¿µ¾î°íÀü018 ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(English Classics018 The Awakening, and Selected Short Stories by Kate Chopin)
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ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº ¾ÆÀÏ·£µå°è ¾Æ¹öÁö¿Í ÇÁ¶û½º°è ¾î¸Ó´Ï »çÀÌ¿¡¼­ ¹ÌÁߺÎÀÇ ¼¼ÀÎÆ® ·çÀ̽º(St. Louis)¿¡¼­ ž½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ¹Ì±¹, ¾ÆÀÏ·£µå, ÇÁ¶û½º°¡ È¥ÀçµÇ¾î ÀÖ´Â ´Ù¹®È­ °¡Á¤¿¡¼­ ÀÚ¶ó ¼¼ÀÎÆ® ¼¼ÀÌÅ©¸®µå ÇÏÆ® ¾ÆÄ«µ¥¹Ì(Academy of the Sacred Heart)°ú ±×³à¿¡°Ô Å« ¿µÇâÀ» ¹ÌÄ£ ÁõÁ¶ÇÒ¸Ó´Ï(great-grandmother)¿¡°Ô ±³À° ¹Þ¾Ò½À´Ï´Ù. º»¸í ij¼­¸° ¿ÀÇ÷¹¾îƼ(Katherine O'Flaherty). 1970³â ¿À½ºÄ« ¼îÆØ(Oscar Chopin)°ú °áÈ¥Çϸç, ³²ÆíÀÇ °íÇâÀÎ ´º¿Ã¸®¾ð½º(New Orleans)·Î ÀÌÁÖÇßÀ¸³ª, ³²ÆíÀÇ »ç¾÷ ¸éÈ­ Áß°³¾÷(cotton brokerage)Àº ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò½À´Ï´Ù. ÀÌ·Î ÀÎÇØ µµ½ÉÀ» ¶°³ª, Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)°¡ °­ÇÑ ·çÀÌÁö¾Ö³ª(Louisiana) Å¬·ÎƼ¿¡ºô(Cloutierville)·Î ÀÌÁÖÇÏ¿´°í, ³óÀå °æ¿µ°ú »óÁ¡ °æ¿µ¿¡ ´Ù½Ã Çѹø µµÀüÇÏ¿´½À´Ï´Ù. ·çÀÌÁö¾Ö³ª Å©¸®¿Ã(Louisiana Créoles)Àº ·çÀÌÁö¾Ö³ª¿¡¼­ ž Åä¹ÚÀÌ¿Í, Å¸Áö¿¡¼­ ·çÀÌÁö¾Ö³ª·Î ÀÌÁÖÇÑ »ç¶÷À» ±¸ºÐÇϱâ À§ÇØ ºÙ¿©Áø ¿ë¾î·Î, ÇÁ¶û½º¿Í ½ºÆäÀÎÀÇ ½Ä¹ÎÁö¸¦ °ÅÄ£ ¹Ì±¹ ³²ºÎ µµ½Ã ·çÀÌÁö¾Ö³ªÀÇ ÀÎÁ¾Àû, ¹®È­Àû Ư¼ºÀ» ¹Ý¿µÇÕ´Ï´Ù. ÇÁ¶û½º¿Í ½ºÆäÀÎ, ¹Ì±¹ ±×¸®°í ¾ÆÇÁ¸®Ä«ÀÇ ¹®È­°¡ È¥ÀçµÈ ·çÀÌÁö¾Ö³ª´Â ³ë¿¹, ÀÎÁ¾ Â÷º°, È¥Ç÷ ±×¸®°í 19¼¼±â ¾ÆÀÌÆ¼ Çõ¸í(Haitian Revolution)À¸·Î À¯ÀÔµÈ ³­¹Î±îÁö º¹Àâ´Ù´ÜÇÑ Æ¯ÁúÀÌ È¥ÀçµÇ¾î ÀÖ´Â °ø°£ÀÌ¿´½À´Ï´Ù. ³²ÆíÀÌ »ç¸ÁÇÑ ÈÄ ÀûÀÝÀº ºúÀ» ¹°·Á ¹ÞÀº ¼îÆØÀº ¿©¼¸¸íÀÇ Àڳฦ ºÎ¾çÇϱâ À§ÇØ °í±ººÐÅõÇÏ¿´À¸³ª, °á±¹ ¸ðµç »ç¾÷À» Á¤¸®ÇÏ°í ¾î¸Ó´Ï°¡ °è½Å ¼¼ÀÎÆ®·çÀ̽º·Î µ¹¾Æ°©´Ï´Ù. ¾î¸Ó´ÏÀÇ µµ¿òÀ¸·Î °¡°è°¡ ¾ÈÁ¤µÇÀÚ, ÀÕ´Ù¸¥ »ç¾÷½ÇÆÐ¿Í ³²ÆíÀÇ Á×À½ µîÀ¸·Î º¹ÀâÇÑ ½É°æÀ» ´Þ·¡±â À§ÇØ ÀÇ»ç(Dr. Frederick Kolbenheyer)ÀÇ ±ÇÀ¯·Î ±Û¾²±â¸¦ ½ÃÀÛÇÕ´Ï´Ù. À̷νᠡ®ÀÛ°¡¡¯ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ »îÀÌ ½ÃÀ۵˴ϴÙ! ´º¿Ã¸®¾ðÁ ¹è°æÀ¸·Î ÇÑ At Fault(1890), ·çÀÌÁö¾Ö³ª¸¦ ¹è°æÀ¸·Î ÇÑ µ¥Áö·¹ÀÇ ¾Æ±â(Désirée's Baby)(1893) µî ±×³à´Â ´ëºÎºÐÀÇ ÀÛǰÀ» ÀÚ½ÅÀÌ Àß ¾Ë°í Àִ ¡®¹Ì±¹¡¯À» ¹è°æÀ¸·Î ±×·È½À´Ï´Ù. Æ¯È÷ ·çÀÌÁö¾Ö³ªÀÇ Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)¸¦ ¼¶¼¼ÇÏ°Ô ¹¦»çÇÑ ÀÛǰÀº ±×³à¿¡°Ô ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» Àß ±×·Á³½ ¹Ì±¹ÀÛ°¡¶õ Īȣ¸¦ ¼±»çÇÏ¿´½À´Ï´Ù. ´ëÇ¥ÀÛ °¢¼º(The Awakening)(1899)Àº ´ç½Ã·Î½á´Â ÆÄ°ÝÀûÀ¸·Î ¿©¼ºÀÇ ¼º(female sexuality)À» ¿©¼ºÀÇ ½Ã°¢¿¡¼­ ¹¦»çÇÏ¿´À¸¸ç, ÀÌ ¶§¹®¿¡ Æò´ÜÀÇ ±ØÂù°ú ºñ³­À» µ¿½Ã¿¡ ¹Þ¾Ò½À´Ï´Ù. ½ÇÁ¦·Î ±×³àÀÇ ÀÛǰÀº µµ¼­°ü¿¡ ºñÄ¡µÇÁö ¾Ê°Å³ª, ¿À·£ ±â°£ ÀýÆÇµÇ¾ú½À´Ï´Ù. ÀÌ·Î ÀÎÇØ ¼îÆØÀº ÀåÆí ´ë½Å Áö¿ª½Å¹®¿¡ ´Ù¾çÇÑ ´ÜÆíÀ» ¹ßÇ¥Çϸç, ÀÛ°¡·Î½áÀÇ ´Ù¸¥ ¸é¸ð¸¦ º¸¿©ÁÖ±â À§ÇØ ÀýÄ¡ºÎ½ÉÇÏ¿´½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í »ì¾Æ »ýÀü¿¡´Â ±×¸® Å« ÁÖ¸ñÀ» ¹ÞÁö ¸øÇÑ ÀÛ°¡¿´°í, 1970³â´ë¿¡ À̸£·¯¼­¾ß ³ë¸£¿þÀÌ ÇÐÀÚ Æä¸£ ½Ã¾î½ºÅ×µå(Per Seyersted)°¡ ±×³àÀÇ ÀÛǰÀ» 20¼¼±â ¹Ì±¹ Æä¹Ì´Ï½ºÆ® ¼Ò¼³ÀÇ ¼±±¸ÀÚ(American 20th-century feminist authors)¶õ °üÁ¡¿¡¼­ ¿¬±¸Çϱ⠽ÃÀÛÇϸ鼭 Â÷Ãû ±×³àÀÇ ÀÛǰ¿¡ ´ëÇÑ ÀçÆò°¡°¡ ÀÌ·ç¾îÁö°í ÀÖ½À´Ï´Ù. ±¹³»¿¡µµ ¹ø¿ªº»ÀÌ Á¶±Ý¾¿ Ãâ°£µÇ°í ÀÖ´Â »óȲÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

