ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

 

·¯½Ã¾Æ Ãâ»ý, Æú¶õµåÀÎ ºÎ¸ð¸¦ µÐ ±×´Â Æú¶õµå¾î »Ó ¾Æ´Ï¶ó ÇÁ¶û½º¾î¿Í ·¯½Ã¾Æ¾î, ¿µ¾î¿¡µµ ´ÉÅëÇÏ¿´À¸¸ç ¸ðµç ÀÛǰÀ» ¿µ¾î·Î ÁýÇÊÇÏ¿´½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ±×´Â ¼¼°è¹®Çл翡¼­ ¼Õ²ÅÈ÷´Â ¡®ºñ¿µ¾î±Ç Ãâ½ÅÀÇ ¿µ¾îÀÛ°¡¡¯ÀÔ´Ï´Ù. Æú¶õµå¾î¿Í ÇÁ¶û½º¾î´Â À¯³â ½ÃÀý¿¡ ¹è¿î °ÍÀ̳ª, ¿µ¾î´Â ¼±¿øÀÌ µÇ±â À§ÇØ ¼ºÀÎÀÌ µÈ ÈÄ ¹è¿ì±â ½ÃÀÛÇÏ¿´´Ù´Â °ÍÀ» °¨¾ÈÇÏ¸é ±×ÀÇ ÀÛǰÀÇ ¿Ï¼ºµµ´Â ³î¶ó¿ï µû¸§ÀÔ´Ï´Ù. ±×ÀÇ ¼Ò¼³Àº ±×ÀÇ ¸ð±¹¾îÀÎ Æú¶õµå¾î¸¦ ºñ·ÔÇØ ÇÁ¶û½º¾î¿Í ·¯½Ã¾Æ¾î±îÁö ÀÌÇØÇÏÁö ¸øÇÒ °æ¿ì ¿ÂÀüÇÏ°Ô ¿Å±â±â ¸Å¿ì ¾î·Á¿î ÀÛǰÀ¸·Î ²ÅÈ÷¸ç ÀÌ ¶§¹®¿¡ ±¹³»¿¡µµ ¹ø¿ªº»ÀÌ ±×¸® ¸¹Áö ¾Ê½À´Ï´Ù.

 

±×°¡ ³²±ä ´ëºÎºÐÀÇ ÀÛǰÀº ¼±¿øÀ¸·Î½á ¼¼°è °¢Áö¸¦ Ç×ÇØÇϸ鼭 º¸°í µéÀº °æÇèÀ» ¼ÒÀç·Î ÁýÇÊÇÑ °ÍÀ¸·Î ÀÌ ¶§¹®¿¡ ±×¸¦ ¡®Çؾç¼Ò¼³°¡¡¯·Î ºÐ·ùÇϱ⵵ ÇÕ´Ï´Ù. ´ëÇ¥ÀÛÀº ¿À½ºÄ«»óÀ» 5¹ø, È²±ÝÁ¾·Á»óÀ» 2¹ø ¼ö»óÇÑ ¼¼°èÀûÀÎ °ÅÀå ÇÁ·£½Ã½º Æ÷µå ÄÚÆú¶ó(Francis Ford Coppola) °¨µ¶ÀÇ ¿µÈ­ Áö¿ÁÀÇ ¹¬½Ã·Ï(ò¢è«ÀÇ ÙùãÆÖâ, Apocalypse Now)(1979)ÀÇ ¿øÀÛ ¼Ò¼³ ¾îµÒÀÇ ½É¿¬(Heart of Darkness)(1899)ÀÔ´Ï´Ù.

 

¡°I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.¡±

"Àú´Â Á×À½°ú ¾¾¸§Çß½À´Ï´Ù. ±×°ÍÀº ¿©·¯ºÐÀÌ »ó»óÇÒ ¼ö ÀÖ´Â °¡Àå Àç¹Ì¾ø´Â ´ëȸÀÔ´Ï´Ù. ±×°ÍÀº ¹ß¹Ø¿¡ ¾Æ¹«°Íµµ ¾ø°í, ÁÖÀ§¿¡ ¾Æ¹«°Íµµ ¾ø°í, ±¸°æ²Ûµµ ¾ø°í, ¼Ò¶õ½º·¯¿òµµ ¾ø°í, ¿µ±¤µµ ¾ø°í, ½Â¸®ÀÇ Å« ¿å¸Áµµ ¾ø°í, ÆÐ¹è¿¡ ´ëÇÑ Å« µÎ·Á¿òµµ ¾ø°í, º´ÀûÀ¸·Î ¹ÌÁö±ÙÇÑ È¸ÀÇ ºÐÀ§±â¿¡¼­, ´ç½ÅÀÇ ±Ç¸®¿¡ ´ëÇÑ ¸¹Àº ¹ÏÀ½µµ ¾øÀÌ, ±×¸®°í ¿©ÀüÈ÷ ´ç½ÅÀÇ Àû¼ö¿¡ ´ëÇÑ ¹ÏÀ½µµ ´úÇÑ »óÅ¿¡¼­ ÀϾ´Ï´Ù.¡°

 

¡°His very existence was improbable, inexplicable, and altogether bewildering. He was an insoluble problem. It was inconceivable how he had existed, how he had succeeded in getting so far, how he had managed to remain -- why he did not instantly disappear.¡±

"±×ÀÇ Á¸Àç ÀÚü°¡ ÀÖÀ» °Í °°Áö ¾Ê°í, ¼³¸íÇÒ ¼ö ¾ø°í, ¿ÏÀüÈ÷ ´çȲ½º·¯¿ü½À´Ï´Ù. ±×´Â ÇØ°áÇÒ ¼ö ¾ø´Â ¹®Á¦¿´¾î¿ä. ±×°¡ ¾î¶»°Ô Á¸ÀçÇØ ¿Ô´ÂÁö, ¾î¶»°Ô ±×·¸°Ô ¸Ö¸®±îÁö °¡´Âµ¥ ¼º°øÇß´ÂÁö, ¾î¶»°Ô »ì¾Æ³²À» ¼ö ÀÖ¾ú´ÂÁö, ¿Ö ±×°¡ Áï½Ã »ç¶óÁöÁö ¾Ê¾Ò´ÂÁö »ó»óÇÒ ¼ö ¾ø¾ú½À´Ï´Ù.¡°

 




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