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°¢¼º(The Awakening)(1899) : 1897³â °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À¸·Î Ãâ°£µÈ ÀÛǰÀ̳ª, ´ëÁß¿¡°Ô´Â 1899³â ÀçÃâ°£ÇÑ Á¦¸ñ °¢¼º(The Awakening)(1899)À¸·Î Ä£¼÷ÇÕ´Ï´Ù. ¿øÁ¦¿¡¼Ã³·³ ÀÛ°¡ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À» °¡Áø, ¾Æ´Ï °íµ¶ÇÒ ¼ö ¹Û¿¡ ¾ø´Â ¿©ÁÖÀΰø ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)À» Áß½ÉÀ¸·Î À̾߱⸦ Àü°³ÇØ °©´Ï´Ù. ÀÛ°¡°¡ ½ÇÁ¦·Î ¿À·§µ¿¾È °ÅÁÖÇÑ 19¼¼±â ¹Ì±¹ ´º¿Ã¸®¾ðÁî(New Orleans)¿Í ·çÀÌÁö¾Ö³ª °ÉÇÁ ÇØº¯(the Louisiana Gulf coast), ±×¶û ¼¶(Grand Isle)¸¦ ¹è°æÀ¸·Î, Æä¹Ì´ÏÁò(femininity)°ú ¸ð¼º¾Ö(motherhood)¶õ ¿©¼º ´ã·ÐÀ» ¼Ò¼³ÀÇ ÁÖÁ¦·Î »ïÀº ȹ±âÀûÀÎ ÀÛǰÀ¸·Î ¹Ì±¹ ¼Ò¼³»ç¿¡¼ ¸ð´õ´ÏÁò ¹®ÇÐ(American modernist literature)ÀÇ ¼±±¸ÀÚÀÌÀÚ, ÃÖÃÊÀÇ ³²ºÎ ÀÛǰ(the first Southern works)À¸·Î °Å·ÐµË´Ï´Ù. ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)´Â ¼º°øÇÑ »ç¾÷°¡ÀÌÁö¸¸, ±×³àÀÇ ¸¶À½À» Çì¾Æ¸®Áö´Â ¸øÇÏ´Â ³²Æí ·¹¿Â½º ÆùÅÚ¸®¿¡(Léonce Pontellier)°ú °ÑÀ¸·Î´Â ´Ü¶õÇÑ °¡Á¤À» ²Ù¸®°í ÀÖ½À´Ï´Ù. ¿Ü°£³²ÀÚÀÎ ·Î¹öÆ®(Robert Lebrun)¿Í ºÒ·û¿¡ ºüÁö¸é¼, ±×³à´Â ÀÚ½ÅÀÌ ¹Ìó ¾Ë°í ÀÖÁö ¸øÇÑ ¹«¾ð°¡¸¦ ±ú´Ý°Ô µÇ´Âµ¥... ÀÛǰ¸í °¢¼º(The Awakening)(1899)Àº ÆùÅÚ¸®¾î( Pontellier) °¡¹®ÀÇ ¾Æ³» ¿¡µå³ª°¡ ³²Æí°ú ºÒ·û³² »çÀÌ¿¡¼ »õ·Ó°Ô ÀÚ°¢ÇÏ°Ô µÈ ¡®¹«¾ð°¡¡¯¸¦ ÀºÀ¯ÇÕ´Ï´Ù. ¿ì¸®¿¡ °¤Èù »õ, ´ë¾çÀ» ÇâÇØ ÇìÃÄ ³ª°¡´Â ¼ö¿µ, ÈûÂ÷°Ô ¿ï·Á ÆÛÁö´Â ÇÇ¾Æ³ë µîÀº ¾ï¾ÐµÈ »çȸ·ÎºÎÅÍ °¨±ÝµÇ¾î ÀÖ´Â ¡®¿©¼ºÀÇ Çö½Ç¡¯À» ºñÀ¯ÇÑ °ÍÀ¸·Î ÇØ¼®µË´Ï´Ù.
HBO Æ®¸²(Treme)(2010~2013) : HBO µå¶ó¸¶ Æ®¸²(Treme)Àº ´º¿Ã¸®¾ð½ºÀÇ ¼Òµµ½Ã Æ®¸²(Treme)À» ¹è°æÀ¸·Î, 2005³â ¹Ì±¹ ³²ºÎ¸¦ °Å¸ÇÑ Ç㸮ÄÉÀΠīƮ¸®³ª ÀÌÈÄÀÇ ¸ð½ÀÀ» Áö¿ª ¹®È¿Í ÇÔ²² ¹¦»çÇÑ ÀÛǰÀÔ´Ï´Ù. ½ÃÁð 4, ÃÑ 36È·Î Á¦À۵Ǿú½À´Ï´Ù. ½ÃÁð 1¿¡¼ ±³»ç Å©¸®Æ°(Creighton)Àº Çлýµé¿¡°Ô ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ °¢¼º(The Awakening)(1899)À» ¼Ò°³ÇÕ´Ï´Ù. Pay attention to the language itself. The ideas. Don't think in terms of a beginning and an end. Because unlike some plot-driven entertainments, there is no closure in real life. Not really. ¾ð¾î ÀÚü¿¡ ÁÖÀǸ¦ ±â¿ïÀ̽ʽÿÀ. ¾ÆÀ̵ð¾îµéÀÌ¿ä. ½ÃÀÛ°ú ³¡À» ³õ°í »ý°¢ÇÏÁö ¸¶¼¼¿ä. ¿Ö³ÄÇϸé ÀϺΠÀ½¸ð·ÐÀûÀÎ ¿À¶ô°ú´Â ´Þ¸®, Çö½Ç¿¡¼´Â Æó¼â¼ºÀÌ ¾ø±â ¶§¹®ÀÔ´Ï´Ù. »ç½Ç ±×·¸Áö ¾Ê¾Æ¿ä.