 

°¢¼º(The Awakening)(1899) : 1897³â °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À¸·Î Ãâ°£µÈ ÀÛǰÀ̳ª, ´ëÁß¿¡°Ô´Â 1899³â ÀçÃâ°£ÇÑ Á¦¸ñ °¢¼º(The Awakening)(1899)À¸·Î Ä£¼÷ÇÕ´Ï´Ù. ¿øÁ¦¿¡¼­Ã³·³ ÀÛ°¡ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À» °¡Áø, ¾Æ´Ï °íµ¶ÇÒ ¼ö ¹Û¿¡ ¾ø´Â ¿©ÁÖÀΰø ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)À» Áß½ÉÀ¸·Î À̾߱⸦ Àü°³ÇØ °©´Ï´Ù. ÀÛ°¡°¡ ½ÇÁ¦·Î ¿À·§µ¿¾È °ÅÁÖÇÑ 19¼¼±â ¹Ì±¹ ´º¿Ã¸®¾ðÁî(New Orleans)¿Í ·çÀÌÁö¾Ö³ª °ÉÇÁ ÇØº¯(the Louisiana Gulf coast), ±×¶û ¼¶(Grand Isle)¸¦ ¹è°æÀ¸·Î, Æä¹Ì´ÏÁò(femininity)°ú ¸ð¼º¾Ö(motherhood)¶õ ¿©¼º ´ã·ÐÀ» ¼Ò¼³ÀÇ ÁÖÁ¦·Î »ïÀº ȹ±âÀûÀÎ ÀÛǰÀ¸·Î ¹Ì±¹ ¼Ò¼³»ç¿¡¼­ ¸ð´õ´ÏÁò ¹®ÇÐ(American modernist literature)ÀÇ ¼±±¸ÀÚÀÌÀÚ, ÃÖÃÊÀÇ ³²ºÎ ÀÛǰ(the first Southern works)À¸·Î °Å·ÐµË´Ï´Ù. ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)´Â ¼º°øÇÑ »ç¾÷°¡ÀÌÁö¸¸, ±×³àÀÇ ¸¶À½À» Çì¾Æ¸®Áö´Â ¸øÇÏ´Â ³²Æí ·¹¿Â½º ÆùÅÚ¸®¿¡(Léonce Pontellier)°ú °ÑÀ¸·Î´Â ´Ü¶õÇÑ °¡Á¤À» ²Ù¸®°í ÀÖ½À´Ï´Ù. ¿Ü°£³²ÀÚÀÎ ·Î¹öÆ®(Robert Lebrun)¿Í ºÒ·û¿¡ ºüÁö¸é¼­, ±×³à´Â ÀÚ½ÅÀÌ ¹Ìó ¾Ë°í ÀÖÁö ¸øÇÑ ¹«¾ð°¡¸¦ ±ú´Ý°Ô µÇ´Âµ¥... ÀÛǰ¸í °¢¼º(The Awakening)(1899)Àº ÆùÅÚ¸®¾î( Pontellier) °¡¹®ÀÇ ¾Æ³» ¿¡µå³ª°¡ ³²Æí°ú ºÒ·û³² »çÀÌ¿¡¼­ »õ·Ó°Ô ÀÚ°¢ÇÏ°Ô µÈ ¡®¹«¾ð°¡¡¯¸¦ ÀºÀ¯ÇÕ´Ï´Ù. ¿ì¸®¿¡ °¤Èù »õ, ´ë¾çÀ» ÇâÇØ ÇìÃÄ ³ª°¡´Â ¼ö¿µ, ÈûÂ÷°Ô ¿ï·Á ÆÛÁö´Â ÇÇ¾Æ³ë µîÀº ¾ï¾ÐµÈ »çȸ·ÎºÎÅÍ °¨±ÝµÇ¾î Àִ ¡®¿©¼ºÀÇ Çö½Ç¡¯À» ºñÀ¯ÇÑ °ÍÀ¸·Î ÇØ¼®µË´Ï´Ù.

 

HBO Æ®¸²(Treme)(2010~2013) : HBO µå¶ó¸¶ Æ®¸²(Treme)Àº ´º¿Ã¸®¾ð½ºÀÇ ¼Òµµ½Ã Æ®¸²(Treme)À» ¹è°æÀ¸·Î, 2005³â ¹Ì±¹ ³²ºÎ¸¦ °­Å¸ÇÑ Ç㸮ÄÉÀΠīƮ¸®³ª ÀÌÈÄÀÇ ¸ð½ÀÀ» Áö¿ª ¹®È­¿Í ÇÔ²² ¹¦»çÇÑ ÀÛǰÀÔ´Ï´Ù. ½ÃÁð 4, ÃÑ 36È­·Î Á¦À۵Ǿú½À´Ï´Ù. ½ÃÁð 1¿¡¼­ ±³»ç Å©¸®Æ°(Creighton)Àº Çлýµé¿¡°Ô ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ °¢¼º(The Awakening)(1899)À» ¼Ò°³ÇÕ´Ï´Ù. Pay attention to the language itself. The ideas. Don't think in terms of a beginning and an end. Because unlike some plot-driven entertainments, there is no closure in real life. Not really. ¾ð¾î ÀÚü¿¡ ÁÖÀǸ¦ ±â¿ïÀ̽ʽÿÀ. ¾ÆÀ̵ð¾îµéÀÌ¿ä. ½ÃÀÛ°ú ³¡À» ³õ°í »ý°¢ÇÏÁö ¸¶¼¼¿ä. ¿Ö³ÄÇϸé ÀϺΠÀ½¸ð·ÐÀûÀÎ ¿À¶ô°ú´Â ´Þ¸®, Çö½Ç¿¡¼­´Â Æó¼â¼ºÀÌ ¾ø±â ¶§¹®ÀÔ´Ï´Ù. »ç½Ç ±×·¸Áö ¾Ê¾Æ¿ä.

 

¡°Some of Chopin's work is equal to the best that has been produced in France or even in America. She displayed what may be described as a native aptitude for narration amounting almost to genius.¡± ¡°¼îÆØÀÇ ÀÛǰ Áß ÀϺδ ÇÁ¶û½º ¶Ç´Â ¹Ì±¹ ÃÖ°íÀÇ ÀÛǰ°ú µ¿ÀÏÇÕ´Ï´Ù. ±×³à´Â °ÅÀÇ ÃµÀç¿¡ °¡±î¿î ³ª·¹À̼ǿ¡ ´ëÇÑ Å¹¿ùÇÑ Àû¼ºÀ¸·Î ¹¦»ç µÉ ¼ö ÀÖ´Ù´Â °ÍÀ» º¸¿©ÁÖ¾ú½À´Ï´Ù.¡± ¹Ì±¹ ¹®Çб³¼ö °â ÀÛ°¡ ÇÁ·¹µå ·çÀ̽º ÆÐƼ(Fred Lewis Pattee)