¡°Some of Chopin's work is equal to the best that has been produced in France or even in America. She displayed what may be described as a native aptitude for narration amounting almost to genius.¡± ¡°¼îÆØÀÇ ÀÛǰ Áß ÀϺδ ÇÁ¶û½º ¶Ç´Â ¹Ì±¹ ÃÖ°íÀÇ ÀÛǰ°ú µ¿ÀÏÇÕ´Ï´Ù. ±×³à´Â °ÅÀÇ ÃµÀç¿¡ °¡±î¿î ³ª·¹À̼ǿ¡ ´ëÇÑ Å¹¿ùÇÑ Àû¼ºÀ¸·Î ¹¦»ç µÉ ¼ö ÀÖ´Ù´Â °ÍÀ» º¸¿©ÁÖ¾ú½À´Ï´Ù.¡± ¹Ì±¹ ¹®Çб³¼ö °â ÀÛ°¡ ÇÁ·¹µå ·çÀ̽º ÆÐƼ(Fred Lewis Pattee)
"Chopin undermines patriarchy by endowing the Other, the woman, with an individual identity and a sense of self, a sense of self to which the letters she leaves behind give voice. The 'official' version of her life, that constructed by the men around her, is challenged and overthrown by the woman of the story." "¼îÆØÀº ÀÚ½ÅÀÇ Á¤Ã¼¼º°ú Àھư¨°¢À» °¡Áø »ó´ë¹æÀ» ±¼º¹½ÃÅ´À¸·Î½á °¡ºÎÀåÁ¦¸¦ ºÎ½¤¹ö¸³´Ï´Ù. ±×³à°¡ ³²±ä ±ÛÀÚµéÀÌ ¸ñ¼Ò¸®¸¦ ³»´Â Àھư¨°¢ÀÌÁÒ. ÁÖº¯ ³²Àڵ鿡 ÀÇÇØ °Ç¼³µÈ ±×³àÀÇ »îÀÇ '°ø½Ä' ¹öÀüÀº À̾߱⠼ÓÀÇ ¿©ÁÖÀΰø¿¡ ÀÇÇØ µµÀü¹Þ°í Àüº¹µË´Ï´Ù.¡° Jane Le Marquand
-¸ñÂ÷(Index)- ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯ 9°¡Áö Ű¿öµå·Î Àд ÄÉÀÌÆ® ¼îÆØ(Kate Chopin) by Á¶¸íÈ ÆíÁýÀå 01. ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» °¡Àå Àß ´ã¾Æ³½ ¹Ì±¹ ÀÛ°¡(1850~1904) 02. ÇÁ¶û½º ÀÛ°¡ ±â µå ¸ðÆÄ»ó(Guy de Maupassant)ÀÇ ¾Öµ¶ÀÚ 03. °¢¼º(The Awakening)(1899) 04. ¿µÈ ±×·£µå ¾ÆÀÏ(Grand Isle)(1991) 05. ´ÙÅ¥¸àÅ͸® Àç°¢¼º(A Reawakening)(1998) 06. HBO Æ®¸²(Treme)(2010~2013) 07. ¹Ì±¹¿¡¼ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)¸¦ ¸¸³ª´Â Àå¼Ò TOP5 08. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÄÉÀÌÆ® ¼îÆØ(Kate Chopin) 09. ¾î·Ï(Quotes)(30) ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(The Awakening, and Selected Short Stories by Kate Chopin)(1899) I. The Awakening I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX II. Beyond the Bayou III. Ma¡¯ame Pelagie III-I III-II III-III III-IV IV. Desiree¡¯s Baby V. A Respectable Woman VI. The Kiss VII. A Pair of Silk Stockings VIII. The Locket VIII-I VIII-II IX. A Reflection ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds¡¯s Classics) A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆÇ¸Åµµ¼ 100À§(Top 100 Books) A02. ¼¿ï´ë ±ÇÀåµµ¼ 100 A03. ¿¬¼¼Çʵ¶µµ¼ °íÀü 200¼± A04. °í·Á´ëÇб³ ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼± A05. ¼¿ï´ë, ¿¬¼¼´ë, °í·Á´ë °øÅë ±ÇÀåµµ¼ 60±Ç A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼± A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼± A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼ 100¼± A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼(44) A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio books legally?) A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books) Á¶¸íÈ ÆíÁýÀåÀÇ ±¹³»ÀÏÁÖ(Korea Round Travel) & ¼¼°èÀÏÁÖ(World Round Travel)(049) Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼± Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(954)
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