 

"Chopin undermines patriarchy by endowing the Other, the woman, with an individual identity and a sense of self, a sense of self to which the letters she leaves behind give voice. The 'official' version of her life, that constructed by the men around her, is challenged and overthrown by the woman of the story." "¼îÆØÀº ÀÚ½ÅÀÇ Á¤Ã¼¼º°ú Àھư¨°¢À» °¡Áø »ó´ë¹æÀ» ±¼º¹½ÃÅ´À¸·Î½á °¡ºÎÀåÁ¦¸¦ ºÎ½¤¹ö¸³´Ï´Ù. ±×³à°¡ ³²±ä ±ÛÀÚµéÀÌ ¸ñ¼Ò¸®¸¦ ³»´Â Àھư¨°¢ÀÌÁÒ. ÁÖº¯ ³²Àڵ鿡 ÀÇÇØ °Ç¼³µÈ ±×³àÀÇ »îÀÇ '°ø½Ä' ¹öÀüÀº À̾߱⠼ÓÀÇ ¿©ÁÖÀΰø¿¡ ÀÇÇØ µµÀü¹Þ°í Àüº¹µË´Ï´Ù.¡° Jane Le Marquand

 



 

-¸ñÂ÷(Index)-

ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯

9°¡Áö Ű¿öµå·Î Àд ÄÉÀÌÆ® ¼îÆØ(Kate Chopin) by Á¶¸íÈ­ ÆíÁýÀå

01. ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» °¡Àå Àß ´ã¾Æ³½ ¹Ì±¹ ÀÛ°¡(1850~1904)

02. ÇÁ¶û½º ÀÛ°¡ ±â µå ¸ðÆÄ»ó(Guy de Maupassant)ÀÇ ¾Öµ¶ÀÚ

03. °¢¼º(The Awakening)(1899)

04. ¿µÈ­ ±×·£µå ¾ÆÀÏ(Grand Isle)(1991)

05. ´ÙÅ¥¸àÅ͸® Àç°¢¼º(A Reawakening)(1998)

06. HBO Æ®¸²(Treme)(2010~2013)

07. ¹Ì±¹¿¡¼­ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)¸¦ ¸¸³ª´Â Àå¼Ò TOP5

08. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)

09. ¾î·Ï(Quotes)(30)

ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(The Awakening, and Selected Short Stories by Kate Chopin)(1899)

I. The Awakening

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

II. Beyond the Bayou

III. Ma¡¯ame Pelagie

III-I

III-II

III-III

III-IV

IV. Desiree¡¯s Baby

V. A Respectable Woman

VI. The Kiss

VII. A Pair of Silk Stockings

VIII. The Locket

VIII-I

VIII-II

IX. A Reflection

ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)

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A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)

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ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)

 

ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº ¾ÆÀÏ·£µå°è ¾Æ¹öÁö¿Í ÇÁ¶û½º°è ¾î¸Ó´Ï »çÀÌ¿¡¼­ ¹ÌÁߺÎÀÇ ¼¼ÀÎÆ® ·çÀ̽º(St. Louis)¿¡¼­ ž½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ¹Ì±¹, ¾ÆÀÏ·£µå, ÇÁ¶û½º°¡ È¥ÀçµÇ¾î ÀÖ´Â ´Ù¹®È­ °¡Á¤¿¡¼­ ÀÚ¶ó ¼¼ÀÎÆ® ¼¼ÀÌÅ©¸®µå ÇÏÆ® ¾ÆÄ«µ¥¹Ì(Academy of the Sacred Heart)°ú ±×³à¿¡°Ô Å« ¿µÇâÀ» ¹ÌÄ£ ÁõÁ¶ÇÒ¸Ó´Ï(great-grandmother)¿¡°Ô ±³À° ¹Þ¾Ò½À´Ï´Ù. º»¸í ij¼­¸° ¿ÀÇ÷¹¾îƼ(Katherine O'Flaherty). 1970³â ¿À½ºÄ« ¼îÆØ(Oscar Chopin)°ú °áÈ¥Çϸç, ³²ÆíÀÇ °íÇâÀÎ ´º¿Ã¸®¾ð½º(New Orleans)·Î ÀÌÁÖÇßÀ¸³ª, ³²ÆíÀÇ »ç¾÷ ¸éÈ­ Áß°³¾÷(cotton brokerage)Àº ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò½À´Ï´Ù. ÀÌ·Î ÀÎÇØ µµ½ÉÀ» ¶°³ª, Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)°¡ °­ÇÑ ·çÀÌÁö¾Ö³ª(Louisiana) Å¬·ÎƼ¿¡ºô(Cloutierville)·Î ÀÌÁÖÇÏ¿´°í, ³óÀå °æ¿µ°ú »óÁ¡ °æ¿µ¿¡ ´Ù½Ã Çѹø µµÀüÇÏ¿´½À´Ï´Ù.

 

·çÀÌÁö¾Ö³ª Å©¸®¿Ã(Louisiana Créoles)Àº ·çÀÌÁö¾Ö³ª¿¡¼­ ž Åä¹ÚÀÌ¿Í, Å¸Áö¿¡¼­ ·çÀÌÁö¾Ö³ª·Î ÀÌÁÖÇÑ »ç¶÷À» ±¸ºÐÇϱâ À§ÇØ ºÙ¿©Áø ¿ë¾î·Î, ÇÁ¶û½º¿Í ½ºÆäÀÎÀÇ ½Ä¹ÎÁö¸¦ °ÅÄ£ ¹Ì±¹ ³²ºÎ µµ½Ã ·çÀÌÁö¾Ö³ªÀÇ ÀÎÁ¾Àû, ¹®È­Àû Ư¼ºÀ» ¹Ý¿µÇÕ´Ï´Ù. ÇÁ¶û½º¿Í ½ºÆäÀÎ, ¹Ì±¹ ±×¸®°í ¾ÆÇÁ¸®Ä«ÀÇ ¹®È­°¡ È¥ÀçµÈ ·çÀÌÁö¾Ö³ª´Â ³ë¿¹, ÀÎÁ¾ Â÷º°, È¥Ç÷ ±×¸®°í 19¼¼±â ¾ÆÀÌÆ¼ Çõ¸í(Haitian Revolution)À¸·Î À¯ÀÔµÈ ³­¹Î±îÁö º¹Àâ´Ù´ÜÇÑ Æ¯ÁúÀÌ È¥ÀçµÇ¾î ÀÖ´Â °ø°£ÀÌ¿´½À´Ï´Ù. ³²ÆíÀÌ »ç¸ÁÇÑ ÈÄ ÀûÀÝÀº ºúÀ» ¹°·Á ¹ÞÀº ¼îÆØÀº ¿©¼¸¸íÀÇ Àڳฦ ºÎ¾çÇϱâ À§ÇØ °í±ººÐÅõÇÏ¿´À¸³ª, °á±¹ ¸ðµç »ç¾÷À» Á¤¸®ÇÏ°í ¾î¸Ó´Ï°¡ °è½Å ¼¼ÀÎÆ®·çÀ̽º·Î µ¹¾Æ°©´Ï´Ù. ¾î¸Ó´ÏÀÇ µµ¿òÀ¸·Î °¡°è°¡ ¾ÈÁ¤µÇÀÚ, ÀÕ´Ù¸¥ »ç¾÷½ÇÆÐ¿Í ³²ÆíÀÇ Á×À½ µîÀ¸·Î º¹ÀâÇÑ ½É°æÀ» ´Þ·¡±â À§ÇØ ÀÇ»ç(Dr. Frederick Kolbenheyer)ÀÇ ±ÇÀ¯·Î ±Û¾²±â¸¦ ½ÃÀÛÇÕ´Ï´Ù. À̷νᠡ®ÀÛ°¡¡¯ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ »îÀÌ ½ÃÀ۵˴ϴÙ!

 

´º¿Ã¸®¾ðÁ ¹è°æÀ¸·Î ÇÑ At Fault(1890), ·çÀÌÁö¾Ö³ª¸¦ ¹è°æÀ¸·Î ÇÑ µ¥Áö·¹ÀÇ ¾Æ±â(Désirée's Baby)(1893) µî ±×³à´Â ´ëºÎºÐÀÇ ÀÛǰÀ» ÀÚ½ÅÀÌ Àß ¾Ë°í Àִ ¡®¹Ì±¹¡¯À» ¹è°æÀ¸·Î ±×·È½À´Ï´Ù. Æ¯È÷ ·çÀÌÁö¾Ö³ªÀÇ Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)¸¦ ¼¶¼¼ÇÏ°Ô ¹¦»çÇÑ ÀÛǰÀº ±×³à¿¡°Ô ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» Àß ±×·Á³½ ¹Ì±¹ÀÛ°¡¶õ Īȣ¸¦ ¼±»çÇÏ¿´½À´Ï´Ù. ´ëÇ¥ÀÛ °¢¼º(The Awakening)(1899)Àº ´ç½Ã·Î½á´Â ÆÄ°ÝÀûÀ¸·Î ¿©¼ºÀÇ ¼º(female sexuality)À» ¿©¼ºÀÇ ½Ã°¢¿¡¼­ ¹¦»çÇÏ¿´À¸¸ç, ÀÌ ¶§¹®¿¡ Æò´ÜÀÇ ±ØÂù°ú ºñ³­À» µ¿½Ã¿¡ ¹Þ¾Ò½À´Ï´Ù. ½ÇÁ¦·Î ±×³àÀÇ ÀÛǰÀº µµ¼­°ü¿¡ ºñÄ¡µÇÁö ¾Ê°Å³ª, ¿À·£ ±â°£ ÀýÆÇµÇ¾ú½À´Ï´Ù. ÀÌ·Î ÀÎÇØ ¼îÆØÀº ÀåÆí ´ë½Å Áö¿ª½Å¹®¿¡ ´Ù¾çÇÑ ´ÜÆíÀ» ¹ßÇ¥Çϸç, ÀÛ°¡·Î½áÀÇ ´Ù¸¥ ¸é¸ð¸¦ º¸¿©ÁÖ±â À§ÇØ ÀýÄ¡ºÎ½ÉÇÏ¿´½À´Ï´Ù.

 

±×·³¿¡µµ ºÒ±¸ÇÏ°í »ì¾Æ »ýÀü¿¡´Â ±×¸® Å« ÁÖ¸ñÀ» ¹ÞÁö ¸øÇÑ ÀÛ°¡¿´°í, 1970³â´ë¿¡ À̸£·¯¼­¾ß ³ë¸£¿þÀÌ ÇÐÀÚ Æä¸£ ½Ã¾î½ºÅ×µå(Per Seyersted)°¡ ±×³àÀÇ ÀÛǰÀ» 20¼¼±â ¹Ì±¹ Æä¹Ì´Ï½ºÆ® ¼Ò¼³ÀÇ ¼±±¸ÀÚ(American 20th-century feminist authors)¶õ °üÁ¡¿¡¼­ ¿¬±¸Çϱ⠽ÃÀÛÇϸ鼭 Â÷Ãû ±×³àÀÇ ÀÛǰ¿¡ ´ëÇÑ ÀçÆò°¡°¡ ÀÌ·ç¾îÁö°í ÀÖ½À´Ï´Ù. ±¹³»¿¡µµ ¹ø¿ªº»ÀÌ Á¶±Ý¾¿ Ãâ°£µÇ°í ÀÖ´Â »óȲÀÔ´Ï´Ù.

 




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